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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3383C7 it is the complementary color #CC7C38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3383C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3383C7 shade: #3883C2, #4995D5, #5AA7E8, #6BB9FB and #7CCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3383C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3383C7 shade: #3383C7, #2271B4, #115FA1, #004D8E and #003B7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3383C7 shade: #3382C6, #335BC6, #3333C6, #5A33C6 and #8233C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3383C7 shade: #3382C6, #335BC6, #3333C6 and #3333C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3383C7 shade matches the following richer shades: #3382C6, #1F84DA and #0A86EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3383C7 shade: #3382C6, #4781B2, #5B7F9E, #6F7E8A and #847C75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3383C7 shade: #33C6BA, #33ABC6, #3384C6, #335DC6 and #3335C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3383C7 shade: #225785, #2A6DA5, #3382C6, #5196D2 and #71AADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3383C7 shade: #3383C7, #9333C6 and #BFC633

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3383C7 shade: #3383C7, #C63384 and #84C633

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3383C7 shade: #3383C7, #9333C6, #C67533 and #66C633

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3383C7 shade: #3383C7, #BF33C6, #C67533 and #3AC633

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 34 / 0 / 22

HEX #3383C7

RGB 51 131 199

HSL 207.57, 0.59%, 0.49%

LAB 53.02, -1.13, -42.25

 

Complementary color

CMYK 0 / 39 / 73 / 20

HEX #CC7C38

RGB 204 124 56

HSL 27.57, 0.59%, 0.51%

LAB 59.47, 25.49, 48.77

 

CMYK 71 / 32 / 0 / 24

HEX #3883C2

RGB 56 131 194

HSL 207.39, 0.55%, 0.49%

LAB 52.91, -2.23, -39.55

 

CMYK 66 / 30 / 0 / 16

HEX #4995D5

RGB 73 149 213

HSL 207.43, 0.63%, 0.56%

LAB 59.63, -3.49, -39.68

 

CMYK 61 / 28 / 0 / 9

HEX #5AA7E8

RGB 90 167 232

HSL 207.46, 0.76%, 0.63%

LAB 66.24, -4.49, -39.8

 

CMYK 57 / 26 / 0 / 2

HEX #6BB9FB

RGB 107 185 251

HSL 207.5, 0.95%, 0.7%

LAB 72.75, -5.3, -39.92

 

CMYK 51 / 20 / 0 / 0

HEX #7CCBFF

RGB 124 203 255

HSL 203.82, 1%, 0.74%

LAB 78.59, -10.32, -32.97

 

CMYK 74 / 34 / 0 / 22

HEX #3383C7

RGB 51 131 199

HSL 207.57, 0.59%, 0.49%

LAB 53.02, -1.13, -42.25

 

CMYK 81 / 37 / 0 / 29

HEX #2271B4

RGB 34 113 180

HSL 207.53, 0.68%, 0.42%

LAB 46.24, 0.74, -42.09

 

CMYK 89 / 41 / 0 / 37

HEX #115FA1

RGB 17 95 161

HSL 207.5, 0.81%, 0.35%

LAB 39.37, 3.18, -41.86

 

CMYK 100 / 46 / 0 / 44

HEX #004D8E

RGB 0 77 142

HSL 207.46, 1%, 0.28%

LAB 32.39, 6.21, -41.58

 

CMYK 100 / 52 / 0 / 52

HEX #003B7B

RGB 0 59 123

HSL 211.22, 1%, 0.24%

LAB 25.44, 10.46, -41

 

CMYK 74 / 34 / 0 / 22

HEX #3382C6

RGB 51 130 198

HSL 207.76, 0.59%, 0.49%

LAB 52.67, -0.89, -42.22

 

CMYK 74 / 54 / 0 / 22

HEX #335BC6

RGB 51 91 198

HSL 223.67, 0.59%, 0.49%

LAB 41.63, 23.58, -59.9

 

CMYK 74 / 74 / 0 / 22

HEX #3333C6

RGB 51 51 198

HSL 240, 0.59%, 0.49%

LAB 32.14, 48.39, -75.44

 

CMYK 55 / 74 / 0 / 22

HEX #5A33C6

RGB 90 51 198

HSL 255.92, 0.59%, 0.49%

LAB 35.24, 52.86, -70.23

 

CMYK 34 / 74 / 0 / 22

HEX #8233C6

RGB 130 51 198

HSL 272.24, 0.59%, 0.49%

LAB 39.9, 59.31, -62.42

 

CMYK 74 / 34 / 0 / 22

HEX #3382C6

RGB 51 130 198

HSL 207.76, 0.59%, 0.49%

LAB 52.67, -0.89, -42.22

 

CMYK 74 / 54 / 0 / 22

HEX #335BC6

RGB 51 91 198

HSL 223.67, 0.59%, 0.49%

LAB 41.63, 23.58, -59.9

 

CMYK 74 / 74 / 0 / 22

HEX #3333C6

RGB 51 51 198

HSL 240, 0.59%, 0.49%

LAB 32.14, 48.39, -75.44

 

CMYK 74 / 74 / 0 / 22

HEX #3333C6

RGB 51 51 198

HSL 240, 0.59%, 0.49%

LAB 32.14, 48.39, -75.44

 

CMYK 74 / 34 / 0 / 22

HEX #3382C6

RGB 51 130 198

HSL 207.76, 0.59%, 0.49%

LAB 52.67, -0.89, -42.22

 

CMYK 86 / 39 / 0 / 15

HEX #1F84DA

RGB 31 132 218

HSL 207.59, 0.75%, 0.49%

LAB 53.87, 3.34, -51.66

 

CMYK 96 / 44 / 0 / 6

HEX #0A86EF

RGB 10 134 239

HSL 207.51, 0.92%, 0.49%

LAB 55.43, 9.16, -60.92

 

CMYK 74 / 34 / 0 / 22

HEX #3382C6

RGB 51 130 198

HSL 207.76, 0.59%, 0.49%

LAB 52.67, -0.89, -42.22

 

CMYK 60 / 28 / 0 / 30

HEX #4781B2

RGB 71 129 178

HSL 207.48, 0.43%, 0.49%

LAB 52.12, -3.95, -31.58

 

CMYK 42 / 20 / 0 / 38

HEX #5B7F9E

RGB 91 127 158

HSL 207.76, 0.27%, 0.49%

LAB 51.69, -4.24, -20.59

 

CMYK 20 / 9 / 0 / 46

HEX #6F7E8A

RGB 111 126 138

HSL 206.67, 0.11%, 0.49%

LAB 51.99, -2.76, -8.35

 

CMYK 0 / 6 / 11 / 48

HEX #847C75

RGB 132 124 117

HSL 28, 0.06%, 0.49%

LAB 52.51, 1.75, 4.9

 

CMYK 74 / 0 / 6 / 22

HEX #33C6BA

RGB 51 198 186

HSL 175.1, 0.59%, 0.49%

LAB 72.65, -40.1, -4.94

 

CMYK 74 / 14 / 0 / 22

HEX #33ABC6

RGB 51 171 198

HSL 191.02, 0.59%, 0.49%

LAB 64.89, -23.58, -23.21

 

CMYK 74 / 33 / 0 / 22

HEX #3384C6

RGB 51 132 198

HSL 206.94, 0.59%, 0.49%

LAB 53.26, -2.08, -41.3

 

CMYK 74 / 53 / 0 / 22

HEX #335DC6

RGB 51 93 198

HSL 222.86, 0.59%, 0.49%

LAB 42.17, 22.28, -59.03

 

CMYK 74 / 73 / 0 / 22

HEX #3335C6

RGB 51 53 198

HSL 239.18, 0.59%, 0.49%

LAB 32.54, 47.27, -74.78

 

CMYK 74 / 35 / 0 / 48

HEX #225785

RGB 34 87 133

HSL 207.88, 0.59%, 0.33%

LAB 35.69, -0.98, -30.77

 

CMYK 75 / 34 / 0 / 35

HEX #2A6DA5

RGB 42 109 165

HSL 207.32, 0.59%, 0.41%

LAB 44.44, -1.5, -36.14

 

CMYK 74 / 34 / 0 / 22

HEX #3382C6

RGB 51 130 198

HSL 207.76, 0.59%, 0.49%

LAB 52.67, -0.89, -42.22

 

CMYK 61 / 29 / 0 / 18

HEX #5196D2

RGB 81 150 210

HSL 207.91, 0.59%, 0.57%

LAB 60.08, -3.65, -37.27

 

CMYK 48 / 22 / 0 / 15

HEX #71AADA

RGB 113 170 218

HSL 207.43, 0.59%, 0.65%

LAB 67.52, -5.61, -30.04

 

CMYK 74 / 34 / 0 / 22

HEX #3383C7

RGB 51 131 199

HSL 207.57, 0.59%, 0.49%

LAB 53.02, -1.13, -42.25

 

CMYK 26 / 74 / 0 / 22

HEX #9333C6

RGB 147 51 198

HSL 279.18, 0.59%, 0.49%

LAB 42.23, 62.43, -58.53

 

CMYK 4 / 0 / 74 / 22

HEX #BFC633

RGB 191 198 51

HSL 62.86, 0.59%, 0.49%

LAB 77.1, -19.63, 67.7

 

CMYK 74 / 34 / 0 / 22

HEX #3383C7

RGB 51 131 199

HSL 207.57, 0.59%, 0.49%

LAB 53.02, -1.13, -42.25

 

CMYK 0 / 74 / 33 / 22

HEX #C63384

RGB 198 51 132

HSL 326.94, 0.59%, 0.49%

LAB 47.03, 63.53, -11.16

 

CMYK 33 / 0 / 74 / 22

HEX #84C633

RGB 132 198 51

HSL 86.94, 0.59%, 0.49%

LAB 73.24, -43.07, 62.67

 

CMYK 74 / 34 / 0 / 22

HEX #3383C7

RGB 51 131 199

HSL 207.57, 0.59%, 0.49%

LAB 53.02, -1.13, -42.25

 

CMYK 26 / 74 / 0 / 22

HEX #9333C6

RGB 147 51 198

HSL 279.18, 0.59%, 0.49%

LAB 42.23, 62.43, -58.53

 

CMYK 0 / 41 / 74 / 22

HEX #C67533

RGB 198 117 51

HSL 26.94, 0.59%, 0.49%

LAB 57.04, 26.52, 48.35

 

CMYK 48 / 0 / 74 / 22

HEX #66C633

RGB 102 198 51

HSL 99.18, 0.59%, 0.49%

LAB 71.86, -53.01, 60.85

 

CMYK 74 / 34 / 0 / 22

HEX #3383C7

RGB 51 131 199

HSL 207.57, 0.59%, 0.49%

LAB 53.02, -1.13, -42.25

 

CMYK 4 / 74 / 0 / 22

HEX #BF33C6

RGB 191 51 198

HSL 297.14, 0.59%, 0.49%

LAB 48.91, 71.15, -47.44

 

CMYK 0 / 41 / 74 / 22

HEX #C67533

RGB 198 117 51

HSL 26.94, 0.59%, 0.49%

LAB 57.04, 26.52, 48.35

 

CMYK 71 / 0 / 74 / 22

HEX #3AC633

RGB 58 198 51

HSL 117.14, 0.59%, 0.49%

LAB 70.54, -63.56, 59.1

 

Description

Color code: HEX #3383C7 | qconv.com Color code: HEX #3383C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 131 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 131 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 34 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 34% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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