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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #338079 it is the complementary color #CC7F86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #338079. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #338079 shade: #388074, #499287, #5AA49A, #6BB6AD and #7CC8C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #338079. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #338079 shade: #338079, #226E66, #115C53, #004A40 and #00382D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #338079 shade: #327F78, #327F63, #327F4F, #327F3A and #3F7F32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #338079 shade: #327F78, #32717F, #325D7F, #32487F and #32337F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #338079 shade matches the following richer shades: #327F78, #248E84, #159C90 and #07AA9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #338079 shade: #327F78, #41716C, #4F6261, #5E5455 and #6C4549

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #338079 shade: #327F4F, #327F63, #327F77, #32727F and #325E7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #338079 shade: #1B4440, #27625C, #327F78, #3E9D94 and #4CB8AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #338079 shade: #338079, #3A327F and #7F5932

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #338079 shade: #338079, #77327F and #7F7732

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #338079 shade: #338079, #3A327F, #7F323A and #777F32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #338079 shade: #338079, #51327F, #7F323A and #607F32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 5 / 50

HEX #338079

RGB 51 128 121

HSL 174.55, 0.43%, 0.35%

LAB 48.91, -25.28, -3.29

 

Complementary color

CMYK 0 / 38 / 34 / 20

HEX #CC7F86

RGB 204 127 134

HSL 354.55, 0.43%, 0.65%

LAB 61.43, 30.67, 8.85

 

CMYK 56 / 0 / 9 / 50

HEX #388074

RGB 56 128 116

HSL 170, 0.39%, 0.36%

LAB 48.93, -25.6, -0.3

 

CMYK 50 / 0 / 8 / 43

HEX #499287

RGB 73 146 135

HSL 170.96, 0.33%, 0.43%

LAB 55.81, -25.62, -1.19

 

CMYK 45 / 0 / 6 / 36

HEX #5AA49A

RGB 90 164 154

HSL 171.89, 0.29%, 0.5%

LAB 62.56, -25.57, -2

 

CMYK 41 / 0 / 5 / 29

HEX #6BB6AD

RGB 107 182 173

HSL 172.8, 0.34%, 0.57%

LAB 69.18, -25.48, -2.75

 

CMYK 38 / 0 / 4 / 22

HEX #7CC8C0

RGB 124 200 192

HSL 173.68, 0.41%, 0.64%

LAB 75.7, -25.37, -3.44

 

CMYK 60 / 0 / 5 / 50

HEX #338079

RGB 51 128 121

HSL 174.55, 0.43%, 0.35%

LAB 48.91, -25.28, -3.29

 

CMYK 69 / 0 / 7 / 57

HEX #226E66

RGB 34 110 102

HSL 173.68, 0.53%, 0.28%

LAB 41.92, -24.91, -2.31

 

CMYK 82 / 0 / 10 / 64

HEX #115C53

RGB 17 92 83

HSL 172.8, 0.69%, 0.21%

LAB 34.8, -24.17, -1.15

 

CMYK 100 / 0 / 14 / 71

HEX #004A40

RGB 0 74 64

HSL 171.89, 1%, 0.15%

LAB 27.48, -23.1, 0.2

 

CMYK 100 / 0 / 20 / 78

HEX #00382D

RGB 0 56 45

HSL 168.21, 1%, 0.11%

LAB 20.12, -20.26, 2.09

 

CMYK 61 / 0 / 6 / 50

HEX #327F78

RGB 50 127 120

HSL 174.55, 0.44%, 0.35%

LAB 48.53, -25.26, -3.27

 

CMYK 61 / 0 / 22 / 50

HEX #327F63

RGB 50 127 99

HSL 158.18, 0.44%, 0.35%

LAB 47.95, -30.85, 8.25

 

CMYK 61 / 0 / 38 / 50

HEX #327F4F

RGB 50 127 79

HSL 142.6, 0.44%, 0.35%

LAB 47.52, -35.3, 19.22

 

CMYK 61 / 0 / 54 / 50

HEX #327F3A

RGB 50 127 58

HSL 126.23, 0.44%, 0.35%

LAB 47.19, -38.95, 30.33

 

CMYK 50 / 0 / 61 / 50

HEX #3F7F32

RGB 63 127 50

HSL 109.87, 0.44%, 0.35%

LAB 47.58, -36.33, 34.99

 

CMYK 61 / 0 / 6 / 50

HEX #327F78

RGB 50 127 120

HSL 174.55, 0.44%, 0.35%

LAB 48.53, -25.26, -3.27

 

CMYK 61 / 11 / 0 / 50

HEX #32717F

RGB 50 113 127

HSL 190.91, 0.44%, 0.35%

LAB 44.26, -15.71, -13.82

 

CMYK 61 / 27 / 0 / 50

HEX #325D7F

RGB 50 93 127

HSL 206.49, 0.44%, 0.35%

LAB 37.91, -3.98, -23.58

 

CMYK 61 / 43 / 0 / 50

HEX #32487F

RGB 50 72 127

HSL 222.86, 0.44%, 0.35%

LAB 31.45, 9.58, -33.75

 

CMYK 61 / 60 / 0 / 50

HEX #32337F

RGB 50 51 127

HSL 239.22, 0.44%, 0.35%

LAB 25.5, 23.8, -43.32

 

CMYK 61 / 0 / 6 / 50

HEX #327F78

RGB 50 127 120

HSL 174.55, 0.44%, 0.35%

LAB 48.53, -25.26, -3.27

 

CMYK 75 / 0 / 7 / 44

HEX #248E84

RGB 36 142 132

HSL 174.34, 0.6%, 0.35%

LAB 53.37, -31.44, -3.17

 

CMYK 87 / 0 / 8 / 39

HEX #159C90

RGB 21 156 144

HSL 174.67, 0.76%, 0.35%

LAB 57.99, -35.93, -3.27

 

CMYK 96 / 0 / 8 / 33

HEX #07AA9C

RGB 7 170 156

HSL 174.85, 0.92%, 0.35%

LAB 62.67, -39.43, -3.16

 

CMYK 61 / 0 / 6 / 50

HEX #327F78

RGB 50 127 120

HSL 174.55, 0.44%, 0.35%

LAB 48.53, -25.26, -3.27

 

CMYK 42 / 0 / 4 / 56

HEX #41716C

RGB 65 113 108

HSL 173.75, 0.27%, 0.35%

LAB 44.26, -17.61, -2.36

 

CMYK 19 / 0 / 1 / 62

HEX #4F6261

RGB 79 98 97

HSL 176.84, 0.11%, 0.35%

LAB 40.02, -7.39, -1.82

 

CMYK 0 / 11 / 10 / 63

HEX #5E5455

RGB 94 84 85

HSL 354, 0.06%, 0.35%

LAB 36.7, 4.29, 0.9

 

CMYK 0 / 36 / 32 / 58

HEX #6C4549

RGB 108 69 73

HSL 353.85, 0.22%, 0.35%

LAB 33.83, 17.39, 4.54

 

CMYK 61 / 0 / 38 / 50

HEX #327F4F

RGB 50 127 79

HSL 142.6, 0.44%, 0.35%

LAB 47.52, -35.3, 19.22

 

CMYK 61 / 0 / 22 / 50

HEX #327F63

RGB 50 127 99

HSL 158.18, 0.44%, 0.35%

LAB 47.95, -30.85, 8.25

 

CMYK 61 / 0 / 6 / 50

HEX #327F77

RGB 50 127 119

HSL 173.77, 0.44%, 0.35%

LAB 48.5, -25.55, -2.73

 

CMYK 61 / 10 / 0 / 50

HEX #32727F

RGB 50 114 127

HSL 190.13, 0.44%, 0.35%

LAB 44.58, -16.27, -13.33

 

CMYK 61 / 26 / 0 / 50

HEX #325E7F

RGB 50 94 127

HSL 205.71, 0.44%, 0.35%

LAB 38.23, -4.59, -23.09

 

CMYK 60 / 0 / 6 / 73

HEX #1B4440

RGB 27 68 64

HSL 174.15, 0.43%, 0.19%

LAB 25.97, -15.46, -1.94

 

CMYK 60 / 0 / 6 / 62

HEX #27625C

RGB 39 98 92

HSL 173.9, 0.43%, 0.27%

LAB 37.73, -20.68, -2.35

 

CMYK 61 / 0 / 6 / 50

HEX #327F78

RGB 50 127 120

HSL 174.55, 0.44%, 0.35%

LAB 48.53, -25.26, -3.27

 

CMYK 61 / 0 / 6 / 38

HEX #3E9D94

RGB 62 157 148

HSL 174.32, 0.43%, 0.43%

LAB 59.23, -29.93, -3.63

 

CMYK 59 / 0 / 5 / 28

HEX #4CB8AE

RGB 76 184 174

HSL 174.44, 0.43%, 0.51%

LAB 68.66, -33.17, -4.2

 

CMYK 60 / 0 / 5 / 50

HEX #338079

RGB 51 128 121

HSL 174.55, 0.43%, 0.35%

LAB 48.91, -25.28, -3.29

 

CMYK 54 / 61 / 0 / 50

HEX #3A327F

RGB 58 50 127

HSL 246.23, 0.44%, 0.35%

LAB 25.9, 26.1, -42.64

 

CMYK 0 / 30 / 61 / 50

HEX #7F5932

RGB 127 89 50

HSL 30.39, 0.44%, 0.35%

LAB 41.04, 11.11, 28.52

 

CMYK 60 / 0 / 5 / 50

HEX #338079

RGB 51 128 121

HSL 174.55, 0.43%, 0.35%

LAB 48.91, -25.28, -3.29

 

CMYK 6 / 61 / 0 / 50

HEX #77327F

RGB 119 50 127

HSL 293.77, 0.44%, 0.35%

LAB 33.43, 41.76, -30.17

 

CMYK 0 / 6 / 61 / 50

HEX #7F7732

RGB 127 119 50

HSL 53.77, 0.44%, 0.35%

LAB 49.42, -6.33, 38.24

 

CMYK 60 / 0 / 5 / 50

HEX #338079

RGB 51 128 121

HSL 174.55, 0.43%, 0.35%

LAB 48.91, -25.28, -3.29

 

CMYK 54 / 61 / 0 / 50

HEX #3A327F

RGB 58 50 127

HSL 246.23, 0.44%, 0.35%

LAB 25.9, 26.1, -42.64

 

CMYK 0 / 61 / 54 / 50

HEX #7F323A

RGB 127 50 58

HSL 353.77, 0.44%, 0.35%

LAB 32.03, 34.07, 12.1

 

CMYK 6 / 0 / 61 / 50

HEX #777F32

RGB 119 127 50

HSL 66.23, 0.44%, 0.35%

LAB 51.07, -14.34, 39.88

 

CMYK 60 / 0 / 5 / 50

HEX #338079

RGB 51 128 121

HSL 174.55, 0.43%, 0.35%

LAB 48.91, -25.28, -3.29

 

CMYK 36 / 61 / 0 / 50

HEX #51327F

RGB 81 50 127

HSL 264.16, 0.44%, 0.35%

LAB 28.28, 31.53, -38.67

 

CMYK 0 / 61 / 54 / 50

HEX #7F323A

RGB 127 50 58

HSL 353.77, 0.44%, 0.35%

LAB 32.03, 34.07, 12.1

 

CMYK 24 / 0 / 61 / 50

HEX #607F32

RGB 96 127 50

HSL 84.16, 0.44%, 0.35%

LAB 49.37, -24.22, 37.51

 

Description

Color code: HEX #338079 | qconv.com Color code: HEX #338079 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 128 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 128 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 5 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 5% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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