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Color name
HEX #337C1C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337C1C it is the complementary color #CC83E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337C1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337C1C shade: #387C17, #498E2A, #5AA03D, #6BB250 and #7CC463

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337C1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337C1C shade: #337C1C, #226A09, #115800, #004600 and #003400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337C1C shade: #337C1C, #4D7C1C, #677C1C, #7C781C and #7C5E1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337C1C shade: #337C1C, #1C7C1F, #1C7C39, #1C7C53 and #1C7C6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337C1C shade matches the following richer shades: #337C1C, #2C890F and #269503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337C1C shade: #337C1C, #397028, #406335, #465741 and #4D4B4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337C1C shade: #677C1C, #4E7C1C, #347C1C, #1C7C1D and #1C7C37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337C1C shade: #17390D, #255B14, #337C1C, #419E23 and #4FBF2B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337C1C shade: #337C1C, #1C7C77 and #7C1C5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337C1C shade: #337C1C, #1C347C and #7C1C34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337C1C shade: #337C1C, #1C7C77, #641C7C and #7C1C21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337C1C shade: #337C1C, #1C647C, #641C7C and #7C341C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 77 / 51

HEX #337C1C

RGB 51 124 28

HSL 105.63, 0.63%, 0.3%

LAB 45.91, -40.81, 42.73

 

Complementary color

CMYK 10 / 42 / 0 / 11

HEX #CC83E3

RGB 204 131 227

HSL 285.63, 0.63%, 0.7%

LAB 65.45, 43.99, -37.67

 

CMYK 55 / 0 / 81 / 51

HEX #387C17

RGB 56 124 23

HSL 100.4, 0.69%, 0.29%

LAB 46.07, -39.69, 44.7

 

CMYK 49 / 0 / 70 / 44

HEX #498E2A

RGB 73 142 42

HSL 101.4, 0.54%, 0.36%

LAB 52.87, -40.32, 44.57

 

CMYK 44 / 0 / 62 / 37

HEX #5AA03D

RGB 90 160 61

HSL 102.42, 0.45%, 0.43%

LAB 59.57, -40.6, 43.75

 

CMYK 40 / 0 / 55 / 30

HEX #6BB250

RGB 107 178 80

HSL 103.47, 0.39%, 0.51%

LAB 66.17, -40.67, 42.65

 

CMYK 37 / 0 / 49 / 23

HEX #7CC463

RGB 124 196 99

HSL 104.54, 0.45%, 0.58%

LAB 72.67, -40.62, 41.46

 

CMYK 59 / 0 / 77 / 51

HEX #337C1C

RGB 51 124 28

HSL 105.63, 0.63%, 0.3%

LAB 45.91, -40.81, 42.73

 

CMYK 68 / 0 / 92 / 58

HEX #226A09

RGB 34 106 9

HSL 104.54, 0.84%, 0.23%

LAB 39.02, -39.58, 42.01

 

CMYK 81 / 0 / 100 / 65

HEX #115800

RGB 17 88 0

HSL 108.41, 1%, 0.17%

LAB 32.03, -37.25, 38.63

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 59 / 0 / 77 / 51

HEX #337C1C

RGB 51 124 28

HSL 105.63, 0.63%, 0.3%

LAB 45.91, -40.81, 42.73

 

CMYK 38 / 0 / 77 / 51

HEX #4D7C1C

RGB 77 124 28

HSL 89.38, 0.63%, 0.3%

LAB 47.08, -32.13, 44.27

 

CMYK 17 / 0 / 77 / 51

HEX #677C1C

RGB 103 124 28

HSL 73.13, 0.63%, 0.3%

LAB 48.74, -21.36, 46.44

 

CMYK 0 / 3 / 77 / 51

HEX #7C781C

RGB 124 120 28

HSL 57.5, 0.63%, 0.3%

LAB 49.25, -9.65, 47.54

 

CMYK 0 / 24 / 77 / 51

HEX #7C5E1C

RGB 124 94 28

HSL 41.25, 0.63%, 0.3%

LAB 41.8, 5.28, 40.44

 

CMYK 59 / 0 / 77 / 51

HEX #337C1C

RGB 51 124 28

HSL 105.63, 0.63%, 0.3%

LAB 45.91, -40.81, 42.73

 

CMYK 77 / 0 / 75 / 51

HEX #1C7C1F

RGB 28 124 31

HSL 121.88, 0.63%, 0.3%

LAB 45.31, -45.73, 40.76

 

CMYK 77 / 0 / 54 / 51

HEX #1C7C39

RGB 28 124 57

HSL 138.13, 0.63%, 0.3%

LAB 45.58, -42.48, 28.75

 

CMYK 77 / 0 / 33 / 51

HEX #1C7C53

RGB 28 124 83

HSL 154.38, 0.63%, 0.3%

LAB 46.02, -37.38, 14.8

 

CMYK 77 / 0 / 12 / 51

HEX #1C7C6D

RGB 28 124 109

HSL 170.63, 0.63%, 0.3%

LAB 46.67, -30.61, 0.43

 

CMYK 59 / 0 / 77 / 51

HEX #337C1C

RGB 51 124 28

HSL 105.63, 0.63%, 0.3%

LAB 45.91, -40.81, 42.73

 

CMYK 68 / 0 / 89 / 46

HEX #2C890F

RGB 44 137 15

HSL 105.74, 0.8%, 0.3%

LAB 50.05, -48.11, 50.38

 

CMYK 74 / 0 / 98 / 42

HEX #269503

RGB 38 149 3

HSL 105.62, 0.96%, 0.3%

LAB 53.94, -53.69, 55.76

 

CMYK 59 / 0 / 77 / 51

HEX #337C1C

RGB 51 124 28

HSL 105.63, 0.63%, 0.3%

LAB 45.91, -40.81, 42.73

 

CMYK 49 / 0 / 64 / 56

HEX #397028

RGB 57 112 40

HSL 105.83, 0.47%, 0.3%

LAB 42.17, -32.86, 33.66

 

CMYK 35 / 0 / 46 / 61

HEX #406335

RGB 64 99 53

HSL 105.65, 0.3%, 0.3%

LAB 38.32, -22.41, 22.19

 

CMYK 20 / 0 / 25 / 66

HEX #465741

RGB 70 87 65

HSL 106.36, 0.14%, 0.3%

LAB 35, -11.38, 10.67

 

CMYK 0 / 3 / 0 / 70

HEX #4D4B4D

RGB 77 75 77

HSL 300, 0.01%, 0.3%

LAB 32.14, 1.26, -0.9

 

CMYK 17 / 0 / 77 / 51

HEX #677C1C

RGB 103 124 28

HSL 73.13, 0.63%, 0.3%

LAB 48.74, -21.36, 46.44

 

CMYK 37 / 0 / 77 / 51

HEX #4E7C1C

RGB 78 124 28

HSL 88.75, 0.63%, 0.3%

LAB 47.13, -31.75, 44.34

 

CMYK 58 / 0 / 77 / 51

HEX #347C1C

RGB 52 124 28

HSL 105, 0.63%, 0.3%

LAB 45.95, -40.53, 42.78

 

CMYK 77 / 0 / 77 / 51

HEX #1C7C1D

RGB 28 124 29

HSL 120.63, 0.63%, 0.3%

LAB 45.29, -45.9, 41.53

 

CMYK 77 / 0 / 56 / 51

HEX #1C7C37

RGB 28 124 55

HSL 136.88, 0.63%, 0.3%

LAB 45.55, -42.79, 29.77

 

CMYK 60 / 0 / 77 / 78

HEX #17390D

RGB 23 57 13

HSL 106.36, 0.63%, 0.14%

LAB 20.59, -22.26, 22.81

 

CMYK 59 / 0 / 78 / 64

HEX #255B14

RGB 37 91 20

HSL 105.63, 0.64%, 0.22%

LAB 33.83, -32.17, 33.61

 

CMYK 59 / 0 / 77 / 51

HEX #337C1C

RGB 51 124 28

HSL 105.63, 0.63%, 0.3%

LAB 45.91, -40.81, 42.73

 

CMYK 59 / 0 / 78 / 38

HEX #419E23

RGB 65 158 35

HSL 105.37, 0.64%, 0.38%

LAB 57.75, -49.44, 52.01

 

CMYK 59 / 0 / 77 / 25

HEX #4FBF2B

RGB 79 191 43

HSL 105.41, 0.63%, 0.46%

LAB 68.82, -57.27, 60.24

 

CMYK 59 / 0 / 77 / 51

HEX #337C1C

RGB 51 124 28

HSL 105.63, 0.63%, 0.3%

LAB 45.91, -40.81, 42.73

 

CMYK 77 / 0 / 4 / 51

HEX #1C7C77

RGB 28 124 119

HSL 176.88, 0.63%, 0.3%

LAB 46.97, -27.63, -5.05

 

CMYK 0 / 77 / 27 / 51

HEX #7C1C5A

RGB 124 28 90

HSL 321.25, 0.63%, 0.3%

LAB 29.04, 46.33, -13.31

 

CMYK 59 / 0 / 77 / 51

HEX #337C1C

RGB 51 124 28

HSL 105.63, 0.63%, 0.3%

LAB 45.91, -40.81, 42.73

 

CMYK 77 / 58 / 0 / 51

HEX #1C347C

RGB 28 52 124

HSL 225, 0.63%, 0.3%

LAB 24.19, 18.34, -43.62

 

CMYK 0 / 77 / 58 / 51

HEX #7C1C34

RGB 124 28 52

HSL 345, 0.63%, 0.3%

LAB 27.75, 42.23, 10.12

 

CMYK 59 / 0 / 77 / 51

HEX #337C1C

RGB 51 124 28

HSL 105.63, 0.63%, 0.3%

LAB 45.91, -40.81, 42.73

 

CMYK 77 / 0 / 4 / 51

HEX #1C7C77

RGB 28 124 119

HSL 176.88, 0.63%, 0.3%

LAB 46.97, -27.63, -5.05

 

CMYK 19 / 77 / 0 / 51

HEX #641C7C

RGB 100 28 124

HSL 285, 0.63%, 0.3%

LAB 26.72, 46.33, -39.16

 

CMYK 0 / 77 / 73 / 51

HEX #7C1C21

RGB 124 28 33

HSL 356.88, 0.63%, 0.3%

LAB 27.37, 40.98, 22.24

 

CMYK 59 / 0 / 77 / 51

HEX #337C1C

RGB 51 124 28

HSL 105.63, 0.63%, 0.3%

LAB 45.91, -40.81, 42.73

 

CMYK 77 / 19 / 0 / 51

HEX #1C647C

RGB 28 100 124

HSL 195, 0.63%, 0.3%

LAB 39.27, -13.12, -19.71

 

CMYK 19 / 77 / 0 / 51

HEX #641C7C

RGB 100 28 124

HSL 285, 0.63%, 0.3%

LAB 26.72, 46.33, -39.16

 

CMYK 0 / 58 / 77 / 51

HEX #7C341C

RGB 124 52 28

HSL 15, 0.63%, 0.3%

LAB 31.4, 29.73, 29.84

 

Description

Color code: HEX #337C1C | qconv.com Color code: HEX #337C1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 124 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 124 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 77 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 77% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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