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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33545E it is the complementary color #CCABA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33545E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33545E shade: #385459, #49666C, #5A787F, #6B8A92 and #7C9CA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33545E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33545E shade: #33545E, #22424B, #113038, #001E25 and #000C12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33545E shade: #31525C, #31475C, #313B5C, #33315C and #3F315C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33545E shade: #31525C, #31475C, #313B5C and #31315C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33545E shade matches the following richer shades: #31525C, #265968, #1A5F73, #0F657F and #036B8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33545E shade: #31525C, #3D4C51, #494645, #54403A and #603A2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33545E shade: #315C4F, #315C5A, #31535C, #31485C and #313C5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33545E shade: #152227, #233A42, #31525C, #406A77 and #4E8292

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33545E shade: #33545E, #43315C and #5C5431

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33545E shade: #33545E, #5C3153 and #535C31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33545E shade: #33545E, #43315C, #5C3B31 and #4A5C31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33545E shade: #33545E, #50315C, #5C3B31 and #3E5C31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 11 / 0 / 63

HEX #33545E

RGB 51 84 94

HSL 193.95, 0.3%, 0.28%

LAB 33.67, -9.06, -9.6

 

Complementary color

CMYK 0 / 16 / 21 / 20

HEX #CCABA1

RGB 204 171 161

HSL 13.95, 0.3%, 0.72%

LAB 72.59, 10.44, 9.62

 

CMYK 37 / 6 / 0 / 65

HEX #385459

RGB 56 84 89

HSL 189.09, 0.23%, 0.28%

LAB 33.78, -9.01, -6.26

 

CMYK 32 / 6 / 0 / 58

HEX #49666C

RGB 73 102 108

HSL 190.29, 0.19%, 0.35%

LAB 41.22, -8.98, -6.81

 

CMYK 29 / 6 / 0 / 50

HEX #5A787F

RGB 90 120 127

HSL 191.35, 0.17%, 0.43%

LAB 48.43, -8.96, -7.34

 

CMYK 27 / 5 / 0 / 43

HEX #6B8A92

RGB 107 138 146

HSL 192.31, 0.15%, 0.5%

LAB 55.46, -8.94, -7.85

 

CMYK 25 / 5 / 0 / 35

HEX #7C9CA5

RGB 124 156 165

HSL 193.17, 0.19%, 0.57%

LAB 62.32, -8.94, -8.34

 

CMYK 46 / 11 / 0 / 63

HEX #33545E

RGB 51 84 94

HSL 193.95, 0.3%, 0.28%

LAB 33.67, -9.06, -9.6

 

CMYK 55 / 12 / 0 / 71

HEX #22424B

RGB 34 66 75

HSL 193.17, 0.38%, 0.21%

LAB 25.99, -8.88, -9.1

 

CMYK 70 / 14 / 0 / 78

HEX #113038

RGB 17 48 56

HSL 192.31, 0.53%, 0.14%

LAB 18, -8.48, -8.53

 

CMYK 100 / 19 / 0 / 85

HEX #001E25

RGB 0 30 37

HSL 191.35, 1%, 0.07%

LAB 9.5, -8.24, -8.03

 

CMYK 100 / 33 / 0 / 93

HEX #000C12

RGB 0 12 18

HSL 200, 1%, 0.04%

LAB 2.77, -2.08, -4.08

 

CMYK 47 / 11 / 0 / 64

HEX #31525C

RGB 49 82 92

HSL 193.95, 0.3%, 0.28%

LAB 32.83, -9.04, -9.62

 

CMYK 47 / 23 / 0 / 64

HEX #31475C

RGB 49 71 92

HSL 209.3, 0.3%, 0.28%

LAB 29.24, -2.18, -15.1

 

CMYK 47 / 36 / 0 / 64

HEX #313B5C

RGB 49 59 92

HSL 226.05, 0.3%, 0.28%

LAB 25.42, 5.78, -21.03

 

CMYK 45 / 47 / 0 / 64

HEX #33315C

RGB 51 49 92

HSL 242.79, 0.3%, 0.28%

LAB 22.56, 13.26, -25.53

 

CMYK 32 / 47 / 0 / 64

HEX #3F315C

RGB 63 49 92

HSL 259.53, 0.3%, 0.28%

LAB 23.76, 16.97, -23.56

 

CMYK 47 / 11 / 0 / 64

HEX #31525C

RGB 49 82 92

HSL 193.95, 0.3%, 0.28%

LAB 32.83, -9.04, -9.62

 

CMYK 47 / 23 / 0 / 64

HEX #31475C

RGB 49 71 92

HSL 209.3, 0.3%, 0.28%

LAB 29.24, -2.18, -15.1

 

CMYK 47 / 36 / 0 / 64

HEX #313B5C

RGB 49 59 92

HSL 226.05, 0.3%, 0.28%

LAB 25.42, 5.78, -21.03

 

CMYK 47 / 47 / 0 / 64

HEX #31315C

RGB 49 49 92

HSL 240, 0.3%, 0.28%

LAB 22.38, 12.68, -25.82

 

CMYK 47 / 11 / 0 / 64

HEX #31525C

RGB 49 82 92

HSL 193.95, 0.3%, 0.28%

LAB 32.83, -9.04, -9.62

 

CMYK 63 / 14 / 0 / 59

HEX #265968

RGB 38 89 104

HSL 193.64, 0.46%, 0.28%

LAB 35.12, -12.04, -13.73

 

CMYK 77 / 17 / 0 / 55

HEX #1A5F73

RGB 26 95 115

HSL 193.48, 0.63%, 0.28%

LAB 37.19, -13.75, -17.4

 

CMYK 88 / 20 / 0 / 50

HEX #0F657F

RGB 15 101 127

HSL 193.93, 0.79%, 0.28%

LAB 39.48, -13.97, -21.23

 

CMYK 98 / 23 / 0 / 45

HEX #036B8B

RGB 3 107 139

HSL 194.12, 0.96%, 0.28%

LAB 41.84, -13.63, -24.82

 

CMYK 47 / 11 / 0 / 64

HEX #31525C

RGB 49 82 92

HSL 193.95, 0.3%, 0.28%

LAB 32.83, -9.04, -9.62

 

CMYK 25 / 6 / 0 / 68

HEX #3D4C51

RGB 61 76 81

HSL 195, 0.14%, 0.28%

LAB 31.24, -4.61, -4.93

 

CMYK 0 / 4 / 5 / 71

HEX #494645

RGB 73 70 69

HSL 15, 0.03%, 0.28%

LAB 29.98, 1.04, 1.04

 

CMYK 0 / 24 / 31 / 67

HEX #54403A

RGB 84 64 58

HSL 13.85, 0.18%, 0.28%

LAB 29.05, 7.67, 7

 

CMYK 0 / 40 / 52 / 62

HEX #603A2E

RGB 96 58 46

HSL 14.4, 0.35%, 0.28%

LAB 28.67, 15.33, 14.49

 

CMYK 47 / 0 / 14 / 64

HEX #315C4F

RGB 49 92 79

HSL 161.86, 0.3%, 0.28%

LAB 35.74, -18.48, 2.84

 

CMYK 47 / 0 / 2 / 64

HEX #315C5A

RGB 49 92 90

HSL 177.21, 0.3%, 0.28%

LAB 36.07, -15.47, -3.52

 

CMYK 47 / 10 / 0 / 64

HEX #31535C

RGB 49 83 92

HSL 192.56, 0.3%, 0.28%

LAB 33.16, -9.64, -9.12

 

CMYK 47 / 22 / 0 / 64

HEX #31485C

RGB 49 72 92

HSL 207.91, 0.3%, 0.28%

LAB 29.56, -2.82, -14.6

 

CMYK 47 / 35 / 0 / 64

HEX #313C5C

RGB 49 60 92

HSL 224.65, 0.3%, 0.28%

LAB 25.74, 5.1, -20.54

 

CMYK 46 / 13 / 0 / 85

HEX #152227

RGB 21 34 39

HSL 196.67, 0.3%, 0.12%

LAB 12.29, -3.98, -5.15

 

CMYK 47 / 12 / 0 / 74

HEX #233A42

RGB 35 58 66

HSL 195.48, 0.31%, 0.2%

LAB 22.92, -6.48, -7.78

 

CMYK 47 / 11 / 0 / 64

HEX #31525C

RGB 49 82 92

HSL 193.95, 0.3%, 0.28%

LAB 32.83, -9.04, -9.62

 

CMYK 46 / 11 / 0 / 53

HEX #406A77

RGB 64 106 119

HSL 194.18, 0.3%, 0.36%

LAB 42.35, -10.87, -11.84

 

CMYK 47 / 11 / 0 / 43

HEX #4E8292

RGB 78 130 146

HSL 194.12, 0.3%, 0.44%

LAB 51.45, -12.87, -14.03

 

CMYK 46 / 11 / 0 / 63

HEX #33545E

RGB 51 84 94

HSL 193.95, 0.3%, 0.28%

LAB 33.67, -9.06, -9.6

 

CMYK 27 / 47 / 0 / 64

HEX #43315C

RGB 67 49 92

HSL 265.12, 0.3%, 0.28%

LAB 24.2, 18.27, -22.83

 

CMYK 0 / 9 / 47 / 64

HEX #5C5431

RGB 92 84 49

HSL 48.84, 0.3%, 0.28%

LAB 35.67, -2.34, 21.6

 

CMYK 46 / 11 / 0 / 63

HEX #33545E

RGB 51 84 94

HSL 193.95, 0.3%, 0.28%

LAB 33.67, -9.06, -9.6

 

CMYK 0 / 47 / 10 / 64

HEX #5C3153

RGB 92 49 83

HSL 312.56, 0.3%, 0.28%

LAB 27.01, 24.93, -12.3

 

CMYK 10 / 0 / 47 / 64

HEX #535C31

RGB 83 92 49

HSL 72.56, 0.3%, 0.28%

LAB 37.33, -11.2, 23.51

 

CMYK 46 / 11 / 0 / 63

HEX #33545E

RGB 51 84 94

HSL 193.95, 0.3%, 0.28%

LAB 33.67, -9.06, -9.6

 

CMYK 27 / 47 / 0 / 64

HEX #43315C

RGB 67 49 92

HSL 265.12, 0.3%, 0.28%

LAB 24.2, 18.27, -22.83

 

CMYK 0 / 36 / 47 / 64

HEX #5C3B31

RGB 92 59 49

HSL 13.95, 0.3%, 0.28%

LAB 28.45, 13.23, 12.16

 

CMYK 20 / 0 / 47 / 64

HEX #4A5C31

RGB 74 92 49

HSL 85.12, 0.3%, 0.28%

LAB 36.62, -15.18, 22.47

 

CMYK 46 / 11 / 0 / 63

HEX #33545E

RGB 51 84 94

HSL 193.95, 0.3%, 0.28%

LAB 33.67, -9.06, -9.6

 

CMYK 13 / 47 / 0 / 64

HEX #50315C

RGB 80 49 92

HSL 283.26, 0.3%, 0.28%

LAB 25.79, 22.64, -20.23

 

CMYK 0 / 36 / 47 / 64

HEX #5C3B31

RGB 92 59 49

HSL 13.95, 0.3%, 0.28%

LAB 28.45, 13.23, 12.16

 

CMYK 33 / 0 / 47 / 64

HEX #3E5C31

RGB 62 92 49

HSL 101.86, 0.3%, 0.28%

LAB 35.79, -20.16, 21.25

 

Description

Color code: HEX #33545E | qconv.com Color code: HEX #33545E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 84 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 84 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 11 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 11% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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