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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33401B it is the complementary color #CCBFE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33401B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33401B shade: #384016, #495229, #5A643C, #6B764F and #7C8862

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33401B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33401B shade: #33401B, #222E08, #111C00 and #000A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33401B shade: #33401B, #3D401B, #40391B, #402F1B and #40251B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33401B shade: #33401B, #29401B, #1F401B, #1B4021 and #1B402B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33401B shade matches the following richer shades: #33401B, #354813, #374F0C and #3A5604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33401B shade: #33401B, #313922, #2F3129, #2C2A31 and #2A2338

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33401B shade: #40391B, #3D401B, #33401B, #29401B and #1F401B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33401B shade: #050602, #1C230E, #33401B, #4A5D27 and #617A33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33401B shade: #33401B, #1B402F and #3E1B40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33401B shade: #33401B, #1B3340 and #401B33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33401B shade: #33401B, #1B402F, #281B40 and #401B2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33401B shade: #33401B, #1B403B, #281B40 and #401B20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

Complementary color

CMYK 11 / 16 / 0 / 11

HEX #CCBFE4

RGB 204 191 228

HSL 261.08, 0.41%, 0.82%

LAB 79.44, 11.57, -16.75

 

CMYK 13 / 0 / 66 / 75

HEX #384016

RGB 56 64 22

HSL 71.43, 0.49%, 0.17%

LAB 25.46, -10.65, 24.07

 

CMYK 11 / 0 / 50 / 68

HEX #495229

RGB 73 82 41

HSL 73.17, 0.33%, 0.24%

LAB 33.16, -11, 22.77

 

CMYK 10 / 0 / 40 / 61

HEX #5A643C

RGB 90 100 60

HSL 75, 0.25%, 0.31%

LAB 40.6, -11.18, 21.42

 

CMYK 9 / 0 / 33 / 54

HEX #6B764F

RGB 107 118 79

HSL 76.92, 0.2%, 0.39%

LAB 47.81, -11.29, 20.16

 

CMYK 9 / 0 / 28 / 47

HEX #7C8862

RGB 124 136 98

HSL 78.95, 0.16%, 0.46%

LAB 54.84, -11.35, 19

 

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

CMYK 26 / 0 / 83 / 82

HEX #222E08

RGB 34 46 8

HSL 78.95, 0.7%, 0.11%

LAB 17.04, -12.17, 20.99

 

CMYK 39 / 0 / 100 / 89

HEX #111C00

RGB 17 28 0

HSL 83.57, 1%, 0.05%

LAB 8.57, -10.44, 12.63

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

CMYK 5 / 0 / 58 / 75

HEX #3D401B

RGB 61 64 27

HSL 64.86, 0.41%, 0.18%

LAB 25.97, -7.65, 21.97

 

CMYK 0 / 11 / 58 / 75

HEX #40391B

RGB 64 57 27

HSL 48.65, 0.41%, 0.18%

LAB 23.98, -1.75, 19.66

 

CMYK 0 / 27 / 58 / 75

HEX #402F1B

RGB 64 47 27

HSL 32.43, 0.41%, 0.18%

LAB 20.84, 4.81, 15.78

 

CMYK 0 / 42 / 58 / 75

HEX #40251B

RGB 64 37 27

HSL 16.22, 0.41%, 0.18%

LAB 17.88, 11.5, 12

 

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

CMYK 36 / 0 / 58 / 75

HEX #29401B

RGB 41 64 27

HSL 97.3, 0.41%, 0.18%

LAB 24.38, -16.99, 19.67

 

CMYK 52 / 0 / 58 / 75

HEX #1F401B

RGB 31 64 27

HSL 113.51, 0.41%, 0.18%

LAB 23.79, -20.94, 18.83

 

CMYK 58 / 0 / 48 / 75

HEX #1B4021

RGB 27 64 33

HSL 129.73, 0.41%, 0.18%

LAB 23.7, -21.26, 15.01

 

CMYK 58 / 0 / 33 / 75

HEX #1B402B

RGB 27 64 43

HSL 145.95, 0.41%, 0.18%

LAB 23.92, -19.08, 8.9

 

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

CMYK 26 / 0 / 74 / 72

HEX #354813

RGB 53 72 19

HSL 81.51, 0.58%, 0.18%

LAB 27.95, -16.94, 28.26

 

CMYK 30 / 0 / 85 / 69

HEX #374F0C

RGB 55 79 12

HSL 81.49, 0.74%, 0.18%

LAB 30.47, -20.27, 33.78

 

CMYK 33 / 0 / 95 / 66

HEX #3A5604

RGB 58 86 4

HSL 80.49, 0.91%, 0.18%

LAB 33.06, -22.93, 38.8

 

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

CMYK 14 / 0 / 40 / 78

HEX #313922

RGB 49 57 34

HSL 80.87, 0.25%, 0.18%

LAB 22.64, -8.19, 13.26

 

CMYK 4 / 0 / 16 / 81

HEX #2F3129

RGB 47 49 41

HSL 75, 0.09%, 0.18%

LAB 19.89, -2.68, 4.81

 

CMYK 10 / 14 / 0 / 81

HEX #2C2A31

RGB 44 42 49

HSL 257.14, 0.08%, 0.18%

LAB 17.52, 2.63, -4.21

 

CMYK 25 / 38 / 0 / 78

HEX #2A2338

RGB 42 35 56

HSL 260, 0.23%, 0.18%

LAB 15.38, 8.72, -12.4

 

CMYK 0 / 11 / 58 / 75

HEX #40391B

RGB 64 57 27

HSL 48.65, 0.41%, 0.18%

LAB 23.98, -1.75, 19.66

 

CMYK 5 / 0 / 58 / 75

HEX #3D401B

RGB 61 64 27

HSL 64.86, 0.41%, 0.18%

LAB 25.97, -7.65, 21.97

 

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

CMYK 36 / 0 / 58 / 75

HEX #29401B

RGB 41 64 27

HSL 97.3, 0.41%, 0.18%

LAB 24.38, -16.99, 19.67

 

CMYK 52 / 0 / 58 / 75

HEX #1F401B

RGB 31 64 27

HSL 113.51, 0.41%, 0.18%

LAB 23.79, -20.94, 18.83

 

CMYK 17 / 0 / 67 / 98

HEX #050602

RGB 5 6 2

HSL 75, 0.5%, 0.02%

LAB 1.51, -0.82, 1.42

 

CMYK 20 / 0 / 60 / 86

HEX #1C230E

RGB 28 35 14

HSL 80, 0.43%, 0.1%

LAB 12.48, -7.69, 12.37

 

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

CMYK 20 / 0 / 58 / 64

HEX #4A5D27

RGB 74 93 39

HSL 81.11, 0.41%, 0.26%

LAB 36.8, -16.97, 28.27

 

CMYK 20 / 0 / 58 / 52

HEX #617A33

RGB 97 122 51

HSL 81.13, 0.41%, 0.34%

LAB 47.88, -21.16, 35.33

 

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

CMYK 58 / 0 / 27 / 75

HEX #1B402F

RGB 27 64 47

HSL 152.43, 0.41%, 0.18%

LAB 24.02, -18.09, 6.42

 

CMYK 3 / 58 / 0 / 75

HEX #3E1B40

RGB 62 27 64

HSL 296.76, 0.41%, 0.18%

LAB 16.4, 23.54, -16.22

 

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

CMYK 58 / 20 / 0 / 75

HEX #1B3340

RGB 27 51 64

HSL 201.08, 0.41%, 0.18%

LAB 19.93, -4.95, -11.03

 

CMYK 0 / 58 / 20 / 75

HEX #401B33

RGB 64 27 51

HSL 321.08, 0.41%, 0.18%

LAB 16.07, 21.59, -7.54

 

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

CMYK 58 / 0 / 27 / 75

HEX #1B402F

RGB 27 64 47

HSL 152.43, 0.41%, 0.18%

LAB 24.02, -18.09, 6.42

 

CMYK 38 / 58 / 0 / 75

HEX #281B40

RGB 40 27 64

HSL 261.08, 0.41%, 0.18%

LAB 13.26, 16.2, -21.38

 

CMYK 0 / 58 / 31 / 75

HEX #401B2C

RGB 64 27 44

HSL 332.43, 0.41%, 0.18%

LAB 15.78, 20.36, -2.98

 

CMYK 20 / 0 / 58 / 75

HEX #33401B

RGB 51 64 27

HSL 81.08, 0.41%, 0.18%

LAB 25.11, -12.49, 20.72

 

CMYK 58 / 0 / 8 / 75

HEX #1B403B

RGB 27 64 59

HSL 171.89, 0.41%, 0.18%

LAB 24.37, -14.7, -0.99

 

CMYK 38 / 58 / 0 / 75

HEX #281B40

RGB 40 27 64

HSL 261.08, 0.41%, 0.18%

LAB 13.26, 16.2, -21.38

 

CMYK 0 / 58 / 50 / 75

HEX #401B20

RGB 64 27 32

HSL 351.89, 0.41%, 0.18%

LAB 15.37, 18.59, 5.08

 

Description

Color code: HEX #33401B | qconv.com Color code: HEX #33401B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 64 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 64 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 58 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 58% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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