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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33324C it is the complementary color #CCCDB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33324C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33324C shade: #383247, #49445A, #5A566D, #6B6880 and #7C7A93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33324C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33324C shade: #33324C, #222039, #110E26, #000013 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33324C shade: #33324D, #3A324D, #41324D, #49324D and #4D324A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33324C shade: #33324D and #32324D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33324C shade matches the following richer shades: #33324D, #292857, #201D61, #16136C and #0D0976

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33324C shade: #33324D, #3C3C42, #464638, #4F512E and #595B23

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33324C shade: #323F4D, #32384D, #33324D, #3A324D and #41324D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33324C shade: #12111B, #222234, #33324D, #444266 and #54527F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33324C shade: #33324C, #4D3246 and #3C4D32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33324C shade: #33324C, #4D3332 and #324D33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33324C shade: #33324C, #4D3246, #4C4D32 and #324D38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33324C shade: #33324C, #4D323E, #4C4D32 and #324D40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 34 / 0 / 70

HEX #33324C

RGB 51 50 76

HSL 242.31, 0.21%, 0.25%

LAB 21.97, 7.47, -15.84

 

Complementary color

CMYK 0 / 0 / 13 / 20

HEX #CCCDB3

RGB 204 205 179

HSL 62.31, 0.21%, 0.75%

LAB 81.7, -4.81, 12.84

 

CMYK 21 / 30 / 0 / 72

HEX #383247

RGB 56 50 71

HSL 257.14, 0.17%, 0.24%

LAB 22.22, 7.84, -12.05

 

CMYK 19 / 24 / 0 / 65

HEX #49445A

RGB 73 68 90

HSL 253.64, 0.14%, 0.31%

LAB 30.13, 7.3, -12.28

 

CMYK 17 / 21 / 0 / 57

HEX #5A566D

RGB 90 86 109

HSL 250.43, 0.12%, 0.38%

LAB 37.72, 6.85, -12.57

 

CMYK 16 / 19 / 0 / 50

HEX #6B6880

RGB 107 104 128

HSL 247.5, 0.1%, 0.45%

LAB 45.06, 6.47, -12.88

 

CMYK 16 / 17 / 0 / 42

HEX #7C7A93

RGB 124 122 147

HSL 244.8, 0.1%, 0.53%

LAB 52.19, 6.13, -13.21

 

CMYK 33 / 34 / 0 / 70

HEX #33324C

RGB 51 50 76

HSL 242.31, 0.21%, 0.25%

LAB 21.97, 7.47, -15.84

 

CMYK 40 / 44 / 0 / 78

HEX #222039

RGB 34 32 57

HSL 244.8, 0.28%, 0.17%

LAB 13.64, 8.28, -15.89

 

CMYK 55 / 63 / 0 / 85

HEX #110E26

RGB 17 14 38

HSL 247.5, 0.46%, 0.1%

LAB 5.18, 7.92, -15.41

 

CMYK 100 / 100 / 0 / 93

HEX #000013

RGB 0 0 19

HSL 240, 1%, 0.04%

LAB 0.42, 2.98, -8.12

 

CMYK 34 / 35 / 0 / 70

HEX #33324D

RGB 51 50 77

HSL 242.22, 0.21%, 0.25%

LAB 22.02, 7.77, -16.43

 

CMYK 25 / 35 / 0 / 70

HEX #3A324D

RGB 58 50 77

HSL 257.78, 0.21%, 0.25%

LAB 22.71, 10.26, -15.3

 

CMYK 16 / 35 / 0 / 70

HEX #41324D

RGB 65 50 77

HSL 273.33, 0.21%, 0.25%

LAB 23.47, 12.85, -14.06

 

CMYK 5 / 35 / 0 / 70

HEX #49324D

RGB 73 50 77

HSL 291.11, 0.21%, 0.25%

LAB 24.43, 15.89, -12.51

 

CMYK 0 / 35 / 4 / 70

HEX #4D324A

RGB 77 50 74

HSL 306.67, 0.21%, 0.25%

LAB 24.81, 16.76, -9.89

 

CMYK 34 / 35 / 0 / 70

HEX #33324D

RGB 51 50 77

HSL 242.22, 0.21%, 0.25%

LAB 22.02, 7.77, -16.43

 

CMYK 35 / 35 / 0 / 70

HEX #32324D

RGB 50 50 77

HSL 240, 0.21%, 0.25%

LAB 21.93, 7.43, -16.58

 

CMYK 34 / 35 / 0 / 70

HEX #33324D

RGB 51 50 77

HSL 242.22, 0.21%, 0.25%

LAB 22.02, 7.77, -16.43

 

CMYK 53 / 54 / 0 / 66

HEX #292857

RGB 41 40 87

HSL 241.28, 0.37%, 0.25%

LAB 18.7, 15.07, -28.42

 

CMYK 67 / 70 / 0 / 62

HEX #201D61

RGB 32 29 97

HSL 242.65, 0.54%, 0.25%

LAB 15.74, 24.51, -39.91

 

CMYK 80 / 82 / 0 / 58

HEX #16136C

RGB 22 19 108

HSL 242.02, 0.7%, 0.25%

LAB 13.94, 33.59, -50.16

 

CMYK 89 / 92 / 0 / 54

HEX #0D0976

RGB 13 9 118

HSL 242.2, 0.86%, 0.25%

LAB 13.16, 41.18, -57.96

 

CMYK 34 / 35 / 0 / 70

HEX #33324D

RGB 51 50 77

HSL 242.22, 0.21%, 0.25%

LAB 22.02, 7.77, -16.43

 

CMYK 9 / 9 / 0 / 74

HEX #3C3C42

RGB 60 60 66

HSL 240, 0.05%, 0.25%

LAB 25.52, 1.41, -3.68

 

CMYK 0 / 0 / 20 / 73

HEX #464638

RGB 70 70 56

HSL 60, 0.11%, 0.25%

LAB 29.33, -2.83, 8.47

 

CMYK 2 / 0 / 43 / 68

HEX #4F512E

RGB 79 81 46

HSL 63.43, 0.28%, 0.25%

LAB 33.44, -6.99, 20.3

 

CMYK 2 / 0 / 62 / 64

HEX #595B23

RGB 89 91 35

HSL 62.14, 0.44%, 0.25%

LAB 37.35, -9.34, 31.32

 

CMYK 35 / 18 / 0 / 70

HEX #323F4D

RGB 50 63 77

HSL 211.11, 0.21%, 0.25%

LAB 26.07, -1.35, -10.21

 

CMYK 35 / 27 / 0 / 70

HEX #32384D

RGB 50 56 77

HSL 226.67, 0.21%, 0.25%

LAB 23.81, 3.32, -13.66

 

CMYK 34 / 35 / 0 / 70

HEX #33324D

RGB 51 50 77

HSL 242.22, 0.21%, 0.25%

LAB 22.02, 7.77, -16.43

 

CMYK 25 / 35 / 0 / 70

HEX #3A324D

RGB 58 50 77

HSL 257.78, 0.21%, 0.25%

LAB 22.71, 10.26, -15.3

 

CMYK 16 / 35 / 0 / 70

HEX #41324D

RGB 65 50 77

HSL 273.33, 0.21%, 0.25%

LAB 23.47, 12.85, -14.06

 

CMYK 33 / 37 / 0 / 89

HEX #12111B

RGB 18 17 27

HSL 246, 0.23%, 0.09%

LAB 5.5, 2.84, -6.43

 

CMYK 35 / 35 / 0 / 80

HEX #222234

RGB 34 34 52

HSL 240, 0.21%, 0.17%

LAB 14.01, 5.17, -11.76

 

CMYK 34 / 35 / 0 / 70

HEX #33324D

RGB 51 50 77

HSL 242.22, 0.21%, 0.25%

LAB 22.02, 7.77, -16.43

 

CMYK 33 / 35 / 0 / 60

HEX #444266

RGB 68 66 102

HSL 243.33, 0.21%, 0.33%

LAB 29.63, 10.2, -20.79

 

CMYK 34 / 35 / 0 / 50

HEX #54527F

RGB 84 82 127

HSL 242.67, 0.22%, 0.41%

LAB 36.84, 12.19, -25.09

 

CMYK 33 / 34 / 0 / 70

HEX #33324C

RGB 51 50 76

HSL 242.31, 0.21%, 0.25%

LAB 21.97, 7.47, -15.84

 

CMYK 0 / 35 / 9 / 70

HEX #4D3246

RGB 77 50 70

HSL 315.56, 0.21%, 0.25%

LAB 24.64, 15.92, -7.46

 

CMYK 22 / 0 / 35 / 70

HEX #3C4D32

RGB 60 77 50

HSL 97.78, 0.21%, 0.25%

LAB 30.64, -12.52, 13.9

 

CMYK 33 / 34 / 0 / 70

HEX #33324C

RGB 51 50 76

HSL 242.31, 0.21%, 0.25%

LAB 21.97, 7.47, -15.84

 

CMYK 0 / 34 / 35 / 70

HEX #4D3332

RGB 77 51 50

HSL 2.22, 0.21%, 0.25%

LAB 24.24, 11.61, 5.38

 

CMYK 35 / 0 / 34 / 70

HEX #324D33

RGB 50 77 51

HSL 122.22, 0.21%, 0.25%

LAB 29.97, -16.39, 12.27

 

CMYK 33 / 34 / 0 / 70

HEX #33324C

RGB 51 50 76

HSL 242.31, 0.21%, 0.25%

LAB 21.97, 7.47, -15.84

 

CMYK 0 / 35 / 9 / 70

HEX #4D3246

RGB 77 50 70

HSL 315.56, 0.21%, 0.25%

LAB 24.64, 15.92, -7.46

 

CMYK 1 / 0 / 35 / 70

HEX #4C4D32

RGB 76 77 50

HSL 62.22, 0.21%, 0.25%

LAB 31.98, -5.41, 15.92

 

CMYK 35 / 0 / 27 / 70

HEX #324D38

RGB 50 77 56

HSL 133.33, 0.21%, 0.25%

LAB 30.09, -15.35, 9.28

 

CMYK 33 / 34 / 0 / 70

HEX #33324C

RGB 51 50 76

HSL 242.31, 0.21%, 0.25%

LAB 21.97, 7.47, -15.84

 

CMYK 0 / 35 / 19 / 70

HEX #4D323E

RGB 77 50 62

HSL 333.33, 0.21%, 0.25%

LAB 24.34, 14.33, -2.55

 

CMYK 1 / 0 / 35 / 70

HEX #4C4D32

RGB 76 77 50

HSL 62.22, 0.21%, 0.25%

LAB 31.98, -5.41, 15.92

 

CMYK 35 / 0 / 17 / 70

HEX #324D40

RGB 50 77 64

HSL 151.11, 0.21%, 0.25%

LAB 30.29, -13.52, 4.48

 

Description

Color code: HEX #33324C | qconv.com Color code: HEX #33324C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 50 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 50 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 34 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 34% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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