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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33205E it is the complementary color #CCDFA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33205E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33205E shade: #382059, #49326C, #5A447F, #6B5692 and #7C68A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33205E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33205E shade: #33205E, #220E4B, #110038, #000025 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33205E shade: #33205E, #44205E, #55205E, #5E2057 and #5E2046

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33205E shade: #33205E, #22205E and #20205E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33205E shade matches the following richer shades: #33205E, #2F1669, #2B0B73 and #27017D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33205E shade: #33205E, #372A54, #3B354A, #3F3F40 and #434935

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33205E shade: #202F5E, #22205E, #33205E, #43205E and #54205E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33205E shade: #120B21, #221540, #33205E, #442B7D and #55359C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33205E shade: #33205E, #5E203F and #265E20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33205E shade: #33205E, #5E3320 and #205E33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33205E shade: #33205E, #5E203F, #4C5E20 and #205E3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33205E shade: #33205E, #5E202D, #4C5E20 and #205E52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

Complementary color

CMYK 9 / 0 / 28 / 13

HEX #CCDFA1

RGB 204 223 161

HSL 78.39, 0.49%, 0.75%

LAB 86.1, -16.66, 28.35

 

CMYK 37 / 64 / 0 / 65

HEX #382059

RGB 56 32 89

HSL 265.26, 0.47%, 0.24%

LAB 18.34, 25.17, -30.25

 

CMYK 32 / 54 / 0 / 58

HEX #49326C

RGB 73 50 108

HSL 263.79, 0.37%, 0.31%

LAB 26.1, 24, -30.16

 

CMYK 29 / 46 / 0 / 50

HEX #5A447F

RGB 90 68 127

HSL 262.37, 0.3%, 0.38%

LAB 33.65, 22.94, -30.06

 

CMYK 27 / 41 / 0 / 43

HEX #6B5692

RGB 107 86 146

HSL 261, 0.26%, 0.45%

LAB 40.99, 22.02, -30

 

CMYK 25 / 37 / 0 / 35

HEX #7C68A5

RGB 124 104 165

HSL 259.67, 0.25%, 0.53%

LAB 48.14, 21.21, -29.99

 

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

CMYK 55 / 81 / 0 / 71

HEX #220E4B

RGB 34 14 75

HSL 259.67, 0.69%, 0.17%

LAB 10.28, 26.75, -33.93

 

CMYK 70 / 100 / 0 / 78

HEX #110038

RGB 17 0 56

HSL 258.21, 1%, 0.11%

LAB 3.66, 22.79, -31.3

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

CMYK 28 / 66 / 0 / 63

HEX #44205E

RGB 68 32 94

HSL 274.84, 0.49%, 0.25%

LAB 20.32, 29.79, -30.3

 

CMYK 10 / 66 / 0 / 63

HEX #55205E

RGB 85 32 94

HSL 291.29, 0.49%, 0.25%

LAB 22.9, 34.48, -26.03

 

CMYK 0 / 66 / 7 / 63

HEX #5E2057

RGB 94 32 87

HSL 306.77, 0.49%, 0.25%

LAB 24, 35.68, -19.57

 

CMYK 0 / 66 / 26 / 63

HEX #5E2046

RGB 94 32 70

HSL 323.23, 0.49%, 0.25%

LAB 23.19, 32.78, -9.42

 

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

CMYK 64 / 66 / 0 / 63

HEX #22205E

RGB 34 32 94

HSL 241.94, 0.49%, 0.25%

LAB 16.41, 21.69, -36.82

 

CMYK 66 / 66 / 0 / 63

HEX #20205E

RGB 32 32 94

HSL 240, 0.49%, 0.25%

LAB 16.25, 21.31, -37.09

 

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

CMYK 55 / 79 / 0 / 59

HEX #2F1669

RGB 47 22 105

HSL 258.07, 0.65%, 0.25%

LAB 16.49, 33.99, -43.9

 

CMYK 63 / 90 / 0 / 55

HEX #2B0B73

RGB 43 11 115

HSL 258.46, 0.83%, 0.25%

LAB 15.44, 41.4, -52.17

 

CMYK 69 / 99 / 0 / 51

HEX #27017D

RGB 39 1 125

HSL 258.39, 0.98%, 0.25%

LAB 15.14, 47.33, -59.12

 

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

CMYK 35 / 50 / 0 / 67

HEX #372A54

RGB 55 42 84

HSL 258.57, 0.33%, 0.25%

LAB 20.47, 16.76, -23.51

 

CMYK 20 / 28 / 0 / 71

HEX #3B354A

RGB 59 53 74

HSL 257.14, 0.17%, 0.25%

LAB 23.57, 7.76, -11.96

 

CMYK 2 / 2 / 0 / 75

HEX #3F3F40

RGB 63 63 64

HSL 240, 0.01%, 0.25%

LAB 26.68, 0.23, -0.61

 

CMYK 8 / 0 / 27 / 71

HEX #434935

RGB 67 73 53

HSL 78, 0.16%, 0.25%

LAB 29.95, -6.56, 11.19

 

CMYK 66 / 50 / 0 / 63

HEX #202F5E

RGB 32 47 94

HSL 225.48, 0.49%, 0.25%

LAB 20.63, 10.54, -30.01

 

CMYK 64 / 66 / 0 / 63

HEX #22205E

RGB 34 32 94

HSL 241.94, 0.49%, 0.25%

LAB 16.41, 21.69, -36.82

 

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

CMYK 29 / 66 / 0 / 63

HEX #43205E

RGB 67 32 94

HSL 273.87, 0.49%, 0.25%

LAB 20.18, 29.52, -30.54

 

CMYK 11 / 66 / 0 / 63

HEX #54205E

RGB 84 32 94

HSL 290.32, 0.49%, 0.25%

LAB 22.74, 34.2, -26.3

 

CMYK 45 / 67 / 0 / 87

HEX #120B21

RGB 18 11 33

HSL 259.09, 0.5%, 0.09%

LAB 4.32, 7.76, -12.89

 

CMYK 47 / 67 / 0 / 75

HEX #221540

RGB 34 21 64

HSL 258.14, 0.51%, 0.17%

LAB 10.9, 18.64, -25.21

 

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

CMYK 46 / 66 / 0 / 51

HEX #442B7D

RGB 68 43 125

HSL 258.29, 0.49%, 0.33%

LAB 25.07, 32.06, -42.68

 

CMYK 46 / 66 / 0 / 39

HEX #55359C

RGB 85 53 156

HSL 258.64, 0.49%, 0.41%

LAB 31.53, 38.95, -51.3

 

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

CMYK 0 / 66 / 33 / 63

HEX #5E203F

RGB 94 32 63

HSL 330, 0.49%, 0.25%

LAB 22.9, 31.74, -5.08

 

CMYK 60 / 0 / 66 / 63

HEX #265E20

RGB 38 94 32

HSL 114.19, 0.49%, 0.25%

LAB 35.05, -31.9, 29.37

 

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

CMYK 0 / 46 / 66 / 63

HEX #5E3320

RGB 94 51 32

HSL 18.39, 0.49%, 0.25%

LAB 26.31, 17.39, 20.32

 

CMYK 66 / 0 / 46 / 63

HEX #205E33

RGB 32 94 51

HSL 138.39, 0.49%, 0.25%

LAB 35.11, -30.52, 18.92

 

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

CMYK 0 / 66 / 33 / 63

HEX #5E203F

RGB 94 32 63

HSL 330, 0.49%, 0.25%

LAB 22.9, 31.74, -5.08

 

CMYK 19 / 0 / 66 / 63

HEX #4C5E20

RGB 76 94 32

HSL 77.42, 0.49%, 0.25%

LAB 37.2, -17.32, 32.36

 

CMYK 66 / 0 / 33 / 63

HEX #205E3F

RGB 32 94 63

HSL 150, 0.49%, 0.25%

LAB 35.34, -27.97, 12.05

 

CMYK 46 / 66 / 0 / 63

HEX #33205E

RGB 51 32 94

HSL 258.39, 0.49%, 0.25%

LAB 18.12, 25.42, -33.97

 

CMYK 0 / 66 / 52 / 63

HEX #5E202D

RGB 94 32 45

HSL 347.42, 0.49%, 0.25%

LAB 22.31, 29.5, 6.44

 

CMYK 19 / 0 / 66 / 63

HEX #4C5E20

RGB 76 94 32

HSL 77.42, 0.49%, 0.25%

LAB 37.2, -17.32, 32.36

 

CMYK 66 / 0 / 13 / 63

HEX #205E52

RGB 32 94 82

HSL 168.39, 0.49%, 0.25%

LAB 35.83, -23, 1.03

 

Description

Color code: HEX #33205E | qconv.com Color code: HEX #33205E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 32 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 32 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 66 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 66% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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