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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #331852 it is the complementary color #CCE7AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #331852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #331852 shade: #38184D, #492A60, #5A3C73, #6B4E86 and #7C6099

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #331852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #331852 shade: #331852, #22063F, #11002C, #000019 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #331852 shade: #331853, #431853, #531852, #531842 and #531832

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #331852 shade: #331853, #231853 and #181853

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #331852 shade matches the following richer shades: #331853, #320F5B and #320664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #331852 shade: #331853, #34204A, #342941, #353239 and #353A30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #331852 shade: #181D53, #221853, #321853, #421853 and #521853

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #331852 shade: #0B0513, #1F0E33, #331853, #472172 and #5B2A92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #331852 shade: #331852, #53182C and #18531B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #331852 shade: #331852, #533218 and #185332

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #331852 shade: #331852, #53182C, #385318 and #18533E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #331852 shade: #331852, #53181B, #385318 and #185350

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 71 / 0 / 68

HEX #331852

RGB 51 24 82

HSL 267.93, 0.55%, 0.21%

LAB 15.31, 26.75, -30.45

 

Complementary color

CMYK 12 / 0 / 25 / 9

HEX #CCE7AD

RGB 204 231 173

HSL 87.93, 0.55%, 0.79%

LAB 88.45, -18.88, 25.37

 

CMYK 27 / 69 / 0 / 70

HEX #38184D

RGB 56 24 77

HSL 276.23, 0.52%, 0.2%

LAB 15.64, 26.67, -26.47

 

CMYK 24 / 56 / 0 / 62

HEX #492A60

RGB 73 42 96

HSL 274.44, 0.39%, 0.27%

LAB 23.39, 25.76, -26.68

 

CMYK 22 / 48 / 0 / 55

HEX #5A3C73

RGB 90 60 115

HSL 272.73, 0.31%, 0.34%

LAB 30.98, 24.78, -26.76

 

CMYK 20 / 42 / 0 / 47

HEX #6B4E86

RGB 107 78 134

HSL 271.07, 0.26%, 0.42%

LAB 38.37, 23.87, -26.83

 

CMYK 19 / 37 / 0 / 40

HEX #7C6099

RGB 124 96 153

HSL 269.47, 0.23%, 0.49%

LAB 45.57, 23.05, -26.91

 

CMYK 38 / 71 / 0 / 68

HEX #331852

RGB 51 24 82

HSL 267.93, 0.55%, 0.21%

LAB 15.31, 26.75, -30.45

 

CMYK 46 / 90 / 0 / 75

HEX #22063F

RGB 34 6 63

HSL 269.47, 0.83%, 0.14%

LAB 7.49, 27.48, -30.04

 

CMYK 61 / 100 / 0 / 83

HEX #11002C

RGB 17 0 44

HSL 263.18, 1%, 0.09%

LAB 2.72, 16.37, -23.84

 

CMYK 100 / 100 / 0 / 90

HEX #000019

RGB 0 0 25

HSL 240, 1%, 0.05%

LAB 0.63, 4.46, -12.12

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 39 / 71 / 0 / 67

HEX #331853

RGB 51 24 83

HSL 267.46, 0.55%, 0.21%

LAB 15.39, 27.04, -31

 

CMYK 19 / 71 / 0 / 67

HEX #431853

RGB 67 24 83

HSL 283.73, 0.55%, 0.21%

LAB 17.79, 31.17, -27.02

 

CMYK 0 / 71 / 1 / 67

HEX #531852

RGB 83 24 82

HSL 301.02, 0.55%, 0.21%

LAB 20.45, 35.32, -21.95

 

CMYK 0 / 71 / 20 / 67

HEX #531842

RGB 83 24 66

HSL 317.29, 0.55%, 0.21%

LAB 19.58, 32.44, -12.38

 

CMYK 0 / 71 / 40 / 67

HEX #531832

RGB 83 24 50

HSL 333.56, 0.55%, 0.21%

LAB 18.9, 30.06, -2.24

 

CMYK 39 / 71 / 0 / 67

HEX #331853

RGB 51 24 83

HSL 267.46, 0.55%, 0.21%

LAB 15.39, 27.04, -31

 

CMYK 58 / 71 / 0 / 67

HEX #231853

RGB 35 24 83

HSL 251.19, 0.55%, 0.21%

LAB 13.44, 23.38, -34.25

 

CMYK 71 / 71 / 0 / 67

HEX #181853

RGB 24 24 83

HSL 240, 0.55%, 0.21%

LAB 12.43, 21.34, -35.95

 

CMYK 39 / 71 / 0 / 67

HEX #331853

RGB 51 24 83

HSL 267.46, 0.55%, 0.21%

LAB 15.39, 27.04, -31

 

CMYK 45 / 84 / 0 / 64

HEX #320F5B

RGB 50 15 91

HSL 267.63, 0.72%, 0.21%

LAB 14.26, 33.9, -38.25

 

CMYK 50 / 94 / 0 / 61

HEX #320664

RGB 50 6 100

HSL 268.09, 0.89%, 0.21%

LAB 13.99, 39.88, -44.7

 

CMYK 39 / 71 / 0 / 67

HEX #331853

RGB 51 24 83

HSL 267.46, 0.55%, 0.21%

LAB 15.39, 27.04, -31

 

CMYK 30 / 57 / 0 / 71

HEX #34204A

RGB 52 32 74

HSL 268.57, 0.4%, 0.21%

LAB 16.78, 19.61, -22.62

 

CMYK 20 / 37 / 0 / 75

HEX #342941

RGB 52 41 65

HSL 267.5, 0.23%, 0.21%

LAB 18.79, 10.87, -13.29

 

CMYK 7 / 12 / 0 / 78

HEX #353239

RGB 53 50 57

HSL 265.71, 0.07%, 0.21%

LAB 21.33, 2.97, -3.94

 

CMYK 9 / 0 / 17 / 77

HEX #353A30

RGB 53 58 48

HSL 90, 0.09%, 0.21%

LAB 23.66, -4.37, 5.51

 

CMYK 71 / 65 / 0 / 67

HEX #181D53

RGB 24 29 83

HSL 234.92, 0.55%, 0.21%

LAB 13.81, 17.73, -33.69

 

CMYK 59 / 71 / 0 / 67

HEX #221853

RGB 34 24 83

HSL 250.17, 0.55%, 0.21%

LAB 13.34, 23.18, -34.43

 

CMYK 40 / 71 / 0 / 67

HEX #321853

RGB 50 24 83

HSL 266.44, 0.55%, 0.21%

LAB 15.25, 26.79, -31.23

 

CMYK 20 / 71 / 0 / 67

HEX #421853

RGB 66 24 83

HSL 282.71, 0.55%, 0.21%

LAB 17.63, 30.91, -27.28

 

CMYK 1 / 71 / 0 / 67

HEX #521853

RGB 82 24 83

HSL 298.98, 0.55%, 0.21%

LAB 20.33, 35.24, -22.82

 

CMYK 42 / 74 / 0 / 93

HEX #0B0513

RGB 11 5 19

HSL 265.71, 0.58%, 0.05%

LAB 2.05, 3.86, -5.67

 

CMYK 39 / 73 / 0 / 80

HEX #1F0E33

RGB 31 14 51

HSL 267.57, 0.57%, 0.13%

LAB 7.63, 18.33, -21.15

 

CMYK 39 / 71 / 0 / 67

HEX #331853

RGB 51 24 83

HSL 267.46, 0.55%, 0.21%

LAB 15.39, 27.04, -31

 

CMYK 38 / 71 / 0 / 55

HEX #472172

RGB 71 33 114

HSL 268.15, 0.55%, 0.29%

LAB 22.45, 35.31, -39.89

 

CMYK 38 / 71 / 0 / 43

HEX #5B2A92

RGB 91 42 146

HSL 268.27, 0.55%, 0.37%

LAB 29.3, 43.36, -48.78

 

CMYK 38 / 71 / 0 / 68

HEX #331852

RGB 51 24 82

HSL 267.93, 0.55%, 0.21%

LAB 15.31, 26.75, -30.45

 

CMYK 0 / 71 / 47 / 67

HEX #53182C

RGB 83 24 44

HSL 339.66, 0.55%, 0.21%

LAB 18.69, 29.31, 1.7

 

CMYK 71 / 0 / 67 / 67

HEX #18531B

RGB 24 83 27

HSL 123.05, 0.55%, 0.21%

LAB 30.54, -31.66, 26.69

 

CMYK 38 / 71 / 0 / 68

HEX #331852

RGB 51 24 82

HSL 267.93, 0.55%, 0.21%

LAB 15.31, 26.75, -30.45

 

CMYK 0 / 40 / 71 / 67

HEX #533218

RGB 83 50 24

HSL 26.44, 0.55%, 0.21%

LAB 24.28, 12.13, 22.42

 

CMYK 71 / 0 / 40 / 67

HEX #185332

RGB 24 83 50

HSL 146.44, 0.55%, 0.21%

LAB 30.9, -27.6, 13.94

 

CMYK 38 / 71 / 0 / 68

HEX #331852

RGB 51 24 82

HSL 267.93, 0.55%, 0.21%

LAB 15.31, 26.75, -30.45

 

CMYK 0 / 71 / 47 / 67

HEX #53182C

RGB 83 24 44

HSL 339.66, 0.55%, 0.21%

LAB 18.69, 29.31, 1.7

 

CMYK 33 / 0 / 71 / 67

HEX #385318

RGB 56 83 24

HSL 87.46, 0.55%, 0.21%

LAB 32.02, -21.02, 30.24

 

CMYK 71 / 0 / 25 / 67

HEX #18533E

RGB 24 83 62

HSL 158.64, 0.55%, 0.21%

LAB 31.18, -24.66, 6.85

 

CMYK 38 / 71 / 0 / 68

HEX #331852

RGB 51 24 82

HSL 267.93, 0.55%, 0.21%

LAB 15.31, 26.75, -30.45

 

CMYK 0 / 71 / 67 / 67

HEX #53181B

RGB 83 24 27

HSL 356.95, 0.55%, 0.21%

LAB 18.24, 27.66, 13.12

 

CMYK 33 / 0 / 71 / 67

HEX #385318

RGB 56 83 24

HSL 87.46, 0.55%, 0.21%

LAB 32.02, -21.02, 30.24

 

CMYK 71 / 0 / 4 / 67

HEX #185350

RGB 24 83 80

HSL 176.95, 0.55%, 0.21%

LAB 31.72, -19.35, -3.79

 

Description

Color code: HEX #331852 | qconv.com Color code: HEX #331852 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 24 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 24 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 71 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 71% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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