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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32E099 it is the complementary color #CD1F66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32E099. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32E099 shade: #37E094, #48F2A7, #59FFBA, #6AFFCD and #7BFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32E099. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32E099 shade: #32E099, #21CE86, #10BC73, #00AA60 and #00984D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32E099 shade: #32E099, #32E06A, #32E03C, #58E032 and #87E032

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32E099 shade: #32E099, #32E0C8, #32C9E0, #329AE0 and #326CE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32E099 shade matches the following richer shades: #32E099 and #1FF39D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32E099 shade: #32E099, #45CD96, #58BA92, #6BA78F and #7E948B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32E099 shade: #32E03B, #32E069, #32E098, #32E0C6 and #32CCE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32E099 shade: #19A76D, #1ECB85, #32E099, #56E5AB and #7AEBBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32E099 shade: #32E099, #3258E0 and #E05232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32E099 shade: #32E099, #9832E0 and #E09832

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32E099 shade: #32E099, #3258E0, #E0327B and #E0BA32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32E099 shade: #32E099, #4132E0, #E0327B and #D2E032

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 32 / 12

HEX #32E099

RGB 50 224 153

HSL 155.52, 0.74%, 0.54%

LAB 79.78, -58.88, 22.83

 

Complementary color

CMYK 0 / 85 / 50 / 20

HEX #CD1F66

RGB 205 31 102

HSL 335.52, 0.74%, 0.46%

LAB 45.52, 67.77, 5.2

 

CMYK 75 / 0 / 34 / 12

HEX #37E094

RGB 55 224 148

HSL 153.02, 0.73%, 0.55%

LAB 79.76, -59.31, 25.41

 

CMYK 70 / 0 / 31 / 5

HEX #48F2A7

RGB 72 242 167

HSL 153.53, 0.87%, 0.62%

LAB 85.84, -59.96, 23.97

 

CMYK 65 / 0 / 27 / 0

HEX #59FFBA

RGB 89 255 186

HSL 155.06, 1%, 0.67%

LAB 90.41, -58.44, 20.61

 

CMYK 58 / 0 / 20 / 0

HEX #6AFFCD

RGB 106 255 205

HSL 159.87, 1%, 0.71%

LAB 91.23, -51.37, 12.08

 

CMYK 52 / 0 / 12 / 0

HEX #7BFFE0

RGB 123 255 224

HSL 165.91, 1%, 0.74%

LAB 92.18, -43.71, 3.71

 

CMYK 78 / 0 / 32 / 12

HEX #32E099

RGB 50 224 153

HSL 155.52, 0.74%, 0.54%

LAB 79.78, -58.88, 22.83

 

CMYK 84 / 0 / 35 / 19

HEX #21CE86

RGB 33 206 134

HSL 155.03, 0.72%, 0.47%

LAB 73.67, -57.8, 24.39

 

CMYK 91 / 0 / 39 / 26

HEX #10BC73

RGB 16 188 115

HSL 154.53, 0.84%, 0.4%

LAB 67.51, -56.3, 26.1

 

CMYK 100 / 0 / 44 / 33

HEX #00AA60

RGB 0 170 96

HSL 153.88, 1%, 0.33%

LAB 61.3, -54.35, 27.94

 

CMYK 100 / 0 / 49 / 40

HEX #00984D

RGB 0 152 77

HSL 150.39, 1%, 0.3%

LAB 55.06, -51.58, 29.95

 

CMYK 78 / 0 / 32 / 12

HEX #32E099

RGB 50 224 153

HSL 155.52, 0.74%, 0.54%

LAB 79.78, -58.88, 22.83

 

CMYK 78 / 0 / 53 / 12

HEX #32E06A

RGB 50 224 106

HSL 139.31, 0.74%, 0.54%

LAB 79.06, -67.15, 45.4

 

CMYK 78 / 0 / 73 / 12

HEX #32E03C

RGB 50 224 60

HSL 123.45, 0.74%, 0.54%

LAB 78.65, -72.17, 64.09

 

CMYK 61 / 0 / 78 / 12

HEX #58E032

RGB 88 224 50

HSL 106.9, 0.74%, 0.54%

LAB 79.39, -66.07, 68.31

 

CMYK 40 / 0 / 78 / 12

HEX #87E032

RGB 135 224 50

HSL 90.69, 0.74%, 0.54%

LAB 81.12, -52.82, 70.55

 

CMYK 78 / 0 / 32 / 12

HEX #32E099

RGB 50 224 153

HSL 155.52, 0.74%, 0.54%

LAB 79.78, -58.88, 22.83

 

CMYK 78 / 0 / 11 / 12

HEX #32E0C8

RGB 50 224 200

HSL 171.72, 0.74%, 0.54%

LAB 80.83, -47.74, -0.46

 

CMYK 78 / 10 / 0 / 12

HEX #32C9E0

RGB 50 201 224

HSL 187.93, 0.74%, 0.54%

LAB 74.72, -30.42, -22.44

 

CMYK 78 / 31 / 0 / 12

HEX #329AE0

RGB 50 154 224

HSL 204.14, 0.74%, 0.54%

LAB 60.93, -5.68, -43.8

 

CMYK 78 / 52 / 0 / 12

HEX #326CE0

RGB 50 108 224

HSL 220, 0.74%, 0.54%

LAB 47.99, 22.24, -64.48

 

CMYK 78 / 0 / 32 / 12

HEX #32E099

RGB 50 224 153

HSL 155.52, 0.74%, 0.54%

LAB 79.78, -58.88, 22.83

 

CMYK 87 / 0 / 35 / 5

HEX #1FF39D

RGB 31 243 157

HSL 155.66, 0.9%, 0.54%

LAB 85.42, -66.54, 28.4

 

CMYK 78 / 0 / 32 / 12

HEX #32E099

RGB 50 224 153

HSL 155.52, 0.74%, 0.54%

LAB 79.78, -58.88, 22.83

 

CMYK 66 / 0 / 27 / 20

HEX #45CD96

RGB 69 205 150

HSL 155.74, 0.58%, 0.54%

LAB 74.27, -49.47, 16.86

 

CMYK 53 / 0 / 22 / 27

HEX #58BA92

RGB 88 186 146

HSL 155.51, 0.42%, 0.54%

LAB 68.94, -38.39, 11.62

 

CMYK 36 / 0 / 14 / 35

HEX #6BA78F

RGB 107 167 143

HSL 156, 0.25%, 0.54%

LAB 63.96, -24.96, 6.28

 

CMYK 15 / 0 / 6 / 42

HEX #7E948B

RGB 126 148 139

HSL 155.45, 0.09%, 0.54%

LAB 59.42, -9.68, 2.13

 

CMYK 78 / 0 / 74 / 12

HEX #32E03B

RGB 50 224 59

HSL 123.1, 0.74%, 0.54%

LAB 78.64, -72.25, 64.43

 

CMYK 78 / 0 / 53 / 12

HEX #32E069

RGB 50 224 105

HSL 138.97, 0.74%, 0.54%

LAB 79.05, -67.29, 45.85

 

CMYK 78 / 0 / 32 / 12

HEX #32E098

RGB 50 224 152

HSL 155.17, 0.74%, 0.54%

LAB 79.76, -59.08, 23.32

 

CMYK 78 / 0 / 12 / 12

HEX #32E0C6

RGB 50 224 198

HSL 171.03, 0.74%, 0.54%

LAB 80.78, -48.27, 0.53

 

CMYK 78 / 9 / 0 / 12

HEX #32CCE0

RGB 50 204 224

HSL 186.9, 0.74%, 0.54%

LAB 75.6, -31.87, -21.1

 

CMYK 85 / 0 / 35 / 35

HEX #19A76D

RGB 25 167 109

HSL 155.49, 0.74%, 0.38%

LAB 60.74, -49.16, 20.23

 

CMYK 85 / 0 / 34 / 20

HEX #1ECB85

RGB 30 203 133

HSL 155.72, 0.74%, 0.46%

LAB 72.68, -57.15, 23.58

 

CMYK 78 / 0 / 32 / 12

HEX #32E099

RGB 50 224 153

HSL 155.52, 0.74%, 0.54%

LAB 79.78, -58.88, 22.83

 

CMYK 62 / 0 / 25 / 10

HEX #56E5AB

RGB 86 229 171

HSL 155.66, 0.73%, 0.62%

LAB 82.36, -51.74, 17.12

 

CMYK 48 / 0 / 20 / 8

HEX #7AEBBD

RGB 122 235 189

HSL 155.58, 0.74%, 0.7%

LAB 85.62, -42.85, 12.48

 

CMYK 78 / 0 / 32 / 12

HEX #32E099

RGB 50 224 153

HSL 155.52, 0.74%, 0.54%

LAB 79.78, -58.88, 22.83

 

CMYK 78 / 61 / 0 / 12

HEX #3258E0

RGB 50 88 224

HSL 226.9, 0.74%, 0.54%

LAB 42.82, 34.96, -72.89

 

CMYK 0 / 63 / 78 / 12

HEX #E05232

RGB 224 82 50

HSL 11.03, 0.74%, 0.54%

LAB 54.15, 53.74, 47.12

 

CMYK 78 / 0 / 32 / 12

HEX #32E099

RGB 50 224 153

HSL 155.52, 0.74%, 0.54%

LAB 79.78, -58.88, 22.83

 

CMYK 32 / 78 / 0 / 12

HEX #9832E0

RGB 152 50 224

HSL 275.17, 0.74%, 0.54%

LAB 44.71, 69.18, -69.43

 

CMYK 0 / 32 / 78 / 12

HEX #E09832

RGB 224 152 50

HSL 35.17, 0.74%, 0.54%

LAB 68.41, 18.63, 61.03

 

CMYK 78 / 0 / 32 / 12

HEX #32E099

RGB 50 224 153

HSL 155.52, 0.74%, 0.54%

LAB 79.78, -58.88, 22.83

 

CMYK 78 / 61 / 0 / 12

HEX #3258E0

RGB 50 88 224

HSL 226.9, 0.74%, 0.54%

LAB 42.82, 34.96, -72.89

 

CMYK 0 / 78 / 45 / 12

HEX #E0327B

RGB 224 50 123

HSL 334.83, 0.74%, 0.54%

LAB 51.33, 69.7, 1.19

 

CMYK 0 / 17 / 78 / 12

HEX #E0BA32

RGB 224 186 50

HSL 46.9, 0.74%, 0.54%

LAB 76.8, 0.59, 68.8

 

CMYK 78 / 0 / 32 / 12

HEX #32E099

RGB 50 224 153

HSL 155.52, 0.74%, 0.54%

LAB 79.78, -58.88, 22.83

 

CMYK 71 / 78 / 0 / 12

HEX #4132E0

RGB 65 50 224

HSL 245.17, 0.74%, 0.54%

LAB 35.57, 58.18, -84.79

 

CMYK 0 / 78 / 45 / 12

HEX #E0327B

RGB 224 50 123

HSL 334.83, 0.74%, 0.54%

LAB 51.33, 69.7, 1.19

 

CMYK 6 / 0 / 78 / 12

HEX #D2E032

RGB 210 224 50

HSL 64.83, 0.74%, 0.54%

LAB 85.63, -24.42, 76.33

 

Description

Color code: HEX #32E099 | qconv.com Color code: HEX #32E099 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 224 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 224 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 32 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 32% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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