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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32D7AA it is the complementary color #CD2855. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32D7AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32D7AA shade: #37D7A5, #48E9B8, #59FBCB, #6AFFDE and #7BFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32D7AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32D7AA shade: #32D7AA, #21C597, #10B384, #00A171 and #008F5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32D7AA shade: #32D6A9, #32D67D, #32D651, #3FD632 and #6CD632

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32D7AA shade: #32D6A9, #32D6D6, #32AAD6, #327ED6 and #3252D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32D7AA shade matches the following richer shades: #32D6A9, #1EEAB2 and #0AFEBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32D7AA shade: #32D6A9, #46C2A0, #5AAE97, #6E9B8E and #818785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32D7AA shade: #32D650, #32D67C, #32D6A8, #32D6D3 and #32ADD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32D7AA shade: #1E9877, #24BA92, #32D6A9, #55DDB8 and #77E4C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32D7AA shade: #32D7AA, #3240D6 and #D66632

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32D7AA shade: #32D7AA, #A832D6 and #D6A832

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32D7AA shade: #32D7AA, #3240D6, #D63261 and #D6C832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32D7AA shade: #32D7AA, #5632D6, #D63261 and #B3D632

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 21 / 16

HEX #32D7AA

RGB 50 215 170

HSL 163.64, 0.67%, 0.52%

LAB 77.39, -51.57, 10.54

 

Complementary color

CMYK 0 / 80 / 59 / 20

HEX #CD2855

RGB 205 40 85

HSL 343.64, 0.67%, 0.48%

LAB 45.84, 64.44, 16.19

 

CMYK 74 / 0 / 23 / 16

HEX #37D7A5

RGB 55 215 165

HSL 161.25, 0.67%, 0.53%

LAB 77.36, -52.17, 13.17

 

CMYK 69 / 0 / 21 / 9

HEX #48E9B8

RGB 72 233 184

HSL 161.74, 0.79%, 0.6%

LAB 83.5, -52.76, 11.89

 

CMYK 65 / 0 / 19 / 2

HEX #59FBCB

RGB 89 251 203

HSL 162.22, 0.95%, 0.67%

LAB 89.59, -53.15, 10.72

 

CMYK 58 / 0 / 13 / 0

HEX #6AFFDE

RGB 106 255 222

HSL 166.71, 1%, 0.71%

LAB 91.62, -47.51, 3.87

 

CMYK 52 / 0 / 5 / 0

HEX #7BFFF1

RGB 123 255 241

HSL 173.64, 1%, 0.74%

LAB 92.61, -39.7, -4.46

 

CMYK 77 / 0 / 21 / 16

HEX #32D7AA

RGB 50 215 170

HSL 163.64, 0.67%, 0.52%

LAB 77.39, -51.57, 10.54

 

CMYK 83 / 0 / 23 / 23

HEX #21C597

RGB 33 197 151

HSL 163.17, 0.71%, 0.45%

LAB 71.21, -50.58, 11.93

 

CMYK 91 / 0 / 26 / 30

HEX #10B384

RGB 16 179 132

HSL 162.7, 0.84%, 0.38%

LAB 64.98, -49.19, 13.48

 

CMYK 100 / 0 / 30 / 37

HEX #00A171

RGB 0 161 113

HSL 162.11, 1%, 0.32%

LAB 58.68, -47.4, 15.17

 

CMYK 100 / 0 / 34 / 44

HEX #008F5E

RGB 0 143 94

HSL 159.44, 1%, 0.28%

LAB 52.35, -44.86, 17.1

 

CMYK 77 / 0 / 21 / 16

HEX #32D6A9

RGB 50 214 169

HSL 163.54, 0.67%, 0.52%

LAB 77.06, -51.41, 10.61

 

CMYK 77 / 0 / 42 / 16

HEX #32D67D

RGB 50 214 125

HSL 147.44, 0.67%, 0.52%

LAB 76.22, -60.66, 32.48

 

CMYK 77 / 0 / 62 / 16

HEX #32D651

RGB 50 214 81

HSL 131.34, 0.67%, 0.52%

LAB 75.68, -67.1, 52.75

 

CMYK 71 / 0 / 77 / 16

HEX #3FD632

RGB 63 214 50

HSL 115.24, 0.67%, 0.52%

LAB 75.69, -67.86, 64.53

 

CMYK 50 / 0 / 77 / 16

HEX #6CD632

RGB 108 214 50

HSL 98.78, 0.67%, 0.52%

LAB 76.99, -57.35, 66.23

 

CMYK 77 / 0 / 21 / 16

HEX #32D6A9

RGB 50 214 169

HSL 163.54, 0.67%, 0.52%

LAB 77.06, -51.41, 10.61

 

CMYK 77 / 0 / 0 / 16

HEX #32D6D6

RGB 50 214 214

HSL 180, 0.67%, 0.52%

LAB 78.24, -39.5, -11.75

 

CMYK 77 / 21 / 0 / 16

HEX #32AAD6

RGB 50 170 214

HSL 196.1, 0.67%, 0.52%

LAB 65.19, -17.93, -31.62

 

CMYK 77 / 41 / 0 / 16

HEX #327ED6

RGB 50 126 214

HSL 212.2, 0.67%, 0.52%

LAB 52.35, 7.26, -51.82

 

CMYK 77 / 62 / 0 / 16

HEX #3252D6

RGB 50 82 214

HSL 228.29, 0.67%, 0.52%

LAB 40.52, 35.13, -70.94

 

CMYK 77 / 0 / 21 / 16

HEX #32D6A9

RGB 50 214 169

HSL 163.54, 0.67%, 0.52%

LAB 77.06, -51.41, 10.61

 

CMYK 87 / 0 / 24 / 8

HEX #1EEAB2

RGB 30 234 178

HSL 163.53, 0.83%, 0.52%

LAB 83.09, -58.8, 14.37

 

CMYK 96 / 0 / 26 / 0

HEX #0AFEBB

RGB 10 254 187

HSL 163.52, 0.99%, 0.52%

LAB 89.18, -64.99, 18.24

 

CMYK 77 / 0 / 21 / 16

HEX #32D6A9

RGB 50 214 169

HSL 163.54, 0.67%, 0.52%

LAB 77.06, -51.41, 10.61

 

CMYK 64 / 0 / 18 / 24

HEX #46C2A0

RGB 70 194 160

HSL 163.55, 0.5%, 0.52%

LAB 71.16, -42.36, 7.09

 

CMYK 48 / 0 / 13 / 32

HEX #5AAE97

RGB 90 174 151

HSL 163.57, 0.34%, 0.52%

LAB 65.5, -31.19, 3.96

 

CMYK 29 / 0 / 8 / 39

HEX #6E9B8E

RGB 110 155 142

HSL 162.67, 0.18%, 0.52%

LAB 60.53, -18.12, 1.92

 

CMYK 4 / 0 / 1 / 47

HEX #818785

RGB 129 135 133

HSL 160, 0.02%, 0.52%

LAB 55.77, -2.61, 0.3

 

CMYK 77 / 0 / 63 / 16

HEX #32D650

RGB 50 214 80

HSL 130.98, 0.67%, 0.52%

LAB 75.67, -67.21, 53.17

 

CMYK 77 / 0 / 42 / 16

HEX #32D67C

RGB 50 214 124

HSL 147.07, 0.67%, 0.52%

LAB 76.21, -60.84, 32.97

 

CMYK 77 / 0 / 21 / 16

HEX #32D6A8

RGB 50 214 168

HSL 163.17, 0.67%, 0.52%

LAB 77.04, -51.65, 11.11

 

CMYK 77 / 0 / 1 / 16

HEX #32D6D3

RGB 50 214 211

HSL 178.9, 0.67%, 0.52%

LAB 78.15, -40.36, -10.27

 

CMYK 77 / 19 / 0 / 16

HEX #32ADD6

RGB 50 173 214

HSL 195, 0.67%, 0.52%

LAB 66.07, -19.51, -30.25

 

CMYK 80 / 0 / 22 / 40

HEX #1E9877

RGB 30 152 119

HSL 163.77, 0.67%, 0.36%

LAB 56.15, -40.24, 8.3

 

CMYK 81 / 0 / 22 / 27

HEX #24BA92

RGB 36 186 146

HSL 164, 0.68%, 0.44%

LAB 67.7, -47.07, 9.69

 

CMYK 77 / 0 / 21 / 16

HEX #32D6A9

RGB 50 214 169

HSL 163.54, 0.67%, 0.52%

LAB 77.06, -51.41, 10.61

 

CMYK 62 / 0 / 17 / 13

HEX #55DDB8

RGB 85 221 184

HSL 163.68, 0.67%, 0.6%

LAB 80.24, -45.66, 7.27

 

CMYK 48 / 0 / 13 / 11

HEX #77E4C6

RGB 119 228 198

HSL 163.49, 0.67%, 0.68%

LAB 83.7, -38.47, 4.99

 

CMYK 77 / 0 / 21 / 16

HEX #32D7AA

RGB 50 215 170

HSL 163.64, 0.67%, 0.52%

LAB 77.39, -51.57, 10.54

 

CMYK 77 / 70 / 0 / 16

HEX #3240D6

RGB 50 64 214

HSL 234.88, 0.67%, 0.52%

LAB 36.37, 46.19, -77.76

 

CMYK 0 / 52 / 77 / 16

HEX #D66632

RGB 214 102 50

HSL 19.02, 0.67%, 0.52%

LAB 56.12, 40.78, 48.6

 

CMYK 77 / 0 / 21 / 16

HEX #32D7AA

RGB 50 215 170

HSL 163.64, 0.67%, 0.52%

LAB 77.39, -51.57, 10.54

 

CMYK 21 / 77 / 0 / 16

HEX #A832D6

RGB 168 50 214

HSL 283.17, 0.67%, 0.52%

LAB 46.26, 69.89, -61.1

 

CMYK 0 / 21 / 77 / 16

HEX #D6A832

RGB 214 168 50

HSL 43.17, 0.67%, 0.52%

LAB 71.24, 5.76, 63.3

 

CMYK 77 / 0 / 21 / 16

HEX #32D7AA

RGB 50 215 170

HSL 163.64, 0.67%, 0.52%

LAB 77.39, -51.57, 10.54

 

CMYK 77 / 70 / 0 / 16

HEX #3240D6

RGB 50 64 214

HSL 234.88, 0.67%, 0.52%

LAB 36.37, 46.19, -77.76

 

CMYK 0 / 77 / 55 / 16

HEX #D63261

RGB 214 50 97

HSL 342.8, 0.67%, 0.52%

LAB 48.81, 64.93, 13.16

 

CMYK 0 / 7 / 77 / 16

HEX #D6C832

RGB 214 200 50

HSL 54.88, 0.67%, 0.52%

LAB 79.52, -10.91, 70.94

 

CMYK 77 / 0 / 21 / 16

HEX #32D7AA

RGB 50 215 170

HSL 163.64, 0.67%, 0.52%

LAB 77.39, -51.57, 10.54

 

CMYK 60 / 77 / 0 / 16

HEX #5632D6

RGB 86 50 214

HSL 253.17, 0.67%, 0.52%

LAB 36.2, 57.33, -77.94

 

CMYK 0 / 77 / 55 / 16

HEX #D63261

RGB 214 50 97

HSL 342.8, 0.67%, 0.52%

LAB 48.81, 64.93, 13.16

 

CMYK 16 / 0 / 77 / 16

HEX #B3D632

RGB 179 214 50

HSL 72.8, 0.67%, 0.52%

LAB 80.69, -32.29, 71.03

 

Description

Color code: HEX #32D7AA | qconv.com Color code: HEX #32D7AA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 215 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 215 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 21 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 21% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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