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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32BDB8 it is the complementary color #CD4247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32BDB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32BDB8 shade: #37BDB3, #48CFC6, #59E1D9, #6AF3EC and #7BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32BDB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32BDB8 shade: #32BDB8, #21ABA5, #109992, #00877F and #00756C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32BDB8 shade: #32BDB8, #32BD92, #32BD6D, #32BD47 and #42BD32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32BDB8 shade: #32BDB8, #329CBD, #3277BD, #3251BD and #3232BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32BDB8 shade matches the following richer shades: #32BDB8, #1ED0CA and #0BE4DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32BDB8 shade: #32BDB8, #45A9A6, #599694, #6C8382 and #7F6F70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32BDB8 shade: #32BD6C, #32BD91, #32BDB6, #329FBD and #327ABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32BDB8 shade: #217C78, #299C98, #32BDB8, #4ACECA and #6AD7D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32BDB8 shade: #32BDB8, #4732BD and #BD7E32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32BDB8 shade: #32BDB8, #B632BD and #BDB632

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32BDB8 shade: #32BDB8, #4732BD, #BD3239 and #A8BD32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32BDB8 shade: #32BDB8, #7032BD, #BD3239 and #7EBD32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 3 / 26

HEX #32BDB8

RGB 50 189 184

HSL 177.84, 0.58%, 0.47%

LAB 69.85, -36.69, -8

 

Complementary color

CMYK 0 / 68 / 65 / 20

HEX #CD4247

RGB 205 66 71

HSL 357.84, 0.58%, 0.53%

LAB 48.67, 54.96, 28.38

 

CMYK 71 / 0 / 5 / 26

HEX #37BDB3

RGB 55 189 179

HSL 175.52, 0.55%, 0.48%

LAB 69.8, -37.48, -5.32

 

CMYK 65 / 0 / 4 / 19

HEX #48CFC6

RGB 72 207 198

HSL 176, 0.58%, 0.55%

LAB 76.12, -38.07, -6.26

 

CMYK 60 / 0 / 4 / 12

HEX #59E1D9

RGB 89 225 217

HSL 176.47, 0.69%, 0.62%

LAB 82.37, -38.49, -7.12

 

CMYK 56 / 0 / 3 / 5

HEX #6AF3EC

RGB 106 243 236

HSL 176.93, 0.85%, 0.68%

LAB 88.55, -38.77, -7.91

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 74 / 0 / 3 / 26

HEX #32BDB8

RGB 50 189 184

HSL 177.84, 0.58%, 0.47%

LAB 69.85, -36.69, -8

 

CMYK 81 / 0 / 4 / 33

HEX #21ABA5

RGB 33 171 165

HSL 177.39, 0.68%, 0.4%

LAB 63.48, -35.68, -6.97

 

CMYK 90 / 0 / 5 / 40

HEX #109992

RGB 16 153 146

HSL 176.93, 0.81%, 0.33%

LAB 57.04, -34.28, -5.82

 

CMYK 100 / 0 / 6 / 47

HEX #00877F

RGB 0 135 127

HSL 176.44, 1%, 0.26%

LAB 50.52, -32.5, -4.52

 

CMYK 100 / 0 / 8 / 54

HEX #00756C

RGB 0 117 108

HSL 175.38, 1%, 0.23%

LAB 43.95, -29.95, -2.99

 

CMYK 74 / 0 / 3 / 26

HEX #32BDB8

RGB 50 189 184

HSL 177.84, 0.58%, 0.47%

LAB 69.85, -36.69, -8

 

CMYK 74 / 0 / 23 / 26

HEX #32BD92

RGB 50 189 146

HSL 161.44, 0.58%, 0.47%

LAB 68.86, -46.69, 11.36

 

CMYK 74 / 0 / 42 / 26

HEX #32BD6D

RGB 50 189 109

HSL 145.47, 0.58%, 0.47%

LAB 68.15, -54.46, 30.16

 

CMYK 74 / 0 / 62 / 26

HEX #32BD47

RGB 50 189 71

HSL 129.06, 0.58%, 0.47%

LAB 67.67, -60.07, 48.06

 

CMYK 65 / 0 / 74 / 26

HEX #42BD32

RGB 66 189 50

HSL 113.09, 0.58%, 0.47%

LAB 67.86, -59.1, 56.82

 

CMYK 74 / 0 / 3 / 26

HEX #32BDB8

RGB 50 189 184

HSL 177.84, 0.58%, 0.47%

LAB 69.85, -36.69, -8

 

CMYK 74 / 17 / 0 / 26

HEX #329CBD

RGB 50 156 189

HSL 194.24, 0.58%, 0.47%

LAB 60.01, -18.81, -25.68

 

CMYK 74 / 37 / 0 / 26

HEX #3277BD

RGB 50 119 189

HSL 210.22, 0.58%, 0.47%

LAB 48.94, 2.33, -42.98

 

CMYK 74 / 57 / 0 / 26

HEX #3251BD

RGB 50 81 189

HSL 226.62, 0.58%, 0.47%

LAB 38.26, 26.61, -60.13

 

CMYK 74 / 74 / 0 / 26

HEX #3232BD

RGB 50 50 189

HSL 240, 0.58%, 0.47%

LAB 30.96, 45.91, -72.11

 

CMYK 74 / 0 / 3 / 26

HEX #32BDB8

RGB 50 189 184

HSL 177.84, 0.58%, 0.47%

LAB 69.85, -36.69, -8

 

CMYK 86 / 0 / 3 / 18

HEX #1ED0CA

RGB 30 208 202

HSL 177.98, 0.75%, 0.47%

LAB 75.86, -41.86, -8.89

 

CMYK 95 / 0 / 4 / 11

HEX #0BE4DC

RGB 11 228 220

HSL 177.79, 0.91%, 0.47%

LAB 82.23, -46.23, -9.04

 

CMYK 74 / 0 / 3 / 26

HEX #32BDB8

RGB 50 189 184

HSL 177.84, 0.58%, 0.47%

LAB 69.85, -36.69, -8

 

CMYK 59 / 0 / 2 / 34

HEX #45A9A6

RGB 69 169 166

HSL 178.2, 0.42%, 0.47%

LAB 63.67, -29.46, -7.17

 

CMYK 41 / 0 / 1 / 41

HEX #599694

RGB 89 150 148

HSL 178.03, 0.26%, 0.47%

LAB 58.11, -20.21, -5.17

 

CMYK 18 / 0 / 1 / 49

HEX #6C8382

RGB 108 131 130

HSL 177.39, 0.1%, 0.47%

LAB 52.98, -8.47, -2.23

 

CMYK 0 / 13 / 12 / 50

HEX #7F6F70

RGB 127 111 112

HSL 356.25, 0.07%, 0.47%

LAB 48.32, 6.44, 1.74

 

CMYK 74 / 0 / 43 / 26

HEX #32BD6C

RGB 50 189 108

HSL 145.04, 0.58%, 0.47%

LAB 68.14, -54.64, 30.65

 

CMYK 74 / 0 / 23 / 26

HEX #32BD91

RGB 50 189 145

HSL 161.01, 0.58%, 0.47%

LAB 68.84, -46.93, 11.87

 

CMYK 74 / 0 / 4 / 26

HEX #32BDB6

RGB 50 189 182

HSL 176.98, 0.58%, 0.47%

LAB 69.79, -37.26, -6.99

 

CMYK 74 / 16 / 0 / 26

HEX #329FBD

RGB 50 159 189

HSL 192.95, 0.58%, 0.47%

LAB 60.91, -20.4, -24.29

 

CMYK 74 / 35 / 0 / 26

HEX #327ABD

RGB 50 122 189

HSL 208.92, 0.58%, 0.47%

LAB 49.82, 0.51, -41.58

 

CMYK 73 / 0 / 3 / 51

HEX #217C78

RGB 33 124 120

HSL 177.36, 0.58%, 0.31%

LAB 47.1, -26.66, -5.44

 

CMYK 74 / 0 / 3 / 39

HEX #299C98

RGB 41 156 152

HSL 177.91, 0.58%, 0.39%

LAB 58.52, -31.61, -7

 

CMYK 74 / 0 / 3 / 26

HEX #32BDB8

RGB 50 189 184

HSL 177.84, 0.58%, 0.47%

LAB 69.85, -36.69, -8

 

CMYK 64 / 0 / 2 / 19

HEX #4ACECA

RGB 74 206 202

HSL 178.18, 0.57%, 0.55%

LAB 75.98, -36.22, -8.61

 

CMYK 51 / 0 / 2 / 16

HEX #6AD7D3

RGB 106 215 211

HSL 177.8, 0.58%, 0.63%

LAB 79.82, -32.19, -7.64

 

CMYK 74 / 0 / 3 / 26

HEX #32BDB8

RGB 50 189 184

HSL 177.84, 0.58%, 0.47%

LAB 69.85, -36.69, -8

 

CMYK 62 / 74 / 0 / 26

HEX #4732BD

RGB 71 50 189

HSL 249.06, 0.58%, 0.47%

LAB 32.47, 48.2, -69.56

 

CMYK 0 / 33 / 74 / 26

HEX #BD7E32

RGB 189 126 50

HSL 32.81, 0.58%, 0.47%

LAB 58.01, 17.69, 49.43

 

CMYK 74 / 0 / 3 / 26

HEX #32BDB8

RGB 50 189 184

HSL 177.84, 0.58%, 0.47%

LAB 69.85, -36.69, -8

 

CMYK 4 / 74 / 0 / 26

HEX #B632BD

RGB 182 50 189

HSL 296.98, 0.58%, 0.47%

LAB 46.84, 68.1, -45.59

 

CMYK 0 / 4 / 74 / 26

HEX #BDB632

RGB 189 182 50

HSL 56.98, 0.58%, 0.47%

LAB 72.56, -12.47, 63.71

 

CMYK 74 / 0 / 3 / 26

HEX #32BDB8

RGB 50 189 184

HSL 177.84, 0.58%, 0.47%

LAB 69.85, -36.69, -8

 

CMYK 62 / 74 / 0 / 26

HEX #4732BD

RGB 71 50 189

HSL 249.06, 0.58%, 0.47%

LAB 32.47, 48.2, -69.56

 

CMYK 0 / 74 / 70 / 26

HEX #BD3239

RGB 189 50 57

HSL 356.98, 0.58%, 0.47%

LAB 43.35, 55.14, 29.53

 

CMYK 11 / 0 / 74 / 26

HEX #A8BD32

RGB 168 189 50

HSL 69.06, 0.58%, 0.47%

LAB 72.86, -24.9, 63.41

 

CMYK 74 / 0 / 3 / 26

HEX #32BDB8

RGB 50 189 184

HSL 177.84, 0.58%, 0.47%

LAB 69.85, -36.69, -8

 

CMYK 41 / 74 / 0 / 26

HEX #7032BD

RGB 112 50 189

HSL 266.76, 0.58%, 0.47%

LAB 36.74, 54.41, -62.39

 

CMYK 0 / 74 / 70 / 26

HEX #BD3239

RGB 189 50 57

HSL 356.98, 0.58%, 0.47%

LAB 43.35, 55.14, 29.53

 

CMYK 33 / 0 / 74 / 26

HEX #7EBD32

RGB 126 189 50

HSL 87.19, 0.58%, 0.47%

LAB 70.22, -41.42, 59.95

 

Description

Color code: HEX #32BDB8 | qconv.com Color code: HEX #32BDB8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 189 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 189 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 3 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 3% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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