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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32B8B8 it is the complementary color #CD4747. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32B8B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32B8B8 shade: #37B8B3, #48CAC6, #59DCD9, #6AEEEC and #7BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32B8B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32B8B8 shade: #32B8B8, #21A6A5, #109492, #00827F and #00706C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32B8B8 shade: #32B8B8, #32B894, #32B870, #32B84B and #3CB832

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32B8B8 shade: #32B8B8, #3294B8, #3270B8, #324BB8 and #3232B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32B8B8 shade matches the following richer shades: #32B8B8, #1FCBCB and #0CDEDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32B8B8 shade: #32B8B8, #45A5A5, #589292, #6B7F7F and #7E6C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32B8B8 shade: #32B870, #32B894, #32B8B8, #3294B8 and #3270B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32B8B8 shade: #207777, #299797, #32B8B8, #47CCCC and #67D5D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32B8B8 shade: #32B8B8, #4D32B8 and #B88232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32B8B8 shade: #32B8B8, #B832B8 and #B8B832

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32B8B8 shade: #32B8B8, #4D32B8, #B83232 and #9DB832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32B8B8 shade: #32B8B8, #7532B8, #B83232 and #75B832

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

Complementary color

CMYK 0 / 65 / 65 / 20

HEX #CD4747

RGB 205 71 71

HSL 0, 0.57%, 0.54%

LAB 49.42, 52.93, 29.32

 

CMYK 70 / 0 / 3 / 28

HEX #37B8B3

RGB 55 184 179

HSL 177.67, 0.54%, 0.47%

LAB 68.28, -35.17, -7.58

 

CMYK 64 / 0 / 2 / 21

HEX #48CAC6

RGB 72 202 198

HSL 178.15, 0.55%, 0.54%

LAB 74.63, -35.77, -8.47

 

CMYK 60 / 0 / 1 / 14

HEX #59DCD9

RGB 89 220 217

HSL 178.63, 0.65%, 0.61%

LAB 80.92, -36.19, -9.28

 

CMYK 55 / 0 / 1 / 7

HEX #6AEEEC

RGB 106 238 236

HSL 179.09, 0.8%, 0.67%

LAB 87.13, -36.48, -10.03

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

CMYK 80 / 0 / 1 / 35

HEX #21A6A5

RGB 33 166 165

HSL 179.55, 0.67%, 0.39%

LAB 61.92, -33.34, -9.29

 

CMYK 89 / 0 / 1 / 42

HEX #109492

RGB 16 148 146

HSL 179.09, 0.8%, 0.32%

LAB 55.45, -31.93, -8.19

 

CMYK 100 / 0 / 2 / 49

HEX #00827F

RGB 0 130 127

HSL 178.62, 1%, 0.25%

LAB 48.88, -30.13, -6.96

 

CMYK 100 / 0 / 4 / 56

HEX #00706C

RGB 0 112 108

HSL 177.86, 1%, 0.22%

LAB 42.26, -27.53, -5.49

 

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

CMYK 73 / 0 / 20 / 28

HEX #32B894

RGB 50 184 148

HSL 163.88, 0.57%, 0.46%

LAB 67.35, -44.11, 8.12

 

CMYK 73 / 0 / 39 / 28

HEX #32B870

RGB 50 184 112

HSL 147.76, 0.57%, 0.46%

LAB 66.62, -52.03, 26.57

 

CMYK 73 / 0 / 59 / 28

HEX #32B84B

RGB 50 184 75

HSL 131.19, 0.57%, 0.46%

LAB 66.11, -57.9, 44.46

 

CMYK 67 / 0 / 73 / 28

HEX #3CB832

RGB 60 184 50

HSL 115.52, 0.57%, 0.46%

LAB 66.11, -58.64, 55

 

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

CMYK 73 / 20 / 0 / 28

HEX #3294B8

RGB 50 148 184

HSL 196.12, 0.57%, 0.46%

LAB 57.38, -16.18, -26.9

 

CMYK 73 / 39 / 0 / 28

HEX #3270B8

RGB 50 112 184

HSL 212.24, 0.57%, 0.46%

LAB 46.61, 4.81, -43.78

 

CMYK 73 / 59 / 0 / 28

HEX #324BB8

RGB 50 75 184

HSL 228.81, 0.57%, 0.46%

LAB 36.31, 28.68, -60.38

 

CMYK 73 / 73 / 0 / 28

HEX #3232B8

RGB 50 50 184

HSL 240, 0.57%, 0.46%

LAB 30.45, 44.25, -69.99

 

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

CMYK 85 / 0 / 0 / 20

HEX #1FCBCB

RGB 31 203 203

HSL 180, 0.74%, 0.46%

LAB 74.39, -39.26, -11.61

 

CMYK 95 / 0 / 0 / 13

HEX #0CDEDE

RGB 12 222 222

HSL 180, 0.9%, 0.46%

LAB 80.51, -43.01, -12.66

 

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

CMYK 58 / 0 / 0 / 35

HEX #45A5A5

RGB 69 165 165

HSL 180, 0.41%, 0.46%

LAB 62.42, -27.78, -8.47

 

CMYK 40 / 0 / 0 / 43

HEX #589292

RGB 88 146 146

HSL 180, 0.25%, 0.46%

LAB 56.79, -18.89, -5.98

 

CMYK 16 / 0 / 0 / 50

HEX #6B7F7F

RGB 107 127 127

HSL 180, 0.09%, 0.46%

LAB 51.65, -7.25, -2.45

 

CMYK 0 / 14 / 14 / 51

HEX #7E6C6C

RGB 126 108 108

HSL 0, 0.08%, 0.46%

LAB 47.29, 7.09, 2.62

 

CMYK 73 / 0 / 39 / 28

HEX #32B870

RGB 50 184 112

HSL 147.76, 0.57%, 0.46%

LAB 66.62, -52.03, 26.57

 

CMYK 73 / 0 / 20 / 28

HEX #32B894

RGB 50 184 148

HSL 163.88, 0.57%, 0.46%

LAB 67.35, -44.11, 8.12

 

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

CMYK 73 / 20 / 0 / 28

HEX #3294B8

RGB 50 148 184

HSL 196.12, 0.57%, 0.46%

LAB 57.38, -16.18, -26.9

 

CMYK 73 / 39 / 0 / 28

HEX #3270B8

RGB 50 112 184

HSL 212.24, 0.57%, 0.46%

LAB 46.61, 4.81, -43.78

 

CMYK 73 / 0 / 0 / 53

HEX #207777

RGB 32 119 119

HSL 180, 0.58%, 0.3%

LAB 45.4, -24.59, -7.37

 

CMYK 73 / 0 / 0 / 41

HEX #299797

RGB 41 151 151

HSL 180, 0.57%, 0.38%

LAB 56.92, -29.49, -8.82

 

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

CMYK 65 / 0 / 0 / 20

HEX #47CCCC

RGB 71 204 204

HSL 180, 0.57%, 0.54%

LAB 75.38, -35.19, -10.6

 

CMYK 52 / 0 / 0 / 16

HEX #67D5D5

RGB 103 213 213

HSL 180, 0.57%, 0.62%

LAB 79.2, -31.34, -9.65

 

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

CMYK 58 / 73 / 0 / 28

HEX #4D32B8

RGB 77 50 184

HSL 252.09, 0.57%, 0.46%

LAB 32.52, 47.49, -66.5

 

CMYK 0 / 29 / 73 / 28

HEX #B88232

RGB 184 130 50

HSL 35.82, 0.57%, 0.46%

LAB 58.4, 13.28, 49.64

 

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

CMYK 0 / 73 / 0 / 28

HEX #B832B8

RGB 184 50 184

HSL 300, 0.57%, 0.46%

LAB 46.89, 67.7, -42.58

 

CMYK 0 / 0 / 73 / 28

HEX #B8B832

RGB 184 184 50

HSL 60, 0.57%, 0.46%

LAB 72.69, -15.64, 63.69

 

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

CMYK 58 / 73 / 0 / 28

HEX #4D32B8

RGB 77 50 184

HSL 252.09, 0.57%, 0.46%

LAB 32.52, 47.49, -66.5

 

CMYK 0 / 73 / 73 / 28

HEX #B83232

RGB 184 50 50

HSL 0, 0.57%, 0.46%

LAB 42.31, 53.24, 32.23

 

CMYK 15 / 0 / 73 / 28

HEX #9DB832

RGB 157 184 50

HSL 72.09, 0.57%, 0.46%

LAB 70.65, -27.03, 61.01

 

CMYK 73 / 0 / 0 / 28

HEX #32B8B8

RGB 50 184 184

HSL 180, 0.57%, 0.46%

LAB 68.33, -34.37, -10.27

 

CMYK 36 / 73 / 0 / 28

HEX #7532B8

RGB 117 50 184

HSL 270, 0.57%, 0.46%

LAB 36.97, 54.09, -59.04

 

CMYK 0 / 73 / 73 / 28

HEX #B83232

RGB 184 50 50

HSL 0, 0.57%, 0.46%

LAB 42.31, 53.24, 32.23

 

CMYK 36 / 0 / 73 / 28

HEX #75B832

RGB 117 184 50

HSL 90, 0.57%, 0.46%

LAB 68.24, -42.5, 57.83

 

Description

Color code: HEX #32B8B8 | qconv.com Color code: HEX #32B8B8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 184 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 184 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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