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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32AD82 it is the complementary color #CD527D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32AD82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32AD82 shade: #37AD7D, #48BF90, #59D1A3, #6AE3B6 and #7BF5C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32AD82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32AD82 shade: #32AD82, #219B6F, #10895C, #007749 and #006536

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32AD82 shade: #32AD82, #32AD61, #32AD40, #46AD32 and #67AD32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32AD82 shade: #32AD82, #32ADA4, #3296AD, #3275AD and #3253AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32AD82 shade matches the following richer shades: #32AD82, #20C088 and #0ED28D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32AD82 shade: #32AD82, #449B7D, #568977, #687772 and #7B656C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32AD82 shade: #32AD40, #32AD61, #32AD82, #32ADA3 and #3297AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32AD82 shade: #1F6D52, #298D6A, #32AD82, #41C899 and #61D1AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32AD82 shade: #32AD82, #3245AD and #AD5132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32AD82 shade: #32AD82, #8232AD and #AD8232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32AD82 shade: #32AD82, #3245AD, #AD325D and #AD9B32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32AD82 shade: #32AD82, #4532AD, #AD325D and #9BAD32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

Complementary color

CMYK 0 / 60 / 39 / 20

HEX #CD527D

RGB 205 82 125

HSL 339.02, 0.55%, 0.56%

LAB 52.39, 52.67, 1.13

 

CMYK 68 / 0 / 28 / 32

HEX #37AD7D

RGB 55 173 125

HSL 155.59, 0.52%, 0.45%

LAB 63.49, -44.15, 15.33

 

CMYK 62 / 0 / 25 / 25

HEX #48BF90

RGB 72 191 144

HSL 156.3, 0.48%, 0.52%

LAB 69.93, -44.42, 14.03

 

CMYK 57 / 0 / 22 / 18

HEX #59D1A3

RGB 89 209 163

HSL 157, 0.57%, 0.58%

LAB 76.3, -44.53, 12.85

 

CMYK 53 / 0 / 20 / 11

HEX #6AE3B6

RGB 106 227 182

HSL 157.69, 0.68%, 0.65%

LAB 82.58, -44.52, 11.76

 

CMYK 50 / 0 / 18 / 4

HEX #7BF5C9

RGB 123 245 201

HSL 158.36, 0.86%, 0.72%

LAB 88.8, -44.44, 10.75

 

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

CMYK 79 / 0 / 28 / 39

HEX #219B6F

RGB 33 155 111

HSL 158.36, 0.65%, 0.37%

LAB 56.99, -43.11, 14

 

CMYK 88 / 0 / 33 / 46

HEX #10895C

RGB 16 137 92

HSL 157.69, 0.79%, 0.3%

LAB 50.42, -41.97, 15.62

 

CMYK 100 / 0 / 39 / 53

HEX #007749

RGB 0 119 73

HSL 156.81, 1%, 0.23%

LAB 43.76, -40.32, 17.46

HEX #007749

CMYK 100 / 0 / 47 / 60

HEX #006536

RGB 0 101 54

HSL 152.08, 1%, 0.2%

LAB 37.07, -37.48, 19.6

HEX #006536

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

CMYK 71 / 0 / 44 / 32

HEX #32AD61

RGB 50 173 97

HSL 142.93, 0.55%, 0.44%

LAB 62.87, -50.62, 29.56

 

CMYK 71 / 0 / 63 / 32

HEX #32AD40

RGB 50 173 64

HSL 126.83, 0.55%, 0.44%

LAB 62.45, -55.43, 45.28

 

CMYK 60 / 0 / 71 / 32

HEX #46AD32

RGB 70 173 50

HSL 110.24, 0.55%, 0.44%

LAB 62.86, -52.54, 51.74

 

CMYK 40 / 0 / 71 / 32

HEX #67AD32

RGB 103 173 50

HSL 94.15, 0.55%, 0.44%

LAB 64.16, -42.71, 53.49

 

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

CMYK 71 / 0 / 5 / 32

HEX #32ADA4

RGB 50 173 164

HSL 175.61, 0.55%, 0.44%

LAB 64.36, -34.98, -5.08

 

CMYK 71 / 13 / 0 / 32

HEX #3296AD

RGB 50 150 173

HSL 191.22, 0.55%, 0.44%

LAB 57.57, -20.88, -20.37

 

CMYK 71 / 32 / 0 / 32

HEX #3275AD

RGB 50 117 173

HSL 207.32, 0.55%, 0.44%

LAB 47.52, -2.27, -35.96

 

CMYK 71 / 52 / 0 / 32

HEX #3253AD

RGB 50 83 173

HSL 223.9, 0.55%, 0.44%

LAB 37.63, 19.33, -51.74

 

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

CMYK 83 / 0 / 29 / 25

HEX #20C088

RGB 32 192 136

HSL 159, 0.71%, 0.44%

LAB 69.32, -52.2, 17.37

 

CMYK 93 / 0 / 33 / 18

HEX #0ED28D

RGB 14 210 141

HSL 158.88, 0.88%, 0.44%

LAB 74.89, -58.95, 22.36

 

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

CMYK 56 / 0 / 19 / 39

HEX #449B7D

RGB 68 155 125

HSL 159.31, 0.39%, 0.44%

LAB 58.18, -33.65, 7.91

 

CMYK 37 / 0 / 13 / 46

HEX #568977

RGB 86 137 119

HSL 158.82, 0.23%, 0.44%

LAB 53.17, -21.42, 4.26

 

CMYK 13 / 0 / 4 / 53

HEX #687772

RGB 104 119 114

HSL 160, 0.07%, 0.44%

LAB 48.7, -6.63, 0.86

 

CMYK 0 / 18 / 12 / 52

HEX #7B656C

RGB 123 101 108

HSL 340.91, 0.1%, 0.44%

LAB 45.08, 10.05, -0.63

 

CMYK 71 / 0 / 63 / 32

HEX #32AD40

RGB 50 173 64

HSL 126.83, 0.55%, 0.44%

LAB 62.45, -55.43, 45.28

 

CMYK 71 / 0 / 44 / 32

HEX #32AD61

RGB 50 173 97

HSL 142.93, 0.55%, 0.44%

LAB 62.87, -50.62, 29.56

 

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

CMYK 71 / 0 / 6 / 32

HEX #32ADA3

RGB 50 173 163

HSL 175.12, 0.55%, 0.44%

LAB 64.33, -35.26, -4.57

 

CMYK 71 / 13 / 0 / 32

HEX #3297AD

RGB 50 151 173

HSL 190.73, 0.55%, 0.44%

LAB 57.87, -21.4, -19.9

 

CMYK 72 / 0 / 25 / 57

HEX #1F6D52

RGB 31 109 82

HSL 159.23, 0.56%, 0.27%

LAB 40.96, -30.51, 8.36

 

CMYK 71 / 0 / 25 / 45

HEX #298D6A

RGB 41 141 106

HSL 159, 0.55%, 0.36%

LAB 52.47, -37.23, 10.53

 

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

CMYK 68 / 0 / 24 / 22

HEX #41C899

RGB 65 200 153

HSL 159.11, 0.55%, 0.52%

LAB 72.72, -47.4, 13.06

 

CMYK 54 / 0 / 19 / 18

HEX #61D1AA

RGB 97 209 170

HSL 159.11, 0.55%, 0.6%

LAB 76.71, -41.26, 9.73

 

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

CMYK 71 / 60 / 0 / 32

HEX #3245AD

RGB 50 69 173

HSL 230.73, 0.55%, 0.44%

LAB 33.88, 28.55, -57.82

 

CMYK 0 / 53 / 71 / 32

HEX #AD5132

RGB 173 81 50

HSL 15.12, 0.55%, 0.44%

LAB 45.63, 35.41, 35.52

 

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

CMYK 25 / 71 / 0 / 32

HEX #8232AD

RGB 130 50 173

HSL 279.02, 0.55%, 0.44%

LAB 37.92, 54.12, -50.9

 

CMYK 0 / 25 / 71 / 32

HEX #AD8232

RGB 173 130 50

HSL 39.02, 0.55%, 0.44%

LAB 57.15, 8.39, 47.96

 

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

CMYK 71 / 60 / 0 / 32

HEX #3245AD

RGB 50 69 173

HSL 230.73, 0.55%, 0.44%

LAB 33.88, 28.55, -57.82

 

CMYK 0 / 71 / 46 / 32

HEX #AD325D

RGB 173 50 93

HSL 339.02, 0.55%, 0.44%

LAB 41.15, 52.8, 3.74

 

CMYK 0 / 10 / 71 / 32

HEX #AD9B32

RGB 173 155 50

HSL 51.22, 0.55%, 0.44%

LAB 63.8, -5.32, 54.72

 

CMYK 71 / 0 / 25 / 32

HEX #32AD82

RGB 50 173 130

HSL 159.02, 0.55%, 0.44%

LAB 63.49, -43.81, 12.56

 

CMYK 60 / 71 / 0 / 32

HEX #4532AD

RGB 69 50 173

HSL 249.27, 0.55%, 0.44%

LAB 30.79, 42.99, -62.82

 

CMYK 0 / 71 / 46 / 32

HEX #AD325D

RGB 173 50 93

HSL 339.02, 0.55%, 0.44%

LAB 41.15, 52.8, 3.74

 

CMYK 10 / 0 / 71 / 32

HEX #9BAD32

RGB 155 173 50

HSL 68.78, 0.55%, 0.44%

LAB 67.34, -22.48, 57.73

 

Description

Color code: HEX #32AD82 | qconv.com Color code: HEX #32AD82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 173 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 173 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 25 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 25% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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