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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #329DB8 it is the complementary color #CD6247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #329DB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #329DB8 shade: #379DB3, #48AFC6, #59C1D9, #6AD3EC and #7BE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #329DB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #329DB8 shade: #329DB8, #218BA5, #107992, #00677F and #00556C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #329DB8 shade: #329DB8, #3279B8, #3255B8, #3332B8 and #5732B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #329DB8 shade: #329DB8, #3279B8, #3255B8 and #3232B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #329DB8 shade matches the following richer shades: #329DB8, #1FA8CB and #0CB3DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #329DB8 shade: #329DB8, #4591A5, #588692, #6B7B7F and #7E6F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #329DB8 shade: #32B88B, #32B8AF, #329DB8, #3279B8 and #3256B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #329DB8 shade: #206577, #298197, #329DB8, #47B1CC and #67BFD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #329DB8 shade: #329DB8, #6732B8 and #B89D32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #329DB8 shade: #329DB8, #B8329D and #9DB832

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #329DB8 shade: #329DB8, #6732B8, #B84D32 and #82B832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #329DB8 shade: #329DB8, #9032B8, #B84D32 and #5AB832

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

Complementary color

CMYK 0 / 52 / 65 / 20

HEX #CD6247

RGB 205 98 71

HSL 12.09, 0.57%, 0.54%

LAB 54.21, 40.38, 35.16

 

CMYK 69 / 12 / 0 / 30

HEX #379DB3

RGB 55 157 179

HSL 190.65, 0.53%, 0.46%

LAB 60.05, -21.89, -19.96

 

CMYK 64 / 12 / 0 / 22

HEX #48AFC6

RGB 72 175 198

HSL 190.95, 0.53%, 0.53%

LAB 66.61, -22.6, -20.54

 

CMYK 59 / 11 / 0 / 15

HEX #59C1D9

RGB 89 193 217

HSL 191.25, 0.63%, 0.6%

LAB 73.07, -23.13, -21.07

 

CMYK 55 / 11 / 0 / 7

HEX #6AD3EC

RGB 106 211 236

HSL 191.54, 0.77%, 0.67%

LAB 79.45, -23.52, -21.57

 

CMYK 52 / 10 / 0 / 0

HEX #7BE5FF

RGB 123 229 255

HSL 191.82, 1%, 0.74%

LAB 85.74, -23.81, -22.04

 

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

CMYK 80 / 16 / 0 / 35

HEX #218BA5

RGB 33 139 165

HSL 191.82, 0.67%, 0.39%

LAB 53.5, -19.79, -22.05

 

CMYK 89 / 17 / 0 / 43

HEX #107992

RGB 16 121 146

HSL 191.54, 0.8%, 0.32%

LAB 46.79, -18.16, -21.32

 

CMYK 100 / 19 / 0 / 50

HEX #00677F

RGB 0 103 127

HSL 191.34, 1%, 0.25%

LAB 39.97, -16.08, -20.48

HEX #00677F

CMYK 100 / 21 / 0 / 58

HEX #00556C

RGB 0 85 108

HSL 192.78, 1%, 0.21%

LAB 33.09, -13.01, -19.42

HEX #00556C

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

CMYK 73 / 34 / 0 / 28

HEX #3279B8

RGB 50 121 184

HSL 208.21, 0.57%, 0.46%

LAB 49.27, -0.7, -39.58

 

CMYK 73 / 54 / 0 / 28

HEX #3255B8

RGB 50 85 184

HSL 224.33, 0.57%, 0.46%

LAB 38.96, 22.13, -56.07

 

CMYK 72 / 73 / 0 / 28

HEX #3332B8

RGB 51 50 184

HSL 240.45, 0.57%, 0.46%

LAB 30.51, 44.35, -69.88

 

CMYK 53 / 73 / 0 / 28

HEX #5732B8

RGB 87 50 184

HSL 256.57, 0.57%, 0.46%

LAB 33.5, 48.96, -64.87

 

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

CMYK 73 / 34 / 0 / 28

HEX #3279B8

RGB 50 121 184

HSL 208.21, 0.57%, 0.46%

LAB 49.27, -0.7, -39.58

 

CMYK 73 / 54 / 0 / 28

HEX #3255B8

RGB 50 85 184

HSL 224.33, 0.57%, 0.46%

LAB 38.96, 22.13, -56.07

 

CMYK 73 / 73 / 0 / 28

HEX #3232B8

RGB 50 50 184

HSL 240, 0.57%, 0.46%

LAB 30.45, 44.25, -69.99

 

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

CMYK 85 / 17 / 0 / 20

HEX #1FA8CB

RGB 31 168 203

HSL 192.21, 0.74%, 0.46%

LAB 63.84, -22.31, -27.63

 

CMYK 95 / 19 / 0 / 13

HEX #0CB3DE

RGB 12 179 222

HSL 192.29, 0.9%, 0.46%

LAB 67.72, -22.49, -32.14

 

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

CMYK 58 / 12 / 0 / 35

HEX #4591A5

RGB 69 145 165

HSL 192.5, 0.41%, 0.46%

LAB 56.32, -17.48, -17.65

 

CMYK 40 / 8 / 0 / 43

HEX #588692

RGB 88 134 146

HSL 192.41, 0.25%, 0.46%

LAB 53.17, -12.41, -11.39

 

CMYK 16 / 3 / 0 / 50

HEX #6B7B7F

RGB 107 123 127

HSL 192, 0.09%, 0.46%

LAB 50.48, -4.97, -4.17

 

CMYK 0 / 12 / 14 / 51

HEX #7E6F6C

RGB 126 111 108

HSL 10, 0.08%, 0.46%

LAB 48.12, 5.32, 3.81

 

CMYK 73 / 0 / 24 / 28

HEX #32B88B

RGB 50 184 139

HSL 159.85, 0.57%, 0.46%

LAB 67.14, -46.28, 12.76

 

CMYK 73 / 0 / 5 / 28

HEX #32B8AF

RGB 50 184 175

HSL 175.97, 0.57%, 0.46%

LAB 68.06, -36.95, -5.7

 

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

CMYK 73 / 34 / 0 / 28

HEX #3279B8

RGB 50 121 184

HSL 208.21, 0.57%, 0.46%

LAB 49.27, -0.7, -39.58

 

CMYK 73 / 53 / 0 / 28

HEX #3256B8

RGB 50 86 184

HSL 223.88, 0.57%, 0.46%

LAB 39.23, 21.48, -55.63

 

CMYK 73 / 15 / 0 / 53

HEX #206577

RGB 32 101 119

HSL 192.41, 0.58%, 0.3%

LAB 39.49, -14.89, -16.31

 

CMYK 73 / 15 / 0 / 41

HEX #298197

RGB 41 129 151

HSL 192, 0.57%, 0.38%

LAB 49.99, -18.17, -19.31

 

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

CMYK 65 / 13 / 0 / 20

HEX #47B1CC

RGB 71 177 204

HSL 192.18, 0.57%, 0.54%

LAB 67.38, -21.96, -22.68

 

CMYK 52 / 10 / 0 / 16

HEX #67BFD5

RGB 103 191 213

HSL 192, 0.57%, 0.62%

LAB 72.86, -20.46, -19.18

 

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

CMYK 44 / 73 / 0 / 28

HEX #6732B8

RGB 103 50 184

HSL 263.73, 0.57%, 0.46%

LAB 35.25, 51.58, -61.92

 

CMYK 0 / 15 / 73 / 28

HEX #B89D32

RGB 184 157 50

HSL 47.91, 0.57%, 0.46%

LAB 65.38, -1.52, 56.64

 

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

CMYK 0 / 73 / 15 / 28

HEX #B8329D

RGB 184 50 157

HSL 312.09, 0.57%, 0.46%

LAB 45.51, 63.55, -28.78

 

CMYK 15 / 0 / 73 / 28

HEX #9DB832

RGB 157 184 50

HSL 72.09, 0.57%, 0.46%

LAB 70.65, -27.03, 61.01

 

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

CMYK 44 / 73 / 0 / 28

HEX #6732B8

RGB 103 50 184

HSL 263.73, 0.57%, 0.46%

LAB 35.25, 51.58, -61.92

 

CMYK 0 / 58 / 73 / 28

HEX #B84D32

RGB 184 77 50

HSL 12.09, 0.57%, 0.46%

LAB 46.62, 41.67, 37.1

 

CMYK 29 / 0 / 73 / 28

HEX #82B832

RGB 130 184 50

HSL 84.18, 0.57%, 0.46%

LAB 68.94, -37.74, 58.76

 

CMYK 73 / 15 / 0 / 28

HEX #329DB8

RGB 50 157 184

HSL 192.09, 0.57%, 0.46%

LAB 60.12, -20.98, -22.69

 

CMYK 22 / 73 / 0 / 28

HEX #9032B8

RGB 144 50 184

HSL 282.09, 0.57%, 0.46%

LAB 40.69, 59.33, -52.85

 

CMYK 0 / 58 / 73 / 28

HEX #B84D32

RGB 184 77 50

HSL 12.09, 0.57%, 0.46%

LAB 46.62, 41.67, 37.1

 

CMYK 51 / 0 / 73 / 28

HEX #5AB832

RGB 90 184 50

HSL 102.09, 0.57%, 0.46%

LAB 67.04, -51.25, 56.24

 

Description

Color code: HEX #329DB8 | qconv.com Color code: HEX #329DB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 157 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 157 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 15 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 15% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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