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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #329419 it is the complementary color #CD6BE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #329419. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #329419 shade: #379414, #48A627, #59B83A, #6ACA4D and #7BDC60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #329419. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #329419 shade: #329419, #218206, #107000, #005E00 and #004C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #329419 shade: #329419, #539419, #749419, #949219 and #947119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #329419 shade: #329419, #199421, #199442, #199463 and #199484

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #329419 shade matches the following richer shades: #329419 and #29A20B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #329419 shade: #329419, #3A8627, #427835, #4B6A43 and #535C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #329419 shade: #759419, #549419, #339419, #19941F and #199440

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #329419 shade: #1A4D0D, #267013, #329419, #3EB71F and #4ADA25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #329419 shade: #329419, #199492 and #941965

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #329419 shade: #329419, #193394 and #941933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #329419 shade: #329419, #199492, #791994 and #94191B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #329419 shade: #329419, #197194, #791994 and #943C19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

Complementary color

CMYK 11 / 53 / 0 / 10

HEX #CD6BE6

RGB 205 107 230

HSL 287.8, 0.71%, 0.66%

LAB 60.96, 57.14, -46.37

 

CMYK 63 / 0 / 86 / 42

HEX #379414

RGB 55 148 20

HSL 103.59, 0.76%, 0.33%

LAB 54.07, -49.19, 52.87

 

CMYK 57 / 0 / 77 / 35

HEX #48A627

RGB 72 166 39

HSL 104.41, 0.62%, 0.4%

LAB 60.6, -50.27, 53.51

 

CMYK 52 / 0 / 68 / 28

HEX #59B83A

RGB 89 184 58

HSL 105.24, 0.52%, 0.47%

LAB 67.06, -50.91, 53.19

 

CMYK 48 / 0 / 62 / 21

HEX #6ACA4D

RGB 106 202 77

HSL 106.08, 0.54%, 0.55%

LAB 73.44, -51.24, 52.38

 

CMYK 44 / 0 / 56 / 14

HEX #7BDC60

RGB 123 220 96

HSL 106.94, 0.64%, 0.62%

LAB 79.75, -51.38, 51.34

 

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

CMYK 75 / 0 / 95 / 49

HEX #218206

RGB 33 130 6

HSL 106.94, 0.91%, 0.27%

LAB 47.37, -48.3, 49.78

 

CMYK 86 / 0 / 100 / 56

HEX #107000

RGB 16 112 0

HSL 111.43, 1%, 0.22%

LAB 40.73, -45.37, 45.57

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

CMYK 44 / 0 / 83 / 42

HEX #539419

RGB 83 148 25

HSL 91.71, 0.71%, 0.34%

LAB 55.16, -40.61, 52.93

 

CMYK 22 / 0 / 83 / 42

HEX #749419

RGB 116 148 25

HSL 75.61, 0.71%, 0.34%

LAB 57.04, -27.86, 55.32

 

CMYK 0 / 1 / 83 / 42

HEX #949219

RGB 148 146 25

HSL 59.02, 0.71%, 0.34%

LAB 58.9, -12.79, 57.9

 

CMYK 0 / 24 / 83 / 42

HEX #947119

RGB 148 113 25

HSL 42.93, 0.71%, 0.34%

LAB 49.71, 5.45, 49.92

 

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

CMYK 83 / 0 / 78 / 42

HEX #199421

RGB 25 148 33

HSL 123.9, 0.71%, 0.34%

LAB 53.49, -53.91, 48.22

 

CMYK 83 / 0 / 55 / 42

HEX #199442

RGB 25 148 66

HSL 140, 0.71%, 0.34%

LAB 53.79, -50.18, 34.1

 

CMYK 83 / 0 / 33 / 42

HEX #199463

RGB 25 148 99

HSL 156.1, 0.71%, 0.34%

LAB 54.33, -43.94, 17.04

 

CMYK 83 / 0 / 11 / 42

HEX #199484

RGB 25 148 132

HSL 172.2, 0.71%, 0.34%

LAB 55.13, -35.45, -0.62

 

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

CMYK 75 / 0 / 93 / 36

HEX #29A20B

RGB 41 162 11

HSL 108.08, 0.87%, 0.34%

LAB 58.35, -57.1, 58.2

 

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

CMYK 57 / 0 / 71 / 47

HEX #3A8627

RGB 58 134 39

HSL 108, 0.55%, 0.34%

LAB 49.61, -41.87, 42.22

 

CMYK 45 / 0 / 56 / 53

HEX #427835

RGB 66 120 53

HSL 108.36, 0.39%, 0.34%

LAB 45.43, -31.87, 30.97

 

CMYK 29 / 0 / 37 / 58

HEX #4B6A43

RGB 75 106 67

HSL 107.69, 0.23%, 0.34%

LAB 41.55, -19.57, 18.38

 

CMYK 10 / 0 / 12 / 64

HEX #535C51

RGB 83 92 81

HSL 109.09, 0.06%, 0.34%

LAB 38, -5.88, 5.14

 

CMYK 21 / 0 / 83 / 42

HEX #759419

RGB 117 148 25

HSL 75.12, 0.71%, 0.34%

LAB 57.11, -27.44, 55.41

 

CMYK 43 / 0 / 83 / 42

HEX #549419

RGB 84 148 25

HSL 91.22, 0.71%, 0.34%

LAB 55.21, -40.26, 52.99

 

CMYK 66 / 0 / 83 / 42

HEX #339419

RGB 51 148 25

HSL 107.32, 0.71%, 0.34%

LAB 53.98, -49.89, 51.41

 

CMYK 83 / 0 / 79 / 42

HEX #19941F

RGB 25 148 31

HSL 122.93, 0.71%, 0.34%

LAB 53.48, -54.06, 48.89

 

CMYK 83 / 0 / 57 / 42

HEX #199440

RGB 25 148 64

HSL 139.02, 0.71%, 0.34%

LAB 53.77, -50.48, 35.07

 

CMYK 66 / 0 / 83 / 70

HEX #1A4D0D

RGB 26 77 13

HSL 107.81, 0.71%, 0.18%

LAB 28.26, -30.15, 30.76

 

CMYK 66 / 0 / 83 / 56

HEX #267013

RGB 38 112 19

HSL 107.74, 0.71%, 0.26%

LAB 41.29, -40.29, 41.28

 

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

CMYK 66 / 0 / 83 / 28

HEX #3EB71F

RGB 62 183 31

HSL 107.76, 0.71%, 0.42%

LAB 65.74, -59.12, 60.66

 

CMYK 66 / 0 / 83 / 15

HEX #4ADA25

RGB 74 218 37

HSL 107.73, 0.71%, 0.5%

LAB 77.12, -67.78, 69.58

 

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

CMYK 83 / 0 / 1 / 42

HEX #199492

RGB 25 148 146

HSL 179.02, 0.71%, 0.34%

LAB 55.54, -31.28, -8.03

 

CMYK 0 / 83 / 32 / 42

HEX #941965

RGB 148 25 101

HSL 322.93, 0.71%, 0.34%

LAB 33.84, 54.84, -12.7

 

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

CMYK 83 / 66 / 0 / 42

HEX #193394

RGB 25 51 148

HSL 227.32, 0.71%, 0.34%

LAB 25.9, 28.28, -55.79

 

CMYK 0 / 83 / 66 / 42

HEX #941933

RGB 148 25 51

HSL 347.32, 0.71%, 0.34%

LAB 32.33, 50.36, 17.77

 

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

CMYK 83 / 0 / 1 / 42

HEX #199492

RGB 25 148 146

HSL 179.02, 0.71%, 0.34%

LAB 55.54, -31.28, -8.03

 

CMYK 18 / 83 / 0 / 42

HEX #791994

RGB 121 25 148

HSL 286.83, 0.71%, 0.34%

LAB 31.57, 56.32, -46.11

 

CMYK 0 / 83 / 82 / 42

HEX #94191B

RGB 148 25 27

HSL 359.02, 0.71%, 0.34%

LAB 31.97, 49.26, 32.43

 

CMYK 66 / 0 / 83 / 42

HEX #329419

RGB 50 148 25

HSL 107.8, 0.71%, 0.34%

LAB 53.95, -50.12, 51.38

 

CMYK 83 / 24 / 0 / 42

HEX #197194

RGB 25 113 148

HSL 197.07, 0.71%, 0.34%

LAB 44.45, -12.2, -26.11

 

CMYK 18 / 83 / 0 / 42

HEX #791994

RGB 121 25 148

HSL 286.83, 0.71%, 0.34%

LAB 31.57, 56.32, -46.11

 

CMYK 0 / 59 / 83 / 42

HEX #943C19

RGB 148 60 25

HSL 17.07, 0.71%, 0.34%

LAB 37.11, 35.16, 38.5

 

Description

Color code: HEX #329419 | qconv.com Color code: HEX #329419 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 148 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 148 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 83 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 83% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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