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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #328815 it is the complementary color #CD77EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #328815. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #328815 shade: #378810, #489A23, #59AC36, #6ABE49 and #7BD05C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #328815. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #328815 shade: #328815, #217602, #106400, #005200 and #004000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #328815 shade: #328815, #518815, #708815, #888115 and #886215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #328815 shade: #328815, #158817, #158836, #158855 and #158874

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #328815 shade matches the following richer shades: #328815 and #2C9508

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #328815 shade: #328815, #387B22, #3F6F2E, #45623B and #4B5548

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #328815 shade: #718815, #528815, #348815, #158815 and #158834

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #328815 shade: #18410A, #25650F, #328815, #3FAC1A and #4CD020

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #328815 shade: #328815, #158881 and #881562

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #328815 shade: #328815, #153488 and #881534

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #328815 shade: #328815, #158881, #691588 and #88151D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #328815 shade: #328815, #156D88, #691588 and #883015

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 85 / 47

HEX #328815

RGB 50 136 21

HSL 104.87, 0.73%, 0.31%

LAB 49.91, -46.05, 48.8

 

Complementary color

CMYK 12 / 49 / 0 / 8

HEX #CD77EA

RGB 205 119 234

HSL 284.87, 0.73%, 0.69%

LAB 63.44, 51.93, -44.69

 

CMYK 60 / 0 / 88 / 47

HEX #378810

RGB 55 136 16

HSL 100.5, 0.79%, 0.3%

LAB 50.05, -44.98, 50.28

 

CMYK 53 / 0 / 77 / 40

HEX #489A23

RGB 72 154 35

HSL 101.34, 0.63%, 0.37%

LAB 56.69, -45.98, 51.07

 

CMYK 48 / 0 / 69 / 33

HEX #59AC36

RGB 89 172 54

HSL 102.2, 0.52%, 0.44%

LAB 63.26, -46.53, 50.78

 

CMYK 44 / 0 / 62 / 25

HEX #6ABE49

RGB 106 190 73

HSL 103.08, 0.47%, 0.52%

LAB 69.73, -46.81, 49.97

 

CMYK 41 / 0 / 56 / 18

HEX #7BD05C

RGB 123 208 92

HSL 103.97, 0.55%, 0.59%

LAB 76.13, -46.91, 48.93

 

CMYK 63 / 0 / 85 / 47

HEX #328815

RGB 50 136 21

HSL 104.87, 0.73%, 0.31%

LAB 49.91, -46.05, 48.8

 

CMYK 72 / 0 / 98 / 54

HEX #217602

RGB 33 118 2

HSL 103.97, 0.97%, 0.24%

LAB 43.19, -44.38, 47.2

 

CMYK 84 / 0 / 100 / 61

HEX #106400

RGB 16 100 0

HSL 110.4, 1%, 0.2%

LAB 36.41, -41.48, 42.11

 

CMYK 100 / 0 / 100 / 68

HEX #005200

RGB 0 82 0

HSL 120, 1%, 0.16%

LAB 29.5, -37.8, 36.48

 

CMYK 100 / 0 / 100 / 75

HEX #004000

RGB 0 64 0

HSL 120, 1%, 0.13%

LAB 22.54, -32.02, 30.12

 

CMYK 63 / 0 / 85 / 47

HEX #328815

RGB 50 136 21

HSL 104.87, 0.73%, 0.31%

LAB 49.91, -46.05, 48.8

 

CMYK 40 / 0 / 85 / 47

HEX #518815

RGB 81 136 21

HSL 88.7, 0.73%, 0.31%

LAB 51.17, -36.38, 50.41

 

CMYK 18 / 0 / 85 / 47

HEX #708815

RGB 112 136 21

HSL 72.52, 0.73%, 0.31%

LAB 53.07, -23.82, 52.82

 

CMYK 0 / 5 / 85 / 47

HEX #888115

RGB 136 129 21

HSL 56.35, 0.73%, 0.31%

LAB 52.94, -9.27, 53.47

 

CMYK 0 / 28 / 85 / 47

HEX #886215

RGB 136 98 21

HSL 40.17, 0.73%, 0.31%

LAB 44.27, 8.35, 45.99

 

CMYK 63 / 0 / 85 / 47

HEX #328815

RGB 50 136 21

HSL 104.87, 0.73%, 0.31%

LAB 49.91, -46.05, 48.8

 

CMYK 85 / 0 / 83 / 47

HEX #158817

RGB 21 136 23

HSL 121.04, 0.73%, 0.31%

LAB 49.29, -51.28, 47.42

 

CMYK 85 / 0 / 60 / 47

HEX #158836

RGB 21 136 54

HSL 137.22, 0.73%, 0.31%

LAB 49.54, -48.2, 35.01

 

CMYK 85 / 0 / 38 / 47

HEX #158855

RGB 21 136 85

HSL 153.39, 0.73%, 0.31%

LAB 50.01, -42.68, 19.04

 

CMYK 85 / 0 / 15 / 47

HEX #158874

RGB 21 136 116

HSL 169.57, 0.73%, 0.31%

LAB 50.72, -34.92, 2.21

 

CMYK 63 / 0 / 85 / 47

HEX #328815

RGB 50 136 21

HSL 104.87, 0.73%, 0.31%

LAB 49.91, -46.05, 48.8

 

CMYK 70 / 0 / 95 / 42

HEX #2C9508

RGB 44 149 8

HSL 104.68, 0.9%, 0.31%

LAB 54.08, -52.42, 55.11

 

CMYK 63 / 0 / 85 / 47

HEX #328815

RGB 50 136 21

HSL 104.87, 0.73%, 0.31%

LAB 49.91, -46.05, 48.8

 

CMYK 54 / 0 / 72 / 52

HEX #387B22

RGB 56 123 34

HSL 105.17, 0.57%, 0.31%

LAB 45.8, -38.47, 40.3

 

CMYK 43 / 0 / 59 / 56

HEX #3F6F2E

RGB 63 111 46

HSL 104.31, 0.41%, 0.31%

LAB 42.19, -29.64, 30.73

 

CMYK 30 / 0 / 40 / 62

HEX #45623B

RGB 69 98 59

HSL 104.62, 0.25%, 0.31%

LAB 38.4, -18.99, 18.86

 

CMYK 12 / 0 / 15 / 67

HEX #4B5548

RGB 75 85 72

HSL 106.15, 0.08%, 0.31%

LAB 34.92, -6.77, 6.26

 

CMYK 17 / 0 / 85 / 47

HEX #718815

RGB 113 136 21

HSL 72, 0.73%, 0.31%

LAB 53.14, -23.38, 52.91

 

CMYK 40 / 0 / 85 / 47

HEX #528815

RGB 82 136 21

HSL 88.17, 0.73%, 0.31%

LAB 51.22, -36.01, 50.47

 

CMYK 62 / 0 / 85 / 47

HEX #348815

RGB 52 136 21

HSL 103.83, 0.73%, 0.31%

LAB 49.97, -45.54, 48.88

 

CMYK 85 / 0 / 85 / 47

HEX #158815

RGB 21 136 21

HSL 120, 0.73%, 0.31%

LAB 49.28, -51.4, 47.99

 

CMYK 85 / 0 / 62 / 47

HEX #158834

RGB 21 136 52

HSL 136.17, 0.73%, 0.31%

LAB 49.52, -48.47, 35.96

 

CMYK 63 / 0 / 85 / 75

HEX #18410A

RGB 24 65 10

HSL 104.73, 0.73%, 0.15%

LAB 23.66, -25.87, 27.4

 

CMYK 63 / 0 / 85 / 60

HEX #25650F

RGB 37 101 15

HSL 104.65, 0.74%, 0.23%

LAB 37.36, -36.58, 38.88

 

CMYK 63 / 0 / 85 / 47

HEX #328815

RGB 50 136 21

HSL 104.87, 0.73%, 0.31%

LAB 49.91, -46.05, 48.8

 

CMYK 63 / 0 / 85 / 33

HEX #3FAC1A

RGB 63 172 26

HSL 104.79, 0.74%, 0.39%

LAB 62.2, -55.42, 58.74

 

CMYK 63 / 0 / 85 / 18

HEX #4CD020

RGB 76 208 32

HSL 105, 0.73%, 0.47%

LAB 74.03, -64.34, 68.01

 

CMYK 63 / 0 / 85 / 47

HEX #328815

RGB 50 136 21

HSL 104.87, 0.73%, 0.31%

LAB 49.91, -46.05, 48.8

 

CMYK 85 / 0 / 5 / 47

HEX #158881

RGB 21 136 129

HSL 176.35, 0.73%, 0.31%

LAB 51.1, -31.1, -4.82

 

CMYK 0 / 85 / 28 / 47

HEX #881562

RGB 136 21 98

HSL 319.83, 0.73%, 0.31%

LAB 31, 52.53, -15.31

 

CMYK 63 / 0 / 85 / 47

HEX #328815

RGB 50 136 21

HSL 104.87, 0.73%, 0.31%

LAB 49.91, -46.05, 48.8

 

CMYK 85 / 62 / 0 / 47

HEX #153488

RGB 21 52 136

HSL 223.83, 0.73%, 0.31%

LAB 24.93, 22.45, -49.95

 

CMYK 0 / 85 / 62 / 47

HEX #881534

RGB 136 21 52

HSL 343.83, 0.73%, 0.31%

LAB 29.46, 48.02, 12.86

 

CMYK 63 / 0 / 85 / 47

HEX #328815

RGB 50 136 21

HSL 104.87, 0.73%, 0.31%

LAB 49.91, -46.05, 48.8

 

CMYK 85 / 0 / 5 / 47

HEX #158881

RGB 21 136 129

HSL 176.35, 0.73%, 0.31%

LAB 51.1, -31.1, -4.82

 

CMYK 23 / 85 / 0 / 47

HEX #691588

RGB 105 21 136

HSL 283.83, 0.73%, 0.31%

LAB 27.62, 52.18, -45.21

 

CMYK 0 / 85 / 79 / 47

HEX #88151D

RGB 136 21 29

HSL 355.83, 0.73%, 0.31%

LAB 29.05, 46.8, 27.38

 

CMYK 63 / 0 / 85 / 47

HEX #328815

RGB 50 136 21

HSL 104.87, 0.73%, 0.31%

LAB 49.91, -46.05, 48.8

 

CMYK 85 / 20 / 0 / 47

HEX #156D88

RGB 21 109 136

HSL 194.09, 0.73%, 0.31%

LAB 42.57, -14.7, -21.87

 

CMYK 23 / 85 / 0 / 47

HEX #691588

RGB 105 21 136

HSL 283.83, 0.73%, 0.31%

LAB 27.62, 52.18, -45.21

 

CMYK 0 / 65 / 85 / 47

HEX #883015

RGB 136 48 21

HSL 14.09, 0.73%, 0.31%

LAB 32.71, 36.25, 35.61

 

Description

Color code: HEX #328815 | qconv.com Color code: HEX #328815 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 136 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 136 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 85 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 85% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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