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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #324EC2 it is the complementary color #CDB13D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #324EC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #324EC2 shade: #374EBD, #4860D0, #5972E3, #6A84F6 and #7B96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #324EC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #324EC2 shade: #324EC2, #213CAF, #102A9C, #001889 and #000676

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #324EC2 shade: #324EC2, #3D32C2, #6332C2, #8A32C2 and #B132C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #324EC2 shade: #324EC2 and #3232C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #324EC2 shade matches the following richer shades: #324EC2, #1E42D6 and #0A36EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #324EC2 shade: #324EC2, #455AAE, #59669B, #6D7287 and #817E73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #324EC2 shade: #329CC2, #3275C2, #324FC2, #3B32C2 and #6232C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #324EC2 shade: #213381, #2941A1, #324EC2, #4C66D1 and #6D82D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #324EC2 shade: #324EC2, #C232C2 and #88C232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #324EC2 shade: #324EC2, #C2324F and #4FC232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #324EC2 shade: #324EC2, #C232C2, #C2A532 and #32C232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #324EC2 shade: #324EC2, #C23297, #C2A532 and #32C25D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 60 / 0 / 24

HEX #324EC2

RGB 50 78 194

HSL 228.33, 0.59%, 0.48%

LAB 37.88, 30.4, -63.68

 

Complementary color

CMYK 0 / 14 / 70 / 20

HEX #CDB13D

RGB 205 177 61

HSL 48.33, 0.59%, 0.52%

LAB 72.73, -2.42, 60.25

 

CMYK 71 / 59 / 0 / 26

HEX #374EBD

RGB 55 78 189

HSL 229.7, 0.55%, 0.48%

LAB 37.73, 29.21, -61

 

CMYK 65 / 54 / 0 / 18

HEX #4860D0

RGB 72 96 208

HSL 229.41, 0.59%, 0.55%

LAB 44.66, 26.95, -60.72

 

CMYK 61 / 50 / 0 / 11

HEX #5972E3

RGB 89 114 227

HSL 229.13, 0.71%, 0.62%

LAB 51.5, 25.08, -60.41

 

CMYK 57 / 46 / 0 / 4

HEX #6A84F6

RGB 106 132 246

HSL 228.86, 0.89%, 0.69%

LAB 58.25, 23.52, -60.12

 

CMYK 52 / 41 / 0 / 0

HEX #7B96FF

RGB 123 150 255

HSL 227.73, 1%, 0.74%

LAB 64.36, 19.12, -55.25

 

CMYK 74 / 60 / 0 / 24

HEX #324EC2

RGB 50 78 194

HSL 228.33, 0.59%, 0.48%

LAB 37.88, 30.4, -63.68

 

CMYK 81 / 66 / 0 / 31

HEX #213CAF

RGB 33 60 175

HSL 228.59, 0.68%, 0.41%

LAB 31, 33.32, -63.76

 

CMYK 90 / 73 / 0 / 39

HEX #102A9C

RGB 16 42 156

HSL 228.86, 0.81%, 0.34%

LAB 24.21, 36.67, -63.48

 

CMYK 100 / 82 / 0 / 46

HEX #001889

RGB 0 24 137

HSL 229.49, 1%, 0.27%

LAB 17.73, 39.95, -62.46

 

CMYK 100 / 95 / 0 / 54

HEX #000676

RGB 0 6 118

HSL 236.95, 1%, 0.23%

LAB 12.21, 42.1, -59.56

 

CMYK 74 / 60 / 0 / 24

HEX #324EC2

RGB 50 78 194

HSL 228.33, 0.59%, 0.48%

LAB 37.88, 30.4, -63.68

 

CMYK 69 / 74 / 0 / 24

HEX #3D32C2

RGB 61 50 194

HSL 244.58, 0.59%, 0.48%

LAB 32.19, 48.6, -73

 

CMYK 49 / 74 / 0 / 24

HEX #6332C2

RGB 99 50 194

HSL 260.42, 0.59%, 0.48%

LAB 35.65, 53.57, -67.17

 

CMYK 29 / 74 / 0 / 24

HEX #8A32C2

RGB 138 50 194

HSL 276.67, 0.59%, 0.48%

LAB 40.54, 60.28, -59

 

CMYK 9 / 74 / 0 / 24

HEX #B132C2

RGB 177 50 194

HSL 292.92, 0.59%, 0.48%

LAB 46.34, 67.93, -49.35

 

CMYK 74 / 60 / 0 / 24

HEX #324EC2

RGB 50 78 194

HSL 228.33, 0.59%, 0.48%

LAB 37.88, 30.4, -63.68

 

CMYK 74 / 74 / 0 / 24

HEX #3232C2

RGB 50 50 194

HSL 240, 0.59%, 0.48%

LAB 31.47, 47.55, -74.2

 

CMYK 74 / 60 / 0 / 24

HEX #324EC2

RGB 50 78 194

HSL 228.33, 0.59%, 0.48%

LAB 37.88, 30.4, -63.68

 

CMYK 86 / 69 / 0 / 16

HEX #1E42D6

RGB 30 66 214

HSL 228.26, 0.75%, 0.48%

LAB 36.04, 43.61, -78.33

 

CMYK 96 / 77 / 0 / 8

HEX #0A36EA

RGB 10 54 234

HSL 228.21, 0.92%, 0.48%

LAB 35.29, 56.7, -91.02

 

CMYK 74 / 60 / 0 / 24

HEX #324EC2

RGB 50 78 194

HSL 228.33, 0.59%, 0.48%

LAB 37.88, 30.4, -63.68

 

CMYK 60 / 48 / 0 / 32

HEX #455AAE

RGB 69 90 174

HSL 228, 0.43%, 0.48%

LAB 40.63, 18.39, -47.45

 

CMYK 43 / 34 / 0 / 39

HEX #59669B

RGB 89 102 155

HSL 228.18, 0.27%, 0.48%

LAB 44.22, 9.34, -30.42

 

CMYK 19 / 16 / 0 / 47

HEX #6D7287

RGB 109 114 135

HSL 228.46, 0.11%, 0.48%

LAB 48.3, 2.86, -12.13

 

CMYK 0 / 2 / 11 / 49

HEX #817E73

RGB 129 126 115

HSL 47.14, 0.06%, 0.48%

LAB 52.76, -0.93, 6.39

 

CMYK 74 / 20 / 0 / 24

HEX #329CC2

RGB 50 156 194

HSL 195.83, 0.59%, 0.48%

LAB 60.2, -17.15, -28.19

 

CMYK 74 / 40 / 0 / 24

HEX #3275C2

RGB 50 117 194

HSL 212.08, 0.59%, 0.48%

LAB 48.63, 5.4, -46.35

 

CMYK 74 / 59 / 0 / 24

HEX #324FC2

RGB 50 79 194

HSL 227.92, 0.59%, 0.48%

LAB 38.14, 29.76, -63.26

 

CMYK 70 / 74 / 0 / 24

HEX #3B32C2

RGB 59 50 194

HSL 243.75, 0.59%, 0.48%

LAB 32.05, 48.4, -73.23

 

CMYK 49 / 74 / 0 / 24

HEX #6232C2

RGB 98 50 194

HSL 260, 0.59%, 0.48%

LAB 35.54, 53.42, -67.36

 

CMYK 74 / 60 / 0 / 49

HEX #213381

RGB 33 51 129

HSL 228.75, 0.59%, 0.32%

LAB 24.56, 21.71, -46.15

 

CMYK 75 / 60 / 0 / 37

HEX #2941A1

RGB 41 65 161

HSL 228, 0.59%, 0.4%

LAB 31.41, 25.55, -54.68

 

CMYK 74 / 60 / 0 / 24

HEX #324EC2

RGB 50 78 194

HSL 228.33, 0.59%, 0.48%

LAB 37.88, 30.4, -63.68

 

CMYK 64 / 51 / 0 / 18

HEX #4C66D1

RGB 76 102 209

HSL 228.27, 0.59%, 0.56%

LAB 46.5, 24.18, -58.3

 

CMYK 50 / 40 / 0 / 15

HEX #6D82D9

RGB 109 130 217

HSL 228.33, 0.59%, 0.64%

LAB 56.31, 16.23, -47.03

 

CMYK 74 / 60 / 0 / 24

HEX #324EC2

RGB 50 78 194

HSL 228.33, 0.59%, 0.48%

LAB 37.88, 30.4, -63.68

 

CMYK 0 / 74 / 0 / 24

HEX #C232C2

RGB 194 50 194

HSL 300, 0.59%, 0.48%

LAB 49.06, 71.42, -44.85

 

CMYK 30 / 0 / 74 / 24

HEX #88C232

RGB 136 194 50

HSL 84.17, 0.59%, 0.48%

LAB 72.26, -39.92, 62.13

 

CMYK 74 / 60 / 0 / 24

HEX #324EC2

RGB 50 78 194

HSL 228.33, 0.59%, 0.48%

LAB 37.88, 30.4, -63.68

 

CMYK 0 / 74 / 59 / 24

HEX #C2324F

RGB 194 50 79

HSL 347.92, 0.59%, 0.48%

LAB 44.68, 57.94, 17.98

 

CMYK 59 / 0 / 74 / 24

HEX #4FC232

RGB 79 194 50

HSL 107.92, 0.59%, 0.48%

LAB 69.81, -57.87, 58.89

 

CMYK 74 / 60 / 0 / 24

HEX #324EC2

RGB 50 78 194

HSL 228.33, 0.59%, 0.48%

LAB 37.88, 30.4, -63.68

 

CMYK 0 / 74 / 0 / 24

HEX #C232C2

RGB 194 50 194

HSL 300, 0.59%, 0.48%

LAB 49.06, 71.42, -44.85

 

CMYK 0 / 15 / 74 / 24

HEX #C2A532

RGB 194 165 50

HSL 47.92, 0.59%, 0.48%

LAB 68.47, -1.39, 59.96

 

CMYK 74 / 0 / 74 / 24

HEX #32C232

RGB 50 194 50

HSL 120, 0.59%, 0.48%

LAB 69.11, -63.69, 57.95

 

CMYK 74 / 60 / 0 / 24

HEX #324EC2

RGB 50 78 194

HSL 228.33, 0.59%, 0.48%

LAB 37.88, 30.4, -63.68

 

CMYK 0 / 74 / 22 / 24

HEX #C23297

RGB 194 50 151

HSL 317.92, 0.59%, 0.48%

LAB 46.95, 65.15, -22.8

 

CMYK 0 / 15 / 74 / 24

HEX #C2A532

RGB 194 165 50

HSL 47.92, 0.59%, 0.48%

LAB 68.47, -1.39, 59.96

 

CMYK 74 / 0 / 52 / 24

HEX #32C25D

RGB 50 194 93

HSL 137.92, 0.59%, 0.48%

LAB 69.51, -58.88, 39.95

 

Description

Color code: HEX #324EC2 | qconv.com Color code: HEX #324EC2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 78 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 78 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 60 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 60% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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