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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #324352 it is the complementary color #CDBCAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #324352. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #324352 shade: #37434D, #485560, #596773, #6A7986 and #7B8B99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #324352. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #324352 shade: #324352, #21313F, #101F2C, #000D19 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #324352 shade: #324352, #323A52, #323252, #3B3252 and #433252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #324352 shade: #324352, #323A52 and #323252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #324352 shade matches the following richer shades: #324352, #27435C, #1C4467, #124572 and #07457D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #324352 shade: #324352, #3D4247, #47413C, #524132 and #5D4027

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #324352 shade: #325250, #324B52, #324352, #323A52 and #323252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #324352 shade: #13191F, #222E38, #324352, #42586B and #516D85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #324352 shade: #324352, #473252 and #505232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #324352 shade: #324352, #523243 and #435232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #324352 shade: #324352, #473252, #524132 and #3C5232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #324352 shade: #324352, #513252, #524132 and #335232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

Complementary color

CMYK 0 / 8 / 16 / 20

HEX #CDBCAD

RGB 205 188 173

HSL 28.13, 0.24%, 0.74%

LAB 77.26, 3.53, 9.76

 

CMYK 29 / 13 / 0 / 70

HEX #37434D

RGB 55 67 77

HSL 207.27, 0.17%, 0.26%

LAB 27.74, -2.18, -7.63

 

CMYK 25 / 11 / 0 / 62

HEX #485560

RGB 72 85 96

HSL 207.5, 0.14%, 0.33%

LAB 35.44, -2.3, -8.06

 

CMYK 23 / 10 / 0 / 55

HEX #596773

RGB 89 103 115

HSL 207.69, 0.13%, 0.4%

LAB 42.86, -2.41, -8.5

 

CMYK 21 / 10 / 0 / 47

HEX #6A7986

RGB 106 121 134

HSL 207.86, 0.12%, 0.47%

LAB 50.05, -2.52, -8.94

 

CMYK 20 / 9 / 0 / 40

HEX #7B8B99

RGB 123 139 153

HSL 208, 0.13%, 0.54%

LAB 57.05, -2.62, -9.38

 

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

CMYK 48 / 22 / 0 / 75

HEX #21313F

RGB 33 49 63

HSL 208, 0.31%, 0.19%

LAB 19.55, -2.15, -10.89

 

CMYK 64 / 30 / 0 / 83

HEX #101F2C

RGB 16 31 44

HSL 207.86, 0.47%, 0.12%

LAB 11.08, -1.65, -10.66

 

CMYK 100 / 48 / 0 / 90

HEX #000D19

RGB 0 13 25

HSL 208.8, 1%, 0.05%

LAB 3.23, -0.86, -8.33

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

CMYK 39 / 29 / 0 / 68

HEX #323A52

RGB 50 58 82

HSL 225, 0.24%, 0.26%

LAB 24.68, 3.52, -15.62

 

CMYK 39 / 39 / 0 / 68

HEX #323252

RGB 50 50 82

HSL 240, 0.24%, 0.26%

LAB 22.19, 9, -19.5

 

CMYK 28 / 39 / 0 / 68

HEX #3B3252

RGB 59 50 82

HSL 256.88, 0.24%, 0.26%

LAB 23.07, 12.05, -18.07

 

CMYK 18 / 39 / 0 / 68

HEX #433252

RGB 67 50 82

HSL 271.88, 0.24%, 0.26%

LAB 23.95, 14.89, -16.63

 

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

CMYK 39 / 29 / 0 / 68

HEX #323A52

RGB 50 58 82

HSL 225, 0.24%, 0.26%

LAB 24.68, 3.52, -15.62

 

CMYK 39 / 39 / 0 / 68

HEX #323252

RGB 50 50 82

HSL 240, 0.24%, 0.26%

LAB 22.19, 9, -19.5

 

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

CMYK 58 / 27 / 0 / 64

HEX #27435C

RGB 39 67 92

HSL 208.3, 0.4%, 0.26%

LAB 27.35, -2.34, -18.07

 

CMYK 73 / 34 / 0 / 60

HEX #1C4467

RGB 28 68 103

HSL 208, 0.57%, 0.26%

LAB 27.74, -1.25, -24.57

 

CMYK 84 / 39 / 0 / 55

HEX #124572

RGB 18 69 114

HSL 208.13, 0.73%, 0.26%

LAB 28.38, 1.1, -30.57

 

CMYK 94 / 45 / 0 / 51

HEX #07457D

RGB 7 69 125

HSL 208.47, 0.89%, 0.26%

LAB 28.86, 4.82, -36.74

 

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

CMYK 14 / 7 / 0 / 72

HEX #3D4247

RGB 61 66 71

HSL 210, 0.08%, 0.26%

LAB 27.69, -0.85, -3.74

 

CMYK 0 / 8 / 15 / 72

HEX #47413C

RGB 71 65 60

HSL 27.27, 0.08%, 0.26%

LAB 27.97, 1.55, 3.97

 

CMYK 0 / 21 / 39 / 68

HEX #524132

RGB 82 65 50

HSL 28.13, 0.24%, 0.26%

LAB 28.91, 4.89, 11.94

 

CMYK 0 / 31 / 58 / 64

HEX #5D4027

RGB 93 64 39

HSL 27.78, 0.41%, 0.26%

LAB 29.76, 9.43, 20.22

 

CMYK 39 / 0 / 2 / 68

HEX #325250

RGB 50 82 80

HSL 176.25, 0.24%, 0.26%

LAB 32.46, -12.26, -2.56

 

CMYK 39 / 9 / 0 / 68

HEX #324B52

RGB 50 75 82

HSL 193.13, 0.24%, 0.26%

LAB 30.2, -7.48, -7.2

 

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

CMYK 39 / 29 / 0 / 68

HEX #323A52

RGB 50 58 82

HSL 225, 0.24%, 0.26%

LAB 24.68, 3.52, -15.62

 

CMYK 39 / 39 / 0 / 68

HEX #323252

RGB 50 50 82

HSL 240, 0.24%, 0.26%

LAB 22.19, 9, -19.5

 

CMYK 39 / 19 / 0 / 88

HEX #13191F

RGB 19 25 31

HSL 210, 0.24%, 0.1%

LAB 8.42, -0.92, -5.1

 

CMYK 39 / 18 / 0 / 78

HEX #222E38

RGB 34 46 56

HSL 207.27, 0.24%, 0.18%

LAB 18.27, -2.06, -8.02

 

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

CMYK 38 / 18 / 0 / 58

HEX #42586B

RGB 66 88 107

HSL 207.8, 0.24%, 0.34%

LAB 36.37, -3.08, -13.56

 

CMYK 39 / 18 / 0 / 48

HEX #516D85

RGB 81 109 133

HSL 207.69, 0.24%, 0.42%

LAB 44.77, -3.71, -16.49

 

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

CMYK 13 / 39 / 0 / 68

HEX #473252

RGB 71 50 82

HSL 279.38, 0.24%, 0.26%

LAB 24.42, 16.35, -15.86

 

CMYK 2 / 0 / 39 / 68

HEX #505232

RGB 80 82 50

HSL 63.75, 0.24%, 0.26%

LAB 33.92, -6.58, 18.54

 

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

CMYK 0 / 39 / 18 / 68

HEX #523243

RGB 82 50 67

HSL 328.13, 0.24%, 0.26%

LAB 25.2, 17.36, -4.55

 

CMYK 18 / 0 / 39 / 68

HEX #435232

RGB 67 82 50

HSL 88.13, 0.24%, 0.26%

LAB 32.83, -12.4, 16.9

 

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

CMYK 13 / 39 / 0 / 68

HEX #473252

RGB 71 50 82

HSL 279.38, 0.24%, 0.26%

LAB 24.42, 16.35, -15.86

 

CMYK 0 / 21 / 39 / 68

HEX #524132

RGB 82 65 50

HSL 28.13, 0.24%, 0.26%

LAB 28.91, 4.89, 11.94

 

CMYK 27 / 0 / 39 / 68

HEX #3C5232

RGB 60 82 50

HSL 101.25, 0.24%, 0.26%

LAB 32.31, -15.37, 16.13

 

CMYK 39 / 18 / 0 / 68

HEX #324352

RGB 50 67 82

HSL 208.13, 0.24%, 0.26%

LAB 27.58, -2.44, -11.18

 

CMYK 1 / 39 / 0 / 68

HEX #513252

RGB 81 50 82

HSL 298.13, 0.24%, 0.26%

LAB 25.68, 20.05, -13.81

 

CMYK 0 / 21 / 39 / 68

HEX #524132

RGB 82 65 50

HSL 28.13, 0.24%, 0.26%

LAB 28.91, 4.89, 11.94

 

CMYK 38 / 0 / 39 / 68

HEX #335232

RGB 51 82 50

HSL 118.13, 0.24%, 0.26%

LAB 31.74, -18.93, 15.26

 

Description

Color code: HEX #324352 | qconv.com Color code: HEX #324352 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 67 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 67 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 18 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 18% 0% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Freunde der ZEIT – H...
Link: http://verlag.zeit.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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