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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #322336 it is the complementary color #CDDCC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #322336. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #322336 shade: #372331, #483544, #594757, #6A596A and #7B6B7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #322336. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #322336 shade: #322336, #211123 and #100010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #322336 shade: #302234, #342233, #34222E, #342229 and #342224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #322336 shade: #302234, #2B2234, #262234 and #222234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #322336 shade matches the following richer shades: #302234, #341B3B, #381442, #3C0D49 and #400650

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #322336 shade: #302234, #2C292D, #283026, #24371F and #203E18

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #322336 shade: #262234, #2B2234, #302234, #342233 and #34222E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #322336 shade: #020102, #19111B, #302234, #47324D and #5E4266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #322336 shade: #322336, #342222 and #223429

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #322336 shade: #322336, #343022 and #223430

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #322336 shade: #322336, #342222, #263422 and #223434

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #322336 shade: #322336, #342722, #263422 and #222F34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 35 / 0 / 79

HEX #322336

RGB 50 35 54

HSL 287.37, 0.21%, 0.17%

LAB 16.24, 11.35, -9.59

 

Complementary color

CMYK 7 / 0 / 9 / 14

HEX #CDDCC9

RGB 205 220 201

HSL 107.37, 0.21%, 0.83%

LAB 86.2, -8.48, 7.61

 

CMYK 0 / 36 / 11 / 78

HEX #372331

RGB 55 35 49

HSL 318, 0.22%, 0.18%

LAB 16.68, 12.28, -5.33

 

CMYK 0 / 26 / 6 / 72

HEX #483544

RGB 72 53 68

HSL 312.63, 0.15%, 0.25%

LAB 24.77, 11.48, -6

 

CMYK 0 / 20 / 2 / 65

HEX #594757

RGB 89 71 87

HSL 306.67, 0.11%, 0.31%

LAB 32.52, 10.83, -6.59

 

CMYK 0 / 16 / 0 / 58

HEX #6A596A

RGB 106 89 106

HSL 300, 0.09%, 0.38%

LAB 40, 10.28, -7.13

 

CMYK 2 / 14 / 0 / 51

HEX #7B6B7D

RGB 123 107 125

HSL 293.33, 0.08%, 0.45%

LAB 47.24, 9.81, -7.65

 

CMYK 7 / 35 / 0 / 79

HEX #322336

RGB 50 35 54

HSL 287.37, 0.21%, 0.17%

LAB 16.24, 11.35, -9.59

 

CMYK 6 / 51 / 0 / 86

HEX #211123

RGB 33 17 35

HSL 293.33, 0.35%, 0.1%

LAB 7.64, 12.26, -9.17

 

CMYK 0 / 100 / 0 / 94

HEX #100010

RGB 16 0 16

HSL 300, 1%, 0.03%

LAB 1.33, 6.84, -4.89

 

CMYK 8 / 35 / 0 / 80

HEX #302234

RGB 48 34 52

HSL 286.67, 0.21%, 0.17%

LAB 15.59, 10.73, -9.19

 

CMYK 0 / 35 / 2 / 80

HEX #342233

RGB 52 34 51

HSL 303.33, 0.21%, 0.17%

LAB 16.07, 12.15, -7.71

 

CMYK 0 / 35 / 12 / 80

HEX #34222E

RGB 52 34 46

HSL 320, 0.21%, 0.17%

LAB 15.86, 11.01, -4.48

 

CMYK 0 / 35 / 21 / 80

HEX #342229

RGB 52 34 41

HSL 336.67, 0.21%, 0.17%

LAB 15.67, 9.96, -1.2

 

CMYK 0 / 35 / 31 / 80

HEX #342224

RGB 52 34 36

HSL 353.33, 0.21%, 0.17%

LAB 15.5, 9.01, 2.12

 

CMYK 8 / 35 / 0 / 80

HEX #302234

RGB 48 34 52

HSL 286.67, 0.21%, 0.17%

LAB 15.59, 10.73, -9.19

 

CMYK 17 / 35 / 0 / 80

HEX #2B2234

RGB 43 34 52

HSL 270, 0.21%, 0.17%

LAB 14.98, 8.69, -10.18

 

CMYK 27 / 35 / 0 / 80

HEX #262234

RGB 38 34 52

HSL 253.33, 0.21%, 0.17%

LAB 14.42, 6.7, -11.09

 

CMYK 35 / 35 / 0 / 80

HEX #222234

RGB 34 34 52

HSL 240, 0.21%, 0.17%

LAB 14.01, 5.17, -11.76

 

CMYK 8 / 35 / 0 / 80

HEX #302234

RGB 48 34 52

HSL 286.67, 0.21%, 0.17%

LAB 15.59, 10.73, -9.19

 

CMYK 12 / 54 / 0 / 77

HEX #341B3B

RGB 52 27 59

HSL 286.88, 0.37%, 0.17%

LAB 14.57, 18.85, -15.69

 

CMYK 15 / 70 / 0 / 74

HEX #381442

RGB 56 20 66

HSL 286.96, 0.53%, 0.17%

LAB 14.03, 26.17, -21.43

 

CMYK 18 / 82 / 0 / 71

HEX #3C0D49

RGB 60 13 73

HSL 287, 0.7%, 0.17%

LAB 14, 32.31, -26.31

 

CMYK 20 / 93 / 0 / 69

HEX #400650

RGB 64 6 80

HSL 287.03, 0.86%, 0.17%

LAB 14.4, 37.32, -30.46

 

CMYK 8 / 35 / 0 / 80

HEX #302234

RGB 48 34 52

HSL 286.67, 0.21%, 0.17%

LAB 15.59, 10.73, -9.19

 

CMYK 2 / 9 / 0 / 82

HEX #2C292D

RGB 44 41 45

HSL 285, 0.05%, 0.17%

LAB 17.04, 2.32, -2.12

 

CMYK 17 / 0 / 21 / 81

HEX #283026

RGB 40 48 38

HSL 108, 0.12%, 0.17%

LAB 18.82, -5.85, 5.27

 

CMYK 35 / 0 / 44 / 78

HEX #24371F

RGB 36 55 31

HSL 107.5, 0.28%, 0.17%

LAB 20.85, -13.37, 12.67

 

CMYK 48 / 0 / 61 / 76

HEX #203E18

RGB 32 62 24

HSL 107.37, 0.44%, 0.17%

LAB 23.06, -20, 19.72

 

CMYK 27 / 35 / 0 / 80

HEX #262234

RGB 38 34 52

HSL 253.33, 0.21%, 0.17%

LAB 14.42, 6.7, -11.09

 

CMYK 17 / 35 / 0 / 80

HEX #2B2234

RGB 43 34 52

HSL 270, 0.21%, 0.17%

LAB 14.98, 8.69, -10.18

 

CMYK 8 / 35 / 0 / 80

HEX #302234

RGB 48 34 52

HSL 286.67, 0.21%, 0.17%

LAB 15.59, 10.73, -9.19

 

CMYK 0 / 35 / 2 / 80

HEX #342233

RGB 52 34 51

HSL 303.33, 0.21%, 0.17%

LAB 16.07, 12.15, -7.71

 

CMYK 0 / 35 / 12 / 80

HEX #34222E

RGB 52 34 46

HSL 320, 0.21%, 0.17%

LAB 15.86, 11.01, -4.48

 

CMYK 0 / 50 / 0 / 99

HEX #020102

RGB 2 1 2

HSL 300, 0.33%, 0.01%

LAB 0.35, 0.4, -0.29

 

CMYK 7 / 37 / 0 / 89

HEX #19111B

RGB 25 17 27

HSL 288, 0.23%, 0.09%

LAB 6.2, 6, -5.31

 

CMYK 8 / 35 / 0 / 80

HEX #302234

RGB 48 34 52

HSL 286.67, 0.21%, 0.17%

LAB 15.59, 10.73, -9.19

 

CMYK 8 / 35 / 0 / 70

HEX #47324D

RGB 71 50 77

HSL 286.67, 0.21%, 0.25%

LAB 24.18, 15.12, -12.91

 

CMYK 8 / 35 / 0 / 60

HEX #5E4266

RGB 94 66 102

HSL 286.67, 0.21%, 0.33%

LAB 32.34, 19.23, -16.38

 

CMYK 7 / 35 / 0 / 79

HEX #322336

RGB 50 35 54

HSL 287.37, 0.21%, 0.17%

LAB 16.24, 11.35, -9.59

 

CMYK 0 / 35 / 35 / 80

HEX #342222

RGB 52 34 34

HSL 0, 0.21%, 0.17%

LAB 15.43, 8.65, 3.46

 

CMYK 35 / 0 / 21 / 80

HEX #223429

RGB 34 52 41

HSL 143.33, 0.21%, 0.17%

LAB 19.87, -10.23, 4.64

 

CMYK 7 / 35 / 0 / 79

HEX #322336

RGB 50 35 54

HSL 287.37, 0.21%, 0.17%

LAB 16.24, 11.35, -9.59

 

CMYK 0 / 8 / 35 / 80

HEX #343022

RGB 52 48 34

HSL 46.67, 0.21%, 0.17%

LAB 19.88, -0.94, 9.64

 

CMYK 35 / 0 / 8 / 80

HEX #223430

RGB 34 52 48

HSL 166.67, 0.21%, 0.17%

LAB 20.08, -8.41, 0.17

 

CMYK 7 / 35 / 0 / 79

HEX #322336

RGB 50 35 54

HSL 287.37, 0.21%, 0.17%

LAB 16.24, 11.35, -9.59

 

CMYK 0 / 35 / 35 / 80

HEX #342222

RGB 52 34 34

HSL 0, 0.21%, 0.17%

LAB 15.43, 8.65, 3.46

 

CMYK 27 / 0 / 35 / 80

HEX #263422

RGB 38 52 34

HSL 106.67, 0.21%, 0.17%

LAB 19.98, -10.12, 9.55

 

CMYK 35 / 0 / 0 / 80

HEX #223434

RGB 34 52 52

HSL 180, 0.21%, 0.17%

LAB 20.22, -7.27, -2.36

 

CMYK 7 / 35 / 0 / 79

HEX #322336

RGB 50 35 54

HSL 287.37, 0.21%, 0.17%

LAB 16.24, 11.35, -9.59

 

CMYK 0 / 25 / 35 / 80

HEX #342722

RGB 52 39 34

HSL 16.67, 0.21%, 0.17%

LAB 16.97, 5.18, 5.63

 

CMYK 27 / 0 / 35 / 80

HEX #263422

RGB 38 52 34

HSL 106.67, 0.21%, 0.17%

LAB 19.98, -10.12, 9.55

 

CMYK 35 / 10 / 0 / 80

HEX #222F34

RGB 34 47 52

HSL 196.67, 0.21%, 0.17%

LAB 18.46, -3.98, -4.98

 

Description

Color code: HEX #322336 | qconv.com Color code: HEX #322336 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 35 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 35 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 35 magenta, none yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 35% 0% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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