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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32248D it is the complementary color #CDDB72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32248D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32248D shade: #372488, #48369B, #5948AE, #6A5AC1 and #7B6CD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32248D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32248D shade: #32248D, #21127A, #100067, #000054 and #000041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32248D shade: #32248D, #4F248D, #6B248D, #87248D and #8D2477

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32248D shade: #32248D and #24248D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32248D shade matches the following richer shades: #32248D, #28169C and #1D07AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32248D shade: #32248D, #3D337F, #474171, #524F62 and #5C5E54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32248D shade: #244E8D, #24328D, #32248D, #4E248D and #6A248D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32248D shade: #1B134C, #261C6D, #32248D, #3E2DAE and #4C39CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32248D shade: #32248D, #8D246A and #408D24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32248D shade: #32248D, #8D3224 and #248D32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32248D shade: #32248D, #8D246A, #7F8D24 and #248D47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32248D shade: #32248D, #8D244B, #7F8D24 and #248D67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

Complementary color

CMYK 6 / 0 / 48 / 14

HEX #CDDB72

RGB 205 219 114

HSL 68, 0.59%, 0.65%

LAB 84.41, -19.85, 49.65

 

CMYK 60 / 74 / 0 / 47

HEX #372488

RGB 55 36 136

HSL 251.4, 0.58%, 0.34%

LAB 23.17, 37.18, -52.74

 

CMYK 54 / 65 / 0 / 39

HEX #48369B

RGB 72 54 155

HSL 250.69, 0.48%, 0.41%

LAB 30.36, 35.5, -52.66

 

CMYK 49 / 59 / 0 / 32

HEX #5948AE

RGB 89 72 174

HSL 250, 0.41%, 0.48%

LAB 37.51, 33.91, -52.4

 

CMYK 45 / 53 / 0 / 24

HEX #6A5AC1

RGB 106 90 193

HSL 249.32, 0.45%, 0.55%

LAB 44.56, 32.49, -52.11

 

CMYK 42 / 49 / 0 / 17

HEX #7B6CD4

RGB 123 108 212

HSL 248.65, 0.55%, 0.63%

LAB 51.48, 31.24, -51.83

 

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

CMYK 73 / 85 / 0 / 52

HEX #21127A

RGB 33 18 122

HSL 248.65, 0.74%, 0.27%

LAB 16.31, 39.67, -55.26

 

CMYK 84 / 100 / 0 / 60

HEX #100067

RGB 16 0 103

HSL 249.32, 1%, 0.2%

LAB 9.72, 41, -53.9

 

CMYK 100 / 100 / 0 / 67

HEX #000054

RGB 0 0 84

HSL 240, 1%, 0.16%

LAB 5.78, 34.26, -47.68

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

CMYK 44 / 74 / 0 / 45

HEX #4F248D

RGB 79 36 141

HSL 264.57, 0.59%, 0.35%

LAB 26.29, 42.71, -50.64

 

CMYK 24 / 74 / 0 / 45

HEX #6B248D

RGB 107 36 141

HSL 280.57, 0.59%, 0.35%

LAB 30.18, 48.25, -44.15

 

CMYK 4 / 74 / 0 / 45

HEX #87248D

RGB 135 36 141

HSL 296.57, 0.59%, 0.35%

LAB 34.67, 54.34, -36.71

 

CMYK 0 / 74 / 16 / 45

HEX #8D2477

RGB 141 36 119

HSL 312.57, 0.59%, 0.35%

LAB 34.51, 52.15, -23.2

 

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

CMYK 74 / 74 / 0 / 45

HEX #24248D

RGB 36 36 141

HSL 240, 0.59%, 0.35%

LAB 22.16, 36.43, -57.59

 

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

CMYK 74 / 86 / 0 / 39

HEX #28169C

RGB 40 22 156

HSL 248.06, 0.75%, 0.35%

LAB 21.67, 48.81, -67.65

 

CMYK 83 / 96 / 0 / 33

HEX #1D07AA

RGB 29 7 170

HSL 248.1, 0.92%, 0.35%

LAB 21.27, 57.01, -76.88

 

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

CMYK 52 / 60 / 0 / 50

HEX #3D337F

RGB 61 51 127

HSL 247.89, 0.43%, 0.35%

LAB 26.43, 26.11, -41.77

 

CMYK 37 / 42 / 0 / 56

HEX #474171

RGB 71 65 113

HSL 247.5, 0.27%, 0.35%

LAB 30.19, 15.08, -26.88

 

CMYK 16 / 19 / 0 / 62

HEX #524F62

RGB 82 79 98

HSL 249.47, 0.11%, 0.35%

LAB 34.53, 5.6, -10.6

 

CMYK 2 / 0 / 11 / 63

HEX #5C5E54

RGB 92 94 84

HSL 72, 0.06%, 0.35%

LAB 39.45, -2.82, 5.46

 

CMYK 74 / 45 / 0 / 45

HEX #244E8D

RGB 36 78 141

HSL 216, 0.59%, 0.35%

LAB 33.45, 8.32, -39.23

 

CMYK 74 / 65 / 0 / 45

HEX #24328D

RGB 36 50 141

HSL 232, 0.59%, 0.35%

LAB 25.5, 27.41, -52.1

 

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

CMYK 45 / 74 / 0 / 45

HEX #4E248D

RGB 78 36 141

HSL 264, 0.59%, 0.35%

LAB 26.17, 42.53, -50.85

 

CMYK 25 / 74 / 0 / 45

HEX #6A248D

RGB 106 36 141

HSL 280, 0.59%, 0.35%

LAB 30.03, 48.04, -44.4

 

CMYK 64 / 75 / 0 / 70

HEX #1B134C

RGB 27 19 76

HSL 248.42, 0.6%, 0.19%

LAB 10.71, 22.67, -33.95

 

CMYK 65 / 74 / 0 / 57

HEX #261C6D

RGB 38 28 109

HSL 247.41, 0.59%, 0.27%

LAB 17.21, 30.4, -45.37

 

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

CMYK 64 / 74 / 0 / 32

HEX #3E2DAE

RGB 62 45 174

HSL 247.91, 0.59%, 0.43%

LAB 29.3, 45.13, -65.89

 

CMYK 63 / 72 / 0 / 20

HEX #4C39CB

RGB 76 57 203

HSL 247.81, 0.58%, 0.51%

LAB 35.55, 49.35, -72.68

 

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

CMYK 0 / 74 / 25 / 45

HEX #8D246A

RGB 141 36 106

HSL 320, 0.59%, 0.35%

LAB 33.91, 50.29, -15.9

 

CMYK 55 / 0 / 74 / 45

HEX #408D24

RGB 64 141 36

HSL 104, 0.59%, 0.35%

LAB 52.14, -43.16, 46.1

 

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

CMYK 0 / 65 / 74 / 45

HEX #8D3224

RGB 141 50 36

HSL 8, 0.59%, 0.35%

LAB 34.13, 37.8, 29.05

 

CMYK 74 / 0 / 65 / 45

HEX #248D32

RGB 36 141 50

HSL 128, 0.59%, 0.35%

LAB 51.45, -48.32, 39.17

 

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

CMYK 0 / 74 / 25 / 45

HEX #8D246A

RGB 141 36 106

HSL 320, 0.59%, 0.35%

LAB 33.91, 50.29, -15.9

 

CMYK 10 / 0 / 74 / 45

HEX #7F8D24

RGB 127 141 36

HSL 68, 0.59%, 0.35%

LAB 55.78, -19.11, 50.9

 

CMYK 74 / 0 / 50 / 45

HEX #248D47

RGB 36 141 71

HSL 140, 0.59%, 0.35%

LAB 51.7, -45.31, 28.97

 

CMYK 65 / 74 / 0 / 45

HEX #32248D

RGB 50 36 141

HSL 248, 0.59%, 0.35%

LAB 23.21, 38.08, -55.81

 

CMYK 0 / 74 / 47 / 45

HEX #8D244B

RGB 141 36 75

HSL 337.71, 0.59%, 0.35%

LAB 32.77, 46.63, 2.43

 

CMYK 10 / 0 / 74 / 45

HEX #7F8D24

RGB 127 141 36

HSL 68, 0.59%, 0.35%

LAB 55.78, -19.11, 50.9

 

CMYK 74 / 0 / 27 / 45

HEX #248D67

RGB 36 141 103

HSL 158.29, 0.59%, 0.35%

LAB 52.29, -38.74, 11.98

 

Description

Color code: HEX #32248D | qconv.com Color code: HEX #32248D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 36 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 36 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 74 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 74% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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