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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #320172 it is the complementary color #CDFE8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #320172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #320172 shade: #37016D, #481380, #592593, #6A37A6 and #7B49B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #320172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #320172 shade: #320172, #21005F, #10004C, #000039 and #000026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #320172 shade: #330174, #520174, #710174, #740158 and #740139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #320172 shade: #330174, #140174 and #010174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #320172 shade matches the following richer shades: #330174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #320172 shade: #330174, #340A6A, #351461, #361D57 and #38274E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #320172 shade: #010C74, #140174, #320174, #510174 and #700174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #320172 shade: #0F0022, #21004B, #330174, #44019C and #5601C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #320172 shade: #320172, #74012B and #017405

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #320172 shade: #320172, #743201 and #017432

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #320172 shade: #320172, #74012B, #427401 and #017449

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #320172 shade: #320172, #740108, #427401 and #01746C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 99 / 0 / 55

HEX #320172

RGB 50 1 114

HSL 266.02, 0.98%, 0.23%

LAB 15.03, 45.27, -52.16

 

Complementary color

CMYK 19 / 0 / 44 / 0

HEX #CDFE8D

RGB 205 254 141

HSL 86.02, 0.98%, 0.77%

LAB 94.22, -33.61, 48.84

 

CMYK 50 / 99 / 0 / 57

HEX #37016D

RGB 55 1 109

HSL 270, 0.98%, 0.22%

LAB 15.16, 44.5, -48.68

 

CMYK 44 / 85 / 0 / 50

HEX #481380

RGB 72 19 128

HSL 269.17, 0.74%, 0.29%

LAB 21.59, 45.57, -50.23

 

CMYK 39 / 75 / 0 / 42

HEX #592593

RGB 89 37 147

HSL 268.36, 0.6%, 0.36%

LAB 28.26, 45.66, -51.1

 

CMYK 36 / 67 / 0 / 35

HEX #6A37A6

RGB 106 55 166

HSL 267.57, 0.5%, 0.43%

LAB 35.1, 45, -51.43

 

CMYK 34 / 61 / 0 / 27

HEX #7B49B9

RGB 123 73 185

HSL 266.79, 0.44%, 0.51%

LAB 41.97, 44.07, -51.52

 

CMYK 56 / 99 / 0 / 55

HEX #320172

RGB 50 1 114

HSL 266.02, 0.98%, 0.23%

LAB 15.03, 45.27, -52.16

 

CMYK 65 / 100 / 0 / 63

HEX #21005F

RGB 33 0 95

HSL 260.84, 1%, 0.19%

LAB 10.18, 39.58, -47.75

 

CMYK 79 / 100 / 0 / 70

HEX #10004C

RGB 16 0 76

HSL 252.63, 1%, 0.15%

LAB 5.71, 32.35, -42.23

 

CMYK 100 / 100 / 0 / 78

HEX #000039

RGB 0 0 57

HSL 240, 1%, 0.11%

LAB 2.67, 18.75, -33.68

 

CMYK 100 / 100 / 0 / 85

HEX #000026

RGB 0 0 38

HSL 240, 1%, 0.07%

LAB 1.26, 8.88, -21.58

 

CMYK 56 / 99 / 0 / 55

HEX #330174

RGB 51 1 116

HSL 266.09, 0.98%, 0.23%

LAB 15.42, 45.85, -52.82

 

CMYK 29 / 99 / 0 / 55

HEX #520174

RGB 82 1 116

HSL 282.26, 0.98%, 0.23%

LAB 20.35, 49.29, -44.53

 

CMYK 3 / 99 / 0 / 55

HEX #710174

RGB 113 1 116

HSL 298.43, 0.98%, 0.23%

LAB 26.14, 54.2, -34.88

 

CMYK 0 / 99 / 24 / 55

HEX #740158

RGB 116 1 88

HSL 314.61, 0.98%, 0.23%

LAB 25.07, 50.64, -18.25

 

CMYK 0 / 99 / 51 / 55

HEX #740139

RGB 116 1 57

HSL 330.78, 0.98%, 0.23%

LAB 23.77, 47.26, 0.84

 

CMYK 56 / 99 / 0 / 55

HEX #330174

RGB 51 1 116

HSL 266.09, 0.98%, 0.23%

LAB 15.42, 45.85, -52.82

 

CMYK 83 / 99 / 0 / 55

HEX #140174

RGB 20 1 116

HSL 249.91, 0.98%, 0.23%

LAB 12.17, 44.18, -58.32

 

CMYK 99 / 99 / 0 / 55

HEX #010174

RGB 1 1 116

HSL 240, 0.98%, 0.23%

LAB 11.2, 43.8, -59.96

 

CMYK 56 / 99 / 0 / 55

HEX #330174

RGB 51 1 116

HSL 266.09, 0.98%, 0.23%

LAB 15.42, 45.85, -52.82

 

CMYK 56 / 99 / 0 / 55

HEX #330174

RGB 51 1 116

HSL 266.09, 0.98%, 0.23%

LAB 15.42, 45.85, -52.82

 

CMYK 51 / 91 / 0 / 58

HEX #340A6A

RGB 52 10 106

HSL 266.25, 0.83%, 0.23%

LAB 15.42, 40.29, -46.29

 

CMYK 45 / 79 / 0 / 62

HEX #351461

RGB 53 20 97

HSL 265.71, 0.66%, 0.23%

LAB 16.11, 33.71, -39.22

 

CMYK 38 / 67 / 0 / 66

HEX #361D57

RGB 54 29 87

HSL 265.86, 0.5%, 0.23%

LAB 17.23, 25.93, -30.71

 

CMYK 28 / 50 / 0 / 69

HEX #38274E

RGB 56 39 78

HSL 266.15, 0.33%, 0.23%

LAB 19.4, 17.35, -21.17

 

CMYK 99 / 90 / 0 / 55

HEX #010C74

RGB 1 12 116

HSL 234.26, 0.98%, 0.23%

LAB 12.8, 38.92, -57.28

 

CMYK 83 / 99 / 0 / 55

HEX #140174

RGB 20 1 116

HSL 249.91, 0.98%, 0.23%

LAB 12.17, 44.18, -58.32

 

CMYK 57 / 99 / 0 / 55

HEX #320174

RGB 50 1 116

HSL 265.57, 0.98%, 0.23%

LAB 15.28, 45.77, -53.05

 

CMYK 30 / 99 / 0 / 55

HEX #510174

RGB 81 1 116

HSL 281.74, 0.98%, 0.23%

LAB 20.17, 49.15, -44.83

 

CMYK 3 / 99 / 0 / 55

HEX #700174

RGB 112 1 116

HSL 297.91, 0.98%, 0.23%

LAB 25.94, 54.03, -35.2

 

CMYK 56 / 100 / 0 / 87

HEX #0F0022

RGB 15 0 34

HSL 266.47, 1%, 0.07%

LAB 1.96, 11.45, -17.29

 

CMYK 56 / 100 / 0 / 71

HEX #21004B

RGB 33 0 75

HSL 266.4, 1%, 0.15%

LAB 7.51, 34.3, -38.49

 

CMYK 56 / 99 / 0 / 55

HEX #330174

RGB 51 1 116

HSL 266.09, 0.98%, 0.23%

LAB 15.42, 45.85, -52.82

 

CMYK 56 / 99 / 0 / 39

HEX #44019C

RGB 68 1 156

HSL 265.94, 0.99%, 0.31%

LAB 22.48, 56.8, -66.23

 

CMYK 56 / 99 / 0 / 23

HEX #5601C5

RGB 86 1 197

HSL 266.02, 0.99%, 0.39%

LAB 29.49, 67.51, -79.14

 

CMYK 56 / 99 / 0 / 55

HEX #320172

RGB 50 1 114

HSL 266.02, 0.98%, 0.23%

LAB 15.03, 45.27, -52.16

 

CMYK 0 / 99 / 63 / 55

HEX #74012B

RGB 116 1 43

HSL 338.09, 0.98%, 0.23%

LAB 23.37, 46.18, 10.01

 

CMYK 99 / 0 / 96 / 55

HEX #017405

RGB 1 116 5

HSL 122.09, 0.98%, 0.23%

LAB 42.01, -47.86, 45.33

 

CMYK 56 / 99 / 0 / 55

HEX #320172

RGB 50 1 114

HSL 266.02, 0.98%, 0.23%

LAB 15.03, 45.27, -52.16

 

CMYK 0 / 57 / 99 / 55

HEX #743201

RGB 116 50 1

HSL 25.57, 0.98%, 0.23%

LAB 29.4, 26.56, 40.02

 

CMYK 99 / 0 / 57 / 55

HEX #017432

RGB 1 116 50

HSL 145.57, 0.98%, 0.23%

LAB 42.35, -43.6, 28.44

 

CMYK 56 / 99 / 0 / 55

HEX #320172

RGB 50 1 114

HSL 266.02, 0.98%, 0.23%

LAB 15.03, 45.27, -52.16

 

CMYK 0 / 99 / 63 / 55

HEX #74012B

RGB 116 1 43

HSL 338.09, 0.98%, 0.23%

LAB 23.37, 46.18, 10.01

 

CMYK 43 / 0 / 99 / 55

HEX #427401

RGB 66 116 1

HSL 86.09, 0.98%, 0.23%

LAB 43.73, -33.88, 48.38

 

CMYK 99 / 0 / 37 / 55

HEX #017449

RGB 1 116 73

HSL 157.57, 0.98%, 0.23%

LAB 42.73, -39.07, 16.07

 

CMYK 56 / 99 / 0 / 55

HEX #320172

RGB 50 1 114

HSL 266.02, 0.98%, 0.23%

LAB 15.03, 45.27, -52.16

 

CMYK 0 / 99 / 93 / 55

HEX #740108

RGB 116 1 8

HSL 356.35, 0.98%, 0.23%

LAB 22.83, 44.73, 31.2

 

CMYK 43 / 0 / 99 / 55

HEX #427401

RGB 66 116 1

HSL 86.09, 0.98%, 0.23%

LAB 43.73, -33.88, 48.38

 

CMYK 99 / 0 / 7 / 55

HEX #01746C

RGB 1 116 108

HSL 175.83, 0.98%, 0.23%

LAB 43.62, -29.4, -3.47

 

Description

Color code: HEX #320172 | qconv.com Color code: HEX #320172 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 1 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 1 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 99 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 99% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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