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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31F0B6 it is the complementary color #CE0F49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31F0B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31F0B6 shade: #36F0B1, #47FFC4, #58FFD7, #69FFEA and #7AFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31F0B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31F0B6 shade: #31F0B6, #20DEA3, #0FCC90, #00BA7D and #00A86A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31F0B6 shade: #33EFB6, #33EF83, #33EF50, #48EF33 and #7BEF33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31F0B6 shade: #33EFB6, #33EFE9, #33C3EF, #3390EF and #335DEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31F0B6 shade matches the following richer shades: #33EFB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31F0B6 shade: #33EFB6, #44DDAF, #56CCA8, #68BAA1 and #7AA89A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31F0B6 shade: #33EF4F, #33EF81, #33EFB3, #33EFE6 and #33C6EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31F0B6 shade: #0EC18B, #11E7A6, #33EFB6, #59F2C4 and #7FF5D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31F0B6 shade: #31F0B6, #3349EF and #EF6833

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31F0B6 shade: #31F0B6, #B333EF and #EFB333

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31F0B6 shade: #31F0B6, #3349EF, #EF336E and #EFD933

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31F0B6 shade: #31F0B6, #5533EF, #EF336E and #CDEF33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 24 / 6

HEX #31F0B6

RGB 49 240 182

HSL 161.78, 0.86%, 0.57%

LAB 85.17, -58.71, 15.25

 

Complementary color

CMYK 0 / 93 / 65 / 19

HEX #CE0F49

RGB 206 15 73

HSL 341.78, 0.86%, 0.43%

LAB 44.15, 68.7, 21.43

 

CMYK 78 / 0 / 26 / 6

HEX #36F0B1

RGB 54 240 177

HSL 159.68, 0.86%, 0.58%

LAB 85.14, -59.33, 17.8

 

CMYK 72 / 0 / 23 / 0

HEX #47FFC4

RGB 71 255 196

HSL 160.76, 1%, 0.64%

LAB 90.25, -58.91, 15.21

 

CMYK 65 / 0 / 16 / 0

HEX #58FFD7

RGB 88 255 215

HSL 165.63, 1%, 0.67%

LAB 91.01, -52.17, 6.54

 

CMYK 59 / 0 / 8 / 0

HEX #69FFEA

RGB 105 255 234

HSL 171.6, 1%, 0.71%

LAB 91.89, -44.8, -1.95

 

CMYK 52 / 0 / 1 / 0

HEX #7AFFFD

RGB 122 255 253

HSL 179.1, 1%, 0.74%

LAB 92.9, -36.92, -10.24

 

CMYK 80 / 0 / 24 / 6

HEX #31F0B6

RGB 49 240 182

HSL 161.78, 0.86%, 0.57%

LAB 85.17, -58.71, 15.25

 

CMYK 86 / 0 / 27 / 13

HEX #20DEA3

RGB 32 222 163

HSL 161.37, 0.75%, 0.5%

LAB 79.15, -57.56, 16.7

 

CMYK 93 / 0 / 29 / 20

HEX #0FCC90

RGB 15 204 144

HSL 160.95, 0.86%, 0.43%

LAB 73.09, -56.04, 18.3

 

CMYK 100 / 0 / 33 / 27

HEX #00BA7D

RGB 0 186 125

HSL 160.32, 1%, 0.36%

LAB 66.97, -54.13, 20.03

 

CMYK 100 / 0 / 37 / 34

HEX #00A86A

RGB 0 168 106

HSL 157.86, 1%, 0.33%

LAB 60.82, -51.62, 21.95

 

CMYK 79 / 0 / 24 / 6

HEX #33EFB6

RGB 51 239 182

HSL 161.81, 0.85%, 0.57%

LAB 84.9, -58.13, 14.87

 

CMYK 79 / 0 / 45 / 6

HEX #33EF83

RGB 51 239 131

HSL 145.53, 0.85%, 0.57%

LAB 84.01, -68.2, 39.55

 

CMYK 79 / 0 / 67 / 6

HEX #33EF50

RGB 51 239 80

HSL 129.26, 0.85%, 0.57%

LAB 83.45, -74.85, 61.75

 

CMYK 70 / 0 / 79 / 6

HEX #48EF33

RGB 72 239 51

HSL 113.3, 0.85%, 0.57%

LAB 83.63, -74.01, 71.89

 

CMYK 49 / 0 / 79 / 6

HEX #7BEF33

RGB 123 239 51

HSL 97.02, 0.85%, 0.57%

LAB 85.09, -62.19, 73.79

 

CMYK 79 / 0 / 24 / 6

HEX #33EFB6

RGB 51 239 182

HSL 161.81, 0.85%, 0.57%

LAB 84.9, -58.13, 14.87

 

CMYK 79 / 0 / 3 / 6

HEX #33EFE9

RGB 51 239 233

HSL 178.09, 0.85%, 0.57%

LAB 86.17, -45.15, -10.01

 

CMYK 79 / 18 / 0 / 6

HEX #33C3EF

RGB 51 195 239

HSL 194.04, 0.85%, 0.57%

LAB 73.52, -22.58, -32.38

 

CMYK 79 / 40 / 0 / 6

HEX #3390EF

RGB 51 144 239

HSL 210.32, 0.85%, 0.57%

LAB 58.87, 5.66, -55.39

 

CMYK 79 / 61 / 0 / 6

HEX #335DEF

RGB 51 93 239

HSL 226.6, 0.85%, 0.57%

LAB 45.31, 37.33, -77.29

 

CMYK 79 / 0 / 24 / 6

HEX #33EFB6

RGB 51 239 182

HSL 161.81, 0.85%, 0.57%

LAB 84.9, -58.13, 14.87

 

CMYK 79 / 0 / 24 / 6

HEX #33EFB6

RGB 51 239 182

HSL 161.81, 0.85%, 0.57%

LAB 84.9, -58.13, 14.87

 

CMYK 69 / 0 / 21 / 13

HEX #44DDAF

RGB 68 221 175

HSL 161.96, 0.69%, 0.57%

LAB 79.63, -50.53, 11.13

 

CMYK 58 / 0 / 18 / 20

HEX #56CCA8

RGB 86 204 168

HSL 161.69, 0.54%, 0.57%

LAB 74.82, -41.83, 8.06

 

CMYK 44 / 0 / 13 / 27

HEX #68BAA1

RGB 104 186 161

HSL 161.71, 0.37%, 0.57%

LAB 69.92, -31.04, 4.9

 

CMYK 27 / 0 / 8 / 34

HEX #7AA89A

RGB 122 168 154

HSL 161.74, 0.21%, 0.57%

LAB 65.34, -18.45, 2.25

 

CMYK 79 / 0 / 67 / 6

HEX #33EF4F

RGB 51 239 79

HSL 128.94, 0.85%, 0.57%

LAB 83.44, -74.94, 62.13

 

CMYK 79 / 0 / 46 / 6

HEX #33EF81

RGB 51 239 129

HSL 144.89, 0.85%, 0.57%

LAB 83.98, -68.52, 40.49

 

CMYK 79 / 0 / 25 / 6

HEX #33EFB3

RGB 51 239 179

HSL 160.85, 0.85%, 0.57%

LAB 84.84, -58.81, 16.34

 

CMYK 79 / 0 / 4 / 6

HEX #33EFE6

RGB 51 239 230

HSL 177.13, 0.85%, 0.57%

LAB 86.08, -45.98, -8.56

 

CMYK 79 / 17 / 0 / 6

HEX #33C6EF

RGB 51 198 239

HSL 193.09, 0.85%, 0.57%

LAB 74.4, -24.1, -31.03

 

CMYK 93 / 0 / 28 / 24

HEX #0EC18B

RGB 14 193 139

HSL 161.9, 0.86%, 0.41%

LAB 69.54, -53.06, 16.04

 

CMYK 93 / 0 / 28 / 9

HEX #11E7A6

RGB 17 231 166

HSL 161.78, 0.86%, 0.49%

LAB 81.85, -61.05, 18.88

 

CMYK 79 / 0 / 24 / 6

HEX #33EFB6

RGB 51 239 182

HSL 161.81, 0.85%, 0.57%

LAB 84.9, -58.13, 14.87

 

CMYK 63 / 0 / 19 / 5

HEX #59F2C4

RGB 89 242 196

HSL 161.96, 0.85%, 0.65%

LAB 86.81, -51.04, 10.38

 

CMYK 48 / 0 / 15 / 4

HEX #7FF5D1

RGB 127 245 209

HSL 161.69, 0.86%, 0.73%

LAB 89.12, -41.79, 7.08

 

CMYK 80 / 0 / 24 / 6

HEX #31F0B6

RGB 49 240 182

HSL 161.78, 0.86%, 0.57%

LAB 85.17, -58.71, 15.25

 

CMYK 79 / 69 / 0 / 6

HEX #3349EF

RGB 51 73 239

HSL 232.98, 0.85%, 0.57%

LAB 40.74, 49.47, -84.8

 

CMYK 0 / 56 / 79 / 6

HEX #EF6833

RGB 239 104 51

HSL 16.91, 0.85%, 0.57%

LAB 60.33, 49.23, 53.59

 

CMYK 80 / 0 / 24 / 6

HEX #31F0B6

RGB 49 240 182

HSL 161.78, 0.86%, 0.57%

LAB 85.17, -58.71, 15.25

 

CMYK 25 / 79 / 0 / 6

HEX #B333EF

RGB 179 51 239

HSL 280.85, 0.85%, 0.57%

LAB 49.72, 76.32, -69.62

 

CMYK 0 / 25 / 79 / 6

HEX #EFB333

RGB 239 179 51

HSL 40.85, 0.85%, 0.57%

LAB 76.58, 10.73, 68.82

 

CMYK 80 / 0 / 24 / 6

HEX #31F0B6

RGB 49 240 182

HSL 161.78, 0.86%, 0.57%

LAB 85.17, -58.71, 15.25

 

CMYK 79 / 69 / 0 / 6

HEX #3349EF

RGB 51 73 239

HSL 232.98, 0.85%, 0.57%

LAB 40.74, 49.47, -84.8

 

CMYK 0 / 79 / 54 / 6

HEX #EF336E

RGB 239 51 110

HSL 341.17, 0.85%, 0.57%

LAB 53.86, 72.3, 13.01

 

CMYK 0 / 9 / 79 / 6

HEX #EFD933

RGB 239 217 51

HSL 52.98, 0.85%, 0.57%

LAB 86.11, -8.84, 77.37

 

CMYK 80 / 0 / 24 / 6

HEX #31F0B6

RGB 49 240 182

HSL 161.78, 0.86%, 0.57%

LAB 85.17, -58.71, 15.25

 

CMYK 64 / 79 / 0 / 6

HEX #5533EF

RGB 85 51 239

HSL 250.85, 0.85%, 0.57%

LAB 38.78, 63.79, -87.97

 

CMYK 0 / 79 / 54 / 6

HEX #EF336E

RGB 239 51 110

HSL 341.17, 0.85%, 0.57%

LAB 53.86, 72.3, 13.01

 

CMYK 14 / 0 / 79 / 6

HEX #CDEF33

RGB 205 239 51

HSL 70.85, 0.85%, 0.57%

LAB 89.37, -33.42, 79.27

 

Description

Color code: HEX #31F0B6 | qconv.com Color code: HEX #31F0B6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 240 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 240 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 24 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 24% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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