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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31F0A1 it is the complementary color #CE0F5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31F0A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31F0A1 shade: #36F09C, #47FFAF, #58FFC2, #69FFD5 and #7AFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31F0A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31F0A1 shade: #31F0A1, #20DE8E, #0FCC7B, #00BA68 and #00A855

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31F0A1 shade: #33EFA1, #33EF6E, #33EF3B, #5DEF33 and #8FEF33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31F0A1 shade: #33EFA1, #33EFD4, #33D7EF, #33A5EF and #3372EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31F0A1 shade matches the following richer shades: #33EFA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31F0A1 shade: #33EFA1, #44DD9E, #56CC9B, #68BA98 and #7AA895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31F0A1 shade: #33EF3C, #33EF6E, #33EFA1, #33EFD3 and #33D9EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31F0A1 shade: #0EC177, #11E78F, #33EFA1, #59F2B3 and #7FF5C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31F0A1 shade: #31F0A1, #335BEF and #EF5533

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31F0A1 shade: #31F0A1, #A133EF and #EFA133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31F0A1 shade: #31F0A1, #335BEF, #EF3381 and #EFC633

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31F0A1 shade: #31F0A1, #4233EF, #EF3381 and #DFEF33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 33 / 6

HEX #31F0A1

RGB 49 240 161

HSL 155.18, 0.86%, 0.57%

LAB 84.76, -63.23, 25.51

 

Complementary color

CMYK 0 / 93 / 54 / 19

HEX #CE0F5E

RGB 206 15 94

HSL 335.18, 0.86%, 0.43%

LAB 44.62, 69.99, 8.93

 

CMYK 78 / 0 / 35 / 6

HEX #36F09C

RGB 54 240 156

HSL 152.9, 0.86%, 0.58%

LAB 84.74, -63.7, 28.04

 

CMYK 72 / 0 / 31 / 0

HEX #47FFAF

RGB 71 255 175

HSL 153.91, 1%, 0.64%

LAB 89.84, -63.36, 25.36

 

CMYK 65 / 0 / 24 / 0

HEX #58FFC2

RGB 88 255 194

HSL 158.08, 1%, 0.67%

LAB 90.55, -56.92, 16.7

 

CMYK 59 / 0 / 16 / 0

HEX #69FFD5

RGB 105 255 213

HSL 163.2, 1%, 0.71%

LAB 91.38, -49.77, 8.17

 

CMYK 52 / 0 / 9 / 0

HEX #7AFFE8

RGB 122 255 232

HSL 169.62, 1%, 0.74%

LAB 92.35, -42.06, -0.19

 

CMYK 80 / 0 / 33 / 6

HEX #31F0A1

RGB 49 240 161

HSL 155.18, 0.86%, 0.57%

LAB 84.76, -63.23, 25.51

 

CMYK 86 / 0 / 36 / 13

HEX #20DE8E

RGB 32 222 142

HSL 154.74, 0.75%, 0.5%

LAB 78.75, -62.04, 27.09

 

CMYK 93 / 0 / 40 / 20

HEX #0FCC7B

RGB 15 204 123

HSL 154.29, 0.86%, 0.43%

LAB 72.71, -60.44, 28.81

 

CMYK 100 / 0 / 44 / 27

HEX #00BA68

RGB 0 186 104

HSL 153.55, 1%, 0.36%

LAB 66.61, -58.39, 30.65

 

CMYK 100 / 0 / 49 / 34

HEX #00A855

RGB 0 168 85

HSL 150.36, 1%, 0.33%

LAB 60.48, -55.66, 32.63

 

CMYK 79 / 0 / 33 / 6

HEX #33EFA1

RGB 51 239 161

HSL 155.11, 0.85%, 0.57%

LAB 84.49, -62.66, 25.14

 

CMYK 79 / 0 / 54 / 6

HEX #33EF6E

RGB 51 239 110

HSL 138.83, 0.85%, 0.57%

LAB 83.74, -71.36, 49.21

 

CMYK 79 / 0 / 75 / 6

HEX #33EF3B

RGB 51 239 59

HSL 122.55, 0.85%, 0.57%

LAB 83.31, -76.57, 69.07

 

CMYK 61 / 0 / 79 / 6

HEX #5DEF33

RGB 93 239 51

HSL 106.6, 0.85%, 0.57%

LAB 84.12, -69.87, 72.53

 

CMYK 40 / 0 / 79 / 6

HEX #8FEF33

RGB 143 239 51

HSL 90.64, 0.85%, 0.57%

LAB 85.91, -56.06, 74.85

 

CMYK 79 / 0 / 33 / 6

HEX #33EFA1

RGB 51 239 161

HSL 155.11, 0.85%, 0.57%

LAB 84.49, -62.66, 25.14

 

CMYK 79 / 0 / 11 / 6

HEX #33EFD4

RGB 51 239 212

HSL 171.38, 0.85%, 0.57%

LAB 85.6, -50.8, 0.18

 

CMYK 79 / 10 / 0 / 6

HEX #33D7EF

RGB 51 215 239

HSL 187.66, 0.85%, 0.57%

LAB 79.35, -32.44, -23.45

 

CMYK 79 / 31 / 0 / 6

HEX #33A5EF

RGB 51 165 239

HSL 203.62, 0.85%, 0.57%

LAB 64.84, -6.51, -45.92

 

CMYK 79 / 52 / 0 / 6

HEX #3372EF

RGB 51 114 239

HSL 219.89, 0.85%, 0.57%

LAB 50.65, 24.11, -68.59

 

CMYK 79 / 0 / 33 / 6

HEX #33EFA1

RGB 51 239 161

HSL 155.11, 0.85%, 0.57%

LAB 84.49, -62.66, 25.14

 

CMYK 79 / 0 / 33 / 6

HEX #33EFA1

RGB 51 239 161

HSL 155.11, 0.85%, 0.57%

LAB 84.49, -62.66, 25.14

 

CMYK 69 / 0 / 29 / 13

HEX #44DD9E

RGB 68 221 158

HSL 155.29, 0.69%, 0.57%

LAB 79.28, -54.31, 19.58

 

CMYK 58 / 0 / 24 / 20

HEX #56CC9B

RGB 86 204 155

HSL 155.08, 0.54%, 0.57%

LAB 74.53, -44.75, 14.62

 

CMYK 44 / 0 / 18 / 27

HEX #68BA98

RGB 104 186 152

HSL 155.12, 0.37%, 0.57%

LAB 69.7, -33.05, 9.51

 

CMYK 27 / 0 / 11 / 34

HEX #7AA895

RGB 122 168 149

HSL 155.22, 0.21%, 0.57%

LAB 65.21, -19.53, 4.85

 

CMYK 79 / 0 / 75 / 6

HEX #33EF3C

RGB 51 239 60

HSL 122.87, 0.85%, 0.57%

LAB 83.32, -76.5, 68.76

 

CMYK 79 / 0 / 54 / 6

HEX #33EF6E

RGB 51 239 110

HSL 138.83, 0.85%, 0.57%

LAB 83.74, -71.36, 49.21

 

CMYK 79 / 0 / 33 / 6

HEX #33EFA1

RGB 51 239 161

HSL 155.11, 0.85%, 0.57%

LAB 84.49, -62.66, 25.14

 

CMYK 79 / 0 / 12 / 6

HEX #33EFD3

RGB 51 239 211

HSL 171.06, 0.85%, 0.57%

LAB 85.57, -51.06, 0.67

 

CMYK 79 / 9 / 0 / 6

HEX #33D9EF

RGB 51 217 239

HSL 187.02, 0.85%, 0.57%

LAB 79.93, -33.4, -22.56

 

CMYK 93 / 0 / 38 / 24

HEX #0EC177

RGB 14 193 119

HSL 155.2, 0.86%, 0.41%

LAB 69.16, -57.39, 26.18

 

CMYK 93 / 0 / 38 / 9

HEX #11E78F

RGB 17 231 143

HSL 155.33, 0.86%, 0.49%

LAB 81.43, -65.85, 30.15

 

CMYK 79 / 0 / 33 / 6

HEX #33EFA1

RGB 51 239 161

HSL 155.11, 0.85%, 0.57%

LAB 84.49, -62.66, 25.14

 

CMYK 63 / 0 / 26 / 5

HEX #59F2B3

RGB 89 242 179

HSL 155.29, 0.85%, 0.65%

LAB 86.45, -54.76, 18.69

 

CMYK 48 / 0 / 20 / 4

HEX #7FF5C4

RGB 127 245 196

HSL 155.08, 0.86%, 0.73%

LAB 88.83, -44.57, 13.41

 

CMYK 80 / 0 / 33 / 6

HEX #31F0A1

RGB 49 240 161

HSL 155.18, 0.86%, 0.57%

LAB 84.76, -63.23, 25.51

 

CMYK 79 / 62 / 0 / 6

HEX #335BEF

RGB 51 91 239

HSL 227.23, 0.85%, 0.57%

LAB 44.83, 38.58, -78.09

 

CMYK 0 / 64 / 79 / 6

HEX #EF5533

RGB 239 85 51

HSL 10.85, 0.85%, 0.57%

LAB 57.16, 57.6, 50.48

 

CMYK 80 / 0 / 33 / 6

HEX #31F0A1

RGB 49 240 161

HSL 155.18, 0.86%, 0.57%

LAB 84.76, -63.23, 25.51

 

CMYK 33 / 79 / 0 / 6

HEX #A133EF

RGB 161 51 239

HSL 275.11, 0.85%, 0.57%

LAB 47.21, 73.44, -73.82

 

CMYK 0 / 33 / 79 / 6

HEX #EFA133

RGB 239 161 51

HSL 35.11, 0.85%, 0.57%

LAB 72.28, 20.23, 64.89

 

CMYK 80 / 0 / 33 / 6

HEX #31F0A1

RGB 49 240 161

HSL 155.18, 0.86%, 0.57%

LAB 84.76, -63.23, 25.51

 

CMYK 79 / 62 / 0 / 6

HEX #335BEF

RGB 51 91 239

HSL 227.23, 0.85%, 0.57%

LAB 44.83, 38.58, -78.09

 

CMYK 0 / 79 / 46 / 6

HEX #EF3381

RGB 239 51 129

HSL 335.11, 0.85%, 0.57%

LAB 54.35, 73.78, 2.3

 

CMYK 0 / 17 / 79 / 6

HEX #EFC633

RGB 239 198 51

HSL 46.91, 0.85%, 0.57%

LAB 81.28, 0.82, 73.06

 

CMYK 80 / 0 / 33 / 6

HEX #31F0A1

RGB 49 240 161

HSL 155.18, 0.86%, 0.57%

LAB 84.76, -63.23, 25.51

 

CMYK 72 / 79 / 0 / 6

HEX #4233EF

RGB 66 51 239

HSL 244.79, 0.85%, 0.57%

LAB 37.4, 62.22, -90.29

 

CMYK 0 / 79 / 46 / 6

HEX #EF3381

RGB 239 51 129

HSL 335.11, 0.85%, 0.57%

LAB 54.35, 73.78, 2.3

 

CMYK 7 / 0 / 79 / 6

HEX #DFEF33

RGB 223 239 51

HSL 65.11, 0.85%, 0.57%

LAB 90.62, -26.2, 80.86

 

Description

Color code: HEX #31F0A1 | qconv.com Color code: HEX #31F0A1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 240 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 240 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 33 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 33% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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