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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31EF80 it is the complementary color #CE107F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31EF80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31EF80 shade: #36EF7B, #47FF8E, #58FFA1, #69FFB4 and #7AFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31EF80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31EF80 shade: #31EF80, #20DD6D, #0FCB5A, #00B947 and #00A734

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31EF80 shade: #2EEF7E, #2EEF4A, #46EF2E, #7AEF2E and #AEEF2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31EF80 shade: #2EEF7E, #2EEFB2, #2EEFE6, #2EC3EF and #2E8FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31EF80 shade matches the following richer shades: #2EEF7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31EF80 shade: #2EEF7E, #40DD81, #52CA84, #64B887 and #76A68A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31EF80 shade: #48EF2E, #2EEF48, #2EEF7B, #2EEFAE and #2EEFE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31EF80 shade: #0EBC56, #11E368, #2EEF7E, #54F296 and #7BF5AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31EF80 shade: #31EF80, #2E7BEF and #EF2E2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31EF80 shade: #31EF80, #7B2EEF and #EF7B2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31EF80 shade: #31EF80, #2E7BEF, #EF2EA2 and #EFA22E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31EF80 shade: #31EF80, #2E41EF, #EF2EA2 and #EFDB2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 46 / 6

HEX #31EF80

RGB 49 239 128

HSL 144.95, 0.86%, 0.56%

LAB 83.94, -68.9, 40.92

 

Complementary color

CMYK 0 / 92 / 38 / 19

HEX #CE107F

RGB 206 16 127

HSL 324.95, 0.86%, 0.44%

LAB 45.67, 72.6, -10

 

CMYK 77 / 0 / 49 / 6

HEX #36EF7B

RGB 54 239 123

HSL 142.38, 0.85%, 0.57%

LAB 83.94, -69.13, 43.35

 

CMYK 72 / 0 / 44 / 0

HEX #47FF8E

RGB 71 255 142

HSL 143.15, 1%, 0.64%

LAB 89.31, -69.35, 41.06

 

CMYK 65 / 0 / 37 / 0

HEX #58FFA1

RGB 88 255 161

HSL 146.23, 1%, 0.67%

LAB 89.94, -63.44, 32.6

 

CMYK 59 / 0 / 29 / 0

HEX #69FFB4

RGB 105 255 180

HSL 150, 1%, 0.71%

LAB 90.7, -56.75, 24.13

 

CMYK 52 / 0 / 22 / 0

HEX #7AFFC7

RGB 122 255 199

HSL 154.74, 1%, 0.74%

LAB 91.59, -49.38, 15.74

 

CMYK 79 / 0 / 46 / 6

HEX #31EF80

RGB 49 239 128

HSL 144.95, 0.86%, 0.56%

LAB 83.94, -68.9, 40.92

 

CMYK 86 / 0 / 51 / 13

HEX #20DD6D

RGB 32 221 109

HSL 144.44, 0.75%, 0.5%

LAB 77.95, -67.52, 42.55

 

CMYK 93 / 0 / 56 / 20

HEX #0FCB5A

RGB 15 203 90

HSL 143.94, 0.86%, 0.43%

LAB 71.93, -65.63, 44.23

 

CMYK 100 / 0 / 62 / 27

HEX #00B947

RGB 0 185 71

HSL 143.03, 1%, 0.36%

LAB 65.87, -63.18, 45.87

 

CMYK 100 / 0 / 69 / 35

HEX #00A734

RGB 0 167 52

HSL 138.68, 1%, 0.33%

LAB 59.79, -59.87, 47.35

 

CMYK 81 / 0 / 47 / 6

HEX #2EEF7E

RGB 46 239 126

HSL 144.87, 0.86%, 0.56%

LAB 83.87, -69.53, 41.8

 

CMYK 81 / 0 / 69 / 6

HEX #2EEF4A

RGB 46 239 74

HSL 128.7, 0.86%, 0.56%

LAB 83.34, -75.96, 63.9

 

CMYK 71 / 0 / 81 / 6

HEX #46EF2E

RGB 70 239 46

HSL 112.54, 0.86%, 0.56%

LAB 83.56, -74.62, 73.17

 

CMYK 49 / 0 / 81 / 6

HEX #7AEF2E

RGB 122 239 46

HSL 96.37, 0.86%, 0.56%

LAB 85.03, -62.71, 75.05

 

CMYK 27 / 0 / 81 / 6

HEX #AEEF2E

RGB 174 239 46

HSL 80.21, 0.86%, 0.56%

LAB 87.45, -45.49, 78.14

 

CMYK 81 / 0 / 47 / 6

HEX #2EEF7E

RGB 46 239 126

HSL 144.87, 0.86%, 0.56%

LAB 83.87, -69.53, 41.8

 

CMYK 81 / 0 / 26 / 6

HEX #2EEFB2

RGB 46 239 178

HSL 161.04, 0.86%, 0.56%

LAB 84.76, -59.5, 16.73

 

CMYK 81 / 0 / 4 / 6

HEX #2EEFE6

RGB 46 239 230

HSL 177.2, 0.86%, 0.56%

LAB 86.02, -46.39, -8.66

 

CMYK 81 / 18 / 0 / 6

HEX #2EC3EF

RGB 46 195 239

HSL 193.68, 0.86%, 0.56%

LAB 73.44, -23.03, -32.51

 

CMYK 81 / 40 / 0 / 6

HEX #2E8FEF

RGB 46 143 239

HSL 209.84, 0.86%, 0.56%

LAB 58.47, 5.77, -56.03

 

CMYK 81 / 0 / 47 / 6

HEX #2EEF7E

RGB 46 239 126

HSL 144.87, 0.86%, 0.56%

LAB 83.87, -69.53, 41.8

 

CMYK 81 / 0 / 47 / 6

HEX #2EEF7E

RGB 46 239 126

HSL 144.87, 0.86%, 0.56%

LAB 83.87, -69.53, 41.8

 

CMYK 71 / 0 / 42 / 13

HEX #40DD81

RGB 64 221 129

HSL 144.84, 0.7%, 0.56%

LAB 78.69, -60.54, 33.72

 

CMYK 59 / 0 / 35 / 21

HEX #52CA84

RGB 82 202 132

HSL 145, 0.53%, 0.56%

LAB 73.35, -49.44, 25.17

 

CMYK 46 / 0 / 27 / 28

HEX #64B887

RGB 100 184 135

HSL 145, 0.37%, 0.56%

LAB 68.56, -36.75, 17.13

 

CMYK 29 / 0 / 17 / 35

HEX #76A68A

RGB 118 166 138

HSL 145, 0.21%, 0.56%

LAB 64.13, -22.08, 9.39

 

CMYK 70 / 0 / 81 / 6

HEX #48EF2E

RGB 72 239 46

HSL 111.92, 0.86%, 0.56%

LAB 83.6, -74.28, 73.22

 

CMYK 81 / 0 / 70 / 6

HEX #2EEF48

RGB 46 239 72

HSL 128.08, 0.86%, 0.56%

LAB 83.33, -76.14, 64.62

 

CMYK 81 / 0 / 49 / 6

HEX #2EEF7B

RGB 46 239 123

HSL 143.94, 0.86%, 0.56%

LAB 83.83, -70, 43.2

 

CMYK 81 / 0 / 27 / 6

HEX #2EEFAE

RGB 46 239 174

HSL 159.79, 0.86%, 0.56%

LAB 84.67, -60.39, 18.69

 

CMYK 81 / 0 / 5 / 6

HEX #2EEFE2

RGB 46 239 226

HSL 175.96, 0.86%, 0.56%

LAB 85.91, -47.49, -6.72

 

CMYK 93 / 0 / 54 / 26

HEX #0EBC56

RGB 14 188 86

HSL 144.83, 0.86%, 0.4%

LAB 67.08, -61.46, 40.29

 

CMYK 93 / 0 / 54 / 11

HEX #11E368

RGB 17 227 104

HSL 144.86, 0.86%, 0.48%

LAB 79.65, -71.08, 46.97

 

CMYK 81 / 0 / 47 / 6

HEX #2EEF7E

RGB 46 239 126

HSL 144.87, 0.86%, 0.56%

LAB 83.87, -69.53, 41.8

 

CMYK 65 / 0 / 38 / 5

HEX #54F296

RGB 84 242 150

HSL 145.06, 0.86%, 0.64%

LAB 85.8, -61.28, 32.59

 

CMYK 50 / 0 / 29 / 4

HEX #7BF5AD

RGB 123 245 173

HSL 144.59, 0.86%, 0.72%

LAB 88.22, -50.07, 24.39

 

CMYK 79 / 0 / 46 / 6

HEX #31EF80

RGB 49 239 128

HSL 144.95, 0.86%, 0.56%

LAB 83.94, -68.9, 40.92

 

CMYK 81 / 49 / 0 / 6

HEX #2E7BEF

RGB 46 123 239

HSL 216.06, 0.86%, 0.56%

LAB 52.93, 18.01, -64.92

 

CMYK 0 / 81 / 81 / 6

HEX #EF2E2E

RGB 239 46 46

HSL 0, 0.86%, 0.56%

LAB 52.4, 70.47, 48.33

 

CMYK 79 / 0 / 46 / 6

HEX #31EF80

RGB 49 239 128

HSL 144.95, 0.86%, 0.56%

LAB 83.94, -68.9, 40.92

 

CMYK 49 / 81 / 0 / 6

HEX #7B2EEF

RGB 123 46 239

HSL 263.94, 0.86%, 0.56%

LAB 41.84, 69.87, -82.79

 

CMYK 0 / 49 / 81 / 6

HEX #EF7B2E

RGB 239 123 46

HSL 23.94, 0.86%, 0.56%

LAB 63.93, 39.83, 59.15

 

CMYK 79 / 0 / 46 / 6

HEX #31EF80

RGB 49 239 128

HSL 144.95, 0.86%, 0.56%

LAB 83.94, -68.9, 40.92

 

CMYK 81 / 49 / 0 / 6

HEX #2E7BEF

RGB 46 123 239

HSL 216.06, 0.86%, 0.56%

LAB 52.93, 18.01, -64.92

 

CMYK 0 / 81 / 32 / 6

HEX #EF2EA2

RGB 239 46 162

HSL 323.94, 0.86%, 0.56%

LAB 54.98, 78.16, -16.34

 

CMYK 0 / 32 / 81 / 6

HEX #EFA22E

RGB 239 162 46

HSL 36.06, 0.86%, 0.56%

LAB 72.49, 19.53, 66.86

 

CMYK 79 / 0 / 46 / 6

HEX #31EF80

RGB 49 239 128

HSL 144.95, 0.86%, 0.56%

LAB 83.94, -68.9, 40.92

 

CMYK 81 / 73 / 0 / 6

HEX #2E41EF

RGB 46 65 239

HSL 234.09, 0.86%, 0.56%

LAB 38.89, 53.69, -87.86

 

CMYK 0 / 81 / 32 / 6

HEX #EF2EA2

RGB 239 46 162

HSL 323.94, 0.86%, 0.56%

LAB 54.98, 78.16, -16.34

 

CMYK 0 / 8 / 81 / 6

HEX #EFDB2E

RGB 239 219 46

HSL 53.78, 0.86%, 0.56%

LAB 86.61, -10, 79.18

 

Description

Color code: HEX #31EF80 | qconv.com Color code: HEX #31EF80 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 239 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 239 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 46 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 46% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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