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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31DE78 it is the complementary color #CE2187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31DE78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31DE78 shade: #36DE73, #47F086, #58FF99, #69FFAC and #7AFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31DE78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31DE78 shade: #31DE78, #20CC65, #0FBA52, #00A83F and #00962C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31DE78 shade: #30DD77, #30DD49, #47DD30, #75DD30 and #A4DD30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31DE78 shade: #30DD77, #30DDA6, #30DDD4, #30B7DD and #3089DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31DE78 shade matches the following richer shades: #30DD77 and #1DF074

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31DE78 shade: #30DD77, #44CA7B, #57B67E, #6BA382 and #7E8F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31DE78 shade: #47DD30, #30DD47, #30DD75, #30DDA3 and #30DDD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31DE78 shade: #1AA151, #20C463, #30DD77, #54E38E and #77E8A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31DE78 shade: #31DE78, #3075DD and #DD3030

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31DE78 shade: #31DE78, #7530DD and #DD7530

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31DE78 shade: #31DE78, #3075DD, #DD3098 and #DD9830

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31DE78 shade: #31DE78, #3042DD, #DD3098 and #DDCC30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 46 / 13

HEX #31DE78

RGB 49 222 120

HSL 144.62, 0.72%, 0.53%

LAB 78.61, -64.44, 38.06

 

Complementary color

CMYK 0 / 84 / 34 / 19

HEX #CE2187

RGB 206 33 135

HSL 324.62, 0.72%, 0.47%

LAB 46.92, 70.62, -13

 

CMYK 76 / 0 / 48 / 13

HEX #36DE73

RGB 54 222 115

HSL 141.79, 0.72%, 0.54%

LAB 78.62, -64.63, 40.54

 

CMYK 70 / 0 / 44 / 6

HEX #47F086

RGB 71 240 134

HSL 142.37, 0.85%, 0.61%

LAB 84.68, -65.42, 39.02

 

CMYK 65 / 0 / 40 / 0

HEX #58FF99

RGB 88 255 153

HSL 143.35, 1%, 0.67%

LAB 89.81, -64.85, 36.4

 

CMYK 59 / 0 / 33 / 0

HEX #69FFAC

RGB 105 255 172

HSL 146.8, 1%, 0.71%

LAB 90.55, -58.27, 27.98

 

CMYK 52 / 0 / 25 / 0

HEX #7AFFBF

RGB 122 255 191

HSL 151.13, 1%, 0.74%

LAB 91.42, -51, 19.61

 

CMYK 78 / 0 / 46 / 13

HEX #31DE78

RGB 49 222 120

HSL 144.62, 0.72%, 0.53%

LAB 78.61, -64.44, 38.06

 

CMYK 84 / 0 / 50 / 20

HEX #20CC65

RGB 32 204 101

HSL 144.07, 0.73%, 0.46%

LAB 72.52, -63.17, 39.7

 

CMYK 92 / 0 / 56 / 27

HEX #0FBA52

RGB 15 186 82

HSL 143.51, 0.85%, 0.39%

LAB 66.39, -61.35, 41.39

 

CMYK 100 / 0 / 63 / 34

HEX #00A83F

RGB 0 168 63

HSL 142.5, 1%, 0.33%

LAB 60.22, -58.92, 43.04

 

CMYK 100 / 0 / 71 / 41

HEX #00962C

RGB 0 150 44

HSL 137.6, 1%, 0.29%

LAB 54.02, -55.52, 44.49

 

CMYK 78 / 0 / 46 / 13

HEX #30DD77

RGB 48 221 119

HSL 144.62, 0.72%, 0.53%

LAB 78.27, -64.38, 38.12

 

CMYK 78 / 0 / 67 / 13

HEX #30DD49

RGB 48 221 73

HSL 128.67, 0.72%, 0.53%

LAB 77.77, -70.39, 58.36

 

CMYK 68 / 0 / 78 / 13

HEX #47DD30

RGB 71 221 48

HSL 112.02, 0.72%, 0.53%

LAB 78.03, -68.75, 67.45

 

CMYK 47 / 0 / 78 / 13

HEX #75DD30

RGB 117 221 48

HSL 96.07, 0.72%, 0.53%

LAB 79.45, -57.43, 69.29

 

CMYK 26 / 0 / 78 / 13

HEX #A4DD30

RGB 164 221 48

HSL 79.77, 0.72%, 0.53%

LAB 81.74, -41.36, 72.24

 

CMYK 78 / 0 / 46 / 13

HEX #30DD77

RGB 48 221 119

HSL 144.62, 0.72%, 0.53%

LAB 78.27, -64.38, 38.12

 

CMYK 78 / 0 / 25 / 13

HEX #30DDA6

RGB 48 221 166

HSL 160.92, 0.72%, 0.53%

LAB 79.1, -55.1, 15.07

 

CMYK 78 / 0 / 4 / 13

HEX #30DDD4

RGB 48 221 212

HSL 176.88, 0.72%, 0.53%

LAB 80.23, -43.38, -7.72

 

CMYK 78 / 17 / 0 / 13

HEX #30B7DD

RGB 48 183 221

HSL 193.18, 0.72%, 0.53%

LAB 69.27, -22.6, -29.17

 

CMYK 78 / 38 / 0 / 13

HEX #3089DD

RGB 48 137 221

HSL 209.13, 0.72%, 0.53%

LAB 55.83, 2.95, -50.21

 

CMYK 78 / 0 / 46 / 13

HEX #30DD77

RGB 48 221 119

HSL 144.62, 0.72%, 0.53%

LAB 78.27, -64.38, 38.12

 

CMYK 88 / 0 / 52 / 6

HEX #1DF074

RGB 29 240 116

HSL 144.74, 0.88%, 0.53%

LAB 83.88, -72.77, 46.55

 

CMYK 78 / 0 / 46 / 13

HEX #30DD77

RGB 48 221 119

HSL 144.62, 0.72%, 0.53%

LAB 78.27, -64.38, 38.12

 

CMYK 66 / 0 / 39 / 21

HEX #44CA7B

RGB 68 202 123

HSL 144.63, 0.56%, 0.53%

LAB 72.83, -53.86, 29.1

 

CMYK 52 / 0 / 31 / 29

HEX #57B67E

RGB 87 182 126

HSL 144.63, 0.39%, 0.53%

LAB 67.27, -41.03, 20.14

 

CMYK 34 / 0 / 20 / 36

HEX #6BA382

RGB 107 163 130

HSL 144.64, 0.23%, 0.53%

LAB 62.45, -25.71, 11.39

 

CMYK 12 / 0 / 7 / 44

HEX #7E8F85

RGB 126 143 133

HSL 144.71, 0.07%, 0.53%

LAB 57.82, -8.16, 3.25

 

CMYK 68 / 0 / 78 / 13

HEX #47DD30

RGB 71 221 48

HSL 112.02, 0.72%, 0.53%

LAB 78.03, -68.75, 67.45

 

CMYK 78 / 0 / 68 / 13

HEX #30DD47

RGB 48 221 71

HSL 127.98, 0.72%, 0.53%

LAB 77.75, -70.58, 59.13

 

CMYK 78 / 0 / 47 / 13

HEX #30DD75

RGB 48 221 117

HSL 143.93, 0.72%, 0.53%

LAB 78.24, -64.71, 39.07

 

CMYK 78 / 0 / 26 / 13

HEX #30DDA3

RGB 48 221 163

HSL 159.88, 0.72%, 0.53%

LAB 79.03, -55.78, 16.56

 

CMYK 78 / 0 / 5 / 13

HEX #30DDD1

RGB 48 221 209

HSL 175.84, 0.72%, 0.53%

LAB 80.15, -44.21, -6.25

 

CMYK 84 / 0 / 50 / 37

HEX #1AA151

RGB 26 161 81

HSL 144.44, 0.72%, 0.37%

LAB 58.32, -52.24, 32.02

 

CMYK 84 / 0 / 49 / 23

HEX #20C463

RGB 32 196 99

HSL 144.51, 0.72%, 0.45%

LAB 69.96, -60.8, 37.49

 

CMYK 78 / 0 / 46 / 13

HEX #30DD77

RGB 48 221 119

HSL 144.62, 0.72%, 0.53%

LAB 78.27, -64.38, 38.12

 

CMYK 63 / 0 / 37 / 11

HEX #54E38E

RGB 84 227 142

HSL 144.34, 0.72%, 0.61%

LAB 81.17, -57.04, 30.48

 

CMYK 49 / 0 / 28 / 9

HEX #77E8A6

RGB 119 232 166

HSL 144.96, 0.71%, 0.69%

LAB 84.17, -46.89, 22.39

 

CMYK 78 / 0 / 46 / 13

HEX #31DE78

RGB 49 222 120

HSL 144.62, 0.72%, 0.53%

LAB 78.61, -64.44, 38.06

 

CMYK 78 / 47 / 0 / 13

HEX #3075DD

RGB 48 117 221

HSL 216.07, 0.72%, 0.53%

LAB 50.18, 15.23, -59.25

 

CMYK 0 / 78 / 78 / 13

HEX #DD3030

RGB 221 48 48

HSL 0, 0.72%, 0.53%

LAB 49.13, 64.95, 42.85

 

CMYK 78 / 0 / 46 / 13

HEX #31DE78

RGB 49 222 120

HSL 144.62, 0.72%, 0.53%

LAB 78.61, -64.44, 38.06

 

CMYK 47 / 78 / 0 / 13

HEX #7530DD

RGB 117 48 221

HSL 263.93, 0.72%, 0.53%

LAB 39.78, 63.98, -75.97

 

CMYK 0 / 47 / 78 / 13

HEX #DD7530

RGB 221 117 48

HSL 23.93, 0.72%, 0.53%

LAB 60.17, 35.84, 53.86

 

CMYK 78 / 0 / 46 / 13

HEX #31DE78

RGB 49 222 120

HSL 144.62, 0.72%, 0.53%

LAB 78.61, -64.44, 38.06

 

CMYK 78 / 47 / 0 / 13

HEX #3075DD

RGB 48 117 221

HSL 216.07, 0.72%, 0.53%

LAB 50.18, 15.23, -59.25

 

CMYK 0 / 78 / 31 / 13

HEX #DD3098

RGB 221 48 152

HSL 323.93, 0.72%, 0.53%

LAB 51.56, 72.38, -15.93

 

CMYK 0 / 31 / 78 / 13

HEX #DD9830

RGB 221 152 48

HSL 36.07, 0.72%, 0.53%

LAB 68.05, 17.27, 61.33

 

CMYK 78 / 0 / 46 / 13

HEX #31DE78

RGB 49 222 120

HSL 144.62, 0.72%, 0.53%

LAB 78.61, -64.44, 38.06

 

CMYK 78 / 70 / 0 / 13

HEX #3042DD

RGB 48 66 221

HSL 233.76, 0.72%, 0.53%

LAB 37.38, 47.24, -80.11

 

CMYK 0 / 78 / 31 / 13

HEX #DD3098

RGB 221 48 152

HSL 323.93, 0.72%, 0.53%

LAB 51.56, 72.38, -15.93

 

CMYK 0 / 8 / 78 / 13

HEX #DDCC30

RGB 221 204 48

HSL 54.1, 0.72%, 0.53%

LAB 81.17, -10.02, 73.26

 

Description

Color code: HEX #31DE78 | qconv.com Color code: HEX #31DE78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 222 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 222 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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