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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31D311 it is the complementary color #CE2CEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31D311. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31D311 shade: #36D30C, #47E51F, #58F732, #69FF45 and #7AFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31D311. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31D311 shade: #31D311, #20C100, #0FAF00, #009D00 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31D311 shade: #31D411, #66D411, #9AD411, #CFD411 and #D4A411

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31D311 shade: #31D411, #11D425, #11D45A, #11D48E and #11D4C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31D311 shade matches the following richer shades: #31D411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31D311 shade: #31D411, #3DC123, #4AAF36, #569C48 and #638A5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31D311 shade: #99D411, #65D411, #31D411, #11D424 and #11D458

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31D311 shade: #1F870B, #28AE0E, #31D411, #43ED21 and #63F047

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31D311 shade: #31D311, #11CDD4 and #D4117F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31D311 shade: #31D311, #1131D4 and #D41131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31D311 shade: #31D311, #11CDD4, #B311D4 and #D41711

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31D311 shade: #31D311, #1193D4, #B311D4 and #D45211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 92 / 17

HEX #31D311

RGB 49 211 17

HSL 110.1, 0.85%, 0.45%

LAB 74.37, -70.62, 70.82

 

Complementary color

CMYK 13 / 82 / 0 / 7

HEX #CE2CEE

RGB 206 44 238

HSL 290.1, 0.85%, 0.55%

LAB 53.05, 82.54, -63.46

 

CMYK 74 / 0 / 94 / 17

HEX #36D30C

RGB 54 211 12

HSL 107.34, 0.89%, 0.44%

LAB 74.44, -69.99, 71.53

 

CMYK 69 / 0 / 86 / 10

HEX #47E51F

RGB 71 229 31

HSL 107.88, 0.79%, 0.51%

LAB 80.45, -72.05, 73.81

 

CMYK 64 / 0 / 80 / 3

HEX #58F732

RGB 88 247 50

HSL 108.43, 0.92%, 0.58%

LAB 86.42, -73.56, 74.91

 

CMYK 59 / 0 / 73 / 0

HEX #69FF45

RGB 105 255 69

HSL 108.39, 1%, 0.64%

LAB 89.37, -71.36, 72.22

 

CMYK 52 / 0 / 65 / 0

HEX #7AFF58

RGB 122 255 88

HSL 107.78, 1%, 0.67%

LAB 90.03, -65.74, 66.21

 

CMYK 77 / 0 / 92 / 17

HEX #31D311

RGB 49 211 17

HSL 110.1, 0.85%, 0.45%

LAB 74.37, -70.62, 70.82

 

CMYK 83 / 0 / 100 / 24

HEX #20C100

RGB 32 193 0

HSL 110.05, 1%, 0.38%

LAB 68.35, -67.84, 67.73

 

CMYK 91 / 0 / 100 / 31

HEX #0FAF00

RGB 15 175 0

HSL 114.86, 1%, 0.34%

LAB 62.31, -64.2, 62.83

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 77 / 0 / 92 / 17

HEX #31D411

RGB 49 212 17

HSL 110.15, 0.85%, 0.45%

LAB 74.69, -70.91, 71.08

 

CMYK 52 / 0 / 92 / 17

HEX #66D411

RGB 102 212 17

HSL 93.85, 0.85%, 0.45%

LAB 76.04, -59.64, 72.76

 

CMYK 27 / 0 / 92 / 17

HEX #9AD411

RGB 154 212 17

HSL 77.85, 0.85%, 0.45%

LAB 78.46, -42.17, 75.73

 

CMYK 2 / 0 / 92 / 17

HEX #CFD411

RGB 207 212 17

HSL 61.54, 0.85%, 0.45%

LAB 82.05, -20.69, 80.08

 

CMYK 0 / 23 / 92 / 17

HEX #D4A411

RGB 212 164 17

HSL 45.23, 0.85%, 0.45%

LAB 69.89, 6.14, 71.02

 

CMYK 77 / 0 / 92 / 17

HEX #31D411

RGB 49 212 17

HSL 110.15, 0.85%, 0.45%

LAB 74.69, -70.91, 71.08

 

CMYK 92 / 0 / 83 / 17

HEX #11D425

RGB 17 212 37

HSL 126.15, 0.85%, 0.45%

LAB 74.41, -73.18, 66.8

 

CMYK 92 / 0 / 58 / 17

HEX #11D45A

RGB 17 212 90

HSL 142.46, 0.85%, 0.45%

LAB 74.79, -68.35, 47.64

 

CMYK 92 / 0 / 33 / 17

HEX #11D48E

RGB 17 212 142

HSL 158.46, 0.85%, 0.45%

LAB 75.55, -59.34, 22.73

 

CMYK 92 / 0 / 8 / 17

HEX #11D4C3

RGB 17 212 195

HSL 174.77, 0.85%, 0.45%

LAB 76.77, -46.23, -3.78

 

CMYK 77 / 0 / 92 / 17

HEX #31D411

RGB 49 212 17

HSL 110.15, 0.85%, 0.45%

LAB 74.69, -70.91, 71.08

 

CMYK 77 / 0 / 92 / 17

HEX #31D411

RGB 49 212 17

HSL 110.15, 0.85%, 0.45%

LAB 74.69, -70.91, 71.08

 

CMYK 68 / 0 / 82 / 24

HEX #3DC123

RGB 61 193 35

HSL 110.13, 0.69%, 0.45%

LAB 68.93, -62.4, 62.52

 

CMYK 58 / 0 / 69 / 31

HEX #4AAF36

RGB 74 175 54

HSL 110.08, 0.53%, 0.45%

LAB 63.66, -51.92, 51.04

 

CMYK 45 / 0 / 54 / 39

HEX #569C48

RGB 86 156 72

HSL 110, 0.37%, 0.45%

LAB 58.25, -38.9, 36.88

 

CMYK 28 / 0 / 34 / 46

HEX #638A5B

RGB 99 138 91

HSL 109.79, 0.21%, 0.45%

LAB 53.58, -23.15, 20.95

 

CMYK 28 / 0 / 92 / 17

HEX #99D411

RGB 153 212 17

HSL 78.15, 0.85%, 0.45%

LAB 78.4, -42.55, 75.66

 

CMYK 52 / 0 / 92 / 17

HEX #65D411

RGB 101 212 17

HSL 94.15, 0.85%, 0.45%

LAB 76, -59.92, 72.71

 

CMYK 77 / 0 / 92 / 17

HEX #31D411

RGB 49 212 17

HSL 110.15, 0.85%, 0.45%

LAB 74.69, -70.91, 71.08

 

CMYK 92 / 0 / 83 / 17

HEX #11D424

RGB 17 212 36

HSL 125.85, 0.85%, 0.45%

LAB 74.4, -73.23, 67.05

 

CMYK 92 / 0 / 58 / 17

HEX #11D458

RGB 17 212 88

HSL 141.85, 0.85%, 0.45%

LAB 74.77, -68.61, 48.52

 

CMYK 77 / 0 / 92 / 47

HEX #1F870B

RGB 31 135 11

HSL 110.32, 0.85%, 0.29%

LAB 49.06, -50.12, 50.25

 

CMYK 77 / 0 / 92 / 32

HEX #28AE0E

RGB 40 174 14

HSL 110.25, 0.85%, 0.37%

LAB 62.3, -60.9, 61.05

 

CMYK 77 / 0 / 92 / 17

HEX #31D411

RGB 49 212 17

HSL 110.15, 0.85%, 0.45%

LAB 74.69, -70.91, 71.08

 

CMYK 72 / 0 / 86 / 7

HEX #43ED21

RGB 67 237 33

HSL 110, 0.85%, 0.53%

LAB 82.85, -75.08, 75.48

 

CMYK 59 / 0 / 70 / 6

HEX #63F047

RGB 99 240 71

HSL 110.06, 0.85%, 0.61%

LAB 84.7, -67.53, 66.75

 

CMYK 77 / 0 / 92 / 17

HEX #31D311

RGB 49 211 17

HSL 110.1, 0.85%, 0.45%

LAB 74.37, -70.62, 70.82

 

CMYK 92 / 3 / 0 / 17

HEX #11CDD4

RGB 17 205 212

HSL 182.15, 0.85%, 0.45%

LAB 75.16, -38.19, -15.33

 

CMYK 0 / 92 / 40 / 17

HEX #D4117F

RGB 212 17 127

HSL 326.15, 0.85%, 0.45%

LAB 46.88, 73.8, -8.06

 

CMYK 77 / 0 / 92 / 17

HEX #31D311

RGB 49 211 17

HSL 110.1, 0.85%, 0.45%

LAB 74.37, -70.62, 70.82

 

CMYK 92 / 77 / 0 / 17

HEX #1131D4

RGB 17 49 212

HSL 230.15, 0.85%, 0.45%

LAB 31.96, 52.27, -83.92

 

CMYK 0 / 92 / 77 / 17

HEX #D41131

RGB 212 17 49

HSL 350.15, 0.85%, 0.45%

LAB 45.11, 68.92, 37.48

 

CMYK 77 / 0 / 92 / 17

HEX #31D311

RGB 49 211 17

HSL 110.1, 0.85%, 0.45%

LAB 74.37, -70.62, 70.82

 

CMYK 92 / 3 / 0 / 17

HEX #11CDD4

RGB 17 205 212

HSL 182.15, 0.85%, 0.45%

LAB 75.16, -38.19, -15.33

 

CMYK 16 / 92 / 0 / 17

HEX #B311D4

RGB 179 17 212

HSL 289.85, 0.85%, 0.45%

LAB 45.27, 78.86, -61.47

 

CMYK 0 / 89 / 92 / 17

HEX #D41711

RGB 212 23 17

HSL 1.85, 0.85%, 0.45%

LAB 45.15, 67.35, 53.51

 

CMYK 77 / 0 / 92 / 17

HEX #31D311

RGB 49 211 17

HSL 110.1, 0.85%, 0.45%

LAB 74.37, -70.62, 70.82

 

CMYK 92 / 31 / 0 / 17

HEX #1193D4

RGB 17 147 212

HSL 200, 0.85%, 0.45%

LAB 57.79, -8.53, -42.1

 

CMYK 16 / 92 / 0 / 17

HEX #B311D4

RGB 179 17 212

HSL 289.85, 0.85%, 0.45%

LAB 45.27, 78.86, -61.47

 

CMYK 0 / 61 / 92 / 17

HEX #D45211

RGB 212 82 17

HSL 20, 0.85%, 0.45%

LAB 51.92, 48.7, 58

 

Description

Color code: HEX #31D311 | qconv.com Color code: HEX #31D311 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 211 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 211 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 92 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 92% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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