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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31CDEB it is the complementary color #CE3214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31CDEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31CDEB shade: #36CDE6, #47DFF9, #58F1FF, #69FFFF and #7AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31CDEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31CDEB shade: #31CDEB, #20BBD8, #0FA9C5, #0097B2 and #00859F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31CDEB shade: #32CDEA, #329BEA, #3269EA, #3238EA and #5E32EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31CDEB shade: #32CDEA, #329BEA, #3269EA, #3238EA and #3232EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31CDEB shade matches the following richer shades: #32CDEA and #20D9FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31CDEB shade: #32CDEA, #44C0D8, #57B4C6, #69A8B4 and #7B9BA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31CDEB shade: #32EAA4, #32EAD5, #32CFEA, #329EEA and #326DEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31CDEB shade: #129DB8, #15BEDE, #32CDEA, #58D6EE and #7DDFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31CDEB shade: #31CDEB, #7332EA and #EABC32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31CDEB shade: #31CDEB, #EA32CF and #CFEA32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31CDEB shade: #31CDEB, #7332EA, #EA4E32 and #AAEA32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31CDEB shade: #31CDEB, #AA32EA, #EA4E32 and #73EA32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 13 / 0 / 8

HEX #31CDEB

RGB 49 205 235

HSL 189.68, 0.82%, 0.56%

LAB 76.26, -29.03, -26.02

 

Complementary color

CMYK 0 / 76 / 90 / 19

HEX #CE3214

RGB 206 50 20

HSL 9.68, 0.82%, 0.44%

LAB 46.25, 59.23, 52.55

 

CMYK 77 / 11 / 0 / 10

HEX #36CDE6

RGB 54 205 230

HSL 188.52, 0.78%, 0.56%

LAB 76.17, -30.11, -23.47

 

CMYK 71 / 10 / 0 / 2

HEX #47DFF9

RGB 71 223 249

HSL 188.76, 0.94%, 0.63%

LAB 82.35, -31.14, -24.15

 

CMYK 65 / 5 / 0 / 0

HEX #58F1FF

RGB 88 241 255

HSL 185.03, 1%, 0.67%

LAB 88.07, -35.66, -18.62

 

CMYK 59 / 0 / 0 / 0

HEX #69FFFF

RGB 105 255 255

HSL 180, 1%, 0.71%

LAB 92.46, -39.46, -11.99

 

CMYK 52 / 0 / 0 / 0

HEX #7AFFFF

RGB 122 255 255

HSL 180, 1%, 0.74%

LAB 92.96, -36.41, -11.19

 

CMYK 79 / 13 / 0 / 8

HEX #31CDEB

RGB 49 205 235

HSL 189.68, 0.82%, 0.56%

LAB 76.26, -29.03, -26.02

 

CMYK 85 / 13 / 0 / 15

HEX #20BBD8

RGB 32 187 216

HSL 189.46, 0.74%, 0.49%

LAB 70.04, -27.57, -25.27

 

CMYK 92 / 14 / 0 / 23

HEX #0FA9C5

RGB 15 169 197

HSL 189.23, 0.86%, 0.42%

LAB 63.76, -25.75, -24.43

 

CMYK 100 / 15 / 0 / 30

HEX #0097B2

RGB 0 151 178

HSL 189.1, 1%, 0.35%

LAB 57.41, -23.55, -23.5

 

CMYK 100 / 16 / 0 / 38

HEX #00859F

RGB 0 133 159

HSL 189.81, 1%, 0.31%

LAB 51.01, -20.79, -22.44

 

CMYK 79 / 12 / 0 / 8

HEX #32CDEA

RGB 50 205 234

HSL 189.46, 0.81%, 0.56%

LAB 76.24, -29.26, -25.51

 

CMYK 79 / 34 / 0 / 8

HEX #329BEA

RGB 50 155 234

HSL 205.76, 0.81%, 0.56%

LAB 61.71, -2.7, -48.11

 

CMYK 79 / 55 / 0 / 8

HEX #3269EA

RGB 50 105 234

HSL 222.07, 0.81%, 0.56%

LAB 47.91, 27.85, -70.25

 

CMYK 79 / 76 / 0 / 8

HEX #3238EA

RGB 50 56 234

HSL 238.04, 0.81%, 0.56%

LAB 36.83, 57.17, -88.43

 

CMYK 60 / 79 / 0 / 8

HEX #5E32EA

RGB 94 50 234

HSL 254.35, 0.81%, 0.56%

LAB 38.9, 63.74, -84.91

 

CMYK 79 / 12 / 0 / 8

HEX #32CDEA

RGB 50 205 234

HSL 189.46, 0.81%, 0.56%

LAB 76.24, -29.26, -25.51

 

CMYK 79 / 34 / 0 / 8

HEX #329BEA

RGB 50 155 234

HSL 205.76, 0.81%, 0.56%

LAB 61.71, -2.7, -48.11

 

CMYK 79 / 55 / 0 / 8

HEX #3269EA

RGB 50 105 234

HSL 222.07, 0.81%, 0.56%

LAB 47.91, 27.85, -70.25

 

CMYK 79 / 76 / 0 / 8

HEX #3238EA

RGB 50 56 234

HSL 238.04, 0.81%, 0.56%

LAB 36.83, 57.17, -88.43

 

CMYK 79 / 79 / 0 / 8

HEX #3232EA

RGB 50 50 234

HSL 240, 0.81%, 0.56%

LAB 35.79, 60.16, -90.15

 

CMYK 79 / 12 / 0 / 8

HEX #32CDEA

RGB 50 205 234

HSL 189.46, 0.81%, 0.56%

LAB 76.24, -29.26, -25.51

 

CMYK 87 / 14 / 0 / 1

HEX #20D9FC

RGB 32 217 252

HSL 189.55, 0.97%, 0.56%

LAB 80.16, -30.7, -29.15

 

CMYK 79 / 12 / 0 / 8

HEX #32CDEA

RGB 50 205 234

HSL 189.46, 0.81%, 0.56%

LAB 76.24, -29.26, -25.51

 

CMYK 69 / 11 / 0 / 15

HEX #44C0D8

RGB 68 192 216

HSL 189.73, 0.65%, 0.56%

LAB 72.15, -26.33, -21.98

 

CMYK 56 / 9 / 0 / 22

HEX #57B4C6

RGB 87 180 198

HSL 189.73, 0.49%, 0.56%

LAB 68.57, -22.41, -17.52

 

CMYK 42 / 7 / 0 / 29

HEX #69A8B4

RGB 105 168 180

HSL 189.6, 0.33%, 0.56%

LAB 65.2, -17.06, -12.55

 

CMYK 24 / 4 / 0 / 36

HEX #7B9BA2

RGB 123 155 162

HSL 190.77, 0.17%, 0.56%

LAB 61.88, -9.41, -7.31

 

CMYK 79 / 0 / 30 / 8

HEX #32EAA4

RGB 50 234 164

HSL 157.17, 0.81%, 0.56%

LAB 83.02, -60.3, 21.58

 

CMYK 79 / 0 / 9 / 8

HEX #32EAD5

RGB 50 234 213

HSL 173.15, 0.81%, 0.56%

LAB 84.14, -48.53, -2.49

 

CMYK 79 / 12 / 0 / 8

HEX #32CFEA

RGB 50 207 234

HSL 188.8, 0.81%, 0.56%

LAB 76.83, -30.23, -24.62

 

CMYK 79 / 32 / 0 / 8

HEX #329EEA

RGB 50 158 234

HSL 204.78, 0.81%, 0.56%

LAB 62.57, -4.41, -46.75

 

CMYK 79 / 53 / 0 / 8

HEX #326DEA

RGB 50 109 234

HSL 220.76, 0.81%, 0.56%

LAB 48.95, 25.32, -68.55

 

CMYK 90 / 15 / 0 / 28

HEX #129DB8

RGB 18 157 184

HSL 189.76, 0.82%, 0.4%

LAB 59.62, -23.88, -23.5

 

CMYK 91 / 14 / 0 / 13

HEX #15BEDE

RGB 21 190 222

HSL 189.55, 0.83%, 0.48%

LAB 71.05, -27.72, -27

 

CMYK 79 / 12 / 0 / 8

HEX #32CDEA

RGB 50 205 234

HSL 189.46, 0.81%, 0.56%

LAB 76.24, -29.26, -25.51

 

CMYK 63 / 10 / 0 / 7

HEX #58D6EE

RGB 88 214 238

HSL 189.6, 0.82%, 0.64%

LAB 79.81, -27.63, -22.14

 

CMYK 48 / 8 / 0 / 5

HEX #7DDFF2

RGB 125 223 242

HSL 189.74, 0.82%, 0.72%

LAB 83.73, -23.91, -18.21

 

CMYK 79 / 13 / 0 / 8

HEX #31CDEB

RGB 49 205 235

HSL 189.68, 0.82%, 0.56%

LAB 76.26, -29.03, -26.02

 

CMYK 51 / 79 / 0 / 8

HEX #7332EA

RGB 115 50 234

HSL 261.2, 0.81%, 0.56%

LAB 41, 66.15, -81.37

 

CMYK 0 / 20 / 79 / 8

HEX #EABC32

RGB 234 188 50

HSL 45, 0.81%, 0.56%

LAB 78.28, 3.84, 70.51

 

CMYK 79 / 13 / 0 / 8

HEX #31CDEB

RGB 49 205 235

HSL 189.68, 0.82%, 0.56%

LAB 76.26, -29.03, -26.02

 

CMYK 0 / 79 / 12 / 8

HEX #EA32CF

RGB 234 50 207

HSL 308.8, 0.81%, 0.56%

LAB 56.37, 81.59, -40.35

 

CMYK 12 / 0 / 79 / 8

HEX #CFEA32

RGB 207 234 50

HSL 68.8, 0.81%, 0.56%

LAB 88.13, -30.35, 78.49

 

CMYK 79 / 13 / 0 / 8

HEX #31CDEB

RGB 49 205 235

HSL 189.68, 0.82%, 0.56%

LAB 76.26, -29.03, -26.02

 

CMYK 51 / 79 / 0 / 8

HEX #7332EA

RGB 115 50 234

HSL 261.2, 0.81%, 0.56%

LAB 41, 66.15, -81.37

 

CMYK 0 / 67 / 79 / 8

HEX #EA4E32

RGB 234 78 50

HSL 9.13, 0.81%, 0.56%

LAB 55.25, 58.74, 48.79

 

CMYK 27 / 0 / 79 / 8

HEX #AAEA32

RGB 170 234 50

HSL 80.87, 0.81%, 0.56%

LAB 85.82, -44.67, 75.54

 

CMYK 79 / 13 / 0 / 8

HEX #31CDEB

RGB 49 205 235

HSL 189.68, 0.82%, 0.56%

LAB 76.26, -29.03, -26.02

 

CMYK 27 / 79 / 0 / 8

HEX #AA32EA

RGB 170 50 234

HSL 279.13, 0.81%, 0.56%

LAB 47.97, 74.17, -69.7

 

CMYK 0 / 67 / 79 / 8

HEX #EA4E32

RGB 234 78 50

HSL 9.13, 0.81%, 0.56%

LAB 55.25, 58.74, 48.79

 

CMYK 51 / 0 / 79 / 8

HEX #73EA32

RGB 115 234 50

HSL 98.8, 0.81%, 0.56%

LAB 83.3, -62.69, 72.29

 

Description

Color code: HEX #31CDEB | qconv.com Color code: HEX #31CDEB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 205 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 205 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 13 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 13% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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