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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31C965 it is the complementary color #CE369A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31C965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31C965 shade: #36C960, #47DB73, #58ED86, #69FF99 and #7AFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31C965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31C965 shade: #31C965, #20B752, #0FA53F, #00932C and #008119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31C965 shade: #30C964, #30C93B, #4EC930, #77C930 and #A1C930

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31C965 shade: #30C964, #30C98D, #30C9B7, #30B2C9 and #3089C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31C965 shade matches the following richer shades: #30C964, #1CDD5E and #08F158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31C965 shade: #30C964, #44B46B, #59A071, #6D8C78 and #81787E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31C965 shade: #4FC930, #30C93A, #30C963, #30C98C and #30C9B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31C965 shade: #208643, #28A754, #30C964, #4ED47C and #70DC95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31C965 shade: #31C965, #3077C9 and #C9303A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31C965 shade: #31C965, #6330C9 and #C96330

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31C965 shade: #31C965, #3077C9, #C93096 and #C98230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31C965 shade: #31C965, #304AC9, #C93096 and #C9AF30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 50 / 21

HEX #31C965

RGB 49 201 101

HSL 140.53, 0.61%, 0.49%

LAB 71.8, -60.24, 38.86

 

Complementary color

CMYK 0 / 74 / 25 / 19

HEX #CE369A

RGB 206 54 154

HSL 320.53, 0.61%, 0.51%

LAB 49.61, 67.22, -20.33

 

CMYK 73 / 0 / 52 / 21

HEX #36C960

RGB 54 201 96

HSL 137.14, 0.58%, 0.5%

LAB 71.83, -60.27, 41.35

 

CMYK 68 / 0 / 47 / 14

HEX #47DB73

RGB 71 219 115

HSL 137.84, 0.67%, 0.57%

LAB 78.02, -60.98, 39.86

 

CMYK 63 / 0 / 43 / 7

HEX #58ED86

RGB 88 237 134

HSL 138.52, 0.81%, 0.64%

LAB 84.16, -61.39, 38.42

 

CMYK 59 / 0 / 40 / 0

HEX #69FF99

RGB 105 255 153

HSL 139.2, 1%, 0.71%

LAB 90.24, -61.61, 37.04

 

CMYK 52 / 0 / 33 / 0

HEX #7AFFAC

RGB 122 255 172

HSL 142.56, 1%, 0.74%

LAB 91.07, -54.59, 28.77

 

CMYK 76 / 0 / 50 / 21

HEX #31C965

RGB 49 201 101

HSL 140.53, 0.61%, 0.49%

LAB 71.8, -60.24, 38.86

 

CMYK 83 / 0 / 55 / 28

HEX #20B752

RGB 32 183 82

HSL 139.87, 0.7%, 0.42%

LAB 65.58, -59.02, 40.45

 

CMYK 91 / 0 / 62 / 35

HEX #0FA53F

RGB 15 165 63

HSL 139.2, 0.83%, 0.35%

LAB 59.32, -57.17, 42.03

 

CMYK 100 / 0 / 70 / 42

HEX #00932C

RGB 0 147 44

HSL 137.96, 1%, 0.29%

LAB 53, -54.59, 43.41

 

CMYK 100 / 0 / 81 / 49

HEX #008119

RGB 0 129 25

HSL 131.63, 1%, 0.25%

LAB 46.67, -50.78, 44.22

 

CMYK 76 / 0 / 50 / 21

HEX #30C964

RGB 48 201 100

HSL 140.39, 0.61%, 0.49%

LAB 71.77, -60.53, 39.31

 

CMYK 76 / 0 / 71 / 21

HEX #30C93B

RGB 48 201 59

HSL 124.31, 0.61%, 0.49%

LAB 71.36, -65.46, 56.98

 

CMYK 61 / 0 / 76 / 21

HEX #4EC930

RGB 78 201 48

HSL 108.24, 0.61%, 0.49%

LAB 71.96, -60.68, 61.67

 

CMYK 41 / 0 / 76 / 21

HEX #77C930

RGB 119 201 48

HSL 92.16, 0.61%, 0.49%

LAB 73.49, -49, 63.67

 

CMYK 20 / 0 / 76 / 21

HEX #A1C930

RGB 161 201 48

HSL 75.69, 0.61%, 0.49%

LAB 75.8, -33.53, 66.68

 

CMYK 76 / 0 / 50 / 21

HEX #30C964

RGB 48 201 100

HSL 140.39, 0.61%, 0.49%

LAB 71.77, -60.53, 39.31

 

CMYK 76 / 0 / 30 / 21

HEX #30C98D

RGB 48 201 141

HSL 156.47, 0.61%, 0.49%

LAB 72.45, -52.9, 19.06

 

CMYK 76 / 0 / 9 / 21

HEX #30C9B7

RGB 48 201 183

HSL 172.94, 0.61%, 0.49%

LAB 73.43, -42.59, -2.17

 

CMYK 76 / 11 / 0 / 21

HEX #30B2C9

RGB 48 178 201

HSL 189.02, 0.61%, 0.49%

LAB 67.04, -26.51, -21.59

 

CMYK 76 / 32 / 0 / 21

HEX #3089C9

RGB 48 137 201

HSL 205.1, 0.61%, 0.49%

LAB 54.8, -4.31, -40.57

 

CMYK 76 / 0 / 50 / 21

HEX #30C964

RGB 48 201 100

HSL 140.39, 0.61%, 0.49%

LAB 71.77, -60.53, 39.31

 

CMYK 87 / 0 / 57 / 13

HEX #1CDD5E

RGB 28 221 94

HSL 140.52, 0.78%, 0.49%

LAB 77.74, -69.95, 49.31

 

CMYK 97 / 0 / 63 / 5

HEX #08F158

RGB 8 241 88

HSL 140.6, 0.94%, 0.49%

LAB 83.79, -77.59, 58.81

 

CMYK 76 / 0 / 50 / 21

HEX #30C964

RGB 48 201 100

HSL 140.39, 0.61%, 0.49%

LAB 71.77, -60.53, 39.31

 

CMYK 62 / 0 / 41 / 29

HEX #44B46B

RGB 68 180 107

HSL 140.89, 0.45%, 0.49%

LAB 65.7, -48.16, 28.07

 

CMYK 44 / 0 / 29 / 37

HEX #59A071

RGB 89 160 113

HSL 140.28, 0.29%, 0.49%

LAB 60.3, -33.12, 17.71

 

CMYK 22 / 0 / 14 / 45

HEX #6D8C78

RGB 109 140 120

HSL 141.29, 0.12%, 0.49%

LAB 55.44, -15.21, 7.13

 

CMYK 0 / 7 / 2 / 49

HEX #81787E

RGB 129 120 126

HSL 320, 0.04%, 0.49%

LAB 51.39, 4.6, -2.04

 

CMYK 61 / 0 / 76 / 21

HEX #4FC930

RGB 79 201 48

HSL 107.84, 0.61%, 0.49%

LAB 71.99, -60.45, 61.71

 

CMYK 76 / 0 / 71 / 21

HEX #30C93A

RGB 48 201 58

HSL 123.92, 0.61%, 0.49%

LAB 71.36, -65.55, 57.35

 

CMYK 76 / 0 / 51 / 21

HEX #30C963

RGB 48 201 99

HSL 140, 0.61%, 0.49%

LAB 71.76, -60.68, 39.79

 

CMYK 76 / 0 / 30 / 21

HEX #30C98C

RGB 48 201 140

HSL 156.08, 0.61%, 0.49%

LAB 72.43, -53.11, 19.56

 

CMYK 76 / 0 / 10 / 21

HEX #30C9B4

RGB 48 201 180

HSL 171.76, 0.61%, 0.49%

LAB 73.35, -43.39, -0.66

 

CMYK 76 / 0 / 50 / 47

HEX #208643

RGB 32 134 67

HSL 140.59, 0.61%, 0.33%

LAB 49.21, -43.97, 27.95

 

CMYK 76 / 0 / 50 / 35

HEX #28A754

RGB 40 167 84

HSL 140.79, 0.61%, 0.41%

LAB 60.54, -52.16, 33.3

 

CMYK 76 / 0 / 50 / 21

HEX #30C964

RGB 48 201 100

HSL 140.39, 0.61%, 0.49%

LAB 71.77, -60.53, 39.31

 

CMYK 63 / 0 / 42 / 17

HEX #4ED47C

RGB 78 212 124

HSL 140.6, 0.61%, 0.57%

LAB 76.17, -55.63, 33.02

 

CMYK 49 / 0 / 32 / 14

HEX #70DC95

RGB 112 220 149

HSL 140.56, 0.61%, 0.65%

LAB 80.07, -46.71, 25.55

 

CMYK 76 / 0 / 50 / 21

HEX #31C965

RGB 49 201 101

HSL 140.53, 0.61%, 0.49%

LAB 71.8, -60.24, 38.86

 

CMYK 76 / 41 / 0 / 21

HEX #3077C9

RGB 48 119 201

HSL 212.16, 0.61%, 0.49%

LAB 49.54, 6.51, -48.91

 

CMYK 0 / 76 / 71 / 21

HEX #C9303A

RGB 201 48 58

HSL 356.08, 0.61%, 0.49%

LAB 45.41, 59.49, 31.94

 

CMYK 76 / 0 / 50 / 21

HEX #31C965

RGB 49 201 101

HSL 140.53, 0.61%, 0.49%

LAB 71.8, -60.24, 38.86

 

CMYK 51 / 76 / 0 / 21

HEX #6330C9

RGB 99 48 201

HSL 260, 0.61%, 0.49%

LAB 35.95, 56.36, -70.77

 

CMYK 0 / 51 / 76 / 21

HEX #C96330

RGB 201 99 48

HSL 20, 0.61%, 0.49%

LAB 53.55, 37.14, 46.33

 

CMYK 76 / 0 / 50 / 21

HEX #31C965

RGB 49 201 101

HSL 140.53, 0.61%, 0.49%

LAB 71.8, -60.24, 38.86

 

CMYK 76 / 41 / 0 / 21

HEX #3077C9

RGB 48 119 201

HSL 212.16, 0.61%, 0.49%

LAB 49.54, 6.51, -48.91

 

CMYK 0 / 76 / 25 / 21

HEX #C93096

RGB 201 48 150

HSL 320, 0.61%, 0.49%

LAB 47.92, 67.34, -20.61

 

CMYK 0 / 35 / 76 / 21

HEX #C98230

RGB 201 130 48

HSL 32.16, 0.61%, 0.49%

LAB 60.42, 20.6, 53.21

 

CMYK 76 / 0 / 50 / 21

HEX #31C965

RGB 49 201 101

HSL 140.53, 0.61%, 0.49%

LAB 71.8, -60.24, 38.86

 

CMYK 76 / 63 / 0 / 21

HEX #304AC9

RGB 48 74 201

HSL 229.8, 0.61%, 0.49%

LAB 37.38, 35.3, -68.58

 

CMYK 0 / 76 / 25 / 21

HEX #C93096

RGB 201 48 150

HSL 320, 0.61%, 0.49%

LAB 47.92, 67.34, -20.61

 

CMYK 0 / 13 / 76 / 21

HEX #C9AF30

RGB 201 175 48

HSL 49.8, 0.61%, 0.49%

LAB 71.75, -3.7, 64.02

 

Description

Color code: HEX #31C965 | qconv.com Color code: HEX #31C965 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 201 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 201 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 50 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 50% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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