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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31A72F it is the complementary color #CE58D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31A72F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31A72F shade: #36A72A, #47B93D, #58CB50, #69DD63 and #7AEF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31A72F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31A72F shade: #31A72F, #20951C, #0F8309, #007100 and #005F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31A72F shade: #31A72F, #51A72F, #71A72F, #92A72F and #A79B2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31A72F shade: #31A72F, #2FA74D, #2FA76D, #2FA78E and #2F9FA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31A72F shade matches the following richer shades: #31A72F, #20B81D and #0FC90C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31A72F shade: #31A72F, #419540, #528451, #637363 and #746174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31A72F shade: #71A72F, #51A72F, #31A72F, #2FA74D and #2FA76D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31A72F shade: #1E661C, #278626, #31A72F, #3AC738 and #5AD058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31A72F shade: #31A72F, #2F91A7 and #A72F61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31A72F shade: #31A72F, #2F31A7 and #A72F31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31A72F shade: #31A72F, #2F91A7, #A52FA7 and #A7452F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31A72F shade: #31A72F, #2F6DA7, #A52FA7 and #A7692F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

Complementary color

CMYK 1 / 58 / 0 / 18

HEX #CE58D0

RGB 206 88 208

HSL 299, 0.56%, 0.58%

LAB 56.74, 62.19, -40.63

 

CMYK 68 / 0 / 75 / 35

HEX #36A72A

RGB 54 167 42

HSL 114.24, 0.6%, 0.41%

LAB 60.42, -54.71, 52.1

 

CMYK 62 / 0 / 67 / 27

HEX #47B93D

RGB 71 185 61

HSL 115.16, 0.5%, 0.48%

LAB 66.81, -55.66, 51.52

 

CMYK 57 / 0 / 61 / 20

HEX #58CB50

RGB 88 203 80

HSL 116.1, 0.54%, 0.55%

LAB 73.13, -56.2, 50.54

 

CMYK 52 / 0 / 55 / 13

HEX #69DD63

RGB 105 221 99

HSL 117.05, 0.64%, 0.63%

LAB 79.4, -56.48, 49.38

 

CMYK 49 / 0 / 51 / 6

HEX #7AEF76

RGB 122 239 118

HSL 118.02, 0.79%, 0.7%

LAB 85.59, -56.58, 48.15

 

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

CMYK 79 / 0 / 81 / 42

HEX #20951C

RGB 32 149 28

HSL 118.02, 0.68%, 0.35%

LAB 53.91, -53.64, 50.3

 

CMYK 89 / 0 / 93 / 49

HEX #0F8309

RGB 15 131 9

HSL 117.05, 0.87%, 0.27%

LAB 47.44, -51.04, 49.14

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

CMYK 51 / 0 / 72 / 35

HEX #51A72F

RGB 81 167 47

HSL 103, 0.56%, 0.42%

LAB 61.3, -47.53, 51.41

 

CMYK 32 / 0 / 72 / 35

HEX #71A72F

RGB 113 167 47

HSL 87, 0.56%, 0.42%

LAB 62.8, -36.73, 53.43

 

CMYK 13 / 0 / 72 / 35

HEX #92A72F

RGB 146 167 47

HSL 70.5, 0.56%, 0.42%

LAB 64.93, -23.47, 56.24

 

CMYK 0 / 7 / 72 / 35

HEX #A79B2F

RGB 167 155 47

HSL 54, 0.56%, 0.42%

LAB 63.23, -8.14, 55.15

 

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

CMYK 72 / 0 / 54 / 35

HEX #2FA74D

RGB 47 167 77

HSL 135, 0.56%, 0.42%

LAB 60.58, -52.14, 36.92

 

CMYK 72 / 0 / 35 / 35

HEX #2FA76D

RGB 47 167 109

HSL 151, 0.56%, 0.42%

LAB 61.09, -46.46, 20.76

 

CMYK 72 / 0 / 15 / 35

HEX #2FA78E

RGB 47 167 142

HSL 167.5, 0.56%, 0.42%

LAB 61.82, -38.67, 3.5

 

CMYK 72 / 5 / 0 / 35

HEX #2F9FA7

RGB 47 159 167

HSL 184, 0.56%, 0.42%

LAB 60.06, -27.77, -13.19

 

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

CMYK 83 / 0 / 84 / 28

HEX #20B81D

RGB 32 184 29

HSL 118.84, 0.73%, 0.42%

LAB 65.5, -64.37, 60.74

 

CMYK 93 / 0 / 94 / 21

HEX #0FC90C

RGB 15 201 12

HSL 119.05, 0.89%, 0.42%

LAB 70.8, -71.16, 68.33

 

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

CMYK 56 / 0 / 57 / 42

HEX #419540

RGB 65 149 64

HSL 119.29, 0.4%, 0.42%

LAB 55.06, -43.17, 36.85

 

CMYK 38 / 0 / 39 / 48

HEX #528451

RGB 82 132 81

HSL 118.82, 0.24%, 0.42%

LAB 50.56, -27.86, 22.36

 

CMYK 14 / 0 / 14 / 55

HEX #637363

RGB 99 115 99

HSL 120, 0.07%, 0.42%

LAB 46.73, -9.33, 6.87

 

CMYK 0 / 16 / 0 / 55

HEX #746174

RGB 116 97 116

HSL 300, 0.09%, 0.42%

LAB 43.54, 11.31, -7.84

 

CMYK 32 / 0 / 72 / 35

HEX #71A72F

RGB 113 167 47

HSL 87, 0.56%, 0.42%

LAB 62.8, -36.73, 53.43

 

CMYK 51 / 0 / 72 / 35

HEX #51A72F

RGB 81 167 47

HSL 103, 0.56%, 0.42%

LAB 61.3, -47.53, 51.41

 

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

CMYK 72 / 0 / 54 / 35

HEX #2FA74D

RGB 47 167 77

HSL 135, 0.56%, 0.42%

LAB 60.58, -52.14, 36.92

 

CMYK 72 / 0 / 35 / 35

HEX #2FA76D

RGB 47 167 109

HSL 151, 0.56%, 0.42%

LAB 61.09, -46.46, 20.76

 

CMYK 71 / 0 / 73 / 60

HEX #1E661C

RGB 30 102 28

HSL 118.38, 0.57%, 0.25%

LAB 37.59, -37.66, 33.99

 

CMYK 71 / 0 / 72 / 47

HEX #278626

RGB 39 134 38

HSL 119.38, 0.56%, 0.34%

LAB 49.03, -46.57, 41.85

 

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

CMYK 71 / 0 / 72 / 22

HEX #3AC738

RGB 58 199 56

HSL 119.16, 0.56%, 0.5%

LAB 70.89, -63.49, 57.67

 

CMYK 57 / 0 / 58 / 18

HEX #5AD058

RGB 90 208 88

HSL 119, 0.56%, 0.58%

LAB 74.82, -56.67, 48.91

 

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

CMYK 72 / 13 / 0 / 35

HEX #2F91A7

RGB 47 145 167

HSL 191, 0.56%, 0.42%

LAB 55.73, -20.61, -19.76

 

CMYK 0 / 72 / 42 / 35

HEX #A72F61

RGB 167 47 97

HSL 335, 0.56%, 0.42%

LAB 39.77, 52.54, -0.91

 

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

CMYK 72 / 71 / 0 / 35

HEX #2F31A7

RGB 47 49 167

HSL 239, 0.56%, 0.42%

LAB 28.36, 38.76, -63.28

 

CMYK 0 / 72 / 71 / 35

HEX #A72F31

RGB 167 47 49

HSL 359, 0.56%, 0.42%

LAB 38.67, 48.83, 27.76

 

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

CMYK 72 / 13 / 0 / 35

HEX #2F91A7

RGB 47 145 167

HSL 191, 0.56%, 0.42%

LAB 55.73, -20.61, -19.76

 

CMYK 1 / 72 / 0 / 35

HEX #A52FA7

RGB 165 47 167

HSL 299, 0.56%, 0.42%

LAB 42.49, 61.73, -39.71

 

CMYK 0 / 59 / 72 / 35

HEX #A7452F

RGB 167 69 47

HSL 11, 0.56%, 0.42%

LAB 42.27, 39, 33.12

 

CMYK 71 / 0 / 72 / 35

HEX #31A72F

RGB 49 167 47

HSL 119, 0.56%, 0.42%

LAB 60.33, -55.28, 50.11

 

CMYK 72 / 35 / 0 / 35

HEX #2F6DA7

RGB 47 109 167

HSL 209, 0.56%, 0.42%

LAB 44.7, -0.04, -36.89

 

CMYK 1 / 72 / 0 / 35

HEX #A52FA7

RGB 165 47 167

HSL 299, 0.56%, 0.42%

LAB 42.49, 61.73, -39.71

 

CMYK 0 / 37 / 72 / 35

HEX #A7692F

RGB 167 105 47

HSL 29, 0.56%, 0.42%

LAB 50.13, 19.63, 41.77

 

Description

Color code: HEX #31A72F | qconv.com Color code: HEX #31A72F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 167 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 167 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 72 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 72% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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