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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3197A9 it is the complementary color #CE6856. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3197A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3197A9 shade: #3697A4, #47A9B7, #58BBCA, #69CDDD and #7ADFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3197A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3197A9 shade: #3197A9, #208596, #0F7383, #006170 and #004F5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3197A9 shade: #3197A9, #3177A9, #3156A9, #3136A9 and #4C31A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3197A9 shade: #3197A9, #3177A9, #3156A9, #3136A9 and #3131A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3197A9 shade matches the following richer shades: #3197A9, #1FA4BB and #0DB0CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3197A9 shade: #3197A9, #438B98, #547F86, #667274 and #786662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3197A9 shade: #31A97B, #31A99B, #3197A9, #3177A9 and #3157A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3197A9 shade: #1E5E6A, #287B89, #3197A9, #3DB2C6 and #5DBED0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3197A9 shade: #3197A9, #5B31A9 and #A98B31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3197A9 shade: #3197A9, #A93197 and #97A931

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3197A9 shade: #3197A9, #5B31A9, #A94331 and #7FA931

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3197A9 shade: #3197A9, #7F31A9, #A94331 and #5BA931

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

Complementary color

CMYK 0 / 50 / 58 / 19

HEX #CE6856

RGB 206 104 86

HSL 9, 0.55%, 0.57%

LAB 55.78, 38.74, 28.71

 

CMYK 67 / 8 / 0 / 36

HEX #3697A4

RGB 54 151 164

HSL 187.09, 0.5%, 0.43%

LAB 57.65, -23.64, -15.1

 

CMYK 61 / 8 / 0 / 28

HEX #47A9B7

RGB 71 169 183

HSL 187.5, 0.44%, 0.5%

LAB 64.27, -24.21, -15.76

 

CMYK 56 / 7 / 0 / 21

HEX #58BBCA

RGB 88 187 202

HSL 187.89, 0.52%, 0.57%

LAB 70.79, -24.61, -16.36

 

CMYK 52 / 7 / 0 / 13

HEX #69CDDD

RGB 105 205 221

HSL 188.28, 0.63%, 0.64%

LAB 77.21, -24.89, -16.91

 

CMYK 49 / 7 / 0 / 6

HEX #7ADFF0

RGB 122 223 240

HSL 188.64, 0.8%, 0.71%

LAB 83.55, -25.08, -17.44

 

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

CMYK 79 / 11 / 0 / 41

HEX #208596

RGB 32 133 150

HSL 188.64, 0.65%, 0.36%

LAB 51.02, -21.78, -17.16

 

CMYK 89 / 12 / 0 / 49

HEX #0F7383

RGB 15 115 131

HSL 188.28, 0.79%, 0.29%

LAB 44.24, -20.3, -16.33

 

CMYK 100 / 13 / 0 / 56

HEX #006170

RGB 0 97 112

HSL 188.04, 1%, 0.22%

LAB 37.33, -18.33, -15.37

 

CMYK 100 / 15 / 0 / 64

HEX #004F5D

RGB 0 79 93

HSL 189.03, 1%, 0.18%

LAB 30.36, -15.36, -14.16

 

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

CMYK 71 / 30 / 0 / 34

HEX #3177A9

RGB 49 119 169

HSL 205, 0.55%, 0.43%

LAB 47.89, -5.05, -33.04

 

CMYK 71 / 49 / 0 / 34

HEX #3156A9

RGB 49 86 169

HSL 221.5, 0.55%, 0.43%

LAB 38.15, 15.71, -48.53

 

CMYK 71 / 68 / 0 / 34

HEX #3136A9

RGB 49 54 169

HSL 237.5, 0.55%, 0.43%

LAB 29.8, 36.61, -62.1

 

CMYK 55 / 71 / 0 / 34

HEX #4C31A9

RGB 76 49 169

HSL 253.5, 0.55%, 0.43%

LAB 30.87, 43.38, -60.26

 

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

CMYK 71 / 30 / 0 / 34

HEX #3177A9

RGB 49 119 169

HSL 205, 0.55%, 0.43%

LAB 47.89, -5.05, -33.04

 

CMYK 71 / 49 / 0 / 34

HEX #3156A9

RGB 49 86 169

HSL 221.5, 0.55%, 0.43%

LAB 38.15, 15.71, -48.53

 

CMYK 71 / 68 / 0 / 34

HEX #3136A9

RGB 49 54 169

HSL 237.5, 0.55%, 0.43%

LAB 29.8, 36.61, -62.1

 

CMYK 71 / 71 / 0 / 34

HEX #3131A9

RGB 49 49 169

HSL 240, 0.55%, 0.43%

LAB 28.68, 39.67, -63.95

 

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

CMYK 83 / 12 / 0 / 27

HEX #1FA4BB

RGB 31 164 187

HSL 188.85, 0.72%, 0.43%

LAB 62.02, -25.59, -21.49

 

CMYK 94 / 14 / 0 / 20

HEX #0DB0CD

RGB 13 176 205

HSL 189.06, 0.88%, 0.43%

LAB 66.17, -26.68, -25.17

 

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

CMYK 56 / 9 / 0 / 40

HEX #438B98

RGB 67 139 152

HSL 189.18, 0.39%, 0.43%

LAB 53.95, -18.6, -13.78

 

CMYK 37 / 5 / 0 / 47

HEX #547F86

RGB 84 127 134

HSL 188.4, 0.23%, 0.43%

LAB 50.43, -12.9, -8.51

 

CMYK 12 / 2 / 0 / 55

HEX #667274

RGB 102 114 116

HSL 188.57, 0.06%, 0.43%

LAB 47.13, -4.04, -2.64

 

CMYK 0 / 15 / 18 / 53

HEX #786662

RGB 120 102 98

HSL 10.91, 0.1%, 0.43%

LAB 44.77, 6.46, 4.91

 

CMYK 71 / 0 / 27 / 34

HEX #31A97B

RGB 49 169 123

HSL 157, 0.55%, 0.43%

LAB 62.05, -43.91, 14.4

 

CMYK 71 / 0 / 8 / 34

HEX #31A99B

RGB 49 169 155

HSL 173, 0.55%, 0.43%

LAB 62.84, -35.79, -2.29

 

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

CMYK 71 / 30 / 0 / 34

HEX #3177A9

RGB 49 119 169

HSL 205, 0.55%, 0.43%

LAB 47.89, -5.05, -33.04

 

CMYK 71 / 49 / 0 / 34

HEX #3157A9

RGB 49 87 169

HSL 221, 0.55%, 0.43%

LAB 38.44, 15.05, -48.07

 

CMYK 72 / 11 / 0 / 58

HEX #1E5E6A

RGB 30 94 106

HSL 189.47, 0.56%, 0.27%

LAB 36.6, -15.74, -12.74

 

CMYK 71 / 10 / 0 / 46

HEX #287B89

RGB 40 123 137

HSL 188.66, 0.55%, 0.35%

LAB 47.52, -19.73, -14.84

 

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

CMYK 69 / 10 / 0 / 22

HEX #3DB2C6

RGB 61 178 198

HSL 188.76, 0.55%, 0.51%

LAB 67.21, -25.82, -19.65

 

CMYK 55 / 9 / 0 / 18

HEX #5DBED0

RGB 93 190 208

HSL 189.39, 0.55%, 0.59%

LAB 72.03, -23.43, -17.74

 

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

CMYK 46 / 71 / 0 / 34

HEX #5B31A9

RGB 91 49 169

HSL 261, 0.55%, 0.43%

LAB 32.45, 45.94, -57.63

 

CMYK 0 / 18 / 71 / 34

HEX #A98B31

RGB 169 139 49

HSL 45, 0.55%, 0.43%

LAB 59.09, 1.54, 50.26

 

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

CMYK 0 / 71 / 11 / 34

HEX #A93197

RGB 169 49 151

HSL 309, 0.55%, 0.43%

LAB 42.56, 59.37, -29.96

 

CMYK 11 / 0 / 71 / 34

HEX #97A931

RGB 151 169 49

HSL 69, 0.55%, 0.43%

LAB 65.89, -22.24, 56.57

 

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

CMYK 46 / 71 / 0 / 34

HEX #5B31A9

RGB 91 49 169

HSL 261, 0.55%, 0.43%

LAB 32.45, 45.94, -57.63

 

CMYK 0 / 60 / 71 / 34

HEX #A94331

RGB 169 67 49

HSL 9, 0.55%, 0.43%

LAB 42.26, 40.83, 32.06

 

CMYK 25 / 0 / 71 / 34

HEX #7FA931

RGB 127 169 49

HSL 81, 0.55%, 0.43%

LAB 64.25, -32.11, 54.39

 

CMYK 71 / 11 / 0 / 34

HEX #3197A9

RGB 49 151 169

HSL 189, 0.55%, 0.43%

LAB 57.7, -22.82, -17.89

 

CMYK 25 / 71 / 0 / 34

HEX #7F31A9

RGB 127 49 169

HSL 279, 0.55%, 0.43%

LAB 37.07, 53.05, -49.92

 

CMYK 0 / 60 / 71 / 34

HEX #A94331

RGB 169 67 49

HSL 9, 0.55%, 0.43%

LAB 42.26, 40.83, 32.06

 

CMYK 46 / 0 / 71 / 34

HEX #5BA931

RGB 91 169 49

HSL 99, 0.55%, 0.43%

LAB 62.36, -45.1, 51.86

 

Description

Color code: HEX #3197A9 | qconv.com Color code: HEX #3197A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 151 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 151 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 11 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 11% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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