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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #318B26 it is the complementary color #CE74D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #318B26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #318B26 shade: #368B21, #479D34, #58AF47, #69C15A and #7AD36D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #318B26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #318B26 shade: #318B26, #207913, #0F6700, #005500 and #004300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #318B26 shade: #318C26, #4C8C26, #688C26, #838C26 and #8C7926

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #318B26 shade: #318C26, #268C36, #268C52, #268C6D and #268C89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #318B26 shade matches the following richer shades: #318C26, #269A17 and #1AA909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #318B26 shade: #318C26, #3C7D34, #486F43, #536051 and #5E5260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #318B26 shade: #688C26, #4D8C26, #328C26, #268C35 and #268C50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #318B26 shade: #1A4B14, #266B1D, #318C26, #3CAC2F and #4AC93B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #318B26 shade: #318B26, #26838C and #8C265A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #318B26 shade: #318B26, #26328C and #8C2632

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #318B26 shade: #318B26, #26838C, #80268C and #8C2E26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #318B26 shade: #318B26, #26658C, #80268C and #8C4D26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 73 / 45

HEX #318B26

RGB 49 139 38

HSL 113.47, 0.57%, 0.35%

LAB 50.99, -46.2, 43.98

 

Complementary color

CMYK 5 / 47 / 0 / 15

HEX #CE74D9

RGB 206 116 217

HSL 293.47, 0.57%, 0.65%

LAB 62.19, 50.43, -37.17

 

CMYK 61 / 0 / 76 / 45

HEX #368B21

RGB 54 139 33

HSL 108.11, 0.62%, 0.34%

LAB 51.1, -45.37, 46.07

 

CMYK 55 / 0 / 67 / 38

HEX #479D34

RGB 71 157 52

HSL 109.14, 0.5%, 0.41%

LAB 57.75, -46.05, 45.52

 

CMYK 50 / 0 / 59 / 31

HEX #58AF47

RGB 88 175 71

HSL 110.19, 0.42%, 0.48%

LAB 64.31, -46.37, 44.52

 

CMYK 46 / 0 / 53 / 24

HEX #69C15A

RGB 105 193 90

HSL 111.26, 0.45%, 0.55%

LAB 70.79, -46.46, 43.34

 

CMYK 42 / 0 / 48 / 17

HEX #7AD36D

RGB 122 211 109

HSL 112.35, 0.54%, 0.63%

LAB 77.18, -46.42, 42.1

 

CMYK 65 / 0 / 73 / 45

HEX #318B26

RGB 49 139 38

HSL 113.47, 0.57%, 0.35%

LAB 50.99, -46.2, 43.98

 

CMYK 74 / 0 / 84 / 53

HEX #207913

RGB 32 121 19

HSL 112.35, 0.73%, 0.27%

LAB 44.27, -44.86, 44.02

 

CMYK 85 / 0 / 100 / 60

HEX #0F6700

RGB 15 103 0

HSL 111.26, 1%, 0.2%

LAB 37.48, -42.6, 42.96

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 65 / 0 / 73 / 45

HEX #318C26

RGB 49 140 38

HSL 113.53, 0.57%, 0.35%

LAB 51.32, -46.57, 44.32

 

CMYK 46 / 0 / 73 / 45

HEX #4C8C26

RGB 76 140 38

HSL 97.65, 0.57%, 0.35%

LAB 52.32, -38.82, 45.67

 

CMYK 26 / 0 / 73 / 45

HEX #688C26

RGB 104 140 38

HSL 81.18, 0.57%, 0.35%

LAB 53.86, -28.3, 47.71

 

CMYK 6 / 0 / 73 / 45

HEX #838C26

RGB 131 140 38

HSL 65.29, 0.57%, 0.35%

LAB 55.81, -16.71, 50.3

 

CMYK 0 / 14 / 73 / 45

HEX #8C7926

RGB 140 121 38

HSL 48.82, 0.57%, 0.35%

LAB 51.14, -2.25, 45.96

 

CMYK 65 / 0 / 73 / 45

HEX #318C26

RGB 49 140 38

HSL 113.53, 0.57%, 0.35%

LAB 51.32, -46.57, 44.32

 

CMYK 73 / 0 / 61 / 45

HEX #268C36

RGB 38 140 54

HSL 129.41, 0.57%, 0.35%

LAB 51.19, -47.12, 37.01

 

CMYK 73 / 0 / 41 / 45

HEX #268C52

RGB 38 140 82

HSL 145.88, 0.57%, 0.35%

LAB 51.58, -42.59, 22.86

 

CMYK 73 / 0 / 22 / 45

HEX #268C6D

RGB 38 140 109

HSL 161.76, 0.57%, 0.35%

LAB 52.14, -36.52, 8.34

 

CMYK 73 / 0 / 2 / 45

HEX #268C89

RGB 38 140 137

HSL 178.24, 0.57%, 0.35%

LAB 52.92, -28.73, -6.73

 

CMYK 65 / 0 / 73 / 45

HEX #318C26

RGB 49 140 38

HSL 113.53, 0.57%, 0.35%

LAB 51.32, -46.57, 44.32

 

CMYK 75 / 0 / 85 / 40

HEX #269A17

RGB 38 154 23

HSL 113.13, 0.74%, 0.35%

LAB 55.67, -54.59, 53.39

 

CMYK 85 / 0 / 95 / 34

HEX #1AA909

RGB 26 169 9

HSL 113.63, 0.9%, 0.35%

LAB 60.44, -61.32, 60.13

 

CMYK 65 / 0 / 73 / 45

HEX #318C26

RGB 49 140 38

HSL 113.53, 0.57%, 0.35%

LAB 51.32, -46.57, 44.32

 

CMYK 52 / 0 / 58 / 51

HEX #3C7D34

RGB 60 125 52

HSL 113.42, 0.41%, 0.35%

LAB 46.81, -36.14, 33.06

 

CMYK 35 / 0 / 40 / 56

HEX #486F43

RGB 72 111 67

HSL 113.18, 0.25%, 0.35%

LAB 42.99, -23.29, 20.26

 

CMYK 14 / 0 / 16 / 62

HEX #536051

RGB 83 96 81

HSL 112, 0.08%, 0.35%

LAB 39.24, -8.24, 6.9

 

CMYK 2 / 15 / 0 / 62

HEX #5E5260

RGB 94 82 96

HSL 291.43, 0.08%, 0.35%

LAB 36.48, 7.82, -6.31

 

CMYK 26 / 0 / 73 / 45

HEX #688C26

RGB 104 140 38

HSL 81.18, 0.57%, 0.35%

LAB 53.86, -28.3, 47.71

 

CMYK 45 / 0 / 73 / 45

HEX #4D8C26

RGB 77 140 38

HSL 97.06, 0.57%, 0.35%

LAB 52.37, -38.48, 45.73

 

CMYK 64 / 0 / 73 / 45

HEX #328C26

RGB 50 140 38

HSL 112.94, 0.57%, 0.35%

LAB 51.35, -46.33, 44.36

 

CMYK 73 / 0 / 62 / 45

HEX #268C35

RGB 38 140 53

HSL 128.82, 0.57%, 0.35%

LAB 51.18, -47.25, 37.47

 

CMYK 73 / 0 / 43 / 45

HEX #268C50

RGB 38 140 80

HSL 144.71, 0.57%, 0.35%

LAB 51.55, -42.97, 23.92

 

CMYK 65 / 0 / 73 / 71

HEX #1A4B14

RGB 26 75 20

HSL 113.45, 0.58%, 0.19%

LAB 27.58, -28.64, 26.94

 

CMYK 64 / 0 / 73 / 58

HEX #266B1D

RGB 38 107 29

HSL 113.08, 0.57%, 0.27%

LAB 39.61, -37.57, 35.75

 

CMYK 65 / 0 / 73 / 45

HEX #318C26

RGB 49 140 38

HSL 113.53, 0.57%, 0.35%

LAB 51.32, -46.57, 44.32

 

CMYK 65 / 0 / 73 / 33

HEX #3CAC2F

RGB 60 172 47

HSL 113.76, 0.57%, 0.43%

LAB 62.23, -54.77, 52.15

 

CMYK 63 / 0 / 71 / 21

HEX #4AC93B

RGB 74 201 59

HSL 113.66, 0.57%, 0.51%

LAB 71.92, -60.77, 57.74

 

CMYK 65 / 0 / 73 / 45

HEX #318B26

RGB 49 139 38

HSL 113.47, 0.57%, 0.35%

LAB 50.99, -46.2, 43.98

 

CMYK 73 / 6 / 0 / 45

HEX #26838C

RGB 38 131 140

HSL 185.29, 0.57%, 0.35%

LAB 50.14, -23.26, -12.64

 

CMYK 0 / 73 / 36 / 45

HEX #8C265A

RGB 140 38 90

HSL 329.41, 0.57%, 0.35%

LAB 33.35, 47.22, -6.5

 

CMYK 65 / 0 / 73 / 45

HEX #318B26

RGB 49 139 38

HSL 113.47, 0.57%, 0.35%

LAB 50.99, -46.2, 43.98

 

CMYK 73 / 64 / 0 / 45

HEX #26328C

RGB 38 50 140

HSL 232.94, 0.57%, 0.35%

LAB 25.52, 27.29, -51.44

 

CMYK 0 / 73 / 64 / 45

HEX #8C2632

RGB 140 38 50

HSL 352.94, 0.57%, 0.35%

LAB 32.24, 43.49, 17.99

 

CMYK 65 / 0 / 73 / 45

HEX #318B26

RGB 49 139 38

HSL 113.47, 0.57%, 0.35%

LAB 50.99, -46.2, 43.98

 

CMYK 73 / 6 / 0 / 45

HEX #26838C

RGB 38 131 140

HSL 185.29, 0.57%, 0.35%

LAB 50.14, -23.26, -12.64

 

CMYK 9 / 73 / 0 / 45

HEX #80268C

RGB 128 38 140

HSL 292.94, 0.57%, 0.35%

LAB 33.71, 51.85, -37.7

 

CMYK 0 / 67 / 73 / 45

HEX #8C2E26

RGB 140 46 38

HSL 4.71, 0.57%, 0.35%

LAB 33.28, 39.39, 26.84

 

CMYK 65 / 0 / 73 / 45

HEX #318B26

RGB 49 139 38

HSL 113.47, 0.57%, 0.35%

LAB 50.99, -46.2, 43.98

 

CMYK 73 / 28 / 0 / 45

HEX #26658C

RGB 38 101 140

HSL 202.94, 0.57%, 0.35%

LAB 40.59, -6.44, -27.32

 

CMYK 9 / 73 / 0 / 45

HEX #80268C

RGB 128 38 140

HSL 292.94, 0.57%, 0.35%

LAB 33.71, 51.85, -37.7

 

CMYK 0 / 45 / 73 / 45

HEX #8C4D26

RGB 140 77 38

HSL 22.94, 0.57%, 0.35%

LAB 39.62, 23.18, 33.96

 

Description

Color code: HEX #318B26 | qconv.com Color code: HEX #318B26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 139 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 139 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 73 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 73% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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