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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #317DAB it is the complementary color #CE8254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #317DAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #317DAB shade: #367DA6, #478FB9, #58A1CC, #69B3DF and #7AC5F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #317DAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #317DAB shade: #317DAB, #206B98, #0F5985, #004772 and #00355F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #317DAB shade: #317CA9, #315BA9, #313BA9, #4731A9 and #6831A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #317DAB shade: #317CA9, #315BA9, #313BA9 and #3131A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #317DAB shade matches the following richer shades: #317CA9, #1F80BB and #0D85CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #317DAB shade: #317CA9, #437898, #547386, #666F74 and #786B62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #317DAB shade: #31A995, #319DA9, #317DA9, #315DA9 and #313DA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #317DAB shade: #1E4D6A, #286589, #317CA9, #3D93C6 and #5DA4D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #317DAB shade: #317DAB, #7531A9 and #A9A531

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #317DAB shade: #317DAB, #A9317D and #7DA931

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #317DAB shade: #317DAB, #7531A9, #A95D31 and #65A931

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #317DAB shade: #317DAB, #9931A9, #A95D31 and #41A931

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 27 / 0 / 33

HEX #317DAB

RGB 49 125 171

HSL 202.62, 0.55%, 0.43%

LAB 49.81, -7.87, -31.21

 

Complementary color

CMYK 0 / 37 / 59 / 19

HEX #CE8254

RGB 206 130 84

HSL 22.62, 0.55%, 0.57%

LAB 61.42, 24.81, 36.85

 

CMYK 67 / 25 / 0 / 35

HEX #367DA6

RGB 54 125 166

HSL 201.96, 0.51%, 0.43%

LAB 49.74, -8.82, -28.39

 

CMYK 62 / 23 / 0 / 27

HEX #478FB9

RGB 71 143 185

HSL 202.11, 0.45%, 0.5%

LAB 56.57, -9.69, -28.67

 

CMYK 57 / 21 / 0 / 20

HEX #58A1CC

RGB 88 161 204

HSL 202.24, 0.53%, 0.57%

LAB 63.28, -10.35, -28.93

 

CMYK 53 / 20 / 0 / 13

HEX #69B3DF

RGB 105 179 223

HSL 202.37, 0.65%, 0.64%

LAB 69.87, -10.86, -29.18

 

CMYK 50 / 19 / 0 / 5

HEX #7AC5F2

RGB 122 197 242

HSL 202.5, 0.82%, 0.71%

LAB 76.36, -11.27, -29.44

 

CMYK 71 / 27 / 0 / 33

HEX #317DAB

RGB 49 125 171

HSL 202.62, 0.55%, 0.43%

LAB 49.81, -7.87, -31.21

 

CMYK 79 / 30 / 0 / 40

HEX #206B98

RGB 32 107 152

HSL 202.5, 0.65%, 0.36%

LAB 42.9, -6.42, -30.9

 

CMYK 89 / 33 / 0 / 48

HEX #0F5985

RGB 15 89 133

HSL 202.37, 0.8%, 0.29%

LAB 35.87, -4.42, -30.53

 

CMYK 100 / 38 / 0 / 55

HEX #004772

RGB 0 71 114

HSL 202.63, 1%, 0.22%

LAB 28.7, -1.76, -30.09

 

CMYK 100 / 44 / 0 / 63

HEX #00355F

RGB 0 53 95

HSL 206.53, 1%, 0.19%

LAB 21.48, 2.21, -29.37

 

CMYK 71 / 27 / 0 / 34

HEX #317CA9

RGB 49 124 169

HSL 202.5, 0.55%, 0.43%

LAB 49.41, -7.99, -30.66

 

CMYK 71 / 46 / 0 / 34

HEX #315BA9

RGB 49 91 169

HSL 219, 0.55%, 0.43%

LAB 39.58, 12.44, -46.23

 

CMYK 71 / 65 / 0 / 34

HEX #313BA9

RGB 49 59 169

HSL 235, 0.55%, 0.43%

LAB 30.99, 33.45, -60.16

 

CMYK 58 / 71 / 0 / 34

HEX #4731A9

RGB 71 49 169

HSL 251, 0.55%, 0.43%

LAB 30.4, 42.6, -61.05

 

CMYK 38 / 71 / 0 / 34

HEX #6831A9

RGB 104 49 169

HSL 267.5, 0.55%, 0.43%

LAB 33.99, 48.38, -55.04

 

CMYK 71 / 27 / 0 / 34

HEX #317CA9

RGB 49 124 169

HSL 202.5, 0.55%, 0.43%

LAB 49.41, -7.99, -30.66

 

CMYK 71 / 46 / 0 / 34

HEX #315BA9

RGB 49 91 169

HSL 219, 0.55%, 0.43%

LAB 39.58, 12.44, -46.23

 

CMYK 71 / 65 / 0 / 34

HEX #313BA9

RGB 49 59 169

HSL 235, 0.55%, 0.43%

LAB 30.99, 33.45, -60.16

 

CMYK 71 / 71 / 0 / 34

HEX #3131A9

RGB 49 49 169

HSL 240, 0.55%, 0.43%

LAB 28.68, 39.67, -63.95

 

CMYK 71 / 27 / 0 / 34

HEX #317CA9

RGB 49 124 169

HSL 202.5, 0.55%, 0.43%

LAB 49.41, -7.99, -30.66

 

CMYK 83 / 32 / 0 / 27

HEX #1F80BB

RGB 31 128 187

HSL 202.69, 0.72%, 0.43%

LAB 51.06, -5.93, -38.51

 

CMYK 94 / 35 / 0 / 20

HEX #0D85CD

RGB 13 133 205

HSL 202.5, 0.88%, 0.43%

LAB 53.24, -3.19, -45.34

 

CMYK 71 / 27 / 0 / 34

HEX #317CA9

RGB 49 124 169

HSL 202.5, 0.55%, 0.43%

LAB 49.41, -7.99, -30.66

 

CMYK 56 / 21 / 0 / 40

HEX #437898

RGB 67 120 152

HSL 202.59, 0.39%, 0.43%

LAB 48.13, -8.02, -22.68

 

CMYK 37 / 14 / 0 / 47

HEX #547386

RGB 84 115 134

HSL 202.8, 0.23%, 0.43%

LAB 46.8, -6.07, -13.99

 

CMYK 12 / 4 / 0 / 55

HEX #666F74

RGB 102 111 116

HSL 201.43, 0.06%, 0.43%

LAB 46.25, -2.29, -3.94

 

CMYK 0 / 11 / 18 / 53

HEX #786B62

RGB 120 107 98

HSL 24.55, 0.1%, 0.43%

LAB 46.16, 3.5, 6.9

 

CMYK 71 / 0 / 12 / 34

HEX #31A995

RGB 49 169 149

HSL 170, 0.55%, 0.43%

LAB 62.68, -37.43, 0.82

 

CMYK 71 / 7 / 0 / 34

HEX #319DA9

RGB 49 157 169

HSL 186, 0.55%, 0.43%

LAB 59.55, -25.89, -15.08

 

CMYK 71 / 26 / 0 / 34

HEX #317DA9

RGB 49 125 169

HSL 202, 0.55%, 0.43%

LAB 49.72, -8.57, -30.19

 

CMYK 71 / 45 / 0 / 34

HEX #315DA9

RGB 49 93 169

HSL 218, 0.55%, 0.43%

LAB 40.16, 11.14, -45.3

 

CMYK 71 / 64 / 0 / 34

HEX #313DA9

RGB 49 61 169

HSL 234, 0.55%, 0.43%

LAB 31.47, 32.17, -59.36

 

CMYK 72 / 27 / 0 / 58

HEX #1E4D6A

RGB 30 77 106

HSL 202.89, 0.56%, 0.27%

LAB 30.94, -5.57, -21.46

 

CMYK 71 / 26 / 0 / 46

HEX #286589

RGB 40 101 137

HSL 202.27, 0.55%, 0.35%

LAB 40.52, -7.21, -25.63

 

CMYK 71 / 27 / 0 / 34

HEX #317CA9

RGB 49 124 169

HSL 202.5, 0.55%, 0.43%

LAB 49.41, -7.99, -30.66

 

CMYK 69 / 26 / 0 / 22

HEX #3D93C6

RGB 61 147 198

HSL 202.34, 0.55%, 0.51%

LAB 57.98, -9.33, -33.87

 

CMYK 55 / 21 / 0 / 18

HEX #5DA4D0

RGB 93 164 208

HSL 202.96, 0.55%, 0.59%

LAB 64.51, -9.74, -29.24

 

CMYK 71 / 27 / 0 / 33

HEX #317DAB

RGB 49 125 171

HSL 202.62, 0.55%, 0.43%

LAB 49.81, -7.87, -31.21

 

CMYK 31 / 71 / 0 / 34

HEX #7531A9

RGB 117 49 169

HSL 274, 0.55%, 0.43%

LAB 35.68, 50.97, -52.23

 

CMYK 0 / 2 / 71 / 34

HEX #A9A531

RGB 169 165 49

HSL 58, 0.55%, 0.43%

LAB 66.19, -12.42, 57.35

 

CMYK 71 / 27 / 0 / 33

HEX #317DAB

RGB 49 125 171

HSL 202.62, 0.55%, 0.43%

LAB 49.81, -7.87, -31.21

 

CMYK 0 / 71 / 26 / 34

HEX #A9317D

RGB 169 49 125

HSL 322, 0.55%, 0.43%

LAB 41.39, 55.66, -15.91

 

CMYK 26 / 0 / 71 / 34

HEX #7DA931

RGB 125 169 49

HSL 82, 0.55%, 0.43%

LAB 64.13, -32.9, 54.23

 

CMYK 71 / 27 / 0 / 33

HEX #317DAB

RGB 49 125 171

HSL 202.62, 0.55%, 0.43%

LAB 49.81, -7.87, -31.21

 

CMYK 31 / 71 / 0 / 34

HEX #7531A9

RGB 117 49 169

HSL 274, 0.55%, 0.43%

LAB 35.68, 50.97, -52.23

 

CMYK 0 / 45 / 71 / 34

HEX #A95D31

RGB 169 93 49

HSL 22, 0.55%, 0.43%

LAB 47.61, 27.3, 38.09

 

CMYK 40 / 0 / 71 / 34

HEX #65A931

RGB 101 169 49

HSL 94, 0.55%, 0.43%

LAB 62.81, -41.78, 52.47

 

CMYK 71 / 27 / 0 / 33

HEX #317DAB

RGB 49 125 171

HSL 202.62, 0.55%, 0.43%

LAB 49.81, -7.87, -31.21

 

CMYK 9 / 71 / 0 / 34

HEX #9931A9

RGB 153 49 169

HSL 292, 0.55%, 0.43%

LAB 40.95, 58.69, -43.47

 

CMYK 0 / 45 / 71 / 34

HEX #A95D31

RGB 169 93 49

HSL 22, 0.55%, 0.43%

LAB 47.61, 27.3, 38.09

 

CMYK 62 / 0 / 71 / 34

HEX #41A931

RGB 65 169 49

HSL 112, 0.55%, 0.43%

LAB 61.41, -52.39, 50.58

 

Description

Color code: HEX #317DAB | qconv.com Color code: HEX #317DAB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 125 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 125 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 27 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 27% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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