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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3170C3 it is the complementary color #CE8F3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3170C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3170C3 shade: #3670BE, #4782D1, #5894E4, #69A6F7 and #7AB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3170C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3170C3 shade: #3170C3, #205EB0, #0F4C9D, #003A8A and #002877

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3170C3 shade: #3070C3, #3048C3, #4030C3, #6830C3 and #9030C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3170C3 shade: #3070C3, #3048C3 and #3030C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3170C3 shade matches the following richer shades: #3070C3, #1D6DD7 and #096AEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3170C3 shade: #3070C3, #4473B0, #58759C, #6C7888 and #807B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3170C3 shade: #30BEC3, #3097C3, #3070C3, #3049C3 and #3F30C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3170C3 shade: #204A81, #285DA2, #3070C3, #4B85D2 and #6C9CDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3170C3 shade: #3170C3, #A130C3 and #ABC330

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3170C3 shade: #3170C3, #C33070 and #70C330

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3170C3 shade: #3170C3, #A130C3, #C38430 and #53C330

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3170C3 shade: #3170C3, #C330BA, #C38430 and #30C33A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 43 / 0 / 24

HEX #3170C3

RGB 49 112 195

HSL 214.11, 0.6%, 0.48%

LAB 47.21, 8.76, -49.19

 

Complementary color

CMYK 0 / 31 / 71 / 19

HEX #CE8F3C

RGB 206 143 60

HSL 34.11, 0.6%, 0.52%

LAB 64.24, 16.22, 52

 

CMYK 72 / 41 / 0 / 25

HEX #3670BE

RGB 54 112 190

HSL 214.41, 0.56%, 0.48%

LAB 47.09, 7.59, -46.49

 

CMYK 66 / 38 / 0 / 18

HEX #4782D1

RGB 71 130 209

HSL 214.35, 0.6%, 0.55%

LAB 53.93, 5.99, -46.43

 

CMYK 61 / 35 / 0 / 11

HEX #5894E4

RGB 88 148 228

HSL 214.29, 0.72%, 0.62%

LAB 60.65, 4.72, -46.38

 

CMYK 57 / 33 / 0 / 3

HEX #69A6F7

RGB 105 166 247

HSL 214.23, 0.9%, 0.69%

LAB 67.27, 3.68, -46.34

 

CMYK 52 / 28 / 0 / 0

HEX #7AB8FF

RGB 122 184 255

HSL 212.03, 1%, 0.74%

LAB 73.31, -0.48, -41.16

 

CMYK 75 / 43 / 0 / 24

HEX #3170C3

RGB 49 112 195

HSL 214.11, 0.6%, 0.48%

LAB 47.21, 8.76, -49.19

 

CMYK 82 / 47 / 0 / 31

HEX #205EB0

RGB 32 94 176

HSL 214.17, 0.69%, 0.41%

LAB 40.32, 11.05, -49.2

 

CMYK 90 / 52 / 0 / 38

HEX #0F4C9D

RGB 15 76 157

HSL 214.23, 0.83%, 0.34%

LAB 33.36, 14.01, -49.13

 

CMYK 100 / 58 / 0 / 46

HEX #003A8A

RGB 0 58 138

HSL 214.78, 1%, 0.27%

LAB 26.34, 17.71, -48.92

 

CMYK 100 / 66 / 0 / 53

HEX #002877

RGB 0 40 119

HSL 219.83, 1%, 0.23%

LAB 19.43, 22.47, -48.24

 

CMYK 75 / 43 / 0 / 24

HEX #3070C3

RGB 48 112 195

HSL 213.88, 0.6%, 0.48%

LAB 47.18, 8.63, -49.24

 

CMYK 75 / 63 / 0 / 24

HEX #3048C3

RGB 48 72 195

HSL 230.2, 0.6%, 0.48%

LAB 36.37, 34.4, -66.73

 

CMYK 67 / 75 / 0 / 24

HEX #4030C3

RGB 64 48 195

HSL 246.53, 0.6%, 0.48%

LAB 32.13, 50.29, -73.67

 

CMYK 47 / 75 / 0 / 24

HEX #6830C3

RGB 104 48 195

HSL 262.86, 0.6%, 0.48%

LAB 35.98, 55.53, -67.2

 

CMYK 26 / 75 / 0 / 24

HEX #9030C3

RGB 144 48 195

HSL 279.18, 0.6%, 0.48%

LAB 41.19, 62.38, -58.49

 

CMYK 75 / 43 / 0 / 24

HEX #3070C3

RGB 48 112 195

HSL 213.88, 0.6%, 0.48%

LAB 47.18, 8.63, -49.24

 

CMYK 75 / 63 / 0 / 24

HEX #3048C3

RGB 48 72 195

HSL 230.2, 0.6%, 0.48%

LAB 36.37, 34.4, -66.73

 

CMYK 75 / 75 / 0 / 24

HEX #3030C3

RGB 48 48 195

HSL 240, 0.6%, 0.48%

LAB 31.07, 48.81, -75.45

 

CMYK 75 / 43 / 0 / 24

HEX #3070C3

RGB 48 112 195

HSL 213.88, 0.6%, 0.48%

LAB 47.18, 8.63, -49.24

 

CMYK 87 / 49 / 0 / 16

HEX #1D6DD7

RGB 29 109 215

HSL 214.19, 0.76%, 0.48%

LAB 47.11, 16.37, -60.82

 

CMYK 96 / 55 / 0 / 8

HEX #096AEB

RGB 9 106 235

HSL 214.25, 0.93%, 0.48%

LAB 47.45, 25.2, -71.59

 

CMYK 75 / 43 / 0 / 24

HEX #3070C3

RGB 48 112 195

HSL 213.88, 0.6%, 0.48%

LAB 47.18, 8.63, -49.24

 

CMYK 61 / 35 / 0 / 31

HEX #4473B0

RGB 68 115 176

HSL 213.89, 0.44%, 0.48%

LAB 47.78, 3.15, -37.24

 

CMYK 44 / 25 / 0 / 39

HEX #58759C

RGB 88 117 156

HSL 214.41, 0.28%, 0.48%

LAB 48.51, 0.23, -24.34

 

CMYK 21 / 12 / 0 / 47

HEX #6C7888

RGB 108 120 136

HSL 214.29, 0.11%, 0.48%

LAB 49.98, -0.78, -10.22

 

CMYK 0 / 4 / 9 / 50

HEX #807B74

RGB 128 123 116

HSL 35, 0.05%, 0.48%

LAB 51.86, 0.58, 4.49

 

CMYK 75 / 3 / 0 / 24

HEX #30BEC3

RGB 48 190 195

HSL 182.04, 0.6%, 0.48%

LAB 70.45, -34.17, -13.13

 

CMYK 75 / 23 / 0 / 24

HEX #3097C3

RGB 48 151 195

HSL 197.96, 0.6%, 0.48%

LAB 58.7, -14.35, -31.09

 

CMYK 75 / 43 / 0 / 24

HEX #3070C3

RGB 48 112 195

HSL 213.88, 0.6%, 0.48%

LAB 47.18, 8.63, -49.24

 

CMYK 75 / 63 / 0 / 24

HEX #3049C3

RGB 48 73 195

HSL 229.8, 0.6%, 0.48%

LAB 36.62, 33.76, -66.33

 

CMYK 68 / 75 / 0 / 24

HEX #3F30C3

RGB 63 48 195

HSL 246.12, 0.6%, 0.48%

LAB 32.06, 50.19, -73.79

 

CMYK 75 / 43 / 0 / 49

HEX #204A81

RGB 32 74 129

HSL 214.02, 0.6%, 0.32%

LAB 31.32, 5.67, -35.25

 

CMYK 75 / 43 / 0 / 36

HEX #285DA2

RGB 40 93 162

HSL 213.93, 0.6%, 0.4%

LAB 39.39, 7.18, -42.39

 

CMYK 75 / 43 / 0 / 24

HEX #3070C3

RGB 48 112 195

HSL 213.88, 0.6%, 0.48%

LAB 47.18, 8.63, -49.24

 

CMYK 64 / 37 / 0 / 18

HEX #4B85D2

RGB 75 133 210

HSL 214.22, 0.6%, 0.56%

LAB 54.99, 5.22, -45.3

 

CMYK 50 / 28 / 0 / 15

HEX #6C9CDA

RGB 108 156 218

HSL 213.82, 0.6%, 0.64%

LAB 63.37, 1.07, -36.51

 

CMYK 75 / 43 / 0 / 24

HEX #3170C3

RGB 49 112 195

HSL 214.11, 0.6%, 0.48%

LAB 47.21, 8.76, -49.19

 

CMYK 17 / 75 / 0 / 24

HEX #A130C3

RGB 161 48 195

HSL 286.12, 0.6%, 0.48%

LAB 43.7, 65.6, -54.31

 

CMYK 12 / 0 / 75 / 24

HEX #ABC330

RGB 171 195 48

HSL 69.8, 0.6%, 0.48%

LAB 74.76, -26.65, 65.95

 

CMYK 75 / 43 / 0 / 24

HEX #3170C3

RGB 49 112 195

HSL 214.11, 0.6%, 0.48%

LAB 47.21, 8.76, -49.19

 

CMYK 0 / 75 / 43 / 24

HEX #C33070

RGB 195 48 112

HSL 333.88, 0.6%, 0.48%

LAB 45.48, 61.6, -1.29

 

CMYK 43 / 0 / 75 / 24

HEX #70C330

RGB 112 195 48

HSL 93.88, 0.6%, 0.48%

LAB 71.34, -48.89, 61.49

 

CMYK 75 / 43 / 0 / 24

HEX #3170C3

RGB 49 112 195

HSL 214.11, 0.6%, 0.48%

LAB 47.21, 8.76, -49.19

 

CMYK 17 / 75 / 0 / 24

HEX #A130C3

RGB 161 48 195

HSL 286.12, 0.6%, 0.48%

LAB 43.7, 65.6, -54.31

 

CMYK 0 / 32 / 75 / 24

HEX #C38430

RGB 195 132 48

HSL 34.29, 0.6%, 0.48%

LAB 60.17, 16.9, 52.72

 

CMYK 57 / 0 / 75 / 24

HEX #53C330

RGB 83 195 48

HSL 105.71, 0.6%, 0.48%

LAB 70.23, -57.36, 60.03

 

CMYK 75 / 43 / 0 / 24

HEX #3170C3

RGB 49 112 195

HSL 214.11, 0.6%, 0.48%

LAB 47.21, 8.76, -49.19

 

CMYK 0 / 75 / 5 / 24

HEX #C330BA

RGB 195 48 186

HSL 303.67, 0.6%, 0.48%

LAB 48.59, 70.98, -40.94

 

CMYK 0 / 32 / 75 / 24

HEX #C38430

RGB 195 132 48

HSL 34.29, 0.6%, 0.48%

LAB 60.17, 16.9, 52.72

 

CMYK 75 / 0 / 70 / 24

HEX #30C33A

RGB 48 195 58

HSL 124.08, 0.6%, 0.48%

LAB 69.44, -63.65, 55.36

 

Description

Color code: HEX #3170C3 | qconv.com Color code: HEX #3170C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 112 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 112 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 43 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 43% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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