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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #317599 it is the complementary color #CE8A66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #317599. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #317599 shade: #367594, #4787A7, #5899BA, #69ABCD and #7ABDE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #317599. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #317599 shade: #317599, #206386, #0F5173, #003F60 and #002D4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #317599 shade: #31769A, #31599A, #313D9A, #42319A and #5E319A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #317599 shade: #31769A, #31599A, #313D9A and #31319A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #317599 shade matches the following richer shades: #31769A, #217BAA, #1080BB and #0085CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #317599 shade: #31769A, #427089, #526B79, #636668 and #736158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #317599 shade: #319A85, #31939A, #31779A, #315B9A and #313F9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #317599 shade: #1D465B, #275E7A, #31769A, #3C8DB9 and #56A0C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #317599 shade: #317599, #69319A and #9A9331

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #317599 shade: #317599, #9A3177 and #779A31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #317599 shade: #317599, #69319A, #9A5431 and #629A31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #317599 shade: #317599, #88319A, #9A5431 and #439A31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 24 / 0 / 40

HEX #317599

RGB 49 117 153

HSL 200.77, 0.51%, 0.4%

LAB 46.55, -9.51, -25.77

 

Complementary color

CMYK 0 / 33 / 50 / 19

HEX #CE8A66

RGB 206 138 102

HSL 20.77, 0.51%, 0.6%

LAB 63.56, 21.97, 29.79

 

CMYK 64 / 21 / 0 / 42

HEX #367594

RGB 54 117 148

HSL 199.79, 0.47%, 0.4%

LAB 46.51, -10.31, -22.86

 

CMYK 57 / 19 / 0 / 35

HEX #4787A7

RGB 71 135 167

HSL 200, 0.4%, 0.47%

LAB 53.45, -10.95, -23.19

 

CMYK 53 / 18 / 0 / 27

HEX #5899BA

RGB 88 153 186

HSL 200.2, 0.42%, 0.54%

LAB 60.25, -11.42, -23.51

 

CMYK 49 / 17 / 0 / 20

HEX #69ABCD

RGB 105 171 205

HSL 200.4, 0.5%, 0.61%

LAB 66.93, -11.77, -23.81

 

CMYK 46 / 16 / 0 / 12

HEX #7ABDE0

RGB 122 189 224

HSL 200.59, 0.62%, 0.68%

LAB 73.49, -12.05, -24.12

 

CMYK 68 / 24 / 0 / 40

HEX #317599

RGB 49 117 153

HSL 200.77, 0.51%, 0.4%

LAB 46.55, -9.51, -25.77

 

CMYK 76 / 26 / 0 / 47

HEX #206386

RGB 32 99 134

HSL 200.59, 0.61%, 0.33%

LAB 39.5, -8.32, -25.42

 

CMYK 87 / 30 / 0 / 55

HEX #0F5173

RGB 15 81 115

HSL 200.4, 0.77%, 0.25%

LAB 32.31, -6.6, -25

 

CMYK 100 / 34 / 0 / 62

HEX #003F60

RGB 0 63 96

HSL 200.63, 1%, 0.19%

LAB 24.95, -4.22, -24.51

 

CMYK 100 / 42 / 0 / 70

HEX #002D4D

RGB 0 45 77

HSL 204.94, 1%, 0.15%

LAB 17.52, -0.32, -23.71

 

CMYK 68 / 23 / 0 / 40

HEX #31769A

RGB 49 118 154

HSL 200.57, 0.52%, 0.4%

LAB 46.9, -9.74, -25.81

 

CMYK 68 / 42 / 0 / 40

HEX #31599A

RGB 49 89 154

HSL 217.14, 0.52%, 0.4%

LAB 38.08, 8.13, -39.69

 

CMYK 68 / 60 / 0 / 40

HEX #313D9A

RGB 49 61 154

HSL 233.14, 0.52%, 0.4%

LAB 30.21, 26.72, -52.36

 

CMYK 57 / 68 / 0 / 40

HEX #42319A

RGB 66 49 154

HSL 249.71, 0.52%, 0.4%

LAB 28.61, 37.1, -54.92

 

CMYK 39 / 68 / 0 / 40

HEX #5E319A

RGB 94 49 154

HSL 265.71, 0.52%, 0.4%

LAB 31.6, 42.47, -49.92

 

CMYK 68 / 23 / 0 / 40

HEX #31769A

RGB 49 118 154

HSL 200.57, 0.52%, 0.4%

LAB 46.9, -9.74, -25.81

 

CMYK 68 / 42 / 0 / 40

HEX #31599A

RGB 49 89 154

HSL 217.14, 0.52%, 0.4%

LAB 38.08, 8.13, -39.69

 

CMYK 68 / 60 / 0 / 40

HEX #313D9A

RGB 49 61 154

HSL 233.14, 0.52%, 0.4%

LAB 30.21, 26.72, -52.36

 

CMYK 68 / 68 / 0 / 40

HEX #31319A

RGB 49 49 154

HSL 240, 0.52%, 0.4%

LAB 27.25, 34.49, -57.2

 

CMYK 68 / 23 / 0 / 40

HEX #31769A

RGB 49 118 154

HSL 200.57, 0.52%, 0.4%

LAB 46.9, -9.74, -25.81

 

CMYK 81 / 28 / 0 / 33

HEX #217BAA

RGB 33 123 170

HSL 200.58, 0.67%, 0.4%

LAB 48.75, -9.1, -32.31

 

CMYK 91 / 32 / 0 / 27

HEX #1080BB

RGB 16 128 187

HSL 200.7, 0.84%, 0.4%

LAB 50.85, -6.96, -38.86

 

CMYK 100 / 34 / 0 / 20

HEX #0085CB

RGB 0 133 203

HSL 200.69, 1%, 0.4%

LAB 53.04, -4.4, -44.52

 

CMYK 68 / 23 / 0 / 40

HEX #31769A

RGB 49 118 154

HSL 200.57, 0.52%, 0.4%

LAB 46.9, -9.74, -25.81

 

CMYK 52 / 18 / 0 / 46

HEX #427089

RGB 66 112 137

HSL 201.13, 0.35%, 0.4%

LAB 45.02, -8.35, -18.58

 

CMYK 32 / 12 / 0 / 53

HEX #526B79

RGB 82 107 121

HSL 201.54, 0.19%, 0.4%

LAB 43.78, -5.55, -10.78

 

CMYK 5 / 2 / 0 / 59

HEX #636668

RGB 99 102 104

HSL 204, 0.02%, 0.4%

LAB 43, -0.73, -1.54

 

CMYK 0 / 16 / 23 / 55

HEX #736158

RGB 115 97 88

HSL 20, 0.13%, 0.4%

LAB 42.61, 5.69, 7.82

 

CMYK 68 / 0 / 14 / 40

HEX #319A85

RGB 49 154 133

HSL 168, 0.52%, 0.4%

LAB 57.52, -34.87, 2.35

 

CMYK 68 / 5 / 0 / 40

HEX #31939A

RGB 49 147 154

HSL 184, 0.52%, 0.4%

LAB 55.94, -25.46, -11.98

 

CMYK 68 / 23 / 0 / 40

HEX #31779A

RGB 49 119 154

HSL 200, 0.52%, 0.4%

LAB 47.21, -10.32, -25.32

 

CMYK 68 / 41 / 0 / 40

HEX #315B9A

RGB 49 91 154

HSL 216, 0.52%, 0.4%

LAB 38.67, 6.83, -38.74

 

CMYK 68 / 59 / 0 / 40

HEX #313F9A

RGB 49 63 154

HSL 232, 0.52%, 0.4%

LAB 30.74, 25.39, -51.51

 

CMYK 68 / 23 / 0 / 64

HEX #1D465B

RGB 29 70 91

HSL 200.32, 0.52%, 0.24%

LAB 27.84, -6.94, -16.71

 

CMYK 68 / 23 / 0 / 52

HEX #275E7A

RGB 39 94 122

HSL 200.24, 0.52%, 0.32%

LAB 37.56, -8.56, -21.11

 

CMYK 68 / 23 / 0 / 40

HEX #31769A

RGB 49 118 154

HSL 200.57, 0.52%, 0.4%

LAB 46.9, -9.74, -25.81

 

CMYK 68 / 24 / 0 / 27

HEX #3C8DB9

RGB 60 141 185

HSL 201.12, 0.51%, 0.48%

LAB 55.6, -10.49, -30.21

 

CMYK 57 / 20 / 0 / 22

HEX #56A0C8

RGB 86 160 200

HSL 201.05, 0.51%, 0.56%

LAB 62.75, -11.44, -27.52

 

CMYK 68 / 24 / 0 / 40

HEX #317599

RGB 49 117 153

HSL 200.77, 0.51%, 0.4%

LAB 46.55, -9.51, -25.77

 

CMYK 32 / 68 / 0 / 40

HEX #69319A

RGB 105 49 154

HSL 272, 0.52%, 0.4%

LAB 32.99, 44.83, -47.6

 

CMYK 0 / 5 / 68 / 40

HEX #9A9331

RGB 154 147 49

HSL 56, 0.52%, 0.4%

LAB 59.85, -9.54, 50.58

 

CMYK 68 / 24 / 0 / 40

HEX #317599

RGB 49 117 153

HSL 200.77, 0.51%, 0.4%

LAB 46.55, -9.51, -25.77

 

CMYK 0 / 68 / 23 / 40

HEX #9A3177

RGB 154 49 119

HSL 320, 0.52%, 0.4%

LAB 38.55, 50.7, -16.77

 

CMYK 23 / 0 / 68 / 40

HEX #779A31

RGB 119 154 49

HSL 80, 0.52%, 0.4%

LAB 59.21, -28.19, 49.07

 

CMYK 68 / 24 / 0 / 40

HEX #317599

RGB 49 117 153

HSL 200.77, 0.51%, 0.4%

LAB 46.55, -9.51, -25.77

 

CMYK 32 / 68 / 0 / 40

HEX #69319A

RGB 105 49 154

HSL 272, 0.52%, 0.4%

LAB 32.99, 44.83, -47.6

 

CMYK 0 / 45 / 68 / 40

HEX #9A5431

RGB 154 84 49

HSL 20, 0.52%, 0.4%

LAB 43.41, 25.93, 32.77

 

CMYK 36 / 0 / 68 / 40

HEX #629A31

RGB 98 154 49

HSL 92, 0.52%, 0.4%

LAB 57.97, -36.31, 47.39

 

CMYK 68 / 24 / 0 / 40

HEX #317599

RGB 49 117 153

HSL 200.77, 0.51%, 0.4%

LAB 46.55, -9.51, -25.77

 

CMYK 12 / 68 / 0 / 40

HEX #88319A

RGB 136 49 154

HSL 289.71, 0.52%, 0.4%

LAB 37.42, 51.94, -40.26

 

CMYK 0 / 45 / 68 / 40

HEX #9A5431

RGB 154 84 49

HSL 20, 0.52%, 0.4%

LAB 43.41, 25.93, 32.77

 

CMYK 56 / 0 / 68 / 40

HEX #439A31

RGB 67 154 49

HSL 109.71, 0.52%, 0.4%

LAB 56.61, -46.28, 45.53

 

Description

Color code: HEX #317599 | qconv.com Color code: HEX #317599 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 117 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 117 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 24 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 24% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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