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Color name
HEX #316915

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #316915 it is the complementary color #CE96EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #316915. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #316915 shade: #366910, #477B23, #588D36, #699F49 and #7AB15C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #316915. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #316915 shade: #316915, #205702, #0F4500, #003300 and #002100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #316915 shade: #316A15, #486A15, #5F6A15, #6A5E15 and #6A4715

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #316915 shade: #316A15, #1A6A15, #156A26, #156A3D and #156A54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #316915 shade matches the following richer shades: #316A15, #2E740A and #2A7F00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #316915 shade: #316A15, #34601F, #385529, #3B4B33 and #3F413E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #316915 shade: #5F6A15, #486A15, #316A15, #1A6A15 and #156A26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #316915 shade: #112507, #21480E, #316A15, #418C1B and #51AF22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #316915 shade: #316915, #156A5F and #6A1553

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #316915 shade: #316915, #15316A and #6A1531

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #316915 shade: #316915, #156A5F, #4D156A and #6A1520

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #316915 shade: #316915, #155C6A, #4D156A and #6A2315

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 80 / 59

HEX #316915

RGB 49 105 21

HSL 100, 0.67%, 0.25%

LAB 39.26, -34.2, 38.77

 

Complementary color

CMYK 12 / 36 / 0 / 8

HEX #CE96EA

RGB 206 150 234

HSL 280, 0.67%, 0.75%

LAB 70.09, 35.79, -34.29

 

CMYK 49 / 0 / 85 / 59

HEX #366910

RGB 54 105 16

HSL 94.38, 0.74%, 0.24%

LAB 39.45, -32.82, 40.75

 

CMYK 42 / 0 / 72 / 52

HEX #477B23

RGB 71 123 35

HSL 95.45, 0.56%, 0.31%

LAB 46.48, -33.39, 40.8

 

CMYK 38 / 0 / 62 / 45

HEX #588D36

RGB 88 141 54

HSL 96.55, 0.45%, 0.38%

LAB 53.37, -33.62, 39.99

 

CMYK 34 / 0 / 54 / 38

HEX #699F49

RGB 105 159 73

HSL 97.67, 0.37%, 0.45%

LAB 60.14, -33.67, 38.88

 

CMYK 31 / 0 / 48 / 31

HEX #7AB15C

RGB 122 177 92

HSL 98.82, 0.35%, 0.53%

LAB 66.79, -33.62, 37.67

 

CMYK 53 / 0 / 80 / 59

HEX #316915

RGB 49 105 21

HSL 100, 0.67%, 0.25%

LAB 39.26, -34.2, 38.77

 

CMYK 63 / 0 / 98 / 66

HEX #205702

RGB 32 87 2

HSL 98.82, 0.96%, 0.17%

LAB 32.1, -33.18, 38.15

 

CMYK 78 / 0 / 100 / 73

HEX #0F4500

RGB 15 69 0

HSL 106.96, 1%, 0.14%

LAB 24.82, -30.81, 32.52

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 54 / 0 / 80 / 58

HEX #316A15

RGB 49 106 21

HSL 100.24, 0.67%, 0.25%

LAB 39.61, -34.63, 39.1

 

CMYK 32 / 0 / 80 / 58

HEX #486A15

RGB 72 106 21

HSL 84, 0.67%, 0.25%

LAB 40.8, -26.05, 40.67

 

CMYK 10 / 0 / 80 / 58

HEX #5F6A15

RGB 95 106 21

HSL 67.76, 0.67%, 0.25%

LAB 42.45, -15.84, 42.81

 

CMYK 0 / 11 / 80 / 58

HEX #6A5E15

RGB 106 94 21

HSL 51.53, 0.67%, 0.25%

LAB 39.79, -3.78, 40.7

 

CMYK 0 / 33 / 80 / 58

HEX #6A4715

RGB 106 71 21

HSL 35.29, 0.67%, 0.25%

LAB 33.19, 10.1, 34.41

 

CMYK 54 / 0 / 80 / 58

HEX #316A15

RGB 49 106 21

HSL 100.24, 0.67%, 0.25%

LAB 39.61, -34.63, 39.1

 

CMYK 75 / 0 / 80 / 58

HEX #1A6A15

RGB 26 106 21

HSL 116.47, 0.67%, 0.25%

LAB 38.87, -40.61, 38.13

 

CMYK 80 / 0 / 64 / 58

HEX #156A26

RGB 21 106 38

HSL 132, 0.67%, 0.25%

LAB 38.91, -39.69, 30.63

 

CMYK 80 / 0 / 42 / 58

HEX #156A3D

RGB 21 106 61

HSL 148.24, 0.67%, 0.25%

LAB 39.25, -35.73, 18.45

 

CMYK 80 / 0 / 21 / 58

HEX #156A54

RGB 21 106 84

HSL 164.47, 0.67%, 0.25%

LAB 39.76, -30.13, 5.43

 

CMYK 54 / 0 / 80 / 58

HEX #316A15

RGB 49 106 21

HSL 100.24, 0.67%, 0.25%

LAB 39.61, -34.63, 39.1

 

CMYK 60 / 0 / 91 / 55

HEX #2E740A

RGB 46 116 10

HSL 99.62, 0.84%, 0.25%

LAB 42.9, -40.14, 45.3

 

CMYK 67 / 0 / 100 / 50

HEX #2A7F00

RGB 42 127 0

HSL 100.16, 1%, 0.25%

LAB 46.54, -45.59, 50.42

 

CMYK 54 / 0 / 80 / 58

HEX #316A15

RGB 49 106 21

HSL 100.24, 0.67%, 0.25%

LAB 39.61, -34.63, 39.1

 

CMYK 46 / 0 / 68 / 62

HEX #34601F

RGB 52 96 31

HSL 100.62, 0.51%, 0.25%

LAB 36.36, -28.3, 31.5

 

CMYK 34 / 0 / 52 / 67

HEX #385529

RGB 56 85 41

HSL 99.55, 0.35%, 0.25%

LAB 32.91, -20.06, 22.19

 

CMYK 21 / 0 / 32 / 71

HEX #3B4B33

RGB 59 75 51

HSL 100, 0.19%, 0.25%

LAB 29.91, -11.6, 12.29

 

CMYK 3 / 0 / 5 / 75

HEX #3F413E

RGB 63 65 62

HSL 100, 0.02%, 0.25%

LAB 27.26, -1.51, 1.53

 

CMYK 10 / 0 / 80 / 58

HEX #5F6A15

RGB 95 106 21

HSL 67.76, 0.67%, 0.25%

LAB 42.45, -15.84, 42.81

 

CMYK 32 / 0 / 80 / 58

HEX #486A15

RGB 72 106 21

HSL 84, 0.67%, 0.25%

LAB 40.8, -26.05, 40.67

 

CMYK 54 / 0 / 80 / 58

HEX #316A15

RGB 49 106 21

HSL 100.24, 0.67%, 0.25%

LAB 39.61, -34.63, 39.1

 

CMYK 75 / 0 / 80 / 58

HEX #1A6A15

RGB 26 106 21

HSL 116.47, 0.67%, 0.25%

LAB 38.87, -40.61, 38.13

 

CMYK 80 / 0 / 64 / 58

HEX #156A26

RGB 21 106 38

HSL 132, 0.67%, 0.25%

LAB 38.91, -39.69, 30.63

 

CMYK 54 / 0 / 81 / 85

HEX #112507

RGB 17 37 7

HSL 100, 0.68%, 0.09%

LAB 12.34, -15.15, 15.07

 

CMYK 54 / 0 / 81 / 72

HEX #21480E

RGB 33 72 14

HSL 100.34, 0.67%, 0.17%

LAB 26.71, -25.64, 28.89

 

CMYK 54 / 0 / 80 / 58

HEX #316A15

RGB 49 106 21

HSL 100.24, 0.67%, 0.25%

LAB 39.61, -34.63, 39.1

 

CMYK 54 / 0 / 81 / 45

HEX #418C1B

RGB 65 140 27

HSL 99.82, 0.68%, 0.33%

LAB 51.79, -43.08, 48.93

 

CMYK 54 / 0 / 81 / 31

HEX #51AF22

RGB 81 175 34

HSL 100, 0.67%, 0.41%

LAB 63.77, -51.44, 58.23

 

CMYK 53 / 0 / 80 / 59

HEX #316915

RGB 49 105 21

HSL 100, 0.67%, 0.25%

LAB 39.26, -34.2, 38.77

 

CMYK 80 / 0 / 10 / 58

HEX #156A5F

RGB 21 106 95

HSL 172.24, 0.67%, 0.25%

LAB 40.07, -26.95, -0.81

 

CMYK 0 / 80 / 22 / 58

HEX #6A1553

RGB 106 21 83

HSL 316.24, 0.67%, 0.25%

LAB 24.4, 42.89, -16.12

 

CMYK 53 / 0 / 80 / 59

HEX #316915

RGB 49 105 21

HSL 100, 0.67%, 0.25%

LAB 39.26, -34.2, 38.77

 

CMYK 80 / 54 / 0 / 58

HEX #15316A

RGB 21 49 106

HSL 220.24, 0.67%, 0.25%

LAB 21.57, 12.12, -36.37

 

CMYK 0 / 80 / 54 / 58

HEX #6A1531

RGB 106 21 49

HSL 340.24, 0.67%, 0.25%

LAB 23.07, 38.8, 5.1

 

CMYK 53 / 0 / 80 / 59

HEX #316915

RGB 49 105 21

HSL 100, 0.67%, 0.25%

LAB 39.26, -34.2, 38.77

 

CMYK 80 / 0 / 10 / 58

HEX #156A5F

RGB 21 106 95

HSL 172.24, 0.67%, 0.25%

LAB 40.07, -26.95, -0.81

 

CMYK 27 / 80 / 0 / 58

HEX #4D156A

RGB 77 21 106

HSL 279.53, 0.67%, 0.25%

LAB 20.65, 40.32, -37.59

 

CMYK 0 / 80 / 70 / 58

HEX #6A1520

RGB 106 21 32

HSL 352.24, 0.67%, 0.25%

LAB 22.67, 37.5, 16.29

 

CMYK 53 / 0 / 80 / 59

HEX #316915

RGB 49 105 21

HSL 100, 0.67%, 0.25%

LAB 39.26, -34.2, 38.77

 

CMYK 80 / 13 / 0 / 58

HEX #155C6A

RGB 21 92 106

HSL 189.88, 0.67%, 0.25%

LAB 35.7, -15.92, -14.13

 

CMYK 27 / 80 / 0 / 58

HEX #4D156A

RGB 77 21 106

HSL 279.53, 0.67%, 0.25%

LAB 20.65, 40.32, -37.59

 

CMYK 0 / 67 / 80 / 58

HEX #6A2315

RGB 106 35 21

HSL 9.88, 0.67%, 0.25%

LAB 24.7, 30.9, 25.78

 

Description

Color code: HEX #316915 | qconv.com Color code: HEX #316915 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 105 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 105 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 80 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 80% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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