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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #313F30 it is the complementary color #CEC0CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #313F30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #313F30 shade: #363F2B, #47513E, #586351, #697564 and #7A8777

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #313F30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #313F30 shade: #313F30, #202D1D, #0F1B0A and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #313F30 shade: #313F30, #353F30, #393F30, #3E3F30 and #3F3D30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #313F30 shade: #313F30, #303F33, #303F37, #303F3B and #303F3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #313F30 shade matches the following richer shades: #313F30, #294927, #21521E, #195B15 and #11640B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #313F30 shade: #313F30, #393639, #412D42, #48244B and #501B54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #313F30 shade: #393F30, #353F30, #313F30, #303F33 and #303F37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #313F30 shade: #0D100C, #1F281E, #313F30, #435741 and #556E53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #313F30 shade: #313F30, #303D3F and #3F3037

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #313F30 shade: #313F30, #30313F and #3F3031

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #313F30 shade: #313F30, #303D3F, #3E303F and #3F3230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #313F30 shade: #313F30, #30393F, #3E303F and #3F3730

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

Complementary color

CMYK 0 / 7 / 0 / 19

HEX #CEC0CF

RGB 206 192 207

HSL 296, 0.14%, 0.78%

LAB 79.23, 7.61, -5.74

 

CMYK 14 / 0 / 32 / 75

HEX #363F2B

RGB 54 63 43

HSL 87, 0.19%, 0.21%

LAB 25.3, -8.04, 11.07

 

CMYK 12 / 0 / 23 / 68

HEX #47513E

RGB 71 81 62

HSL 91.58, 0.13%, 0.28%

LAB 33.08, -8.01, 9.88

 

CMYK 11 / 0 / 18 / 61

HEX #586351

RGB 88 99 81

HSL 96.67, 0.1%, 0.35%

LAB 40.56, -7.98, 8.82

 

CMYK 10 / 0 / 15 / 54

HEX #697564

RGB 105 117 100

HSL 102.35, 0.08%, 0.43%

LAB 47.81, -7.96, 7.87

 

CMYK 10 / 0 / 12 / 47

HEX #7A8777

RGB 122 135 119

HSL 108.75, 0.06%, 0.5%

LAB 54.86, -7.95, 7

 

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

CMYK 29 / 0 / 36 / 82

HEX #202D1D

RGB 32 45 29

HSL 108.75, 0.22%, 0.15%

LAB 16.86, -9.45, 8.62

 

CMYK 44 / 0 / 63 / 89

HEX #0F1B0A

RGB 15 27 10

HSL 102.35, 0.46%, 0.07%

LAB 8.19, -8.95, 8

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

CMYK 16 / 0 / 24 / 75

HEX #353F30

RGB 53 63 48

HSL 100, 0.14%, 0.22%

LAB 25.34, -7.52, 7.86

 

CMYK 10 / 0 / 24 / 75

HEX #393F30

RGB 57 63 48

HSL 84, 0.14%, 0.22%

LAB 25.68, -5.75, 8.38

 

CMYK 2 / 0 / 24 / 75

HEX #3E3F30

RGB 62 63 48

HSL 64, 0.14%, 0.22%

LAB 26.14, -3.49, 9.09

 

CMYK 0 / 3 / 24 / 75

HEX #3F3D30

RGB 63 61 48

HSL 52, 0.14%, 0.22%

LAB 25.59, -1.75, 8.34

 

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

CMYK 24 / 0 / 19 / 75

HEX #303F33

RGB 48 63 51

HSL 132, 0.14%, 0.22%

LAB 25.02, -8.99, 5.39

 

CMYK 24 / 0 / 13 / 75

HEX #303F37

RGB 48 63 55

HSL 148, 0.14%, 0.22%

LAB 25.13, -8.06, 2.92

 

CMYK 24 / 0 / 6 / 75

HEX #303F3B

RGB 48 63 59

HSL 164, 0.14%, 0.22%

LAB 25.26, -7.08, 0.45

 

CMYK 24 / 0 / 0 / 75

HEX #303F3F

RGB 48 63 63

HSL 180, 0.14%, 0.22%

LAB 25.39, -6.04, -2

 

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

CMYK 44 / 0 / 47 / 71

HEX #294927

RGB 41 73 39

HSL 116.47, 0.3%, 0.22%

LAB 27.8, -19.9, 16.73

 

CMYK 60 / 0 / 63 / 68

HEX #21521E

RGB 33 82 30

HSL 116.54, 0.46%, 0.22%

LAB 30.52, -28.39, 25.18

 

CMYK 73 / 0 / 77 / 64

HEX #195B15

RGB 25 91 21

HSL 116.57, 0.63%, 0.22%

LAB 33.44, -35.26, 32.66

 

CMYK 83 / 0 / 89 / 61

HEX #11640B

RGB 17 100 11

HSL 115.96, 0.8%, 0.22%

LAB 36.48, -40.75, 39.08

 

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

CMYK 0 / 5 / 0 / 78

HEX #393639

RGB 57 54 57

HSL 300, 0.03%, 0.22%

LAB 23.01, 1.99, -1.41

 

CMYK 2 / 32 / 0 / 74

HEX #412D42

RGB 65 45 66

HSL 297.14, 0.19%, 0.22%

LAB 21.56, 13.5, -9.59

 

CMYK 4 / 52 / 0 / 71

HEX #48244B

RGB 72 36 75

HSL 295.38, 0.35%, 0.22%

LAB 20.63, 23.99, -17.06

 

CMYK 5 / 68 / 0 / 67

HEX #501B54

RGB 80 27 84

HSL 295.79, 0.51%, 0.22%

LAB 20.55, 33.46, -23.16

 

CMYK 10 / 0 / 24 / 75

HEX #393F30

RGB 57 63 48

HSL 84, 0.14%, 0.22%

LAB 25.68, -5.75, 8.38

 

CMYK 16 / 0 / 24 / 75

HEX #353F30

RGB 53 63 48

HSL 100, 0.14%, 0.22%

LAB 25.34, -7.52, 7.86

 

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

CMYK 24 / 0 / 19 / 75

HEX #303F33

RGB 48 63 51

HSL 132, 0.14%, 0.22%

LAB 25.02, -8.99, 5.39

 

CMYK 24 / 0 / 13 / 75

HEX #303F37

RGB 48 63 55

HSL 148, 0.14%, 0.22%

LAB 25.13, -8.06, 2.92

 

CMYK 19 / 0 / 25 / 94

HEX #0D100C

RGB 13 16 12

HSL 105, 0.14%, 0.05%

LAB 4.36, -1.69, 1.52

 

CMYK 23 / 0 / 25 / 84

HEX #1F281E

RGB 31 40 30

HSL 114, 0.14%, 0.14%

LAB 14.97, -6.46, 5.31

 

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

CMYK 23 / 0 / 25 / 66

HEX #435741

RGB 67 87 65

HSL 114.55, 0.14%, 0.3%

LAB 34.78, -12.59, 10.33

 

CMYK 23 / 0 / 25 / 57

HEX #556E53

RGB 85 110 83

HSL 115.56, 0.14%, 0.38%

LAB 43.81, -15.01, 12.12

 

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

CMYK 24 / 3 / 0 / 75

HEX #303D3F

RGB 48 61 63

HSL 188, 0.14%, 0.22%

LAB 24.72, -4.76, -3

 

CMYK 0 / 24 / 13 / 75

HEX #3F3037

RGB 63 48 55

HSL 332, 0.14%, 0.22%

LAB 21.75, 8.2, -1.84

 

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

CMYK 24 / 22 / 0 / 75

HEX #30313F

RGB 48 49 63

HSL 236, 0.14%, 0.22%

LAB 20.77, 3.22, -8.93

 

CMYK 0 / 24 / 22 / 75

HEX #3F3031

RGB 63 48 49

HSL 356, 0.14%, 0.22%

LAB 21.55, 7, 1.96

 

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

CMYK 24 / 3 / 0 / 75

HEX #303D3F

RGB 48 61 63

HSL 188, 0.14%, 0.22%

LAB 24.72, -4.76, -3

 

CMYK 2 / 24 / 0 / 75

HEX #3E303F

RGB 62 48 63

HSL 296, 0.14%, 0.22%

LAB 21.93, 9.55, -7.02

 

CMYK 0 / 21 / 24 / 75

HEX #3F3230

RGB 63 50 48

HSL 8, 0.14%, 0.22%

LAB 22.13, 5.47, 3.47

 

CMYK 22 / 0 / 24 / 75

HEX #313F30

RGB 49 63 48

HSL 116, 0.14%, 0.22%

LAB 25.02, -9.24, 7.37

 

CMYK 24 / 10 / 0 / 75

HEX #30393F

RGB 48 57 63

HSL 204, 0.14%, 0.22%

LAB 23.38, -2.16, -4.98

 

CMYK 2 / 24 / 0 / 75

HEX #3E303F

RGB 62 48 63

HSL 296, 0.14%, 0.22%

LAB 21.93, 9.55, -7.02

 

CMYK 0 / 13 / 24 / 75

HEX #3F3730

RGB 63 55 48

HSL 28, 0.14%, 0.22%

LAB 23.68, 2.15, 5.68

 

Description

Color code: HEX #313F30 | qconv.com Color code: HEX #313F30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 63 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 63 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 24 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 24% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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