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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #312342 it is the complementary color #CEDCBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #312342. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #312342 shade: #36233D, #473550, #584763, #695976 and #7A6B89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #312342. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #312342 shade: #312342, #20112F, #0F001C and #000009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #312342 shade: #312342, #392342, #422342, #42233A and #422332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #312342 shade: #312342, #282342 and #232342

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #312342 shade matches the following richer shades: #312342, #301A4B, #2F1253, #2F0A5B and #2E0263

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #312342 shade: #312342, #322B3A, #333332, #333B2A and #344421

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #312342 shade: #232542, #282342, #312342, #392342 and #422342

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #312342 shade: #09060C, #1D1427, #312342, #45315D and #593F78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #312342 shade: #312342, #42232E and #234224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #312342 shade: #312342, #423123 and #234231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #312342 shade: #312342, #42232E, #344223 and #234237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #312342 shade: #312342, #422324, #344223 and #234241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

Complementary color

CMYK 6 / 0 / 14 / 14

HEX #CEDCBD

RGB 206 220 189

HSL 87.1, 0.31%, 0.8%

LAB 86, -10.17, 13.65

 

CMYK 11 / 43 / 0 / 76

HEX #36233D

RGB 54 35 61

HSL 283.85, 0.27%, 0.19%

LAB 17.1, 14.72, -13.12

 

CMYK 11 / 34 / 0 / 69

HEX #473550

RGB 71 53 80

HSL 280, 0.2%, 0.26%

LAB 25.15, 13.87, -13.41

 

CMYK 11 / 28 / 0 / 61

HEX #584763

RGB 88 71 99

HSL 276.43, 0.16%, 0.33%

LAB 32.88, 13.17, -13.7

 

CMYK 11 / 25 / 0 / 54

HEX #695976

RGB 105 89 118

HSL 273.1, 0.14%, 0.41%

LAB 40.34, 12.57, -14

 

CMYK 11 / 22 / 0 / 46

HEX #7A6B89

RGB 122 107 137

HSL 270, 0.12%, 0.48%

LAB 47.57, 12.05, -14.32

 

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

CMYK 32 / 64 / 0 / 82

HEX #20112F

RGB 32 17 47

HSL 270, 0.47%, 0.13%

LAB 8.25, 15.35, -17.2

 

CMYK 46 / 100 / 0 / 89

HEX #0F001C

RGB 15 0 28

HSL 272.14, 1%, 0.05%

LAB 1.67, 9.44, -12.93

 

CMYK 100 / 100 / 0 / 96

HEX #000009

RGB 0 0 9

HSL 240, 1%, 0.02%

LAB 0.18, 1.25, -3.41

 

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

CMYK 14 / 47 / 0 / 74

HEX #392342

RGB 57 35 66

HSL 282.58, 0.31%, 0.2%

LAB 17.76, 17.13, -15.53

 

CMYK 0 / 47 / 0 / 74

HEX #422342

RGB 66 35 66

HSL 300, 0.31%, 0.2%

LAB 19.03, 20.45, -13.46

 

CMYK 0 / 47 / 12 / 74

HEX #42233A

RGB 66 35 58

HSL 315.48, 0.31%, 0.2%

LAB 18.65, 18.73, -8.51

 

CMYK 0 / 47 / 24 / 74

HEX #422332

RGB 66 35 50

HSL 330.97, 0.31%, 0.2%

LAB 18.32, 17.18, -3.41

 

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

CMYK 39 / 47 / 0 / 74

HEX #282342

RGB 40 35 66

HSL 249.68, 0.31%, 0.2%

LAB 15.73, 11.12, -18.86

 

CMYK 47 / 47 / 0 / 74

HEX #232342

RGB 35 35 66

HSL 240, 0.31%, 0.2%

LAB 15.24, 9.51, -19.67

 

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

CMYK 36 / 65 / 0 / 71

HEX #301A4B

RGB 48 26 75

HSL 266.94, 0.49%, 0.2%

LAB 14.82, 22.65, -26.48

 

CMYK 43 / 78 / 0 / 67

HEX #2F1253

RGB 47 18 83

HSL 266.77, 0.64%, 0.2%

LAB 13.6, 29.55, -33.93

 

CMYK 48 / 89 / 0 / 64

HEX #2F0A5B

RGB 47 10 91

HSL 267.41, 0.8%, 0.2%

LAB 13.09, 35.55, -40.19

 

CMYK 54 / 98 / 0 / 61

HEX #2E0263

RGB 46 2 99

HSL 267.22, 0.96%, 0.2%

LAB 12.77, 40.76, -46.08

 

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

CMYK 14 / 26 / 0 / 77

HEX #322B3A

RGB 50 43 58

HSL 268, 0.15%, 0.2%

LAB 18.85, 6.8, -8.4

 

CMYK 0 / 0 / 2 / 80

HEX #333332

RGB 51 51 50

HSL 60, 0.01%, 0.2%

LAB 21.21, -0.23, 0.63

 

CMYK 14 / 0 / 29 / 77

HEX #333B2A

RGB 51 59 42

HSL 88.24, 0.17%, 0.2%

LAB 23.67, -7.09, 9.46

 

CMYK 24 / 0 / 51 / 73

HEX #344421

RGB 52 68 33

HSL 87.43, 0.35%, 0.2%

LAB 26.66, -13.55, 19.07

 

CMYK 47 / 44 / 0 / 74

HEX #232542

RGB 35 37 66

HSL 236.13, 0.31%, 0.2%

LAB 15.87, 8.04, -18.67

 

CMYK 39 / 47 / 0 / 74

HEX #282342

RGB 40 35 66

HSL 249.68, 0.31%, 0.2%

LAB 15.73, 11.12, -18.86

 

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

CMYK 14 / 47 / 0 / 74

HEX #392342

RGB 57 35 66

HSL 282.58, 0.31%, 0.2%

LAB 17.76, 17.13, -15.53

 

CMYK 0 / 47 / 0 / 74

HEX #422342

RGB 66 35 66

HSL 300, 0.31%, 0.2%

LAB 19.03, 20.45, -13.46

 

CMYK 25 / 50 / 0 / 95

HEX #09060C

RGB 9 6 12

HSL 270, 0.33%, 0.04%

LAB 1.94, 1.64, -2.04

 

CMYK 26 / 49 / 0 / 85

HEX #1D1427

RGB 29 20 39

HSL 268.42, 0.32%, 0.12%

LAB 8.2, 9.57, -11.36

 

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

CMYK 26 / 47 / 0 / 64

HEX #45315D

RGB 69 49 93

HSL 267.27, 0.31%, 0.28%

LAB 24.49, 19.21, -23.02

 

CMYK 26 / 48 / 0 / 53

HEX #593F78

RGB 89 63 120

HSL 267.37, 0.31%, 0.36%

LAB 31.89, 23.89, -28.48

 

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

CMYK 0 / 47 / 30 / 74

HEX #42232E

RGB 66 35 46

HSL 338.71, 0.31%, 0.2%

LAB 18.18, 16.47, -0.82

 

CMYK 47 / 0 / 45 / 74

HEX #234224

RGB 35 66 36

HSL 121.94, 0.31%, 0.2%

LAB 24.89, -18.96, 14.75

 

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

CMYK 0 / 26 / 47 / 74

HEX #423123

RGB 66 49 35

HSL 27.1, 0.31%, 0.2%

LAB 21.86, 5.48, 11.9

 

CMYK 47 / 0 / 26 / 74

HEX #234231

RGB 35 66 49

HSL 147.1, 0.31%, 0.2%

LAB 25.18, -16.14, 6.81

 

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

CMYK 0 / 47 / 30 / 74

HEX #42232E

RGB 66 35 46

HSL 338.71, 0.31%, 0.2%

LAB 18.18, 16.47, -0.82

 

CMYK 21 / 0 / 47 / 74

HEX #344223

RGB 52 66 35

HSL 87.1, 0.31%, 0.2%

LAB 26, -12.09, 17.03

 

CMYK 47 / 0 / 17 / 74

HEX #234237

RGB 35 66 55

HSL 158.71, 0.31%, 0.2%

LAB 25.35, -14.61, 3.12

 

CMYK 26 / 47 / 0 / 74

HEX #312342

RGB 49 35 66

HSL 267.1, 0.31%, 0.2%

LAB 16.74, 14.23, -17.2

 

CMYK 0 / 47 / 45 / 74

HEX #422324

RGB 66 35 36

HSL 358.06, 0.31%, 0.2%

LAB 17.86, 14.92, 5.77

 

CMYK 21 / 0 / 47 / 74

HEX #344223

RGB 52 66 35

HSL 87.1, 0.31%, 0.2%

LAB 26, -12.09, 17.03

 

CMYK 47 / 0 / 2 / 74

HEX #234241

RGB 35 66 65

HSL 178.06, 0.31%, 0.2%

LAB 25.67, -11.77, -3

 

Description

Color code: HEX #312342 | qconv.com Color code: HEX #312342 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 35 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 35 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 47 magenta, none yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 47% 0% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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