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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #312177 it is the complementary color #CEDE88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #312177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #312177 shade: #362172, #473385, #584598, #6957AB and #7A69BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #312177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #312177 shade: #312177, #200F64, #0F0051, #00003E and #00002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #312177 shade: #312078, #482078, #602078, #772078 and #782061

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #312177 shade: #312078 and #202078

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #312177 shade matches the following richer shades: #312078, #291484 and #210890

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #312177 shade: #312078, #382D6B, #40395F, #484652 and #505246

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #312177 shade: #203F78, #202878, #302078, #482078 and #5F2078

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #312177 shade: #160F37, #231857, #312078, #3E2998 and #4B32B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #312177 shade: #312177, #782056 and #337820

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #312177 shade: #312177, #783020 and #207830

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #312177 shade: #312177, #782056, #687820 and #207842

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #312177 shade: #312177, #78203C, #687820 and #20785C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 72 / 0 / 53

HEX #312177

RGB 49 33 119

HSL 251.16, 0.57%, 0.3%

LAB 20.33, 32.48, -46.66

 

Complementary color

CMYK 7 / 0 / 39 / 13

HEX #CEDE88

RGB 206 222 136

HSL 71.16, 0.57%, 0.7%

LAB 85.58, -18.61, 40.38

 

CMYK 53 / 71 / 0 / 55

HEX #362172

RGB 54 33 114

HSL 255.56, 0.55%, 0.29%

LAB 20.39, 31.77, -43.34

 

CMYK 47 / 62 / 0 / 48

HEX #473385

RGB 71 51 133

HSL 254.63, 0.45%, 0.36%

LAB 27.85, 30.27, -43.18

 

CMYK 42 / 55 / 0 / 40

HEX #584598

RGB 88 69 152

HSL 253.73, 0.38%, 0.43%

LAB 35.2, 28.89, -42.93

 

CMYK 39 / 49 / 0 / 33

HEX #6957AB

RGB 105 87 171

HSL 252.86, 0.33%, 0.51%

LAB 42.4, 27.68, -42.69

 

CMYK 36 / 45 / 0 / 25

HEX #7A69BE

RGB 122 105 190

HSL 252, 0.4%, 0.58%

LAB 49.45, 26.62, -42.49

 

CMYK 59 / 72 / 0 / 53

HEX #312177

RGB 49 33 119

HSL 251.16, 0.57%, 0.3%

LAB 20.33, 32.48, -46.66

 

CMYK 68 / 85 / 0 / 61

HEX #200F64

RGB 32 15 100

HSL 252, 0.74%, 0.23%

LAB 13.04, 34.01, -46.35

 

CMYK 81 / 100 / 0 / 68

HEX #0F0051

RGB 15 0 81

HSL 251.11, 1%, 0.16%

LAB 6.28, 34.25, -44.75

 

CMYK 100 / 100 / 0 / 76

HEX #00003E

RGB 0 0 62

HSL 240, 1%, 0.12%

LAB 3.14, 22.06, -36.55

 

CMYK 100 / 100 / 0 / 83

HEX #00002B

RGB 0 0 43

HSL 240, 1%, 0.08%

LAB 1.58, 11.07, -24.95

 

CMYK 59 / 73 / 0 / 53

HEX #312078

RGB 49 32 120

HSL 251.59, 0.58%, 0.3%

LAB 20.21, 33.4, -47.5

 

CMYK 40 / 73 / 0 / 53

HEX #482078

RGB 72 32 120

HSL 267.27, 0.58%, 0.3%

LAB 22.89, 37.69, -43.03

 

CMYK 20 / 73 / 0 / 53

HEX #602078

RGB 96 32 120

HSL 283.64, 0.58%, 0.3%

LAB 26.38, 42.93, -37.21

 

CMYK 1 / 73 / 0 / 53

HEX #772078

RGB 119 32 120

HSL 299.32, 0.58%, 0.3%

LAB 30.18, 48.33, -30.91

 

CMYK 0 / 73 / 19 / 53

HEX #782061

RGB 120 32 97

HSL 315.68, 0.58%, 0.3%

LAB 29.13, 44.77, -17.8

 

CMYK 59 / 73 / 0 / 53

HEX #312078

RGB 49 32 120

HSL 251.59, 0.58%, 0.3%

LAB 20.21, 33.4, -47.5

 

CMYK 73 / 73 / 0 / 53

HEX #202078

RGB 32 32 120

HSL 240, 0.58%, 0.3%

LAB 18.78, 30.98, -49.9

 

CMYK 59 / 73 / 0 / 53

HEX #312078

RGB 49 32 120

HSL 251.59, 0.58%, 0.3%

LAB 20.21, 33.4, -47.5

 

CMYK 69 / 85 / 0 / 48

HEX #291484

RGB 41 20 132

HSL 251.25, 0.74%, 0.3%

LAB 18.53, 42.54, -57.93

 

CMYK 77 / 94 / 0 / 44

HEX #210890

RGB 33 8 144

HSL 251.03, 0.89%, 0.3%

LAB 17.97, 49.85, -66.41

 

CMYK 59 / 73 / 0 / 53

HEX #312078

RGB 49 32 120

HSL 251.59, 0.58%, 0.3%

LAB 20.21, 33.4, -47.5

 

CMYK 48 / 58 / 0 / 58

HEX #382D6B

RGB 56 45 107

HSL 250.65, 0.41%, 0.3%

LAB 22.93, 22.3, -34.7

 

CMYK 33 / 40 / 0 / 63

HEX #40395F

RGB 64 57 95

HSL 251.05, 0.25%, 0.3%

LAB 26.28, 12.81, -21.54

 

CMYK 12 / 15 / 0 / 68

HEX #484652

RGB 72 70 82

HSL 250, 0.08%, 0.3%

LAB 30.32, 3.61, -6.85

 

CMYK 2 / 0 / 15 / 68

HEX #505246

RGB 80 82 70

HSL 70, 0.08%, 0.3%

LAB 34.36, -3.27, 6.78

 

CMYK 73 / 48 / 0 / 53

HEX #203F78

RGB 32 63 120

HSL 218.86, 0.58%, 0.3%

LAB 27.35, 9.59, -35.98

 

CMYK 73 / 67 / 0 / 53

HEX #202878

RGB 32 40 120

HSL 234.55, 0.58%, 0.3%

LAB 20.75, 25.68, -46.67

 

CMYK 60 / 73 / 0 / 53

HEX #302078

RGB 48 32 120

HSL 250.91, 0.58%, 0.3%

LAB 20.11, 33.24, -47.67

 

CMYK 40 / 73 / 0 / 53

HEX #482078

RGB 72 32 120

HSL 267.27, 0.58%, 0.3%

LAB 22.89, 37.69, -43.03

 

CMYK 21 / 73 / 0 / 53

HEX #5F2078

RGB 95 32 120

HSL 282.95, 0.58%, 0.3%

LAB 26.22, 42.71, -37.47

 

CMYK 60 / 73 / 0 / 78

HEX #160F37

RGB 22 15 55

HSL 250.5, 0.57%, 0.14%

LAB 7.12, 16.5, -24.94

 

CMYK 60 / 72 / 0 / 66

HEX #231857

RGB 35 24 87

HSL 250.48, 0.57%, 0.22%

LAB 13.82, 24.78, -36.35

 

CMYK 59 / 73 / 0 / 53

HEX #312078

RGB 49 32 120

HSL 251.59, 0.58%, 0.3%

LAB 20.21, 33.4, -47.5

 

CMYK 59 / 73 / 0 / 40

HEX #3E2998

RGB 62 41 152

HSL 251.35, 0.58%, 0.38%

LAB 26.38, 40.45, -57.36

 

CMYK 59 / 73 / 0 / 28

HEX #4B32B8

RGB 75 50 184

HSL 251.19, 0.57%, 0.46%

LAB 32.34, 47.21, -66.8

 

CMYK 59 / 72 / 0 / 53

HEX #312177

RGB 49 33 119

HSL 251.16, 0.57%, 0.3%

LAB 20.33, 32.48, -46.66

 

CMYK 0 / 73 / 28 / 53

HEX #782056

RGB 120 32 86

HSL 323.18, 0.58%, 0.3%

LAB 28.64, 43.18, -11.37

 

CMYK 58 / 0 / 73 / 53

HEX #337820

RGB 51 120 32

HSL 107.05, 0.58%, 0.3%

LAB 44.58, -38.9, 39.8

 

CMYK 59 / 72 / 0 / 53

HEX #312177

RGB 49 33 119

HSL 251.16, 0.57%, 0.3%

LAB 20.33, 32.48, -46.66

 

CMYK 0 / 60 / 73 / 53

HEX #783020

RGB 120 48 32

HSL 10.91, 0.58%, 0.3%

LAB 29.94, 30.42, 25.68

 

CMYK 73 / 0 / 60 / 53

HEX #207830

RGB 32 120 48

HSL 130.91, 0.58%, 0.3%

LAB 44.17, -41.63, 31.75

 

CMYK 59 / 72 / 0 / 53

HEX #312177

RGB 49 33 119

HSL 251.16, 0.57%, 0.3%

LAB 20.33, 32.48, -46.66

 

CMYK 0 / 73 / 28 / 53

HEX #782056

RGB 120 32 86

HSL 323.18, 0.58%, 0.3%

LAB 28.64, 43.18, -11.37

 

CMYK 13 / 0 / 73 / 53

HEX #687820

RGB 104 120 32

HSL 70.91, 0.58%, 0.3%

LAB 47.6, -18.61, 43.84

 

CMYK 73 / 0 / 45 / 53

HEX #207842

RGB 32 120 66

HSL 143.18, 0.58%, 0.3%

LAB 44.42, -38.66, 22.4

 

CMYK 59 / 72 / 0 / 53

HEX #312177

RGB 49 33 119

HSL 251.16, 0.57%, 0.3%

LAB 20.33, 32.48, -46.66

 

CMYK 0 / 73 / 50 / 53

HEX #78203C

RGB 120 32 60

HSL 340.91, 0.58%, 0.3%

LAB 27.72, 40.12, 4.58

 

CMYK 13 / 0 / 73 / 53

HEX #687820

RGB 104 120 32

HSL 70.91, 0.58%, 0.3%

LAB 47.6, -18.61, 43.84

 

CMYK 73 / 0 / 23 / 53

HEX #20785C

RGB 32 120 92

HSL 160.91, 0.58%, 0.3%

LAB 44.96, -32.82, 8.06

 

Description

Color code: HEX #312177 | qconv.com Color code: HEX #312177 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 33 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 33 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 72 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 72% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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