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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #312559 it is the complementary color #CEDAA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #312559. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #312559 shade: #362554, #473767, #58497A, #695B8D and #7A6DA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #312559. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #312559 shade: #312559, #201346, #0F0133, #000020 and #00000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #312559 shade: #312559, #3F2559, #4D2559, #592557 and #592549

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #312559 shade: #312559 and #252559

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #312559 shade matches the following richer shades: #312559, #2C1B64, #26106E and #210678

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #312559 shade: #312559, #372F4F, #3C3A45, #42443A and #474E30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #312559 shade: #253659, #252859, #302559, #3E2559 and #4C2559

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #312559 shade: #110D1F, #21193C, #312559, #413176 and #513D94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #312559 shade: #312559, #592544 and #2F5925

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #312559 shade: #312559, #593025 and #255930

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #312559 shade: #312559, #592544, #4E5925 and #25593B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #312559 shade: #312559, #592534, #4E5925 and #25594B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 58 / 0 / 65

HEX #312559

RGB 49 37 89

HSL 253.85, 0.41%, 0.25%

LAB 18.79, 19.98, -29.57

 

Complementary color

CMYK 6 / 0 / 24 / 15

HEX #CEDAA6

RGB 206 218 166

HSL 73.85, 0.41%, 0.75%

LAB 85.01, -12.72, 24.3

 

CMYK 36 / 56 / 0 / 67

HEX #362554

RGB 54 37 84

HSL 261.7, 0.39%, 0.24%

LAB 19, 19.84, -25.85

 

CMYK 31 / 47 / 0 / 60

HEX #473767

RGB 71 55 103

HSL 260, 0.3%, 0.31%

LAB 26.88, 18.72, -25.72

 

CMYK 28 / 40 / 0 / 52

HEX #58497A

RGB 88 73 122

HSL 258.37, 0.25%, 0.38%

LAB 34.49, 17.79, -25.65

 

CMYK 26 / 35 / 0 / 45

HEX #695B8D

RGB 105 91 141

HSL 256.8, 0.22%, 0.45%

LAB 41.86, 17, -25.64

 

CMYK 24 / 32 / 0 / 37

HEX #7A6DA0

RGB 122 109 160

HSL 255.29, 0.21%, 0.53%

LAB 49.02, 16.33, -25.69

 

CMYK 45 / 58 / 0 / 65

HEX #312559

RGB 49 37 89

HSL 253.85, 0.41%, 0.25%

LAB 18.79, 19.98, -29.57

 

CMYK 54 / 73 / 0 / 73

HEX #201346

RGB 32 19 70

HSL 255.29, 0.57%, 0.17%

LAB 10.67, 21.56, -29.82

 

CMYK 71 / 98 / 0 / 80

HEX #0F0133

RGB 15 1 51

HSL 256.8, 0.96%, 0.1%

LAB 3.27, 18.89, -28.23

 

CMYK 100 / 100 / 0 / 87

HEX #000020

RGB 0 0 32

HSL 240, 1%, 0.06%

LAB 0.94, 6.62, -17.34

 

CMYK 100 / 100 / 0 / 95

HEX #00000D

RGB 0 0 13

HSL 240, 1%, 0.03%

LAB 0.26, 1.84, -5.02

 

CMYK 45 / 58 / 0 / 65

HEX #312559

RGB 49 37 89

HSL 253.85, 0.41%, 0.25%

LAB 18.79, 19.98, -29.57

 

CMYK 29 / 58 / 0 / 65

HEX #3F2559

RGB 63 37 89

HSL 270, 0.41%, 0.25%

LAB 20.44, 23.99, -26.83

 

CMYK 13 / 58 / 0 / 65

HEX #4D2559

RGB 77 37 89

HSL 286.15, 0.41%, 0.25%

LAB 22.38, 28.26, -23.64

 

CMYK 0 / 58 / 2 / 65

HEX #592557

RGB 89 37 87

HSL 302.31, 0.41%, 0.25%

LAB 24.11, 31.59, -19.46

 

CMYK 0 / 58 / 18 / 65

HEX #592549

RGB 89 37 73

HSL 318.46, 0.41%, 0.25%

LAB 23.43, 28.94, -11.15

 

CMYK 45 / 58 / 0 / 65

HEX #312559

RGB 49 37 89

HSL 253.85, 0.41%, 0.25%

LAB 18.79, 19.98, -29.57

 

CMYK 58 / 58 / 0 / 65

HEX #252559

RGB 37 37 89

HSL 240, 0.41%, 0.25%

LAB 17.63, 16.94, -31.49

 

CMYK 45 / 58 / 0 / 65

HEX #312559

RGB 49 37 89

HSL 253.85, 0.41%, 0.25%

LAB 18.79, 19.98, -29.57

 

CMYK 56 / 73 / 0 / 61

HEX #2C1B64

RGB 44 27 100

HSL 253.97, 0.57%, 0.25%

LAB 16.7, 28.99, -40.29

 

CMYK 65 / 85 / 0 / 57

HEX #26106E

RGB 38 16 110

HSL 254.04, 0.75%, 0.25%

LAB 15, 37.34, -49.66

 

CMYK 73 / 95 / 0 / 53

HEX #210678

RGB 33 6 120

HSL 254.21, 0.9%, 0.25%

LAB 14.45, 43.83, -57.06

 

CMYK 45 / 58 / 0 / 65

HEX #312559

RGB 49 37 89

HSL 253.85, 0.41%, 0.25%

LAB 18.79, 19.98, -29.57

 

CMYK 30 / 41 / 0 / 69

HEX #372F4F

RGB 55 47 79

HSL 255, 0.25%, 0.25%

LAB 21.62, 11.83, -18.37

 

CMYK 13 / 16 / 0 / 73

HEX #3C3A45

RGB 60 58 69

HSL 250.91, 0.09%, 0.25%

LAB 25, 3.48, -6.45

 

CMYK 3 / 0 / 15 / 73

HEX #42443A

RGB 66 68 58

HSL 72, 0.08%, 0.25%

LAB 28.37, -2.96, 5.78

 

CMYK 9 / 0 / 38 / 69

HEX #474E30

RGB 71 78 48

HSL 74, 0.24%, 0.25%

LAB 31.81, -8.6, 16.85

 

CMYK 58 / 39 / 0 / 65

HEX #253659

RGB 37 54 89

HSL 220.38, 0.41%, 0.25%

LAB 22.84, 4.84, -23.19

 

CMYK 58 / 55 / 0 / 65

HEX #252859

RGB 37 40 89

HSL 236.54, 0.41%, 0.25%

LAB 18.51, 14.79, -30.09

 

CMYK 46 / 58 / 0 / 65

HEX #302559

RGB 48 37 89

HSL 252.69, 0.41%, 0.25%

LAB 18.68, 19.71, -29.75

 

CMYK 30 / 58 / 0 / 65

HEX #3E2559

RGB 62 37 89

HSL 268.85, 0.41%, 0.25%

LAB 20.32, 23.69, -27.04

 

CMYK 15 / 58 / 0 / 65

HEX #4C2559

RGB 76 37 89

HSL 285, 0.41%, 0.25%

LAB 22.23, 27.95, -23.88

 

CMYK 45 / 58 / 0 / 88

HEX #110D1F

RGB 17 13 31

HSL 253.33, 0.41%, 0.09%

LAB 4.57, 5.8, -10.95

 

CMYK 45 / 58 / 0 / 76

HEX #21193C

RGB 33 25 60

HSL 253.71, 0.41%, 0.17%

LAB 11.59, 14.14, -21.28

 

CMYK 45 / 58 / 0 / 65

HEX #312559

RGB 49 37 89

HSL 253.85, 0.41%, 0.25%

LAB 18.79, 19.98, -29.57

 

CMYK 45 / 58 / 0 / 54

HEX #413176

RGB 65 49 118

HSL 253.91, 0.41%, 0.33%

LAB 25.65, 25.45, -37.32

 

CMYK 45 / 59 / 0 / 42

HEX #513D94

RGB 81 61 148

HSL 253.79, 0.42%, 0.41%

LAB 32.31, 30.96, -45.18

 

CMYK 45 / 58 / 0 / 65

HEX #312559

RGB 49 37 89

HSL 253.85, 0.41%, 0.25%

LAB 18.79, 19.98, -29.57

 

CMYK 0 / 58 / 24 / 65

HEX #592544

RGB 89 37 68

HSL 324.23, 0.41%, 0.25%

LAB 23.22, 28.09, -8.1

 

CMYK 47 / 0 / 58 / 65

HEX #2F5925

RGB 47 89 37

HSL 108.46, 0.41%, 0.25%

LAB 33.74, -26.06, 25.32

 

CMYK 45 / 58 / 0 / 65

HEX #312559

RGB 49 37 89

HSL 253.85, 0.41%, 0.25%

LAB 18.79, 19.98, -29.57

 

CMYK 0 / 46 / 58 / 65

HEX #593025

RGB 89 48 37

HSL 12.69, 0.41%, 0.25%

LAB 24.86, 17.39, 15.14

 

CMYK 58 / 0 / 46 / 65

HEX #255930

RGB 37 89 48

HSL 132.69, 0.41%, 0.25%

LAB 33.46, -27.49, 18.59

 

CMYK 45 / 58 / 0 / 65

HEX #312559

RGB 49 37 89

HSL 253.85, 0.41%, 0.25%

LAB 18.79, 19.98, -29.57

 

CMYK 0 / 58 / 24 / 65

HEX #592544

RGB 89 37 68

HSL 324.23, 0.41%, 0.25%

LAB 23.22, 28.09, -8.1

 

CMYK 12 / 0 / 58 / 65

HEX #4E5925

RGB 78 89 37

HSL 72.69, 0.41%, 0.25%

LAB 35.79, -13.16, 28.24

 

CMYK 58 / 0 / 34 / 65

HEX #25593B

RGB 37 89 59

HSL 145.38, 0.41%, 0.25%

LAB 33.68, -25.23, 12.24

 

CMYK 45 / 58 / 0 / 65

HEX #312559

RGB 49 37 89

HSL 253.85, 0.41%, 0.25%

LAB 18.79, 19.98, -29.57

 

CMYK 0 / 58 / 42 / 65

HEX #592534

RGB 89 37 52

HSL 342.69, 0.41%, 0.25%

LAB 22.64, 25.7, 1.97

 

CMYK 12 / 0 / 58 / 65

HEX #4E5925

RGB 78 89 37

HSL 72.69, 0.41%, 0.25%

LAB 35.79, -13.16, 28.24

 

CMYK 58 / 0 / 16 / 65

HEX #25594B

RGB 37 89 75

HSL 163.85, 0.41%, 0.25%

LAB 34.08, -21.23, 2.88

 

Description

Color code: HEX #312559 | qconv.com Color code: HEX #312559 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 37 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 37 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 58 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 58% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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