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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #311924 it is the complementary color #CEE6DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #311924. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #311924 shade: #36191F, #472B32, #583D45, #694F58 and #7A616B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #311924. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #311924 shade: #311924, #200711 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #311924 shade: #321A25, #321A1E and #321A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #311924 shade: #321A25, #321A2B, #321A32, #2B1A32 and #251A32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #311924 shade matches the following richer shades: #321A25, #381324, #3E0D24, #450723 and #4B0123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #311924 shade: #321A25, #2C2025, #262626, #1F2C26 and #193227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #311924 shade: #321A32, #321A2B, #321A25, #321A1E and #321B1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #311924 shade: #311924, #322B1A and #1A2F32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #311924 shade: #311924, #25321A and #1A2532

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #311924 shade: #311924, #322B1A, #1A3227 and #1A2032

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #311924 shade: #311924, #31321A, #1A3227 and #1A1A32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 27 / 81

HEX #311924

RGB 49 25 36

HSL 332.5, 0.32%, 0.15%

LAB 12.45, 13.83, -2.38

 

Complementary color

CMYK 10 / 0 / 5 / 10

HEX #CEE6DB

RGB 206 230 219

HSL 152.5, 0.32%, 0.85%

LAB 89.31, -9.98, 2.66

 

CMYK 0 / 54 / 43 / 79

HEX #36191F

RGB 54 25 31

HSL 347.59, 0.37%, 0.15%

LAB 13.1, 15.24, 2.34

 

CMYK 0 / 39 / 30 / 72

HEX #472B32

RGB 71 43 50

HSL 345, 0.25%, 0.22%

LAB 21.2, 14.13, 0.9

 

CMYK 0 / 31 / 22 / 65

HEX #583D45

RGB 88 61 69

HSL 342.22, 0.18%, 0.29%

LAB 29.01, 13.23, -0.16

 

CMYK 0 / 25 / 16 / 59

HEX #694F58

RGB 105 79 88

HSL 339.23, 0.14%, 0.36%

LAB 36.56, 12.49, -1.05

 

CMYK 0 / 20 / 12 / 52

HEX #7A616B

RGB 122 97 107

HSL 336, 0.11%, 0.43%

LAB 43.87, 11.87, -1.82

 

CMYK 0 / 49 / 27 / 81

HEX #311924

RGB 49 25 36

HSL 332.5, 0.32%, 0.15%

LAB 12.45, 13.83, -2.38

 

CMYK 0 / 78 / 47 / 87

HEX #200711

RGB 32 7 17

HSL 336, 0.64%, 0.08%

LAB 4.51, 12.21, -0.6

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 48 / 26 / 80

HEX #321A25

RGB 50 26 37

HSL 332.5, 0.32%, 0.15%

LAB 12.93, 13.79, -2.39

 

CMYK 0 / 48 / 40 / 80

HEX #321A1E

RGB 50 26 30

HSL 350, 0.32%, 0.15%

LAB 12.68, 12.55, 2.38

 

CMYK 0 / 48 / 48 / 80

HEX #321A1A

RGB 50 26 26

HSL 0, 0.32%, 0.15%

LAB 12.55, 11.93, 5.14

 

CMYK 0 / 48 / 26 / 80

HEX #321A25

RGB 50 26 37

HSL 332.5, 0.32%, 0.15%

LAB 12.93, 13.79, -2.39

 

CMYK 0 / 48 / 14 / 80

HEX #321A2B

RGB 50 26 43

HSL 317.5, 0.32%, 0.15%

LAB 13.18, 15, -6.39

 

CMYK 0 / 48 / 0 / 80

HEX #321A32

RGB 50 26 50

HSL 300, 0.32%, 0.15%

LAB 13.51, 16.57, -10.94

 

CMYK 14 / 48 / 0 / 80

HEX #2B1A32

RGB 43 26 50

HSL 282.5, 0.32%, 0.15%

LAB 12.5, 13.84, -12.6

 

CMYK 26 / 48 / 0 / 80

HEX #251A32

RGB 37 26 50

HSL 267.5, 0.32%, 0.15%

LAB 11.71, 11.55, -13.89

 

CMYK 0 / 48 / 26 / 80

HEX #321A25

RGB 50 26 37

HSL 332.5, 0.32%, 0.15%

LAB 12.93, 13.79, -2.39

 

CMYK 0 / 66 / 36 / 78

HEX #381324

RGB 56 19 36

HSL 332.43, 0.49%, 0.15%

LAB 12.18, 20.64, -2.65

 

CMYK 0 / 79 / 42 / 76

HEX #3E0D24

RGB 62 13 36

HSL 331.84, 0.65%, 0.15%

LAB 12.22, 26.05, -2.47

 

CMYK 0 / 90 / 49 / 73

HEX #450723

RGB 69 7 35

HSL 332.9, 0.82%, 0.15%

LAB 12.85, 30.68, -0.61

 

CMYK 0 / 99 / 53 / 71

HEX #4B0123

RGB 75 1 35

HSL 332.43, 0.97%, 0.15%

LAB 13.47, 34.71, 0.46

 

CMYK 0 / 48 / 26 / 80

HEX #321A25

RGB 50 26 37

HSL 332.5, 0.32%, 0.15%

LAB 12.93, 13.79, -2.39

 

CMYK 0 / 27 / 16 / 83

HEX #2C2025

RGB 44 32 37

HSL 335, 0.16%, 0.15%

LAB 13.84, 6.82, -1.14

 

CMYK 0 / 0 / 0 / 85

HEX #262626

RGB 38 38 38

HSL 0, 0%, 0.15%

LAB 15.16, 0, -0

 

CMYK 30 / 0 / 14 / 83

HEX #1F2C26

RGB 31 44 38

HSL 152.31, 0.17%, 0.15%

LAB 16.66, -7.13, 2.1

 

CMYK 50 / 0 / 22 / 80

HEX #193227

RGB 25 50 39

HSL 153.6, 0.33%, 0.15%

LAB 18.52, -12.89, 4

 

CMYK 0 / 48 / 0 / 80

HEX #321A32

RGB 50 26 50

HSL 300, 0.32%, 0.15%

LAB 13.51, 16.57, -10.94

 

CMYK 0 / 48 / 14 / 80

HEX #321A2B

RGB 50 26 43

HSL 317.5, 0.32%, 0.15%

LAB 13.18, 15, -6.39

 

CMYK 0 / 48 / 26 / 80

HEX #321A25

RGB 50 26 37

HSL 332.5, 0.32%, 0.15%

LAB 12.93, 13.79, -2.39

 

CMYK 0 / 48 / 40 / 80

HEX #321A1E

RGB 50 26 30

HSL 350, 0.32%, 0.15%

LAB 12.68, 12.55, 2.38

 

CMYK 0 / 46 / 48 / 80

HEX #321B1A

RGB 50 27 26

HSL 2.5, 0.32%, 0.15%

LAB 12.84, 11.25, 5.54

 

CMYK 0 / 49 / 27 / 81

HEX #311924

RGB 49 25 36

HSL 332.5, 0.32%, 0.15%

LAB 12.45, 13.83, -2.38

 

CMYK 0 / 14 / 48 / 80

HEX #322B1A

RGB 50 43 26

HSL 42.5, 0.32%, 0.15%

LAB 17.83, 0.17, 12.25

 

CMYK 48 / 6 / 0 / 80

HEX #1A2F32

RGB 26 47 50

HSL 187.5, 0.32%, 0.15%

LAB 17.84, -7.41, -4.57

 

CMYK 0 / 49 / 27 / 81

HEX #311924

RGB 49 25 36

HSL 332.5, 0.32%, 0.15%

LAB 12.45, 13.83, -2.38

 

CMYK 26 / 0 / 48 / 80

HEX #25321A

RGB 37 50 26

HSL 92.5, 0.32%, 0.15%

LAB 19.01, -10.82, 13.53

 

CMYK 48 / 26 / 0 / 80

HEX #1A2532

RGB 26 37 50

HSL 212.5, 0.32%, 0.15%

LAB 14.25, -0.57, -10.03

 

CMYK 0 / 49 / 27 / 81

HEX #311924

RGB 49 25 36

HSL 332.5, 0.32%, 0.15%

LAB 12.45, 13.83, -2.38

 

CMYK 0 / 14 / 48 / 80

HEX #322B1A

RGB 50 43 26

HSL 42.5, 0.32%, 0.15%

LAB 17.83, 0.17, 12.25

 

CMYK 48 / 0 / 22 / 80

HEX #1A3227

RGB 26 50 39

HSL 152.5, 0.32%, 0.15%

LAB 18.57, -12.54, 4.09

 

CMYK 48 / 36 / 0 / 80

HEX #1A2032

RGB 26 32 50

HSL 225, 0.32%, 0.15%

LAB 12.5, 3.08, -12.74

 

CMYK 0 / 49 / 27 / 81

HEX #311924

RGB 49 25 36

HSL 332.5, 0.32%, 0.15%

LAB 12.45, 13.83, -2.38

 

CMYK 2 / 0 / 48 / 80

HEX #31321A

RGB 49 50 26

HSL 62.5, 0.32%, 0.15%

LAB 20.08, -4.98, 15.11

 

CMYK 48 / 0 / 22 / 80

HEX #1A3227

RGB 26 50 39

HSL 152.5, 0.32%, 0.15%

LAB 18.57, -12.54, 4.09

 

CMYK 48 / 48 / 0 / 80

HEX #1A1A32

RGB 26 26 50

HSL 240, 0.32%, 0.15%

LAB 10.47, 7.61, -15.91

 

Description

Color code: HEX #311924 | qconv.com Color code: HEX #311924 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 25 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 25 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 27 yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 27% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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