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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #311647 it is the complementary color #CEE9B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #311647. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #311647 shade: #361642, #472855, #583A68, #694C7B and #7A5E8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #311647. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #311647 shade: #311647, #200434, #0F0021 and #00000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #311647 shade: #301546, #3D1546, #461541, #461534 and #461527

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #311647 shade: #301546, #231546, #161546 and #151546

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #311647 shade matches the following richer shades: #301546, #310E4D and #310655

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #311647 shade: #301546, #2F1C3E, #2E2437, #2E2B2F and #2D3328

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #311647 shade: #161546, #231546, #301546, #3D1546 and #461542

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #311647 shade: #040207, #1A0B26, #301546, #461F65 and #5B2885

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #311647 shade: #311647, #461521 and #15461C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #311647 shade: #311647, #463015 and #154630

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #311647 shade: #311647, #461521, #2B4615 and #15463A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #311647 shade: #311647, #461815, #2B4615 and #154346

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 69 / 0 / 72

HEX #311647

RGB 49 22 71

HSL 273.06, 0.53%, 0.18%

LAB 13.72, 24.29, -25.47

 

Complementary color

CMYK 12 / 0 / 21 / 9

HEX #CEE9B8

RGB 206 233 184

HSL 93.06, 0.53%, 0.82%

LAB 89.33, -17.48, 20.92

 

CMYK 18 / 67 / 0 / 74

HEX #361642

RGB 54 22 66

HSL 283.64, 0.5%, 0.17%

LAB 14.12, 24.42, -21.29

 

CMYK 16 / 53 / 0 / 67

HEX #472855

RGB 71 40 85

HSL 281.33, 0.36%, 0.25%

LAB 21.99, 23.55, -21.65

 

CMYK 15 / 44 / 0 / 59

HEX #583A68

RGB 88 58 104

HSL 279.13, 0.28%, 0.32%

LAB 29.66, 22.63, -21.85

 

CMYK 15 / 38 / 0 / 52

HEX #694C7B

RGB 105 76 123

HSL 277.02, 0.24%, 0.39%

LAB 37.12, 21.77, -22.03

 

CMYK 14 / 34 / 0 / 44

HEX #7A5E8E

RGB 122 94 142

HSL 275, 0.2%, 0.46%

LAB 44.37, 21.01, -22.21

 

CMYK 31 / 69 / 0 / 72

HEX #311647

RGB 49 22 71

HSL 273.06, 0.53%, 0.18%

LAB 13.72, 24.29, -25.47

 

CMYK 38 / 92 / 0 / 80

HEX #200434

RGB 32 4 52

HSL 275, 0.86%, 0.11%

LAB 5.8, 24.35, -24.81

 

CMYK 55 / 100 / 0 / 87

HEX #0F0021

RGB 15 0 33

HSL 267.27, 1%, 0.06%

LAB 1.91, 11.09, -16.58

 

CMYK 100 / 100 / 0 / 95

HEX #00000E

RGB 0 0 14

HSL 240, 1%, 0.03%

LAB 0.29, 2.01, -5.48

 

CMYK 31 / 70 / 0 / 73

HEX #301546

RGB 48 21 70

HSL 273.06, 0.54%, 0.18%

LAB 13.27, 24.34, -25.5

 

CMYK 13 / 70 / 0 / 73

HEX #3D1546

RGB 61 21 70

HSL 288.98, 0.54%, 0.18%

LAB 15.33, 28.03, -22.09

 

CMYK 0 / 70 / 7 / 73

HEX #461541

RGB 70 21 65

HSL 306.12, 0.54%, 0.18%

LAB 16.6, 29.66, -16.5

 

CMYK 0 / 70 / 26 / 73

HEX #461534

RGB 70 21 52

HSL 322.04, 0.54%, 0.18%

LAB 15.93, 27.32, -8.36

 

CMYK 0 / 70 / 44 / 73

HEX #461527

RGB 70 21 39

HSL 337.96, 0.54%, 0.18%

LAB 15.41, 25.4, 0.21

 

CMYK 31 / 70 / 0 / 73

HEX #301546

RGB 48 21 70

HSL 273.06, 0.54%, 0.18%

LAB 13.27, 24.34, -25.5

 

CMYK 50 / 70 / 0 / 73

HEX #231546

RGB 35 21 70

HSL 257.14, 0.54%, 0.18%

LAB 11.52, 20.92, -28.41

 

CMYK 69 / 70 / 0 / 73

HEX #161546

RGB 22 21 70

HSL 241.22, 0.54%, 0.18%

LAB 10.18, 18.05, -30.66

 

CMYK 70 / 70 / 0 / 73

HEX #151546

RGB 21 21 70

HSL 240, 0.54%, 0.18%

LAB 10.09, 17.86, -30.8

 

CMYK 31 / 70 / 0 / 73

HEX #301546

RGB 48 21 70

HSL 273.06, 0.54%, 0.18%

LAB 13.27, 24.34, -25.5

 

CMYK 36 / 82 / 0 / 70

HEX #310E4D

RGB 49 14 77

HSL 273.33, 0.69%, 0.18%

LAB 12.63, 30.35, -31.39

 

CMYK 42 / 93 / 0 / 67

HEX #310655

RGB 49 6 85

HSL 272.66, 0.87%, 0.18%

LAB 12.22, 35.89, -37.55

 

CMYK 31 / 70 / 0 / 73

HEX #301546

RGB 48 21 70

HSL 273.06, 0.54%, 0.18%

LAB 13.27, 24.34, -25.5

 

CMYK 24 / 55 / 0 / 76

HEX #2F1C3E

RGB 47 28 62

HSL 273.53, 0.38%, 0.18%

LAB 14.3, 17.23, -18.27

 

CMYK 16 / 35 / 0 / 78

HEX #2E2437

RGB 46 36 55

HSL 271.58, 0.21%, 0.18%

LAB 16.1, 9.29, -10.56

 

CMYK 2 / 9 / 0 / 82

HEX #2E2B2F

RGB 46 43 47

HSL 285, 0.04%, 0.18%

LAB 17.98, 2.3, -2.1

 

CMYK 12 / 0 / 22 / 80

HEX #2D3328

RGB 45 51 40

HSL 92.73, 0.12%, 0.18%

LAB 20.36, -5.11, 6.13

 

CMYK 69 / 70 / 0 / 73

HEX #161546

RGB 22 21 70

HSL 241.22, 0.54%, 0.18%

LAB 10.18, 18.05, -30.66

 

CMYK 50 / 70 / 0 / 73

HEX #231546

RGB 35 21 70

HSL 257.14, 0.54%, 0.18%

LAB 11.52, 20.92, -28.41

 

CMYK 31 / 70 / 0 / 73

HEX #301546

RGB 48 21 70

HSL 273.06, 0.54%, 0.18%

LAB 13.27, 24.34, -25.5

 

CMYK 13 / 70 / 0 / 73

HEX #3D1546

RGB 61 21 70

HSL 288.98, 0.54%, 0.18%

LAB 15.33, 28.03, -22.09

 

CMYK 0 / 70 / 6 / 73

HEX #461542

RGB 70 21 66

HSL 304.9, 0.54%, 0.18%

LAB 16.66, 29.86, -17.11

 

CMYK 43 / 71 / 0 / 97

HEX #040207

RGB 4 2 7

HSL 264, 0.56%, 0.02%

LAB 0.76, 1.22, -1.71

 

CMYK 32 / 71 / 0 / 85

HEX #1A0B26

RGB 26 11 38

HSL 273.33, 0.55%, 0.1%

LAB 5.41, 13.32, -14.98

 

CMYK 31 / 70 / 0 / 73

HEX #301546

RGB 48 21 70

HSL 273.06, 0.54%, 0.18%

LAB 13.27, 24.34, -25.5

 

CMYK 31 / 69 / 0 / 60

HEX #461F65

RGB 70 31 101

HSL 273.43, 0.53%, 0.26%

LAB 20.91, 32.7, -33.95

 

CMYK 32 / 70 / 0 / 48

HEX #5B2885

RGB 91 40 133

HSL 272.9, 0.54%, 0.34%

LAB 27.94, 41.06, -42.92

 

CMYK 31 / 69 / 0 / 72

HEX #311647

RGB 49 22 71

HSL 273.06, 0.53%, 0.18%

LAB 13.72, 24.29, -25.47

 

CMYK 0 / 70 / 53 / 73

HEX #461521

RGB 70 21 33

HSL 345.31, 0.54%, 0.18%

LAB 15.21, 24.67, 4.29

 

CMYK 70 / 0 / 60 / 73

HEX #15461C

RGB 21 70 28

HSL 128.57, 0.54%, 0.18%

LAB 25.63, -26.73, 20.38

 

CMYK 31 / 69 / 0 / 72

HEX #311647

RGB 49 22 71

HSL 273.06, 0.53%, 0.18%

LAB 13.72, 24.29, -25.47

 

CMYK 0 / 31 / 70 / 73

HEX #463015

RGB 70 48 21

HSL 33.06, 0.54%, 0.18%

LAB 21.84, 6.65, 20.93

 

CMYK 70 / 0 / 31 / 73

HEX #154630

RGB 21 70 48

HSL 153.06, 0.54%, 0.18%

LAB 26.02, -22.53, 8.53

 

CMYK 31 / 69 / 0 / 72

HEX #311647

RGB 49 22 71

HSL 273.06, 0.53%, 0.18%

LAB 13.72, 24.29, -25.47

 

CMYK 0 / 70 / 53 / 73

HEX #461521

RGB 70 21 33

HSL 345.31, 0.54%, 0.18%

LAB 15.21, 24.67, 4.29

 

CMYK 39 / 0 / 70 / 73

HEX #2B4615

RGB 43 70 21

HSL 93.06, 0.54%, 0.18%

LAB 26.59, -20.09, 25.59

 

CMYK 70 / 0 / 17 / 73

HEX #15463A

RGB 21 70 58

HSL 165.31, 0.54%, 0.18%

LAB 26.29, -19.78, 2.43

 

CMYK 31 / 69 / 0 / 72

HEX #311647

RGB 49 22 71

HSL 273.06, 0.53%, 0.18%

LAB 13.72, 24.29, -25.47

 

CMYK 0 / 66 / 70 / 73

HEX #461815

RGB 70 24 21

HSL 3.67, 0.54%, 0.18%

LAB 15.54, 21.86, 13.34

 

CMYK 39 / 0 / 70 / 73

HEX #2B4615

RGB 43 70 21

HSL 93.06, 0.54%, 0.18%

LAB 26.59, -20.09, 25.59

 

CMYK 70 / 4 / 0 / 73

HEX #154346

RGB 21 67 70

HSL 183.67, 0.54%, 0.18%

LAB 25.61, -14.26, -6.44

 

Description

Color code: HEX #311647 | qconv.com Color code: HEX #311647 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 22 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 22 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 69 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 69% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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