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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30FF5E it is the complementary color #CF00A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30FF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30FF5E shade: #35FF59, #46FF6C, #57FF7F, #68FF92 and #79FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30FF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30FF5E shade: #30FF5E, #1FED4B, #0EDB38, #00C925 and #00B712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30FF5E shade: #2DFF5C, #37FF2D, #70FF2D, #A8FF2D and #E0FF2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30FF5E shade: #2DFF5C, #2DFF94, #2DFFCD, #2DF8FF and #2DC0FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30FF5E shade matches the following richer shades: #2DFF5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30FF5E shade: #2DFF5C, #3EEE65, #4FDD6F, #60CC78 and #71BB81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30FF5E shade: #70FF2D, #38FF2D, #2DFF5B, #2DFF92 and #2DFFCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30FF5E shade: #00DA30, #04FF3C, #2DFF5C, #57FF7C and #80FF9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30FF5E shade: #30FF5E, #2DA7FF and #FF2D54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30FF5E shade: #30FF5E, #5B2DFF and #FF5B2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30FF5E shade: #30FF5E, #2DA7FF, #FF2DD1 and #FF852D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30FF5E shade: #30FF5E, #2D69FF, #FF2DD1 and #FFC32D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 63 / 0

HEX #30FF5E

RGB 48 255 94

HSL 133.33, 1%, 0.59%

LAB 88.43, -78.57, 61.6

 

Complementary color

CMYK 0 / 100 / 22 / 19

HEX #CF00A1

RGB 207 0 161

HSL 313.33, 1%, 0.41%

LAB 46.76, 77.91, -28.9

 

CMYK 79 / 0 / 65 / 0

HEX #35FF59

RGB 53 255 89

HSL 130.69, 1%, 0.6%

LAB 88.45, -78.56, 63.65

 

CMYK 73 / 0 / 58 / 0

HEX #46FF6C

RGB 70 255 108

HSL 132.32, 1%, 0.64%

LAB 88.88, -74.29, 56.28

 

CMYK 66 / 0 / 50 / 0

HEX #57FF7F

RGB 87 255 127

HSL 134.29, 1%, 0.67%

LAB 89.43, -69.06, 48.42

 

CMYK 59 / 0 / 43 / 0

HEX #68FF92

RGB 104 255 146

HSL 136.69, 1%, 0.7%

LAB 90.11, -62.94, 40.3

 

CMYK 53 / 0 / 35 / 0

HEX #79FFA5

RGB 121 255 165

HSL 139.7, 1%, 0.74%

LAB 90.92, -56.05, 32.07

 

CMYK 81 / 0 / 63 / 0

HEX #30FF5E

RGB 48 255 94

HSL 133.33, 1%, 0.59%

LAB 88.43, -78.57, 61.6

 

CMYK 87 / 0 / 68 / 7

HEX #1FED4B

RGB 31 237 75

HSL 132.82, 0.85%, 0.53%

LAB 82.58, -76.63, 62.67

 

CMYK 94 / 0 / 74 / 14

HEX #0EDB38

RGB 14 219 56

HSL 132.29, 0.88%, 0.46%

LAB 76.7, -74.07, 63.39

 

CMYK 100 / 0 / 82 / 21

HEX #00C925

RGB 0 201 37

HSL 131.04, 1%, 0.39%

LAB 70.81, -70.84, 63.46

 

CMYK 100 / 0 / 90 / 28

HEX #00B712

RGB 0 183 18

HSL 125.9, 1%, 0.36%

LAB 64.89, -66.72, 62.44

 

CMYK 82 / 0 / 64 / 0

HEX #2DFF5C

RGB 45 255 92

HSL 133.43, 1%, 0.59%

LAB 88.38, -79.07, 62.35

 

CMYK 78 / 0 / 82 / 0

HEX #37FF2D

RGB 55 255 45

HSL 117.14, 1%, 0.59%

LAB 88.22, -81.5, 77.58

 

CMYK 56 / 0 / 82 / 0

HEX #70FF2D

RGB 112 255 45

HSL 100.86, 1%, 0.59%

LAB 89.47, -71.01, 79.17

 

CMYK 34 / 0 / 82 / 0

HEX #A8FF2D

RGB 168 255 45

HSL 84.86, 1%, 0.59%

LAB 91.7, -54.29, 82.01

 

CMYK 12 / 0 / 82 / 0

HEX #E0FF2D

RGB 224 255 45

HSL 68.86, 1%, 0.59%

LAB 94.97, -33.4, 86.12

 

CMYK 82 / 0 / 64 / 0

HEX #2DFF5C

RGB 45 255 92

HSL 133.43, 1%, 0.59%

LAB 88.38, -79.07, 62.35

 

CMYK 82 / 0 / 42 / 0

HEX #2DFF94

RGB 45 255 148

HSL 149.43, 1%, 0.59%

LAB 89.02, -71.29, 37.7

 

CMYK 82 / 0 / 20 / 0

HEX #2DFFCD

RGB 45 255 205

HSL 165.71, 1%, 0.59%

LAB 90.08, -59.47, 10.29

 

CMYK 82 / 3 / 0 / 0

HEX #2DF8FF

RGB 45 248 255

HSL 182, 1%, 0.59%

LAB 89.35, -43.34, -16.76

 

CMYK 82 / 25 / 0 / 0

HEX #2DC0FF

RGB 45 192 255

HSL 198, 1%, 0.59%

LAB 73.2, -16.22, -41.5

 

CMYK 82 / 0 / 64 / 0

HEX #2DFF5C

RGB 45 255 92

HSL 133.43, 1%, 0.59%

LAB 88.38, -79.07, 62.35

 

CMYK 82 / 0 / 64 / 0

HEX #2DFF5C

RGB 45 255 92

HSL 133.43, 1%, 0.59%

LAB 88.38, -79.07, 62.35

 

CMYK 74 / 0 / 58 / 7

HEX #3EEE65

RGB 62 238 101

HSL 133.3, 0.84%, 0.59%

LAB 83.5, -70.81, 53.04

 

CMYK 64 / 0 / 50 / 13

HEX #4FDD6F

RGB 79 221 111

HSL 133.52, 0.68%, 0.59%

LAB 78.77, -60.82, 42.78

 

CMYK 53 / 0 / 41 / 20

HEX #60CC78

RGB 96 204 120

HSL 133.33, 0.51%, 0.59%

LAB 74.21, -49.13, 32.61

 

CMYK 40 / 0 / 31 / 27

HEX #71BB81

RGB 113 187 129

HSL 132.97, 0.35%, 0.59%

LAB 69.92, -35.52, 22.32

 

CMYK 56 / 0 / 82 / 0

HEX #70FF2D

RGB 112 255 45

HSL 100.86, 1%, 0.59%

LAB 89.47, -71.01, 79.17

 

CMYK 78 / 0 / 82 / 0

HEX #38FF2D

RGB 56 255 45

HSL 116.86, 1%, 0.59%

LAB 88.23, -81.37, 77.6

 

CMYK 82 / 0 / 64 / 0

HEX #2DFF5B

RGB 45 255 91

HSL 133.14, 1%, 0.59%

LAB 88.37, -79.17, 62.74

 

CMYK 82 / 0 / 43 / 0

HEX #2DFF92

RGB 45 255 146

HSL 148.86, 1%, 0.59%

LAB 88.99, -71.63, 38.64

 

CMYK 82 / 0 / 21 / 0

HEX #2DFFCA

RGB 45 255 202

HSL 164.86, 1%, 0.59%

LAB 90.02, -60.18, 11.74

 

CMYK 100 / 0 / 78 / 15

HEX #00DA30

RGB 0 218 48

HSL 133.21, 1%, 0.43%

LAB 76.29, -74.87, 65.5

 

CMYK 98 / 0 / 76 / 0

HEX #04FF3C

RGB 4 255 60

HSL 133.39, 1%, 0.51%

LAB 87.91, -84.03, 73.13

 

CMYK 82 / 0 / 64 / 0

HEX #2DFF5C

RGB 45 255 92

HSL 133.43, 1%, 0.59%

LAB 88.38, -79.07, 62.35

 

CMYK 66 / 0 / 51 / 0

HEX #57FF7C

RGB 87 255 124

HSL 133.21, 1%, 0.67%

LAB 89.39, -69.47, 49.77

 

CMYK 50 / 0 / 39 / 0

HEX #80FF9C

RGB 128 255 156

HSL 133.23, 1%, 0.75%

LAB 91.01, -55.86, 36.71

 

CMYK 81 / 0 / 63 / 0

HEX #30FF5E

RGB 48 255 94

HSL 133.33, 1%, 0.59%

LAB 88.43, -78.57, 61.6

 

CMYK 82 / 35 / 0 / 0

HEX #2DA7FF

RGB 45 167 255

HSL 205.14, 1%, 0.59%

LAB 66.07, -2.51, -52.71

 

CMYK 0 / 82 / 67 / 0

HEX #FF2D54

RGB 255 45 84

HSL 348.86, 1%, 0.59%

LAB 55.86, 76.38, 31.7

 

CMYK 81 / 0 / 63 / 0

HEX #30FF5E

RGB 48 255 94

HSL 133.33, 1%, 0.59%

LAB 88.43, -78.57, 61.6

 

CMYK 64 / 82 / 0 / 0

HEX #5B2DFF

RGB 91 45 255

HSL 253.14, 1%, 0.59%

LAB 40.12, 71.06, -94.74

 

CMYK 0 / 64 / 82 / 0

HEX #FF5B2D

RGB 255 91 45

HSL 13.14, 1%, 0.59%

LAB 60.72, 60.31, 57.59

 

CMYK 81 / 0 / 63 / 0

HEX #30FF5E

RGB 48 255 94

HSL 133.33, 1%, 0.59%

LAB 88.43, -78.57, 61.6

 

CMYK 82 / 35 / 0 / 0

HEX #2DA7FF

RGB 45 167 255

HSL 205.14, 1%, 0.59%

LAB 66.07, -2.51, -52.71

 

CMYK 0 / 82 / 18 / 0

HEX #FF2DD1

RGB 255 45 209

HSL 313.14, 1%, 0.59%

LAB 59.65, 87.22, -36.08

 

CMYK 0 / 48 / 82 / 0

HEX #FF852D

RGB 255 133 45

HSL 25.14, 1%, 0.59%

LAB 68.19, 41.03, 64.2

 

CMYK 81 / 0 / 63 / 0

HEX #30FF5E

RGB 48 255 94

HSL 133.33, 1%, 0.59%

LAB 88.43, -78.57, 61.6

 

CMYK 82 / 59 / 0 / 0

HEX #2D69FF

RGB 45 105 255

HSL 222.86, 1%, 0.59%

LAB 49.35, 35.15, -79.62

 

CMYK 0 / 82 / 18 / 0

HEX #FF2DD1

RGB 255 45 209

HSL 313.14, 1%, 0.59%

LAB 59.65, 87.22, -36.08

 

CMYK 0 / 24 / 82 / 0

HEX #FFC32D

RGB 255 195 45

HSL 42.86, 1%, 0.59%

LAB 82.1, 8.99, 76.19

 

Description

Color code: HEX #30FF5E | qconv.com Color code: HEX #30FF5E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 255 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 255 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 63 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 63% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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