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Color name
HEX #30FB5A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30FB5A it is the complementary color #CF04A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30FB5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30FB5A shade: #35FB55, #46FF68, #57FF7B, #68FF8E and #79FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30FB5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30FB5A shade: #30FB5A, #1FE947, #0ED734, #00C521 and #00B30E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30FB5A shade: #32FA5B, #3EFA32, #74FA32, #AAFA32 and #E1FA32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30FB5A shade: #32FA5B, #32FA91, #32FAC7, #32F7FA and #32C1FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30FB5A shade matches the following richer shades: #32FA5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30FB5A shade: #32FA5B, #42E965, #53D86F, #64C879 and #75B783

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30FB5A shade: #74FA32, #3FFA32, #32FA5A, #32FA8F and #32FAC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30FB5A shade: #04D62F, #09F93B, #32FA5B, #5AFB7B and #82FC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30FB5A shade: #30FB5A, #32AAFA and #FA325A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30FB5A shade: #30FB5A, #5A32FA and #FA5A32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30FB5A shade: #30FB5A, #32AAFA, #FA32D2 and #FA8232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30FB5A shade: #30FB5A, #326EFA, #FA32D2 and #FABE32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 64 / 2

HEX #30FB5A

RGB 48 251 90

HSL 132.41, 0.96%, 0.59%

LAB 87.17, -77.79, 61.83

 

Complementary color

CMYK 0 / 98 / 20 / 19

HEX #CF04A5

RGB 207 4 165

HSL 312.41, 0.96%, 0.41%

LAB 47.06, 78.05, -30.81

 

CMYK 79 / 0 / 66 / 2

HEX #35FB55

RGB 53 251 85

HSL 129.7, 0.96%, 0.6%

LAB 87.2, -77.75, 63.85

 

CMYK 73 / 0 / 59 / 0

HEX #46FF68

RGB 70 255 104

HSL 131.03, 1%, 0.64%

LAB 88.84, -74.76, 57.97

 

CMYK 66 / 0 / 52 / 0

HEX #57FF7B

RGB 87 255 123

HSL 132.86, 1%, 0.67%

LAB 89.38, -69.61, 50.22

 

CMYK 59 / 0 / 44 / 0

HEX #68FF8E

RGB 104 255 142

HSL 135.1, 1%, 0.7%

LAB 90.05, -63.56, 42.16

 

CMYK 53 / 0 / 37 / 0

HEX #79FFA1

RGB 121 255 161

HSL 137.91, 1%, 0.74%

LAB 90.85, -56.73, 33.98

 

CMYK 81 / 0 / 64 / 2

HEX #30FB5A

RGB 48 251 90

HSL 132.41, 0.96%, 0.59%

LAB 87.17, -77.79, 61.83

 

CMYK 87 / 0 / 70 / 9

HEX #1FE947

RGB 31 233 71

HSL 131.88, 0.82%, 0.52%

LAB 81.3, -75.83, 62.83

 

CMYK 93 / 0 / 76 / 16

HEX #0ED734

RGB 14 215 52

HSL 131.34, 0.88%, 0.45%

LAB 75.42, -73.24, 63.42

 

CMYK 100 / 0 / 83 / 23

HEX #00C521

RGB 0 197 33

HSL 130.05, 1%, 0.39%

LAB 69.5, -69.95, 63.3

 

CMYK 100 / 0 / 92 / 30

HEX #00B30E

RGB 0 179 14

HSL 124.69, 1%, 0.35%

LAB 63.57, -65.74, 61.97

 

CMYK 80 / 0 / 64 / 2

HEX #32FA5B

RGB 50 250 91

HSL 132.3, 0.95%, 0.59%

LAB 86.9, -77.18, 61.13

 

CMYK 75 / 0 / 80 / 2

HEX #3EFA32

RGB 62 250 50

HSL 116.4, 0.95%, 0.59%

LAB 86.81, -78.91, 75.08

 

CMYK 54 / 0 / 80 / 2

HEX #74FA32

RGB 116 250 50

HSL 100.2, 0.95%, 0.59%

LAB 88.12, -68.06, 76.77

 

CMYK 32 / 0 / 80 / 2

HEX #AAFA32

RGB 170 250 50

HSL 84, 0.95%, 0.59%

LAB 90.39, -51.38, 79.67

 

CMYK 10 / 0 / 80 / 2

HEX #E1FA32

RGB 225 250 50

HSL 67.5, 0.95%, 0.59%

LAB 93.71, -30.56, 83.89

 

CMYK 80 / 0 / 64 / 2

HEX #32FA5B

RGB 50 250 91

HSL 132.3, 0.95%, 0.59%

LAB 86.9, -77.18, 61.13

 

CMYK 80 / 0 / 42 / 2

HEX #32FA91

RGB 50 250 145

HSL 148.5, 0.95%, 0.59%

LAB 87.53, -69.66, 37.23

 

CMYK 80 / 0 / 20 / 2

HEX #32FAC7

RGB 50 250 199

HSL 164.7, 0.95%, 0.59%

LAB 88.53, -58.54, 11.18

 

CMYK 80 / 1 / 0 / 2

HEX #32F7FA

RGB 50 247 250

HSL 180.9, 0.95%, 0.59%

LAB 88.97, -43.96, -14.72

 

CMYK 80 / 23 / 0 / 2

HEX #32C1FA

RGB 50 193 250

HSL 197.1, 0.95%, 0.59%

LAB 73.36, -18.01, -38.55

 

CMYK 80 / 0 / 64 / 2

HEX #32FA5B

RGB 50 250 91

HSL 132.3, 0.95%, 0.59%

LAB 86.9, -77.18, 61.13

 

CMYK 80 / 0 / 64 / 2

HEX #32FA5B

RGB 50 250 91

HSL 132.3, 0.95%, 0.59%

LAB 86.9, -77.18, 61.13

 

CMYK 72 / 0 / 57 / 9

HEX #42E965

RGB 66 233 101

HSL 132.57, 0.79%, 0.59%

LAB 82.04, -68.58, 51.35

 

CMYK 62 / 0 / 49 / 15

HEX #53D86F

RGB 83 216 111

HSL 132.63, 0.63%, 0.59%

LAB 77.34, -58.18, 41.03

 

CMYK 50 / 0 / 40 / 22

HEX #64C879

RGB 100 200 121

HSL 132.6, 0.48%, 0.59%

LAB 73.15, -46.28, 30.75

 

CMYK 36 / 0 / 28 / 28

HEX #75B783

RGB 117 183 131

HSL 132.73, 0.31%, 0.59%

LAB 68.96, -32.07, 19.97

 

CMYK 54 / 0 / 80 / 2

HEX #74FA32

RGB 116 250 50

HSL 100.2, 0.95%, 0.59%

LAB 88.12, -68.06, 76.77

 

CMYK 75 / 0 / 80 / 2

HEX #3FFA32

RGB 63 250 50

HSL 116.1, 0.95%, 0.59%

LAB 86.83, -78.77, 75.1

 

CMYK 80 / 0 / 64 / 2

HEX #32FA5A

RGB 50 250 90

HSL 132, 0.95%, 0.59%

LAB 86.89, -77.28, 61.53

 

CMYK 80 / 0 / 43 / 2

HEX #32FA8F

RGB 50 250 143

HSL 147.9, 0.95%, 0.59%

LAB 87.5, -70, 38.18

 

CMYK 80 / 0 / 21 / 2

HEX #32FAC5

RGB 50 250 197

HSL 164.1, 0.95%, 0.59%

LAB 88.49, -59.01, 12.16

 

CMYK 98 / 0 / 78 / 16

HEX #04D62F

RGB 4 214 47

HSL 132.29, 0.96%, 0.43%

LAB 75.03, -73.68, 64.6

 

CMYK 96 / 0 / 76 / 2

HEX #09F93B

RGB 9 249 59

HSL 132.5, 0.95%, 0.51%

LAB 86.07, -82.33, 71.66

 

CMYK 80 / 0 / 64 / 2

HEX #32FA5B

RGB 50 250 91

HSL 132.3, 0.95%, 0.59%

LAB 86.9, -77.18, 61.13

 

CMYK 64 / 0 / 51 / 2

HEX #5AFB7B

RGB 90 251 123

HSL 132.3, 0.95%, 0.67%

LAB 88.26, -67.67, 48.86

 

CMYK 48 / 0 / 38 / 1

HEX #82FC9C

RGB 130 252 156

HSL 132.79, 0.95%, 0.75%

LAB 90.21, -54.15, 35.68

 

CMYK 81 / 0 / 64 / 2

HEX #30FB5A

RGB 48 251 90

HSL 132.41, 0.96%, 0.59%

LAB 87.17, -77.79, 61.83

 

CMYK 80 / 32 / 0 / 2

HEX #32AAFA

RGB 50 170 250

HSL 204, 0.95%, 0.59%

LAB 66.77, -5.54, -48.88

 

CMYK 0 / 80 / 64 / 2

HEX #FA325A

RGB 250 50 90

HSL 348, 0.95%, 0.59%

LAB 55.42, 74.21, 27.41

 

CMYK 81 / 0 / 64 / 2

HEX #30FB5A

RGB 48 251 90

HSL 132.41, 0.96%, 0.59%

LAB 87.17, -77.79, 61.83

 

CMYK 64 / 80 / 0 / 2

HEX #5A32FA

RGB 90 50 250

HSL 252, 0.95%, 0.59%

LAB 40.18, 67.68, -91.84

 

CMYK 0 / 64 / 80 / 2

HEX #FA5A32

RGB 250 90 50

HSL 12, 0.95%, 0.59%

LAB 59.77, 59.19, 54.13

 

CMYK 81 / 0 / 64 / 2

HEX #30FB5A

RGB 48 251 90

HSL 132.41, 0.96%, 0.59%

LAB 87.17, -77.79, 61.83

 

CMYK 80 / 32 / 0 / 2

HEX #32AAFA

RGB 50 170 250

HSL 204, 0.95%, 0.59%

LAB 66.77, -5.54, -48.88

 

CMYK 0 / 80 / 16 / 2

HEX #FA32D2

RGB 250 50 210

HSL 312, 0.95%, 0.59%

LAB 59.21, 85.26, -37.4

 

CMYK 0 / 48 / 80 / 2

HEX #FA8232

RGB 250 130 50

HSL 24, 0.95%, 0.59%

LAB 66.92, 40.73, 60.84

 

CMYK 81 / 0 / 64 / 2

HEX #30FB5A

RGB 48 251 90

HSL 132.41, 0.96%, 0.59%

LAB 87.17, -77.79, 61.83

 

CMYK 80 / 56 / 0 / 2

HEX #326EFA

RGB 50 110 250

HSL 222, 0.95%, 0.59%

LAB 50.37, 30.58, -75.18

 

CMYK 0 / 80 / 16 / 2

HEX #FA32D2

RGB 250 50 210

HSL 312, 0.95%, 0.59%

LAB 59.21, 85.26, -37.4

 

CMYK 0 / 24 / 80 / 2

HEX #FABE32

RGB 250 190 50

HSL 42, 0.95%, 0.59%

LAB 80.39, 9.61, 73.01

 

Description

Color code: HEX #30FB5A | qconv.com Color code: HEX #30FB5A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 251 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 251 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 64 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 64% 2% C M Y K

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Provide designers and agencies with accurate color values.

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