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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30F86B it is the complementary color #CF0794. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30F86B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30F86B shade: #35F866, #46FF79, #57FF8C, #68FF9F and #79FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30F86B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30F86B shade: #30F86B, #1FE658, #0ED445, #00C232 and #00B01F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30F86B shade: #30F76B, #30F735, #60F730, #96F730 and #CCF730

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30F86B shade: #30F76B, #30F7A0, #30F7D6, #30E2F7 and #30ADF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30F86B shade matches the following richer shades: #30F76B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30F86B shade: #30F76B, #41E672, #52D479, #64C380 and #75B287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30F86B shade: #62F730, #30F733, #30F768, #30F79D and #30F7D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30F86B shade: #07CD41, #08F54E, #30F76B, #58F887 and #7FFAA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30F86B shade: #30F86B, #3097F7 and #F73047

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30F86B shade: #30F86B, #6830F7 and #F76830

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30F86B shade: #30F86B, #3097F7, #F730BF and #F79030

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30F86B shade: #30F86B, #305BF7, #F730BF and #F7CC30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 57 / 3

HEX #30F86B

RGB 48 248 107

HSL 137.7, 0.93%, 0.58%

LAB 86.42, -74.93, 53.75

 

Complementary color

CMYK 0 / 97 / 29 / 19

HEX #CF0794

RGB 207 7 148

HSL 317.7, 0.93%, 0.42%

LAB 46.39, 75.84, -21.67

 

CMYK 79 / 0 / 59 / 3

HEX #35F866

RGB 53 248 102

HSL 135.08, 0.93%, 0.59%

LAB 86.43, -75.01, 55.98

 

CMYK 73 / 0 / 53 / 0

HEX #46FF79

RGB 70 255 121

HSL 136.54, 1%, 0.64%

LAB 89.02, -72.62, 50.62

 

CMYK 66 / 0 / 45 / 0

HEX #57FF8C

RGB 87 255 140

HSL 138.93, 1%, 0.67%

LAB 89.6, -67.14, 42.46

 

CMYK 59 / 0 / 38 / 0

HEX #68FF9F

RGB 104 255 159

HSL 141.85, 1%, 0.7%

LAB 90.31, -60.8, 34.16

 

CMYK 53 / 0 / 30 / 0

HEX #79FFB2

RGB 121 255 178

HSL 145.52, 1%, 0.74%

LAB 91.14, -53.72, 25.83

 

CMYK 81 / 0 / 57 / 3

HEX #30F86B

RGB 48 248 107

HSL 137.7, 0.93%, 0.58%

LAB 86.42, -74.93, 53.75

 

CMYK 87 / 0 / 62 / 10

HEX #1FE658

RGB 31 230 88

HSL 137.19, 0.8%, 0.51%

LAB 80.51, -73.22, 55.16

 

CMYK 93 / 0 / 67 / 17

HEX #0ED445

RGB 14 212 69

HSL 136.67, 0.88%, 0.44%

LAB 74.58, -70.93, 56.41

 

CMYK 100 / 0 / 74 / 24

HEX #00C232

RGB 0 194 50

HSL 135.46, 1%, 0.38%

LAB 68.62, -67.99, 57.3

 

CMYK 100 / 0 / 82 / 31

HEX #00B01F

RGB 0 176 31

HSL 130.57, 1%, 0.35%

LAB 62.63, -64.18, 57.5

 

CMYK 81 / 0 / 57 / 3

HEX #30F76B

RGB 48 247 107

HSL 137.79, 0.93%, 0.58%

LAB 86.11, -74.62, 53.39

 

CMYK 81 / 0 / 79 / 3

HEX #30F735

RGB 48 247 53

HSL 121.51, 0.93%, 0.58%

LAB 85.71, -79.6, 73.16

 

CMYK 61 / 0 / 81 / 3

HEX #60F730

RGB 96 247 48

HSL 105.53, 0.93%, 0.58%

LAB 86.61, -71.97, 75.68

 

CMYK 39 / 0 / 81 / 3

HEX #96F730

RGB 150 247 48

HSL 89.25, 0.93%, 0.58%

LAB 88.55, -57.04, 78.16

 

CMYK 17 / 0 / 81 / 3

HEX #CCF730

RGB 204 247 48

HSL 72.96, 0.93%, 0.58%

LAB 91.49, -37.54, 81.9

 

CMYK 81 / 0 / 57 / 3

HEX #30F76B

RGB 48 247 107

HSL 137.79, 0.93%, 0.58%

LAB 86.11, -74.62, 53.39

 

CMYK 81 / 0 / 35 / 3

HEX #30F7A0

RGB 48 247 160

HSL 153.77, 0.93%, 0.58%

LAB 86.84, -66.04, 28.83

 

CMYK 81 / 0 / 13 / 3

HEX #30F7D6

RGB 48 247 214

HSL 170.05, 0.93%, 0.58%

LAB 87.97, -53.84, 2.58

 

CMYK 81 / 9 / 0 / 3

HEX #30E2F7

RGB 48 226 247

HSL 186.33, 0.93%, 0.58%

LAB 82.77, -35.46, -22.49

 

CMYK 81 / 30 / 0 / 3

HEX #30ADF7

RGB 48 173 247

HSL 202.31, 0.93%, 0.58%

LAB 67.45, -8.45, -46.18

 

CMYK 81 / 0 / 57 / 3

HEX #30F76B

RGB 48 247 107

HSL 137.79, 0.93%, 0.58%

LAB 86.11, -74.62, 53.39

 

CMYK 81 / 0 / 57 / 3

HEX #30F76B

RGB 48 247 107

HSL 137.79, 0.93%, 0.58%

LAB 86.11, -74.62, 53.39

 

CMYK 72 / 0 / 50 / 10

HEX #41E672

RGB 65 230 114

HSL 137.82, 0.77%, 0.58%

LAB 81.25, -65.96, 44.36

 

CMYK 61 / 0 / 43 / 17

HEX #52D479

RGB 82 212 121

HSL 138, 0.6%, 0.58%

LAB 76.23, -55.32, 34.64

 

CMYK 49 / 0 / 34 / 24

HEX #64C380

RGB 100 195 128

HSL 137.68, 0.44%, 0.58%

LAB 71.76, -42.95, 25.24

 

CMYK 34 / 0 / 24 / 30

HEX #75B287

RGB 117 178 135

HSL 137.7, 0.28%, 0.58%

LAB 67.56, -28.93, 15.86

 

CMYK 60 / 0 / 81 / 3

HEX #62F730

RGB 98 247 48

HSL 104.92, 0.93%, 0.58%

LAB 86.67, -71.53, 75.75

 

CMYK 81 / 0 / 79 / 3

HEX #30F733

RGB 48 247 51

HSL 120.9, 0.93%, 0.58%

LAB 85.7, -79.72, 73.71

 

CMYK 81 / 0 / 58 / 3

HEX #30F768

RGB 48 247 104

HSL 136.88, 0.93%, 0.58%

LAB 86.08, -74.99, 54.68

 

CMYK 81 / 0 / 36 / 3

HEX #30F79D

RGB 48 247 157

HSL 152.86, 0.93%, 0.58%

LAB 86.79, -66.62, 30.28

 

CMYK 81 / 0 / 15 / 3

HEX #30F7D2

RGB 48 247 210

HSL 168.84, 0.93%, 0.58%

LAB 87.87, -54.85, 4.53

 

CMYK 97 / 0 / 68 / 20

HEX #07CD41

RGB 7 205 65

HSL 137.58, 0.93%, 0.42%

LAB 72.29, -69.55, 55.52

 

CMYK 97 / 0 / 68 / 4

HEX #08F54E

RGB 8 245 78

HSL 137.72, 0.94%, 0.5%

LAB 84.95, -79.74, 64.02

 

CMYK 81 / 0 / 57 / 3

HEX #30F76B

RGB 48 247 107

HSL 137.79, 0.93%, 0.58%

LAB 86.11, -74.62, 53.39

 

CMYK 65 / 0 / 46 / 3

HEX #58F887

RGB 88 248 135

HSL 137.63, 0.92%, 0.66%

LAB 87.46, -65.24, 42.16

 

CMYK 49 / 0 / 34 / 2

HEX #7FFAA4

RGB 127 250 164

HSL 138.05, 0.92%, 0.74%

LAB 89.66, -52.76, 30.92

 

CMYK 81 / 0 / 57 / 3

HEX #30F86B

RGB 48 248 107

HSL 137.7, 0.93%, 0.58%

LAB 86.42, -74.93, 53.75

 

CMYK 81 / 39 / 0 / 3

HEX #3097F7

RGB 48 151 247

HSL 208.94, 0.93%, 0.58%

LAB 61.2, 4.13, -56.08

 

CMYK 0 / 81 / 71 / 3

HEX #F73047

RGB 247 48 71

HSL 353.07, 0.93%, 0.58%

LAB 54.39, 73.01, 37.12

 

CMYK 81 / 0 / 57 / 3

HEX #30F86B

RGB 48 248 107

HSL 137.7, 0.93%, 0.58%

LAB 86.42, -74.93, 53.75

 

CMYK 58 / 81 / 0 / 3

HEX #6830F7

RGB 104 48 247

HSL 256.88, 0.93%, 0.58%

LAB 40.85, 69.01, -89

 

CMYK 0 / 58 / 81 / 3

HEX #F76830

RGB 247 104 48

HSL 16.88, 0.93%, 0.58%

LAB 61.56, 52.02, 56.55

 

CMYK 81 / 0 / 57 / 3

HEX #30F86B

RGB 48 248 107

HSL 137.7, 0.93%, 0.58%

LAB 86.42, -74.93, 53.75

 

CMYK 81 / 39 / 0 / 3

HEX #3097F7

RGB 48 151 247

HSL 208.94, 0.93%, 0.58%

LAB 61.2, 4.13, -56.08

 

CMYK 0 / 81 / 23 / 3

HEX #F730BF

RGB 247 48 191

HSL 316.88, 0.93%, 0.58%

LAB 57.7, 82.74, -28.92

 

CMYK 0 / 42 / 81 / 3

HEX #F79030

RGB 247 144 48

HSL 28.94, 0.93%, 0.58%

LAB 69.42, 32.35, 63.76

 

CMYK 81 / 0 / 57 / 3

HEX #30F86B

RGB 48 248 107

HSL 137.7, 0.93%, 0.58%

LAB 86.42, -74.93, 53.75

 

CMYK 81 / 63 / 0 / 3

HEX #305BF7

RGB 48 91 247

HSL 227.04, 0.93%, 0.58%

LAB 45.39, 41.19, -81.64

 

CMYK 0 / 81 / 23 / 3

HEX #F730BF

RGB 247 48 191

HSL 316.88, 0.93%, 0.58%

LAB 57.7, 82.74, -28.92

 

CMYK 0 / 17 / 81 / 3

HEX #F7CC30

RGB 247 204 48

HSL 47.04, 0.93%, 0.58%

LAB 83.53, 1.04, 76.25

 

Description

Color code: HEX #30F86B | qconv.com Color code: HEX #30F86B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 248 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 248 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 57 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 57% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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