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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30F773 it is the complementary color #CF088C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30F773. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30F773 shade: #35F76E, #46FF81, #57FF94, #68FFA7 and #79FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30F773. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30F773 shade: #30F773, #1FE560, #0ED34D, #00C13A and #00AF27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30F773 shade: #30F773, #30F73D, #58F730, #8EF730 and #C4F730

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30F773 shade: #30F773, #30F7A9, #30F7DE, #30DAF7 and #30A4F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30F773 shade matches the following richer shades: #30F773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30F773 shade: #30F773, #41E679, #52D47E, #64C384 and #75B28A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30F773 shade: #58F730, #30F73D, #30F772, #30F7A7 and #30F7DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30F773 shade: #07CD4A, #08F558, #30F773, #58F88E and #7FFAA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30F773 shade: #30F773, #308DF7 and #F7303D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30F773 shade: #30F773, #7230F7 and #F77230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30F773 shade: #30F773, #308DF7, #F730B5 and #F79A30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30F773 shade: #30F773, #3051F7, #F730B5 and #F7D630

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 53 / 3

HEX #30F773

RGB 48 247 115

HSL 140.2, 0.93%, 0.58%

LAB 86.2, -73.56, 49.88

 

Complementary color

CMYK 0 / 96 / 32 / 19

HEX #CF088C

RGB 207 8 140

HSL 320.2, 0.93%, 0.42%

LAB 46.09, 74.9, -17.29

 

CMYK 79 / 0 / 55 / 3

HEX #35F76E

RGB 53 247 110

HSL 137.63, 0.92%, 0.59%

LAB 86.21, -73.69, 52.18

 

CMYK 73 / 0 / 49 / 0

HEX #46FF81

RGB 70 255 129

HSL 139.14, 1%, 0.64%

LAB 89.11, -71.49, 47.02

 

CMYK 66 / 0 / 42 / 0

HEX #57FF94

RGB 87 255 148

HSL 141.79, 1%, 0.67%

LAB 89.71, -65.86, 38.72

 

CMYK 59 / 0 / 35 / 0

HEX #68FFA7

RGB 104 255 167

HSL 145.03, 1%, 0.7%

LAB 90.44, -59.39, 30.34

 

CMYK 53 / 0 / 27 / 0

HEX #79FFBA

RGB 121 255 186

HSL 149.1, 1%, 0.74%

LAB 91.29, -52.2, 21.97

 

CMYK 81 / 0 / 53 / 3

HEX #30F773

RGB 48 247 115

HSL 140.2, 0.93%, 0.58%

LAB 86.2, -73.56, 49.88

 

CMYK 86 / 0 / 58 / 10

HEX #1FE560

RGB 31 229 96

HSL 139.7, 0.79%, 0.51%

LAB 80.28, -71.95, 51.4

 

CMYK 93 / 0 / 64 / 17

HEX #0ED34D

RGB 14 211 77

HSL 139.19, 0.88%, 0.44%

LAB 74.33, -69.78, 52.84

 

CMYK 100 / 0 / 70 / 24

HEX #00C13A

RGB 0 193 58

HSL 138.03, 1%, 0.38%

LAB 68.35, -67, 54.07

 

CMYK 100 / 0 / 78 / 31

HEX #00AF27

RGB 0 175 39

HSL 133.37, 1%, 0.34%

LAB 62.34, -63.37, 54.81

 

CMYK 81 / 0 / 53 / 3

HEX #30F773

RGB 48 247 115

HSL 140.2, 0.93%, 0.58%

LAB 86.2, -73.56, 49.88

 

CMYK 81 / 0 / 75 / 3

HEX #30F73D

RGB 48 247 61

HSL 123.92, 0.93%, 0.58%

LAB 85.75, -79.1, 70.82

 

CMYK 64 / 0 / 81 / 3

HEX #58F730

RGB 88 247 48

HSL 107.94, 0.93%, 0.58%

LAB 86.41, -73.67, 75.42

 

CMYK 43 / 0 / 81 / 3

HEX #8EF730

RGB 142 247 48

HSL 91.66, 0.93%, 0.58%

LAB 88.2, -59.59, 77.72

 

CMYK 21 / 0 / 81 / 3

HEX #C4F730

RGB 196 247 48

HSL 75.38, 0.93%, 0.58%

LAB 90.99, -40.63, 81.27

 

CMYK 81 / 0 / 53 / 3

HEX #30F773

RGB 48 247 115

HSL 140.2, 0.93%, 0.58%

LAB 86.2, -73.56, 49.88

 

CMYK 81 / 0 / 32 / 3

HEX #30F7A9

RGB 48 247 169

HSL 156.48, 0.93%, 0.58%

LAB 87, -64.23, 24.48

 

CMYK 81 / 0 / 10 / 3

HEX #30F7DE

RGB 48 247 222

HSL 172.46, 0.93%, 0.58%

LAB 88.17, -51.78, -1.29

 

CMYK 81 / 12 / 0 / 3

HEX #30DAF7

RGB 48 218 247

HSL 188.74, 0.93%, 0.58%

LAB 80.45, -31.67, -26.03

 

CMYK 81 / 34 / 0 / 3

HEX #30A4F7

RGB 48 164 247

HSL 205.03, 0.93%, 0.58%

LAB 64.88, -3.4, -50.24

 

CMYK 81 / 0 / 53 / 3

HEX #30F773

RGB 48 247 115

HSL 140.2, 0.93%, 0.58%

LAB 86.2, -73.56, 49.88

 

CMYK 81 / 0 / 53 / 3

HEX #30F773

RGB 48 247 115

HSL 140.2, 0.93%, 0.58%

LAB 86.2, -73.56, 49.88

 

CMYK 72 / 0 / 47 / 10

HEX #41E679

RGB 65 230 121

HSL 140.36, 0.77%, 0.58%

LAB 81.35, -64.91, 41.1

 

CMYK 61 / 0 / 41 / 17

HEX #52D47E

RGB 82 212 126

HSL 140.31, 0.6%, 0.58%

LAB 76.31, -54.48, 32.21

 

CMYK 49 / 0 / 32 / 24

HEX #64C384

RGB 100 195 132

HSL 140.21, 0.44%, 0.58%

LAB 71.83, -42.22, 23.22

 

CMYK 34 / 0 / 22 / 30

HEX #75B28A

RGB 117 178 138

HSL 140.66, 0.28%, 0.58%

LAB 67.62, -28.35, 14.31

 

CMYK 64 / 0 / 81 / 3

HEX #58F730

RGB 88 247 48

HSL 107.94, 0.93%, 0.58%

LAB 86.41, -73.67, 75.42

 

CMYK 81 / 0 / 75 / 3

HEX #30F73D

RGB 48 247 61

HSL 123.92, 0.93%, 0.58%

LAB 85.75, -79.1, 70.82

 

CMYK 81 / 0 / 54 / 3

HEX #30F772

RGB 48 247 114

HSL 139.9, 0.93%, 0.58%

LAB 86.19, -73.69, 50.32

 

CMYK 81 / 0 / 32 / 3

HEX #30F7A7

RGB 48 247 167

HSL 155.88, 0.93%, 0.58%

LAB 86.97, -64.64, 25.45

 

CMYK 81 / 0 / 11 / 3

HEX #30F7DC

RGB 48 247 220

HSL 171.86, 0.93%, 0.58%

LAB 88.12, -52.3, -0.33

 

CMYK 97 / 0 / 64 / 20

HEX #07CD4A

RGB 7 205 74

HSL 140.3, 0.93%, 0.42%

LAB 72.36, -68.6, 51.91

 

CMYK 97 / 0 / 64 / 4

HEX #08F558

RGB 8 245 88

HSL 140.25, 0.94%, 0.5%

LAB 85.03, -78.75, 60.19

 

CMYK 81 / 0 / 53 / 3

HEX #30F773

RGB 48 247 115

HSL 140.2, 0.93%, 0.58%

LAB 86.2, -73.56, 49.88

 

CMYK 65 / 0 / 43 / 3

HEX #58F88E

RGB 88 248 142

HSL 140.25, 0.92%, 0.66%

LAB 87.56, -64.13, 38.88

 

CMYK 49 / 0 / 32 / 2

HEX #7FFAA9

RGB 127 250 169

HSL 140.49, 0.92%, 0.74%

LAB 89.74, -51.89, 28.51

 

CMYK 81 / 0 / 53 / 3

HEX #30F773

RGB 48 247 115

HSL 140.2, 0.93%, 0.58%

LAB 86.2, -73.56, 49.88

 

CMYK 81 / 43 / 0 / 3

HEX #308DF7

RGB 48 141 247

HSL 211.96, 0.93%, 0.58%

LAB 58.41, 10.1, -60.54

 

CMYK 0 / 81 / 75 / 3

HEX #F7303D

RGB 247 48 61

HSL 356.08, 0.93%, 0.58%

LAB 54.26, 72.63, 42.65

 

CMYK 81 / 0 / 53 / 3

HEX #30F773

RGB 48 247 115

HSL 140.2, 0.93%, 0.58%

LAB 86.2, -73.56, 49.88

 

CMYK 54 / 81 / 0 / 3

HEX #7230F7

RGB 114 48 247

HSL 259.9, 0.93%, 0.58%

LAB 41.86, 70.06, -87.31

 

CMYK 0 / 54 / 81 / 3

HEX #F77230

RGB 247 114 48

HSL 19.9, 0.93%, 0.58%

LAB 63.36, 47.36, 58.22

 

CMYK 81 / 0 / 53 / 3

HEX #30F773

RGB 48 247 115

HSL 140.2, 0.93%, 0.58%

LAB 86.2, -73.56, 49.88

 

CMYK 81 / 43 / 0 / 3

HEX #308DF7

RGB 48 141 247

HSL 211.96, 0.93%, 0.58%

LAB 58.41, 10.1, -60.54

 

CMYK 0 / 81 / 27 / 3

HEX #F730B5

RGB 247 48 181

HSL 319.9, 0.93%, 0.58%

LAB 57.29, 81.57, -23.78

 

CMYK 0 / 38 / 81 / 3

HEX #F79A30

RGB 247 154 48

HSL 31.96, 0.93%, 0.58%

LAB 71.62, 27.15, 65.74

 

CMYK 81 / 0 / 53 / 3

HEX #30F773

RGB 48 247 115

HSL 140.2, 0.93%, 0.58%

LAB 86.2, -73.56, 49.88

 

CMYK 81 / 67 / 0 / 3

HEX #3051F7

RGB 48 81 247

HSL 230.05, 0.93%, 0.58%

LAB 43.11, 47.26, -85.4

 

CMYK 0 / 81 / 27 / 3

HEX #F730B5

RGB 247 48 181

HSL 319.9, 0.93%, 0.58%

LAB 57.29, 81.57, -23.78

 

CMYK 0 / 13 / 81 / 3

HEX #F7D630

RGB 247 214 48

HSL 50.05, 0.93%, 0.58%

LAB 86.05, -4.05, 78.43

 

Description

Color code: HEX #30F773 | qconv.com Color code: HEX #30F773 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 247 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 247 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 53 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 53% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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