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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30DD6C it is the complementary color #CF2293. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30DD6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30DD6C shade: #35DD67, #46EF7A, #57FF8D, #68FFA0 and #79FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30DD6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30DD6C shade: #30DD6C, #1FCB59, #0EB946, #00A733 and #009520

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30DD6C shade: #30DD6C, #30DD3E, #52DD30, #80DD30 and #AFDD30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30DD6C shade: #30DD6C, #30DD9B, #30DDC9, #30C2DD and #3094DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30DD6C shade matches the following richer shades: #30DD6C and #1DF066

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30DD6C shade: #30DD6C, #44CA72, #57B678, #6BA37E and #7E8F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30DD6C shade: #53DD30, #30DD3C, #30DD6A, #30DD98 and #30DDC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30DD6C shade: #1AA149, #20C459, #30DD6C, #54E385 and #77E89F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30DD6C shade: #30DD6C, #3081DD and #DD303C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30DD6C shade: #30DD6C, #6A30DD and #DD6A30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30DD6C shade: #30DD6C, #3081DD, #DD30A3 and #DD8C30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30DD6C shade: #30DD6C, #304DDD, #DD30A3 and #DDC030

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 51 / 13

HEX #30DD6C

RGB 48 221 108

HSL 140.81, 0.72%, 0.53%

LAB 78.12, -66.1, 43.29

 

Complementary color

CMYK 0 / 84 / 29 / 19

HEX #CF2293

RGB 207 34 147

HSL 320.81, 0.72%, 0.47%

LAB 47.64, 71.94, -19.14

 

CMYK 76 / 0 / 53 / 13

HEX #35DD67

RGB 53 221 103

HSL 137.86, 0.71%, 0.54%

LAB 78.14, -66.2, 45.7

 

CMYK 71 / 0 / 49 / 6

HEX #46EF7A

RGB 70 239 122

HSL 138.46, 0.84%, 0.61%

LAB 84.19, -67.1, 44.21

 

CMYK 66 / 0 / 45 / 0

HEX #57FF8D

RGB 87 255 141

HSL 139.29, 1%, 0.67%

LAB 89.61, -66.98, 42

 

CMYK 59 / 0 / 37 / 0

HEX #68FFA0

RGB 104 255 160

HSL 142.25, 1%, 0.7%

LAB 90.32, -60.63, 33.68

 

CMYK 53 / 0 / 30 / 0

HEX #79FFB3

RGB 121 255 179

HSL 145.97, 1%, 0.74%

LAB 91.16, -53.54, 25.35

 

CMYK 78 / 0 / 51 / 13

HEX #30DD6C

RGB 48 221 108

HSL 140.81, 0.72%, 0.53%

LAB 78.12, -66.1, 43.29

 

CMYK 85 / 0 / 56 / 20

HEX #1FCB59

RGB 31 203 89

HSL 140.23, 0.74%, 0.46%

LAB 72.04, -64.69, 44.87

 

CMYK 92 / 0 / 62 / 27

HEX #0EB946

RGB 14 185 70

HSL 139.65, 0.86%, 0.39%

LAB 65.93, -62.67, 46.41

 

CMYK 100 / 0 / 69 / 35

HEX #00A733

RGB 0 167 51

HSL 138.32, 1%, 0.33%

LAB 59.78, -59.97, 47.75

 

CMYK 100 / 0 / 79 / 42

HEX #009520

RGB 0 149 32

HSL 132.89, 1%, 0.29%

LAB 53.6, -56.27, 48.59

 

CMYK 78 / 0 / 51 / 13

HEX #30DD6C

RGB 48 221 108

HSL 140.81, 0.72%, 0.53%

LAB 78.12, -66.1, 43.29

 

CMYK 78 / 0 / 72 / 13

HEX #30DD3E

RGB 48 221 62

HSL 124.86, 0.72%, 0.53%

LAB 77.69, -71.37, 62.42

 

CMYK 63 / 0 / 78 / 13

HEX #52DD30

RGB 82 221 48

HSL 108.21, 0.72%, 0.53%

LAB 78.3, -66.52, 67.8

 

CMYK 42 / 0 / 78 / 13

HEX #80DD30

RGB 128 221 48

HSL 92.25, 0.72%, 0.53%

LAB 79.91, -54.01, 69.88

 

CMYK 21 / 0 / 78 / 13

HEX #AFDD30

RGB 175 221 48

HSL 75.95, 0.72%, 0.53%

LAB 82.4, -37.15, 73.09

 

CMYK 78 / 0 / 51 / 13

HEX #30DD6C

RGB 48 221 108

HSL 140.81, 0.72%, 0.53%

LAB 78.12, -66.1, 43.29

 

CMYK 78 / 0 / 30 / 13

HEX #30DD9B

RGB 48 221 155

HSL 157.11, 0.72%, 0.53%

LAB 78.87, -57.54, 20.54

 

CMYK 78 / 0 / 9 / 13

HEX #30DDC9

RGB 48 221 201

HSL 173.06, 0.72%, 0.53%

LAB 79.93, -46.39, -2.3

 

CMYK 78 / 12 / 0 / 13

HEX #30C2DD

RGB 48 194 221

HSL 189.36, 0.72%, 0.53%

LAB 72.52, -28.13, -24.18

 

CMYK 78 / 33 / 0 / 13

HEX #3094DD

RGB 48 148 221

HSL 205.32, 0.72%, 0.53%

LAB 59, -3.52, -45.18

 

CMYK 78 / 0 / 51 / 13

HEX #30DD6C

RGB 48 221 108

HSL 140.81, 0.72%, 0.53%

LAB 78.12, -66.1, 43.29

 

CMYK 88 / 0 / 58 / 6

HEX #1DF066

RGB 29 240 102

HSL 140.76, 0.88%, 0.53%

LAB 83.73, -74.69, 52.76

 

CMYK 78 / 0 / 51 / 13

HEX #30DD6C

RGB 48 221 108

HSL 140.81, 0.72%, 0.53%

LAB 78.12, -66.1, 43.29

 

CMYK 66 / 0 / 44 / 21

HEX #44CA72

RGB 68 202 114

HSL 140.6, 0.56%, 0.53%

LAB 72.68, -55.44, 33.54

 

CMYK 52 / 0 / 34 / 29

HEX #57B678

RGB 87 182 120

HSL 140.84, 0.39%, 0.53%

LAB 67.16, -42.19, 23.21

 

CMYK 34 / 0 / 23 / 36

HEX #6BA37E

RGB 107 163 126

HSL 140.36, 0.23%, 0.53%

LAB 62.36, -26.52, 13.49

 

CMYK 12 / 0 / 8 / 44

HEX #7E8F84

RGB 126 143 132

HSL 141.18, 0.07%, 0.53%

LAB 57.8, -8.36, 3.78

 

CMYK 62 / 0 / 78 / 13

HEX #53DD30

RGB 83 221 48

HSL 107.86, 0.72%, 0.53%

LAB 78.32, -66.3, 67.83

 

CMYK 78 / 0 / 73 / 13

HEX #30DD3C

RGB 48 221 60

HSL 124.16, 0.72%, 0.53%

LAB 77.68, -71.53, 63.11

 

CMYK 78 / 0 / 52 / 13

HEX #30DD6A

RGB 48 221 106

HSL 140.12, 0.72%, 0.53%

LAB 78.1, -66.4, 44.22

 

CMYK 78 / 0 / 31 / 13

HEX #30DD98

RGB 48 221 152

HSL 156.07, 0.72%, 0.53%

LAB 78.82, -58.18, 22.02

 

CMYK 78 / 0 / 10 / 13

HEX #30DDC6

RGB 48 221 198

HSL 172.02, 0.72%, 0.53%

LAB 79.85, -47.19, -0.82

 

CMYK 84 / 0 / 55 / 37

HEX #1AA149

RGB 26 161 73

HSL 140.89, 0.72%, 0.37%

LAB 58.22, -53.52, 35.95

 

CMYK 84 / 0 / 55 / 23

HEX #20C459

RGB 32 196 89

HSL 140.85, 0.72%, 0.45%

LAB 69.83, -62.32, 42.22

 

CMYK 78 / 0 / 51 / 13

HEX #30DD6C

RGB 48 221 108

HSL 140.81, 0.72%, 0.53%

LAB 78.12, -66.1, 43.29

 

CMYK 63 / 0 / 41 / 11

HEX #54E385

RGB 84 227 133

HSL 140.56, 0.72%, 0.61%

LAB 81.03, -58.61, 34.84

 

CMYK 49 / 0 / 31 / 9

HEX #77E89F

RGB 119 232 159

HSL 141.24, 0.71%, 0.69%

LAB 84.04, -48.19, 25.82

 

CMYK 78 / 0 / 51 / 13

HEX #30DD6C

RGB 48 221 108

HSL 140.81, 0.72%, 0.53%

LAB 78.12, -66.1, 43.29

 

CMYK 78 / 42 / 0 / 13

HEX #3081DD

RGB 48 129 221

HSL 211.91, 0.72%, 0.53%

LAB 53.55, 7.79, -53.85

 

CMYK 0 / 78 / 73 / 13

HEX #DD303C

RGB 221 48 60

HSL 355.84, 0.72%, 0.53%

LAB 49.27, 65.39, 36.24

 

CMYK 78 / 0 / 51 / 13

HEX #30DD6C

RGB 48 221 108

HSL 140.81, 0.72%, 0.53%

LAB 78.12, -66.1, 43.29

 

CMYK 52 / 78 / 0 / 13

HEX #6A30DD

RGB 106 48 221

HSL 260.12, 0.72%, 0.53%

LAB 38.55, 62.53, -78.03

 

CMYK 0 / 52 / 78 / 13

HEX #DD6A30

RGB 221 106 48

HSL 20.12, 0.72%, 0.53%

LAB 57.94, 41.41, 51.7

 

CMYK 78 / 0 / 51 / 13

HEX #30DD6C

RGB 48 221 108

HSL 140.81, 0.72%, 0.53%

LAB 78.12, -66.1, 43.29

 

CMYK 78 / 42 / 0 / 13

HEX #3081DD

RGB 48 129 221

HSL 211.91, 0.72%, 0.53%

LAB 53.55, 7.79, -53.85

 

CMYK 0 / 78 / 26 / 13

HEX #DD30A3

RGB 221 48 163

HSL 320.12, 0.72%, 0.53%

LAB 51.98, 73.64, -21.8

 

CMYK 0 / 37 / 78 / 13

HEX #DD8C30

RGB 221 140 48

HSL 31.91, 0.72%, 0.53%

LAB 65.23, 23.71, 58.69

 

CMYK 78 / 0 / 51 / 13

HEX #30DD6C

RGB 48 221 108

HSL 140.81, 0.72%, 0.53%

LAB 78.12, -66.1, 43.29

 

CMYK 78 / 65 / 0 / 13

HEX #304DDD

RGB 48 77 221

HSL 229.94, 0.72%, 0.53%

LAB 39.84, 40.59, -76.06

 

CMYK 0 / 78 / 26 / 13

HEX #DD30A3

RGB 221 48 163

HSL 320.12, 0.72%, 0.53%

LAB 51.98, 73.64, -21.8

 

CMYK 0 / 13 / 78 / 13

HEX #DDC030

RGB 221 192 48

HSL 49.94, 0.72%, 0.53%

LAB 78.04, -3.89, 70.46

 

Description

Color code: HEX #30DD6C | qconv.com Color code: HEX #30DD6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 221 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 221 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 51% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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