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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30DD52 it is the complementary color #CF22AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30DD52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30DD52 shade: #35DD4D, #46EF60, #57FF73, #68FF86 and #79FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30DD52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30DD52 shade: #30DD52, #1FCB3F, #0EB92C, #00A719 and #009506

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30DD52 shade: #30DD52, #3DDD30, #6CDD30, #9ADD30 and #C9DD30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30DD52 shade: #30DD52, #30DD81, #30DDAF, #30DCDD and #30ADDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30DD52 shade matches the following richer shades: #30DD52 and #1DF046

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30DD52 shade: #30DD52, #44CA5E, #57B66A, #6BA376 and #7E8F81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30DD52 shade: #6DDD30, #3FDD30, #30DD50, #30DD7E and #30DDAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30DD52 shade: #1AA134, #20C440, #30DD52, #54E370 and #77E88E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30DD52 shade: #30DD52, #309BDD and #DD3056

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30DD52 shade: #30DD52, #5030DD and #DD5030

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30DD52 shade: #30DD52, #309BDD, #DD30BD and #DD7330

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30DD52 shade: #30DD52, #3067DD, #DD30BD and #DDA630

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 63 / 13

HEX #30DD52

RGB 48 221 82

HSL 131.79, 0.72%, 0.53%

LAB 77.85, -69.46, 54.75

 

Complementary color

CMYK 0 / 84 / 16 / 19

HEX #CF22AD

RGB 207 34 173

HSL 311.79, 0.72%, 0.47%

LAB 48.79, 75.12, -32.85

 

CMYK 76 / 0 / 65 / 13

HEX #35DD4D

RGB 53 221 77

HSL 128.57, 0.71%, 0.54%

LAB 77.88, -69.35, 56.89

 

CMYK 71 / 0 / 60 / 6

HEX #46EF60

RGB 70 239 96

HSL 129.23, 0.84%, 0.61%

LAB 83.9, -70.52, 55.74

 

CMYK 66 / 0 / 55 / 0

HEX #57FF73

RGB 87 255 115

HSL 130, 1%, 0.67%

LAB 89.29, -70.65, 53.75

 

CMYK 59 / 0 / 47 / 0

HEX #68FF86

RGB 104 255 134

HSL 131.92, 1%, 0.7%

LAB 89.94, -64.75, 45.86

 

CMYK 53 / 0 / 40 / 0

HEX #79FF99

RGB 121 255 153

HSL 134.33, 1%, 0.74%

LAB 90.73, -58.04, 37.77

 

CMYK 78 / 0 / 63 / 13

HEX #30DD52

RGB 48 221 82

HSL 131.79, 0.72%, 0.53%

LAB 77.85, -69.46, 54.75

 

CMYK 85 / 0 / 69 / 20

HEX #1FCB3F

RGB 31 203 63

HSL 131.16, 0.74%, 0.46%

LAB 71.8, -67.69, 55.84

 

CMYK 92 / 0 / 76 / 27

HEX #0EB92C

RGB 14 185 44

HSL 130.53, 0.86%, 0.39%

LAB 65.73, -65.22, 56.5

 

CMYK 100 / 0 / 85 / 35

HEX #00A719

RGB 0 167 25

HSL 128.98, 1%, 0.33%

LAB 59.62, -61.94, 56.32

 

CMYK 100 / 0 / 96 / 42

HEX #009506

RGB 0 149 6

HSL 122.42, 1%, 0.29%

LAB 53.5, -57.54, 54.73

 

CMYK 78 / 0 / 63 / 13

HEX #30DD52

RGB 48 221 82

HSL 131.79, 0.72%, 0.53%

LAB 77.85, -69.46, 54.75

 

CMYK 72 / 0 / 78 / 13

HEX #3DDD30

RGB 61 221 48

HSL 115.49, 0.72%, 0.53%

LAB 77.83, -70.49, 67.18

 

CMYK 51 / 0 / 78 / 13

HEX #6CDD30

RGB 108 221 48

HSL 99.19, 0.72%, 0.53%

LAB 79.11, -60.04, 68.85

 

CMYK 30 / 0 / 78 / 13

HEX #9ADD30

RGB 154 221 48

HSL 83.24, 0.72%, 0.53%

LAB 81.18, -45.07, 71.52

 

CMYK 9 / 0 / 78 / 13

HEX #C9DD30

RGB 201 221 48

HSL 66.94, 0.72%, 0.53%

LAB 84.14, -26.75, 75.32

 

CMYK 78 / 0 / 63 / 13

HEX #30DD52

RGB 48 221 82

HSL 131.79, 0.72%, 0.53%

LAB 77.85, -69.46, 54.75

 

CMYK 78 / 0 / 42 / 13

HEX #30DD81

RGB 48 221 129

HSL 148.09, 0.72%, 0.53%

LAB 78.42, -62.66, 33.31

 

CMYK 78 / 0 / 21 / 13

HEX #30DDAF

RGB 48 221 175

HSL 164.05, 0.72%, 0.53%

LAB 79.29, -53, 10.59

 

CMYK 78 / 0 / 0 / 13

HEX #30DCDD

RGB 48 220 221

HSL 180.35, 0.72%, 0.53%

LAB 80.2, -40.39, -12.57

 

CMYK 78 / 22 / 0 / 13

HEX #30ADDD

RGB 48 173 221

HSL 196.65, 0.72%, 0.53%

LAB 66.32, -17.39, -33.73

 

CMYK 78 / 0 / 63 / 13

HEX #30DD52

RGB 48 221 82

HSL 131.79, 0.72%, 0.53%

LAB 77.85, -69.46, 54.75

 

CMYK 88 / 0 / 71 / 6

HEX #1DF046

RGB 29 240 70

HSL 131.66, 0.88%, 0.53%

LAB 83.45, -78.07, 65.43

 

CMYK 78 / 0 / 63 / 13

HEX #30DD52

RGB 48 221 82

HSL 131.79, 0.72%, 0.53%

LAB 77.85, -69.46, 54.75

 

CMYK 66 / 0 / 53 / 21

HEX #44CA5E

RGB 68 202 94

HSL 131.64, 0.56%, 0.53%

LAB 72.41, -58.51, 43.1

 

CMYK 52 / 0 / 42 / 29

HEX #57B66A

RGB 87 182 106

HSL 132, 0.39%, 0.53%

LAB 66.92, -44.66, 30.31

 

CMYK 34 / 0 / 28 / 36

HEX #6BA376

RGB 107 163 118

HSL 131.79, 0.23%, 0.53%

LAB 62.19, -28.05, 17.69

 

CMYK 12 / 0 / 10 / 44

HEX #7E8F81

RGB 126 143 129

HSL 130.59, 0.07%, 0.53%

LAB 57.72, -8.96, 5.38

 

CMYK 51 / 0 / 78 / 13

HEX #6DDD30

RGB 109 221 48

HSL 98.84, 0.72%, 0.53%

LAB 79.14, -59.76, 68.89

 

CMYK 71 / 0 / 78 / 13

HEX #3FDD30

RGB 63 221 48

HSL 114.8, 0.72%, 0.53%

LAB 77.86, -70.16, 67.23

 

CMYK 78 / 0 / 64 / 13

HEX #30DD50

RGB 48 221 80

HSL 131.1, 0.72%, 0.53%

LAB 77.83, -69.68, 55.58

 

CMYK 78 / 0 / 43 / 13

HEX #30DD7E

RGB 48 221 126

HSL 147.05, 0.72%, 0.53%

LAB 78.37, -63.19, 34.77

 

CMYK 78 / 0 / 22 / 13

HEX #30DDAC

RGB 48 221 172

HSL 163.01, 0.72%, 0.53%

LAB 79.23, -53.71, 12.08

 

CMYK 84 / 0 / 68 / 37

HEX #1AA134

RGB 26 161 52

HSL 131.56, 0.72%, 0.37%

LAB 58, -56.21, 45.48

 

CMYK 84 / 0 / 67 / 23

HEX #20C440

RGB 32 196 64

HSL 131.71, 0.72%, 0.45%

LAB 69.58, -65.37, 53.07

 

CMYK 78 / 0 / 63 / 13

HEX #30DD52

RGB 48 221 82

HSL 131.79, 0.72%, 0.53%

LAB 77.85, -69.46, 54.75

 

CMYK 63 / 0 / 51 / 11

HEX #54E370

RGB 84 227 112

HSL 131.75, 0.72%, 0.61%

LAB 80.73, -61.85, 44.76

 

CMYK 49 / 0 / 39 / 9

HEX #77E88E

RGB 119 232 142

HSL 132.21, 0.71%, 0.69%

LAB 83.75, -51.11, 34.09

 

CMYK 78 / 0 / 63 / 13

HEX #30DD52

RGB 48 221 82

HSL 131.79, 0.72%, 0.53%

LAB 77.85, -69.46, 54.75

 

CMYK 78 / 30 / 0 / 13

HEX #309BDD

RGB 48 155 221

HSL 202.89, 0.72%, 0.53%

LAB 61.04, -7.52, -41.97

 

CMYK 0 / 78 / 61 / 13

HEX #DD3056

RGB 221 48 86

HSL 346.82, 0.72%, 0.53%

LAB 49.69, 66.7, 21.27

 

CMYK 78 / 0 / 63 / 13

HEX #30DD52

RGB 48 221 82

HSL 131.79, 0.72%, 0.53%

LAB 77.85, -69.46, 54.75

 

CMYK 64 / 78 / 0 / 13

HEX #5030DD

RGB 80 48 221

HSL 251.1, 0.72%, 0.53%

LAB 36.06, 59.59, -82.22

 

CMYK 0 / 64 / 78 / 13

HEX #DD5030

RGB 221 80 48

HSL 11.1, 0.72%, 0.53%

LAB 53.3, 53.49, 47.1

 

CMYK 78 / 0 / 63 / 13

HEX #30DD52

RGB 48 221 82

HSL 131.79, 0.72%, 0.53%

LAB 77.85, -69.46, 54.75

 

CMYK 78 / 30 / 0 / 13

HEX #309BDD

RGB 48 155 221

HSL 202.89, 0.72%, 0.53%

LAB 61.04, -7.52, -41.97

 

CMYK 0 / 78 / 14 / 13

HEX #DD30BD

RGB 221 48 189

HSL 311.1, 0.72%, 0.53%

LAB 53.12, 76.94, -35.24

 

CMYK 0 / 48 / 78 / 13

HEX #DD7330

RGB 221 115 48

HSL 23.24, 0.72%, 0.53%

LAB 59.75, 36.86, 53.46

 

CMYK 78 / 0 / 63 / 13

HEX #30DD52

RGB 48 221 82

HSL 131.79, 0.72%, 0.53%

LAB 77.85, -69.46, 54.75

 

CMYK 78 / 53 / 0 / 13

HEX #3067DD

RGB 48 103 221

HSL 220.92, 0.72%, 0.53%

LAB 46.38, 24.1, -65.39

 

CMYK 0 / 78 / 14 / 13

HEX #DD30BD

RGB 221 48 189

HSL 311.1, 0.72%, 0.53%

LAB 53.12, 76.94, -35.24

 

CMYK 0 / 25 / 78 / 13

HEX #DDA630

RGB 221 166 48

HSL 40.92, 0.72%, 0.53%

LAB 71.46, 9.78, 64.48

 

Description

Color code: HEX #30DD52 | qconv.com Color code: HEX #30DD52 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 221 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 221 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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