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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30CE9F it is the complementary color #CF3160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30CE9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30CE9F shade: #35CE9A, #46E0AD, #57F2C0, #68FFD3 and #79FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30CE9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30CE9F shade: #30CE9F, #1FBC8C, #0EAA79, #009866 and #008653

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30CE9F shade: #30CE9F, #30CE74, #30CE4A, #41CE30 and #6BCE30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30CE9F shade: #30CE9F, #30CECA, #30A8CE, #307DCE and #3053CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30CE9F shade matches the following richer shades: #30CE9F, #1BE3A7 and #07F7B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30CE9F shade: #30CE9F, #45B997, #59A58E, #6E9086 and #827C7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30CE9F shade: #30CE4A, #30CE74, #30CE9F, #30CEC9 and #30A9CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30CE9F shade: #208B6B, #28AD85, #30CE9F, #51D6AE and #73DEBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30CE9F shade: #30CE9F, #3040CE and #CE5F30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30CE9F shade: #30CE9F, #9F30CE and #CE9F30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30CE9F shade: #30CE9F, #3040CE, #CE305F and #CEBE30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30CE9F shade: #30CE9F, #5030CE, #CE305F and #AECE30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

Complementary color

CMYK 0 / 76 / 54 / 19

HEX #CF3160

RGB 207 49 96

HSL 342.15, 0.62%, 0.5%

LAB 47.37, 63.22, 11.58

 

CMYK 74 / 0 / 25 / 19

HEX #35CE9A

RGB 53 206 154

HSL 159.61, 0.61%, 0.51%

LAB 74.34, -51.35, 14.77

 

CMYK 69 / 0 / 23 / 12

HEX #46E0AD

RGB 70 224 173

HSL 160.13, 0.71%, 0.58%

LAB 80.53, -51.92, 13.46

 

CMYK 64 / 0 / 21 / 5

HEX #57F2C0

RGB 87 242 192

HSL 160.65, 0.86%, 0.65%

LAB 86.67, -52.28, 12.26

 

CMYK 59 / 0 / 17 / 0

HEX #68FFD3

RGB 104 255 211

HSL 162.52, 1%, 0.7%

LAB 91.31, -50.41, 9.09

 

CMYK 53 / 0 / 10 / 0

HEX #79FFE6

RGB 121 255 230

HSL 168.81, 1%, 0.74%

LAB 92.26, -42.73, 0.72

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 84 / 0 / 26 / 26

HEX #1FBC8C

RGB 31 188 140

HSL 161.66, 0.72%, 0.43%

LAB 68.13, -49.79, 13.56

 

CMYK 92 / 0 / 29 / 33

HEX #0EAA79

RGB 14 170 121

HSL 161.15, 0.85%, 0.36%

LAB 61.85, -48.38, 15.15

 

CMYK 100 / 0 / 33 / 40

HEX #009866

RGB 0 152 102

HSL 160.26, 1%, 0.3%

LAB 55.5, -46.49, 16.92

 

CMYK 100 / 0 / 38 / 47

HEX #008653

RGB 0 134 83

HSL 157.16, 1%, 0.26%

LAB 49.1, -43.88, 18.91

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 77 / 0 / 44 / 19

HEX #30CE74

RGB 48 206 116

HSL 145.82, 0.62%, 0.5%

LAB 73.57, -59.66, 33.59

 

CMYK 77 / 0 / 64 / 19

HEX #30CE4A

RGB 48 206 74

HSL 129.87, 0.62%, 0.5%

LAB 73.07, -65.58, 52.8

 

CMYK 68 / 0 / 77 / 19

HEX #41CE30

RGB 65 206 48

HSL 113.54, 0.62%, 0.5%

LAB 73.21, -65.07, 62.77

 

CMYK 48 / 0 / 77 / 19

HEX #6BCE30

RGB 107 206 48

HSL 97.59, 0.62%, 0.5%

LAB 74.5, -54.75, 64.46

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 77 / 0 / 2 / 19

HEX #30CECA

RGB 48 206 202

HSL 178.48, 0.62%, 0.5%

LAB 75.47, -39.52, -9.43

 

CMYK 77 / 18 / 0 / 19

HEX #30A8CE

RGB 48 168 206

HSL 194.43, 0.62%, 0.5%

LAB 64.23, -19.76, -28.67

 

CMYK 77 / 39 / 0 / 19

HEX #307DCE

RGB 48 125 206

HSL 210.76, 0.62%, 0.5%

LAB 51.56, 4.68, -48.55

 

CMYK 77 / 60 / 0 / 19

HEX #3053CE

RGB 48 83 206

HSL 226.71, 0.62%, 0.5%

LAB 40.03, 31.37, -67.13

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 88 / 0 / 26 / 11

HEX #1BE3A7

RGB 27 227 167

HSL 162, 0.79%, 0.5%

LAB 80.72, -58.86, 16.78

 

CMYK 97 / 0 / 29 / 3

HEX #07F7B0

RGB 7 247 176

HSL 162.25, 0.94%, 0.5%

LAB 86.85, -64.96, 20.64

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 63 / 0 / 18 / 27

HEX #45B997

RGB 69 185 151

HSL 162.41, 0.46%, 0.5%

LAB 68.17, -40.77, 7.7

 

CMYK 46 / 0 / 14 / 35

HEX #59A58E

RGB 89 165 142

HSL 161.84, 0.3%, 0.5%

LAB 62.5, -29.24, 4.64

 

CMYK 24 / 0 / 7 / 44

HEX #6E9086

RGB 110 144 134

HSL 162.35, 0.13%, 0.5%

LAB 57.06, -14.05, 1.43

 

CMYK 0 / 5 / 3 / 49

HEX #827C7E

RGB 130 124 126

HSL 340, 0.02%, 0.5%

LAB 52.58, 2.66, -0.28

 

CMYK 77 / 0 / 64 / 19

HEX #30CE4A

RGB 48 206 74

HSL 129.87, 0.62%, 0.5%

LAB 73.07, -65.58, 52.8

 

CMYK 77 / 0 / 44 / 19

HEX #30CE74

RGB 48 206 116

HSL 145.82, 0.62%, 0.5%

LAB 73.57, -59.66, 33.59

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 77 / 0 / 2 / 19

HEX #30CEC9

RGB 48 206 201

HSL 178.1, 0.62%, 0.5%

LAB 75.44, -39.8, -8.93

 

CMYK 77 / 18 / 0 / 19

HEX #30A9CE

RGB 48 169 206

HSL 194.05, 0.62%, 0.5%

LAB 64.53, -20.28, -28.21

 

CMYK 77 / 0 / 23 / 45

HEX #208B6B

RGB 32 139 107

HSL 162.06, 0.63%, 0.34%

LAB 51.65, -37.44, 8.77

 

CMYK 77 / 0 / 23 / 32

HEX #28AD85

RGB 40 173 133

HSL 161.95, 0.62%, 0.42%

LAB 63.37, -44.45, 10.7

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 62 / 0 / 19 / 16

HEX #51D6AE

RGB 81 214 174

HSL 161.95, 0.62%, 0.58%

LAB 77.82, -45.72, 9.11

 

CMYK 48 / 0 / 14 / 13

HEX #73DEBE

RGB 115 222 190

HSL 162.06, 0.62%, 0.66%

LAB 81.62, -38.49, 6.21

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 77 / 69 / 0 / 19

HEX #3040CE

RGB 48 64 206

HSL 233.92, 0.62%, 0.5%

LAB 35.5, 43.28, -74.56

 

CMYK 0 / 54 / 77 / 19

HEX #CE5F30

RGB 206 95 48

HSL 17.85, 0.62%, 0.5%

LAB 53.51, 41.1, 46.53

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 23 / 77 / 0 / 19

HEX #9F30CE

RGB 159 48 206

HSL 282.15, 0.62%, 0.5%

LAB 44.15, 67.36, -59.98

 

CMYK 0 / 23 / 77 / 19

HEX #CE9F30

RGB 206 159 48

HSL 42.15, 0.62%, 0.5%

LAB 68.12, 7.01, 60.8

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 77 / 69 / 0 / 19

HEX #3040CE

RGB 48 64 206

HSL 233.92, 0.62%, 0.5%

LAB 35.5, 43.28, -74.56

 

CMYK 0 / 77 / 54 / 19

HEX #CE305F

RGB 206 48 95

HSL 342.15, 0.62%, 0.5%

LAB 47.06, 63.17, 11.72

 

CMYK 0 / 8 / 77 / 19

HEX #CEBE30

RGB 206 190 48

HSL 53.92, 0.62%, 0.5%

LAB 76.17, -9.32, 68.26

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 61 / 77 / 0 / 19

HEX #5030CE

RGB 80 48 206

HSL 252.15, 0.62%, 0.5%

LAB 34.55, 55.32, -76.06

 

CMYK 0 / 77 / 54 / 19

HEX #CE305F

RGB 206 48 95

HSL 342.15, 0.62%, 0.5%

LAB 47.06, 63.17, 11.72

 

CMYK 16 / 0 / 77 / 19

HEX #AECE30

RGB 174 206 48

HSL 72.15, 0.62%, 0.5%

LAB 78.08, -30.65, 69.11

 

Description

Color code: HEX #30CE9F | qconv.com Color code: HEX #30CE9F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 206 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 206 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 23 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 23% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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