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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30AB70 it is the complementary color #CF548F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30AB70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30AB70 shade: #35AB6B, #46BD7E, #57CF91, #68E1A4 and #79F3B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30AB70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30AB70 shade: #30AB70, #1F995D, #0E874A, #007537 and #006324

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30AB70 shade: #30AB70, #30AB4F, #32AB30, #53AB30 and #74AB30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30AB70 shade: #30AB70, #30AB91, #30A3AB, #3082AB and #3061AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30AB70 shade matches the following richer shades: #30AB70, #1EBC70 and #0CCE71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30AB70 shade: #30AB70, #41996F, #53876E, #65756D and #77646D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30AB70 shade: #32AB30, #30AB4E, #30AB6F, #30AB90 and #30A4AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30AB70 shade: #1E6A45, #278A5B, #30AB70, #3CC885 and #5CD199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30AB70 shade: #30AB70, #3053AB and #AB3E30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30AB70 shade: #30AB70, #6F30AB and #AB6F30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30AB70 shade: #30AB70, #3053AB, #AB306B and #AB8830

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30AB70 shade: #30AB70, #3230AB, #AB306B and #A9AB30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 35 / 33

HEX #30AB70

RGB 48 171 112

HSL 151.22, 0.56%, 0.43%

LAB 62.44, -47.28, 20.97

 

Complementary color

CMYK 0 / 59 / 31 / 19

HEX #CF548F

RGB 207 84 143

HSL 331.22, 0.56%, 0.57%

LAB 53.59, 54.5, -7.76

 

CMYK 69 / 0 / 37 / 33

HEX #35AB6B

RGB 53 171 107

HSL 147.46, 0.53%, 0.44%

LAB 62.46, -47.46, 23.72

 

CMYK 63 / 0 / 33 / 26

HEX #46BD7E

RGB 70 189 126

HSL 148.24, 0.47%, 0.51%

LAB 68.9, -47.78, 22.27

 

CMYK 58 / 0 / 30 / 19

HEX #57CF91

RGB 87 207 145

HSL 149, 0.56%, 0.58%

LAB 75.26, -47.89, 20.95

 

CMYK 54 / 0 / 27 / 12

HEX #68E1A4

RGB 104 225 164

HSL 149.75, 0.67%, 0.65%

LAB 81.55, -47.87, 19.74

 

CMYK 50 / 0 / 25 / 5

HEX #79F3B7

RGB 121 243 183

HSL 150.49, 0.84%, 0.71%

LAB 87.77, -47.77, 18.61

 

CMYK 72 / 0 / 35 / 33

HEX #30AB70

RGB 48 171 112

HSL 151.22, 0.56%, 0.43%

LAB 62.44, -47.28, 20.97

 

CMYK 80 / 0 / 39 / 40

HEX #1F995D

RGB 31 153 93

HSL 150.49, 0.66%, 0.36%

LAB 55.95, -46.5, 22.56

 

CMYK 90 / 0 / 45 / 47

HEX #0E874A

RGB 14 135 74

HSL 149.75, 0.81%, 0.29%

LAB 49.39, -45.19, 24.34

 

CMYK 100 / 0 / 53 / 54

HEX #007537

RGB 0 117 55

HSL 148.21, 1%, 0.23%

LAB 42.76, -43.19, 26.27

 

CMYK 100 / 0 / 64 / 61

HEX #006324

RGB 0 99 36

HSL 141.82, 1%, 0.19%

LAB 36.08, -39.93, 28.31

 

CMYK 72 / 0 / 35 / 33

HEX #30AB70

RGB 48 171 112

HSL 151.22, 0.56%, 0.43%

LAB 62.44, -47.28, 20.97

 

CMYK 72 / 0 / 54 / 33

HEX #30AB4F

RGB 48 171 79

HSL 135.12, 0.56%, 0.43%

LAB 61.93, -53.12, 37.56

 

CMYK 71 / 0 / 72 / 33

HEX #32AB30

RGB 50 171 48

HSL 119.02, 0.56%, 0.43%

LAB 61.67, -56.36, 51.12

 

CMYK 51 / 0 / 72 / 33

HEX #53AB30

RGB 83 171 48

HSL 102.93, 0.56%, 0.43%

LAB 62.66, -48.42, 52.45

 

CMYK 32 / 0 / 72 / 33

HEX #74AB30

RGB 116 171 48

HSL 86.83, 0.56%, 0.43%

LAB 64.2, -37.32, 54.51

 

CMYK 72 / 0 / 35 / 33

HEX #30AB70

RGB 48 171 112

HSL 151.22, 0.56%, 0.43%

LAB 62.44, -47.28, 20.97

 

CMYK 72 / 0 / 15 / 33

HEX #30AB91

RGB 48 171 145

HSL 167.32, 0.56%, 0.43%

LAB 63.18, -39.52, 3.78

 

CMYK 72 / 5 / 0 / 33

HEX #30A3AB

RGB 48 163 171

HSL 183.9, 0.56%, 0.43%

LAB 61.45, -28.4, -13.35

 

CMYK 72 / 24 / 0 / 33

HEX #3082AB

RGB 48 130 171

HSL 200, 0.56%, 0.43%

LAB 51.31, -10.89, -28.88

 

CMYK 72 / 43 / 0 / 33

HEX #3061AB

RGB 48 97 171

HSL 216.1, 0.56%, 0.43%

LAB 41.4, 9.16, -44.5

 

CMYK 72 / 0 / 35 / 33

HEX #30AB70

RGB 48 171 112

HSL 151.22, 0.56%, 0.43%

LAB 62.44, -47.28, 20.97

 

CMYK 84 / 0 / 40 / 26

HEX #1EBC70

RGB 30 188 112

HSL 151.14, 0.72%, 0.43%

LAB 67.59, -55.9, 27.79

 

CMYK 94 / 0 / 45 / 19

HEX #0CCE71

RGB 12 206 113

HSL 151.24, 0.89%, 0.43%

LAB 73.16, -63.1, 34.51

 

CMYK 72 / 0 / 35 / 33

HEX #30AB70

RGB 48 171 112

HSL 151.22, 0.56%, 0.43%

LAB 62.44, -47.28, 20.97

 

CMYK 58 / 0 / 27 / 40

HEX #41996F

RGB 65 153 111

HSL 151.36, 0.4%, 0.43%

LAB 57.13, -36.62, 14.3

 

CMYK 39 / 0 / 19 / 47

HEX #53876E

RGB 83 135 110

HSL 151.15, 0.24%, 0.43%

LAB 52.17, -23.35, 8.02

 

CMYK 14 / 0 / 7 / 54

HEX #65756D

RGB 101 117 109

HSL 150, 0.07%, 0.43%

LAB 47.74, -7.66, 2.4

 

CMYK 0 / 16 / 8 / 53

HEX #77646D

RGB 119 100 109

HSL 331.58, 0.09%, 0.43%

LAB 44.43, 9.26, -2.24

 

CMYK 71 / 0 / 72 / 33

HEX #32AB30

RGB 50 171 48

HSL 119.02, 0.56%, 0.43%

LAB 61.67, -56.36, 51.12

 

CMYK 72 / 0 / 54 / 33

HEX #30AB4E

RGB 48 171 78

HSL 134.63, 0.56%, 0.43%

LAB 61.92, -53.27, 38.04

 

CMYK 72 / 0 / 35 / 33

HEX #30AB6F

RGB 48 171 111

HSL 150.73, 0.56%, 0.43%

LAB 62.42, -47.48, 21.49

 

CMYK 72 / 0 / 16 / 33

HEX #30AB90

RGB 48 171 144

HSL 166.83, 0.56%, 0.43%

LAB 63.15, -39.78, 4.3

 

CMYK 72 / 4 / 0 / 33

HEX #30A4AB

RGB 48 164 171

HSL 183.41, 0.56%, 0.43%

LAB 61.76, -28.89, -12.89

 

CMYK 72 / 0 / 35 / 58

HEX #1E6A45

RGB 30 106 69

HSL 150.79, 0.56%, 0.27%

LAB 39.6, -32.47, 14.25

 

CMYK 72 / 0 / 34 / 46

HEX #278A5B

RGB 39 138 91

HSL 151.52, 0.56%, 0.35%

LAB 51.11, -39.74, 17.19

 

CMYK 72 / 0 / 35 / 33

HEX #30AB70

RGB 48 171 112

HSL 151.22, 0.56%, 0.43%

LAB 62.44, -47.28, 20.97

 

CMYK 70 / 0 / 34 / 22

HEX #3CC885

RGB 60 200 133

HSL 151.29, 0.56%, 0.51%

LAB 72.2, -52.52, 23

 

CMYK 56 / 0 / 27 / 18

HEX #5CD199

RGB 92 209 153

HSL 151.28, 0.56%, 0.59%

LAB 76.18, -46.02, 18.01

 

CMYK 72 / 0 / 35 / 33

HEX #30AB70

RGB 48 171 112

HSL 151.22, 0.56%, 0.43%

LAB 62.44, -47.28, 20.97

 

CMYK 72 / 51 / 0 / 33

HEX #3053AB

RGB 48 83 171

HSL 222.93, 0.56%, 0.43%

LAB 37.4, 18.29, -50.93

 

CMYK 0 / 64 / 72 / 33

HEX #AB3E30

RGB 171 62 48

HSL 6.83, 0.56%, 0.43%

LAB 41.71, 43.84, 32.1

 

CMYK 72 / 0 / 35 / 33

HEX #30AB70

RGB 48 171 112

HSL 151.22, 0.56%, 0.43%

LAB 62.44, -47.28, 20.97

 

CMYK 35 / 72 / 0 / 33

HEX #6F30AB

RGB 111 48 171

HSL 270.73, 0.56%, 0.43%

LAB 34.87, 50.71, -54.77

 

CMYK 0 / 35 / 72 / 33

HEX #AB6F30

RGB 171 111 48

HSL 30.73, 0.56%, 0.43%

LAB 52.11, 18.07, 43.54

 

CMYK 72 / 0 / 35 / 33

HEX #30AB70

RGB 48 171 112

HSL 151.22, 0.56%, 0.43%

LAB 62.44, -47.28, 20.97

 

CMYK 72 / 51 / 0 / 33

HEX #3053AB

RGB 48 83 171

HSL 222.93, 0.56%, 0.43%

LAB 37.4, 18.29, -50.93

 

CMYK 0 / 72 / 37 / 33

HEX #AB306B

RGB 171 48 107

HSL 331.22, 0.56%, 0.43%

LAB 40.95, 54.4, -5.36

 

CMYK 0 / 20 / 72 / 33

HEX #AB8830

RGB 171 136 48

HSL 42.93, 0.56%, 0.43%

LAB 58.49, 4.05, 50.14

 

CMYK 72 / 0 / 35 / 33

HEX #30AB70

RGB 48 171 112

HSL 151.22, 0.56%, 0.43%

LAB 62.44, -47.28, 20.97

 

CMYK 71 / 72 / 0 / 33

HEX #3230AB

RGB 50 48 171

HSL 240.98, 0.56%, 0.43%

LAB 28.73, 41.06, -65.07

 

CMYK 0 / 72 / 37 / 33

HEX #AB306B

RGB 171 48 107

HSL 331.22, 0.56%, 0.43%

LAB 40.95, 54.4, -5.36

 

CMYK 1 / 0 / 72 / 33

HEX #A9AB30

RGB 169 171 48

HSL 60.98, 0.56%, 0.43%

LAB 67.85, -15.58, 59.34

 

Description

Color code: HEX #30AB70 | qconv.com Color code: HEX #30AB70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 171 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 171 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 35 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 35% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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