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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30AB61 it is the complementary color #CF549E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30AB61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30AB61 shade: #35AB5C, #46BD6F, #57CF82, #68E195 and #79F3A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30AB61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30AB61 shade: #30AB61, #1F994E, #0E873B, #007528 and #006315

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30AB61 shade: #30AB61, #30AB40, #41AB30, #62AB30 and #83AB30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30AB61 shade: #30AB61, #30AB82, #30ABA3, #3091AB and #3070AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30AB61 shade matches the following richer shades: #30AB61, #1EBC5D and #0CCE59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30AB61 shade: #30AB61, #419964, #538768, #65756B and #77646F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30AB61 shade: #42AB30, #30AB3E, #30AB5F, #30AB80 and #30ABA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30AB61 shade: #1E6A3C, #278A4E, #30AB61, #3CC874 and #5CD18B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30AB61 shade: #30AB61, #3063AB and #AB3032

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30AB61 shade: #30AB61, #5F30AB and #AB5F30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30AB61 shade: #30AB61, #3063AB, #AB307B and #AB7730

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30AB61 shade: #30AB61, #303EAB, #AB307B and #AB9C30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

Complementary color

CMYK 0 / 59 / 24 / 19

HEX #CF549E

RGB 207 84 158

HSL 323.9, 0.56%, 0.57%

LAB 54.11, 56.45, -15.82

 

CMYK 69 / 0 / 46 / 33

HEX #35AB5C

RGB 53 171 92

HSL 139.83, 0.53%, 0.44%

LAB 62.22, -50.2, 31.34

 

CMYK 63 / 0 / 41 / 26

HEX #46BD6F

RGB 70 189 111

HSL 140.67, 0.47%, 0.51%

LAB 68.64, -50.59, 29.84

 

CMYK 58 / 0 / 37 / 19

HEX #57CF82

RGB 87 207 130

HSL 141.5, 0.56%, 0.58%

LAB 74.99, -50.74, 28.44

 

CMYK 54 / 0 / 34 / 12

HEX #68E195

RGB 104 225 149

HSL 142.31, 0.67%, 0.65%

LAB 81.27, -50.74, 27.13

 

CMYK 50 / 0 / 31 / 5

HEX #79F3A8

RGB 121 243 168

HSL 143.11, 0.84%, 0.71%

LAB 87.48, -50.64, 25.92

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 80 / 0 / 49 / 40

HEX #1F994E

RGB 31 153 78

HSL 143.11, 0.66%, 0.36%

LAB 55.71, -49.3, 30.31

 

CMYK 90 / 0 / 56 / 47

HEX #0E873B

RGB 14 135 59

HSL 142.31, 0.81%, 0.29%

LAB 49.18, -47.8, 32.05

 

CMYK 100 / 0 / 66 / 54

HEX #007528

RGB 0 117 40

HSL 140.51, 1%, 0.23%

LAB 42.58, -45.48, 33.75

 

CMYK 100 / 0 / 79 / 61

HEX #006315

RGB 0 99 21

HSL 132.73, 1%, 0.19%

LAB 35.94, -41.71, 35.08

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 62 / 0 / 72 / 33

HEX #41AB30

RGB 65 171 48

HSL 111.71, 0.56%, 0.43%

LAB 62.05, -53.2, 51.63

 

CMYK 43 / 0 / 72 / 33

HEX #62AB30

RGB 98 171 48

HSL 95.61, 0.56%, 0.43%

LAB 63.29, -43.71, 53.29

 

CMYK 23 / 0 / 72 / 33

HEX #83AB30

RGB 131 171 48

HSL 79.51, 0.56%, 0.43%

LAB 65.09, -31.52, 55.69

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 72 / 0 / 24 / 33

HEX #30AB82

RGB 48 171 130

HSL 160, 0.56%, 0.43%

LAB 62.82, -43.27, 11.6

 

CMYK 72 / 0 / 5 / 33

HEX #30ABA3

RGB 48 171 163

HSL 176.1, 0.56%, 0.43%

LAB 63.67, -34.6, -5.55

 

CMYK 72 / 15 / 0 / 33

HEX #3091AB

RGB 48 145 171

HSL 192.68, 0.56%, 0.43%

LAB 55.91, -19.16, -21.77

 

CMYK 72 / 35 / 0 / 33

HEX #3070AB

RGB 48 112 171

HSL 208.78, 0.56%, 0.43%

LAB 45.85, -0.26, -37.43

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 84 / 0 / 51 / 26

HEX #1EBC5D

RGB 30 188 93

HSL 143.92, 0.72%, 0.43%

LAB 67.3, -59.23, 37.16

 

CMYK 94 / 0 / 57 / 19

HEX #0CCE59

RGB 12 206 89

HSL 143.81, 0.89%, 0.43%

LAB 72.85, -66.85, 45.8

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 58 / 0 / 35 / 40

HEX #419964

RGB 65 153 100

HSL 143.86, 0.4%, 0.43%

LAB 56.91, -38.91, 20.13

 

CMYK 39 / 0 / 23 / 47

HEX #538768

RGB 83 135 104

HSL 144.23, 0.24%, 0.43%

LAB 52.02, -24.64, 11.28

 

CMYK 14 / 0 / 9 / 54

HEX #65756B

RGB 101 117 107

HSL 142.5, 0.07%, 0.43%

LAB 47.69, -8.08, 3.51

 

CMYK 0 / 16 / 7 / 53

HEX #77646F

RGB 119 100 111

HSL 325.26, 0.09%, 0.43%

LAB 44.5, 9.65, -3.36

 

CMYK 61 / 0 / 72 / 33

HEX #42AB30

RGB 66 171 48

HSL 111.22, 0.56%, 0.43%

LAB 62.08, -52.96, 51.67

 

CMYK 72 / 0 / 64 / 33

HEX #30AB3E

RGB 48 171 62

HSL 126.83, 0.56%, 0.43%

LAB 61.74, -55.32, 45.36

 

CMYK 72 / 0 / 44 / 33

HEX #30AB5F

RGB 48 171 95

HSL 142.93, 0.56%, 0.43%

LAB 62.15, -50.54, 29.67

 

CMYK 72 / 0 / 25 / 33

HEX #30AB80

RGB 48 171 128

HSL 159.02, 0.56%, 0.43%

LAB 62.77, -43.74, 12.65

 

CMYK 72 / 0 / 6 / 33

HEX #30ABA0

RGB 48 171 160

HSL 174.63, 0.56%, 0.43%

LAB 63.58, -35.45, -4

 

CMYK 72 / 0 / 43 / 58

HEX #1E6A3C

RGB 30 106 60

HSL 143.68, 0.56%, 0.27%

LAB 39.43, -34.4, 19.3

 

CMYK 72 / 0 / 43 / 46

HEX #278A4E

RGB 39 138 78

HSL 143.64, 0.56%, 0.35%

LAB 50.87, -42.38, 24.14

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 70 / 0 / 42 / 22

HEX #3CC874

RGB 60 200 116

HSL 144, 0.56%, 0.51%

LAB 71.91, -55.74, 31.48

 

CMYK 56 / 0 / 33 / 18

HEX #5CD18B

RGB 92 209 139

HSL 144.1, 0.56%, 0.59%

LAB 75.91, -48.78, 25.01

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 72 / 42 / 0 / 33

HEX #3063AB

RGB 48 99 171

HSL 215.12, 0.56%, 0.43%

LAB 41.99, 7.87, -43.56

 

CMYK 0 / 72 / 71 / 33

HEX #AB3032

RGB 171 48 50

HSL 359.02, 0.56%, 0.43%

LAB 39.58, 49.8, 28.42

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 44 / 72 / 0 / 33

HEX #5F30AB

RGB 95 48 171

HSL 262.93, 0.56%, 0.43%

LAB 32.89, 47.71, -58.08

 

CMYK 0 / 44 / 72 / 33

HEX #AB5F30

RGB 171 95 48

HSL 22.93, 0.56%, 0.43%

LAB 48.33, 26.99, 39.49

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 72 / 42 / 0 / 33

HEX #3063AB

RGB 48 99 171

HSL 215.12, 0.56%, 0.43%

LAB 41.99, 7.87, -43.56

 

CMYK 0 / 72 / 28 / 33

HEX #AB307B

RGB 171 48 123

HSL 323.41, 0.56%, 0.43%

LAB 41.54, 56.31, -14.42

 

CMYK 0 / 30 / 72 / 33

HEX #AB7730

RGB 171 119 48

HSL 34.63, 0.56%, 0.43%

LAB 54.1, 13.56, 45.63

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 72 / 64 / 0 / 33

HEX #303EAB

RGB 48 62 171

HSL 233.17, 0.56%, 0.43%

LAB 31.84, 32.12, -59.97

 

CMYK 0 / 72 / 28 / 33

HEX #AB307B

RGB 171 48 123

HSL 323.41, 0.56%, 0.43%

LAB 41.54, 56.31, -14.42

 

CMYK 0 / 9 / 72 / 33

HEX #AB9C30

RGB 171 156 48

HSL 52.68, 0.56%, 0.43%

LAB 63.88, -6.85, 55.52

 

Description

Color code: HEX #30AB61 | qconv.com Color code: HEX #30AB61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 171 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 171 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 43 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 43% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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